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    <lastmod>2025-10-31</lastmod>
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    <loc>https://www.htiopenplaza.org/content/sanctuary-people</loc>
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    <lastmod>2025-10-29</lastmod>
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      <image:title>content - Sanctuary People - Make it stand out</image:title>
      <image:caption>María Magdalena Campos-Pons, Constellation, 2004, instant color prints, each print: 24 x 20 in. (61.0 x 50.8 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.23A-P, © 2004, María Magdalena Campos-Pons</image:caption>
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    <image:image>
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      <image:title>content - Sanctuary People - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.htiopenplaza.org/content/prayers-for-the-new-year-ii</loc>
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    <lastmod>2025-05-06</lastmod>
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      <image:title>content - Prayers for the New Year II - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - Prayers for the New Year II - Make it stand out</image:title>
      <image:caption>Untitled, Styria, 11, August 2016</image:caption>
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    <loc>https://www.htiopenplaza.org/content/siempreviva-ceremony</loc>
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    <lastmod>2025-05-06</lastmod>
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      <image:title>content - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>In this photo are the two plants, an element of the play’s set, designed by Arnulfo Maldonado. Photo courtesy of Quiara Alegría Hudes</image:caption>
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    <image:image>
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      <image:title>content - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Photo courtesy of Quiara Alegría Hudes</image:caption>
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    <image:image>
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      <image:title>content - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2686e890-2e6c-42f1-a67f-47b53d2021ba/91D-kRZkwTL._SL1500_.jpg</image:loc>
      <image:title>content - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>SEMPITERNA-SIEMPREVIVA, 2018. Photo Glas-8</image:caption>
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    <loc>https://www.htiopenplaza.org/content/cultural-memory-from-the-margins</loc>
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    <lastmod>2025-01-23</lastmod>
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      <image:title>content - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Margarita Erazo (first from left). Photo:  Courtesy of Margarita Erazo</image:caption>
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    <image:image>
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      <image:title>content - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Ruins of a leprocomio (leprosarium), a hospital for leprosy patients, completed in 1883, Islote de Cabras, Palo Seco, Toa Baja, Puerto Rico, 2012. Photo: Norma Arbelo Irizarry</image:caption>
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    <image:image>
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      <image:title>content - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Margarita Erazo (fourth from right). Photo:  Courtesy of Margarita Erazo</image:caption>
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    <lastmod>2025-05-06</lastmod>
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      <image:title>content - Walking You Home - Make it stand out</image:title>
      <image:caption>Marisol Escobar, The Party, 1965-66,  Dr. Halona Norton-Westbrook, Toledo Museum of Art and Dr. Steven Zucker, in Smarthistory, April 6, 2019, https://smarthistory.org/marisol-party/.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/self-portrait-in-the-zone-of-silence</loc>
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    <lastmod>2025-05-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cfefd54b-0e86-4991-9a54-30cf6b8150b4/Self-Portrait+in+the+Zone+of+Silence+COVER.jpg</image:loc>
      <image:title>content - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/edcff8e0-8a75-4239-9a89-d2048f3ba883/SAAM-2013.46.3_1.jpg</image:loc>
      <image:title>content - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Perro Cósmico for Summer, ca. 1981, acrylic on paper, 15 1/2 x 20 in. (39.4 x 50.8 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00b9aae4-1300-4793-be0a-d9c4b715909a/SAAM-2013.46.2_1.jpg</image:loc>
      <image:title>content - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Untitled, ca. 1965, mixed media on canvas, 13 1/2 x 13 1/2 in. (34.3 x 34.3 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f2f234d-cf8d-4baa-bba8-870732eaae64/SAAM-2013.46.1_1.jpg</image:loc>
      <image:title>content - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Untitled, ca. 1960, acrylic on paper, 10 x 13 in. (25.4 x 33.0 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.1</image:caption>
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    <loc>https://www.htiopenplaza.org/content/prayers-for-the-new-year</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/419a9c8b-2109-41f9-9421-a5af85c6ed70/Stardust-8.jpg</image:loc>
      <image:title>content - Prayers for the New Year - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7522918-dea7-4567-a8d6-3d99d76b70d8/Stardust-7.jpg</image:loc>
      <image:title>content - Prayers for the New Year - Make it stand out</image:title>
      <image:caption>Untitled, Styria, #11, August 2016</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/landing-a-dove</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-02</lastmod>
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      <image:title>content - Landing a Dove - Make it stand out</image:title>
      <image:caption>Carl Newman, Spirit of Christmas, ca. 1915-1920, oil and tempera on fiberboard, four panel screen, 67 x 23 in. (170.2 x 58.4 cm.) each, Smithsonian American Art Museum, Gift of Anna McCleery Newton, 1971.88</image:caption>
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    <loc>https://www.htiopenplaza.org/content/dispatch-reflections-on-a-trip-to-the-border</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
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      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Father Roy reading from his bible for his 6 AM mass at La Lomita Chapel, a historic 19th century site along the Rio Grande with no electricity. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1734412245828-9YAZSWSKHHABJFQS76CE/image.jpg</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Crested Caracara, also known as the Mexican Eagle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9dc1d6a-c3e3-4c31-b532-afaa30d63ee4/IMAGE%2B3%2Bbienvenidos%2B.JPG</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Migrant children playing after lunch in the main courtyard of Casa del Migrante. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc1202ec-0856-42b9-869b-d5d95a4cc9a9/Clemente_BuildingLogo_colors_WarmWhite.png</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6f9e3ca7-3168-4548-8a1e-3dc198326ade/Image%2B4%2BHaircut.JPG</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Samir, a Nicaraguan barber seeking asylum, gives a haircut to Jose Antonio, who is escaping violence from El Salvador. Both are temporary residents at Casa del Migrante in Reynosa, Tamaulipas, MX. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Don Pedro Jaramillo Shrine. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1734416050341-VHKP1CGP3MXQV55X4IBW/IMAGE%2B6%2BDon%2Bpedro%2Bshrine%2Bnotes.JPG</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Prayers left at Don Pedro Jaramillo Shrine seeking protection. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/053d6d66-15ca-4ac6-a334-e4e36c00e6e7/IMAGE%2B1.JPG</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Century plant flowering stalk, a native Texas agave, nearing its end of life. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1b3d6c0d-4ded-4d21-9eac-7d12a4a372d5/Image%2B2.JPG</image:loc>
      <image:title>content - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>A small portion of the border wall near the Reynosa-Hidalgo International Bridge crossing. October 2024. Photo by Cinthya Briones Santos</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/inclusivity-and-institutional-change-in-education</loc>
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    <lastmod>2024-12-13</lastmod>
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      <image:title>content - Inclusivity and Institutional Change in Education - Make it stand out</image:title>
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      <image:caption>Suppenbrunnzer, Dove of the Holy Spirit, wood and paper in a glass ball, 2014 and 2018. Wellcome Images and WikiMedia Commons</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - Words Chosen        for the Wall - Make it stand out</image:title>
      <image:caption>Stellar Cave II, Julien Salaud, Installation made entirely of screws and thread inspired by prehistoric paintings in France's Lascaux Caves, Singapore Art Museum @ 8Q, Queen Street, 2013. Photo: Choo Yut Shing</image:caption>
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      <image:title>content - Words Chosen        for the Wall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.htiopenplaza.org/content/home-among-the-clouds</loc>
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      <image:caption>Ciudad Perdida, Colombia, 2006. Photo: Raphael Chay</image:caption>
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      <image:caption>Sierra Nevada de Santa Marta, 2019. Claude Dopagne</image:caption>
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    <loc>https://www.htiopenplaza.org/content/la-iglesia-que-migra</loc>
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      <image:caption>Altar Frontal with Doves (1450-1461), Casa Museo de Milano, medium: silk, silver, silver gilt, velvet weave, height: 90m, Source: m (3.54in) width: (240mm (9.44in), Fondazione artistica Poldi Pezzoli “Onlus,” 2013, Museo Poldi Pezzoli. Image and caption source: Wikimedia Commons</image:caption>
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    <loc>https://www.htiopenplaza.org/content/what-does-it-mean-to-be-pub-church</loc>
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    <lastmod>2024-11-20</lastmod>
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      <image:caption>The Red Bank Wine Tavern, Duke Street, Dublin, 2018. Photo: David Mackey</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/the-murmuring-grief-of-the-americas</loc>
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    <lastmod>2024-11-07</lastmod>
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      <image:caption>E. McKnight Kauffer, Three Tulips, (1943) brush and gouache, 45 × 33.6 cm (17 11/16 × 13 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, 1997-134-14.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Deepwater Horizon Oil Spill, Mobile, Alabama,  (May 6, 2010), Aerial images of the Deepwater Horizon oil spill taken from a  US Coast Guard HC-144 aircraft. The flight was conducted primarily for media support and to plot the locations of the Deepwater Horizon oil spill. Defense Visual Information Distribution Service, US Navy. Photo by Michael B. Watkins, Mass Communication Specialist First Class.</image:caption>
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      <image:title>content - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Gastón Orellana, Radar Station,1981, oil and ink on canvas 17 5/8 X 23 3/8 in. (44.8 X 59.4 cm), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 86.3500.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>C. Armstrong, Collector, Cysticercus Tenuicollis Rudolphi, 1810, Invertebrate Zoology, Platyhelminthes, National Museum of Natural History, US National Parasite Collection Date: June 1934, 1340302.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/72477fff-4864-4cfb-b394-dd4d9f035b37/NMAH+-+United+States-Mexico+Border+Fence.jpg</image:loc>
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      <image:caption>United States-Mexico Border Fence, fence, barbed wire, metal (overall material), National Museum of American History, 2009.0242.28</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/262f9b0c-a91c-4074-9cc7-6f659f0f338e/05+-+Lake+Michigan%2C+Scene+131.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Gastón Orellana, Untitled, Hirshhorn Museum and Sculpture Garden,1981, opaque paint and colored pencil on paper 19 13/16 x 27 1/2 in. (50.4 x 69.9 cm), Smithsonian Institution, Washington, D.C., The Joseph H. Hirshhorn Bequest, 86.3504.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/a-blaxican-theology</loc>
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    <lastmod>2024-11-11</lastmod>
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      <image:caption>Gaspar Yanga, el Libertador de Yanga, el Primer Pueblo Libre de América, Veracruz, México, 1971. Born around 1545, Gaspar Yanga, a descendant of royalty, was captured and sold into slavery in New Spain. Along with enslaved Africans and Indigenous people,Yanga orchestrated a significant resistance against Spanish colonial rule in the mountains of Veracruz from 1570 to 1609. The establishment of the city of Yanga stands as a testament to their struggle for freedom, marking it as the first free town in the Americas and cementing Yanga’s legacy as a symbol of resistance and autonomy. Photo: 2008, Erasmo Vásquez Lendechy. Template: Ivanna Azamar Vásquez.</image:caption>
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    <loc>https://www.htiopenplaza.org/content/embodying-the-fruits-of-the-mind</loc>
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    <lastmod>2024-10-29</lastmod>
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      <image:caption>Mikalojus Konstantinas Čiurlionis, Sonata No. 6, Stjernernes sonate. Allegro (Sonata No. 6, Sonata of the Stars. Allegro), 1908, 72.2 x 61.4 cm, National MK Čiurlioni Art Museum. Source/photographer: Villy Fink Isaksen, 2016. Image and caption Source: Wikimedia Commons</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1718293163354-ILEAZ5RL4NLHN4E4SN0V/978-1-4780-1175-0_pr.jpg</image:loc>
      <image:title>content - Academic Publishing - 978-1-4780-1175-0_pr.jpg</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-power-of-contemplative-practice-in-the-spirit-of-convivencia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/22c9b53f-2b1d-4c21-90bd-5322cb384748/SAAM-2014.44_1.jpg</image:loc>
      <image:title>content - The Power of Contemplative Practice in the Spirit of Convivencia - Make it stand out</image:title>
      <image:caption>Carlos Almaraz, I Dreamed I Could Fly, 1986, pastel on paper, 44 × 30 in. (111.8 × 76.2 cm), Smithsonian American Art Museum, Gift of Margery and Maurice H. Katz, 2014.44, © 1986, Carlos Almaraz Estate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/doors-open-to-an-ecumenical-vision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/feb189e4-4498-4abf-8466-3301b594f596/pexels-kosta-18483119.jpg</image:loc>
      <image:title>content - Doors Open to an Ecumenical Vision - Make it stand out</image:title>
      <image:caption>Photo by kosta karampelas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/immigrant-communities-meet-at-the-crossroads-of-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7a2839eb-a298-42c1-ae58-8b955b553c4f/SAAM-1983.95.202_1_screen.jpg</image:loc>
      <image:title>content - Immigrant Communities Meet at the Crossroads of Theology - Make it stand out</image:title>
      <image:caption>Henry Ossawa Tanner, Flight into Egypt, ca. 1916-1922, oil on wood, 16 7/8 x 16 7/8 in. (43.0 x 43.0 cm), Smithsonian American Art Museum, Gift of Mr. and Mrs. Norman Robbins, 1983.95.202</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/optalks-smithsonian-nmal</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6523687-e753-40df-b2e8-c5f17a8c2319/NMAL+screenshot.png</image:loc>
      <image:title>content - La Gente’s Museum - Make it stand out</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/59b07527-d2a6-400a-91e8-4a21a5c37b54/Pinback+button+for+the+People%27s+Church_NMAAHC.jpeg</image:loc>
      <image:title>content - La Gente’s Museum - Make it stand out</image:title>
      <image:caption>Pinback button for the People's Church / Iglesia De La Gente, 1969; ink on paper with metal and plastic. In 1969, The Young Lords Party occupied The First Spanish Methodist Church in New York City after a minister refused the organization a space to work. The Young Lords called it the People's Church / Iglesias De la Gente to serve 3,000 community members. After 11 days, police forcibly removed the activists from the church and arrested a hundred people. Source: Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/smithsonian-nmal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/143f0373-2dad-4496-93d5-dd41bc858563/museumicons-800.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Viajando con Mis Raíces (Traveling with My Roots). Samuel Miranda, 2010. Loan from Samuel Miranda. Photo: Morgan Fischer/Cronkite News (for more stories from Cronkite News, visit cronkitenews.azpbs.org).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a80385e5-c644-4016-99fc-1e53241f4ddc/The+Poet+X_Acevedo.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Acevedo, Elizabeth. The Poet X. Quill Tree, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/59b07527-d2a6-400a-91e8-4a21a5c37b54/Pinback+button+for+the+People%27s+Church_NMAAHC.jpeg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/810a69fb-3951-427f-a7bb-f46b8c7850f2/Black-Cuban-Black-American.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Grillo, Evelio. Black Cuban, Black American: A Memoir. Arte Público Press, 2000. Book cover photo of the Grillo family, 1920 (from left): Sylvia, Raul, Evelio (seated in mother's lap), Amparo (mother), Henry, and Anival.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1ab7ae6c-e085-4df4-b986-7d1d0bbf6826/Screenshot+2023-11-11+at+10.21.51%E2%80%AFAM.png</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>“Claudia De la Cruz.” Somos , 2021. Directed by Alberto Ferreras for the National Museum of the American Latino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8f3fa1a2-1c4b-43a0-8644-ea5dff7b0207/Teresa+Ruelas+display_NMAL.png</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90cbc1c5-36d1-4311-9cfe-5c9ce7c2f864/Padre+Varela_and_divination+tray_NMAL.png</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>32c Padre Varela single stamp © 1997. © United States Postal Service, reproduction courtesy of the Smithsonian National Postal Museum. | Opon Ifá divination tray. Adrian Castro, 1999. Loan from Adrian Castro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2b5f21c2-538c-4ab4-b676-63faaaa4f851/Immigration+display-crucifix-photo-dress_NMAL.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6523687-e753-40df-b2e8-c5f17a8c2319/NMAL+screenshot.png</image:loc>
      <image:title>content - “Making History Together”</image:title>
      <image:caption>Virtual-tour image capture of “Case 1- Colonial Legacies,” part of the Molina Family Latino Gallery exhibit ¡Presente! A Latino History of the United States, National Museum of the American Latino, November 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3af9e337-e7ac-4304-baf4-b17f27631e84/NMAL_sign-800.jpeg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Photo: Morgan Fischer/Cronkite News. For more stories from Cronkite News, visit cronkitenews.azpbs.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ae5a5a7e-321a-435d-8a7a-69d9cebd66c7/Danse+des+Californiens.jpeg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Danse des Californiens [Dance of native Californians at San Francisco de Assis Mission, California] (1816) by Russian artist Ludwig Choris. “Group of Indians holding spears and wearing native dress dance in front of large gathering in yard before Mission Dolores; church façade and other buildings in background…Date based on Otto von Kotzebue Expedition visit to California in 1816.” Painting on paper: watercolor and pencil 17.7 x 29.4 cm. Source: UC Berkeley, Bancroft Library [1963.002:1312-FR].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/234f35e0-b98d-4e54-aeb7-108721941228/divination-tray_X70.646.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Divination Tray (Opon Ifa) [19th century]. From the Yoruba people in Efon, Nigeria, West Africa, 1960. [Diameter: 14.9 in.] Loan from Fowler Museum at UCLA, Gift of the Ralph B. Lloyd Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/581e24cf-9a85-481b-9b44-cbd225259449/Altar+screen+finial+SMAH.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Altar screen finial from Our Lady of Guadalupe mission church, Santa Fe, NM, 1775–99. NMAH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3f0fa193-1814-4c09-9683-291a187393bb/Retablos_NMAL.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24465229-c731-4e15-869a-cb2d5a9d9183/SAAM-1996.91.12_Pi%CC%81o+Casimiro+Bacener_Autorretrato.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Autorretrato (Self-Portrait). Pío Casimiro Bacener, 1894 [oil on wood, 11 7⁄8 x 9 3⁄4 in.]. Loan from SAAM, Teodoro Vidal Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a68a7f89-9698-49ab-ab02-0bb919f206f6/SAAM-1998.94A-D_1.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Charles M. Carrillo, Devoción de Nuevo México/Devotion of New Mexico, 1998, gesso and natural pigments on pine, 96 1/2 x 60 x 21 3/4 in. Smithsonian American Art Museum, Museum purchase made possible by William T. Evans and the Smithsonian Institution Collections Acquisition Program, 1998.94A-D, © 1998, Charles M. Carrillo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5cd10fa-953c-401c-b1c6-b0e066edec20/Margil-Espinosa.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Engraving of Father Antonio Margil from The Exemplary Life of the Venerable Father Friar Antonio Margil de Jesus (Colegio de la Santa Cruz, 1737) by Isidro Felix de Espinosa. Source: John Carter Brown Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/31f3eb76-e16b-4e18-bb99-d98c3b42679d/SAAM-1996.91.57_1_Santa+Barbara.jpg</image:loc>
      <image:title>content - “Making History Together” - Make it stand out</image:title>
      <image:caption>Santa Barbara. 1700s CE [carved and painted wood, 9 1⁄4 x 3 7⁄8 x 3 3⁄4 in.]. Loan from SAAM, Teodoro Vidal Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/mujerista-theologys-divine-resistance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63bcfc11-d4a4-4fd1-9194-43a9558dd6d3/La_Sen%CC%83ora_de_Cao.JPG</image:loc>
      <image:title>content - Mujerista Theology’s Divine Resistance - Make it stand out</image:title>
      <image:caption>Réplica de la Señora de Cao, Cultura Moche [Replica of the Lady of Cao, Moche Culture], Departamento de La Libertad, Peru, 2007. Photo: Manuel González Olaechea y Franco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/optalks-insurrectionist-wisdoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
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      <image:title>content - Insurrectionist Wisdoms - Make it stand out</image:title>
      <image:caption>Rigo 23, Autonomous InterGalactic Space Program, 2009-present (ongoing), exhibited as part of Mundos Alternos: Art and Science Fiction in the Americas, (April 7 - August 18, 2019). Photo courtesy Queens Museum, credit Hai Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0ed36fe-edf7-483b-ad6b-1d975d273b9f/81Ib-wzziEL._SL1500_.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/opwrites-insurrectionist-wisdoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725042754591-17BQ94W9SGQ9NI8DZK9S/Autonomous+InterGalactic+Space+Program.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Rigo 23, Autonomous InterGalactic Space Program, 2009-present (ongoing), exhibited as part of Mundos Alternos: Art and Science Fiction in the Americas, (April 7 - August 18, 2019). Photo courtesy Queens Museum, credit Hai Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e54bce4-a111-41cb-be02-7ae692791c38/juan-pablo-flores-padilla--EK0TG71D1s-unsplash.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Brown Wooden Logs on Green Grass Field near Lake during Daytime, Lagunas de Montebello National Park, San Cristóbal de las Casas, Chis., Mexico, 2020. Photo: Juan Pablo Flores Padilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2823374e-b639-4538-8fe0-93ec18425bc1/15322998658_b5c0b99113_k.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Sculpture of Mexic Goddess Chicomecoatl with Ears of Corn, Museum of Anthropology, Mexico City, Mexico, 2014. Photo: Adam Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d4315802-ba8e-4e94-bc7a-03efe74cf30b/1280px-Mun%CC%83ecas_zapatistas.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Muñecas elaboradas en comunidades autónomas zapatistas en la venta en el segundo festival de cine “Puy Ta Cuxlejaltic,” 2019. [Dolls made in autonomous Zapatista communities on sale at the second “Puy Ta Cuxlejaltic” film festival, Mexico, 2019.] Photo: Xolotl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5c7f289c-35d6-4926-b17f-000dec2c4428/Book+Lecture+HTI_Page_10_Image_0001.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Catedral, Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725056784072-LGRW7I40S4Z9E161AELP/Book+Lecture+HTI_Page_06_Image_0001.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725056784099-UYKJ8TWLH5IPZKG7ZD8O/Book+Lecture+HTI_Page_06_Image_0002.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725056784873-8DGWE7S9RJSZO2FJLCEO/Book+Lecture+HTI_Page_06_Image_0003.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Image of Chaac, Uxmal, Yucatán, México, November 2016. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053544274-JY8GA171ZHA0IV3I9WQZ/Book+Lecture+HTI_Page_03_Image_0002.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053544949-PXWNFM2K70LSBKP3DLKG/Book+Lecture+HTI_Page_03_Image_0004.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053545743-56Z86ETC32GLJ7R3JLA4/Book+Lecture+HTI_Page_03_Image_0006.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Lxs Hijxs de Maíz, (2018) by Marlene M. Ferreras, pencil, Redlands, Ca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/42e83913-4175-4fb8-a46e-edd160ed0f3a/QM-2019MundosAlternos.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725056390811-Q8NGTZ7N97U3DW83ZZV7/Book+Lecture+HTI_Page_05_Image_0001.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8133187f-20fb-4478-839e-2f97022a99a3/Empiezan_las_historias%28Popol_vuh%29.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Empiezan las Historias, Title page of oldest known Popol Vuh manuscript. Source: Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0ed36fe-edf7-483b-ad6b-1d975d273b9f/81Ib-wzziEL._SL1500_.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/51faa27b-bc3c-43fe-b191-e8aaf4c12bd1/Book+Lecture+HTI_Page_07_Image_0001.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology - Untitled, March 2020, maquila en China, Diario El Mundo</image:title>
      <image:caption>Maquila in China, March 2020 Source: Diario El Mundo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725060810857-X5BWLP6PRXMZY8BVBEV8/Book+Lecture+HTI_Page_08_Image_0002.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Caracol de Morelia, Chiapas, México, March 2018. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725060810900-MRXRNDH6203PTBA98VTD/Book+Lecture+HTI_Page_08_Image_0003.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>A tattoo of the god/goddess of maíz. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053545716-TU4E05KVMLXGVF5YKMLZ/Book+Lecture+HTI_Page_03_Image_0005.jpg</image:loc>
      <image:title>content - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Maíz, Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/in-the-presence-of-absence</loc>
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    <lastmod>2025-10-29</lastmod>
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      <image:title>content - In the Presence         of Absence - Make it stand out</image:title>
      <image:caption>Rubber Plant, Ficus elastica, a species of Fig Trees. Parque Ecológico, Campinas, Brazil, 2012. Photo: rafaelsoares</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1671066555233-03P68IRHCLT6ZE0P2V2L/money-savings-piggy-white-c94a6b240c45669b801d78280a6c2d2c.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/the-eaters-of-flowers</loc>
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    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fb33ebc0-204d-43e9-a773-9b4030aa1b42/5599797410_b77053fc38_o.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Dew.Deux. Colleyville, Texas. Photo: DeeAshley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/14e100ed-3e07-4540-879a-3fdf21ea5a4f/8635370082_bfef4ed719_o.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Prosopis torquata: The tangled beans of the mesquite known as Tintitaco. Photo: Dick Culbert</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a73df6d3-ae7e-44cf-a1ec-7320ab2f71ac/mesquite-seed-pods-7ad2eb.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Mesquite Seed Pods. Photo: National Parks Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38223eea-5133-41ac-b4dc-b3ab1faf6eb0/cholla_cactus_skeleton_by_mistakeablyme_d3i7s1f-fullview.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Cholla Cactus Skeleton. Photo: mistakeablyme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8ee6e0e-1946-402a-8041-ceaeab14493e/Ocotillo_%28Fouquieria_splendens%29-saam_1970.355.733.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Ocotillo. Watercolor by Mary Vaux Walcott, Smithsonian American Art Museum. Photo: Lea Christiano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2698cb1b-b212-45f2-a076-85799382cfaf/pexels-eugene-golovesov-1810803-19824418.jpg</image:loc>
      <image:title>content - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Photo: Eugene Golovesov</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - the eaters of flowers - 71z7HBxkwTL._SL1360_.jpg</image:title>
    </image:image>
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      <image:title>content - the eaters of flowers - 715pdzXKLWL._SL1360_.jpg</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-land-indigenous-communities-and-their-church</loc>
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    <priority>0.5</priority>
    <lastmod>2024-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b050673-2b0d-4c58-a119-c6edeb607682/SAAM-2021.30.2_1.jpg</image:loc>
      <image:title>content - The Land, Indigenous Communities, and Their Church - Make it stand out</image:title>
      <image:caption>Kay WalkingStick, With Love to Marsden, 1995, oil and acrylic paint, wax, glitter on canvas, left panel: 32 1/4 × 32 1/4 in. (81.9 × 81.9 cm) right panel: 32 1/8 × 32 1/8 in. (81.6 × 81.6 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2021.30.2, © Kay Walkingstick, 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/articulating-public-theologies</loc>
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    <lastmod>2024-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3a2c4cc4-0e47-4c40-add4-0c947e4c4dee/9780226819167.jpg</image:loc>
      <image:title>content - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c805fa68-9787-49ce-8ca4-9c039dbacc8d/pexels-paco-alonso-108387340-9582413.jpg</image:loc>
      <image:title>content - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Photo by Paco Alonso</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bf5ca114-6b1b-412d-8f2e-4fdf21396f73/pid_36003.jpg</image:loc>
      <image:title>content - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-translators-daughter</loc>
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    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5bca0553-a2c7-46b5-a8ae-49775bb3f366/FRONTCOVER_prasad_low-res_rgb.jpeg</image:loc>
      <image:title>content - The Translator's Daughter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c89988f9-8b03-46c5-9151-e899b5a694f1/FujishimaTakeji-1934-Sunrise%28Sunrise_in_Taiwan%29.png</image:loc>
      <image:title>content - The Translator's Daughter - Make it stand out</image:title>
      <image:caption>Sunrise in Taiwan (1934)  by Fujishima Takeji. Oil on canvas. Source/Photographer: 「日本現代美術全集 7 青木繁・藤島武二」集英社、1972年 [Complete Works of Japanese Contemporary Art 7 Shigeru Aoki and Takeji Fujishima (Shueisha, 1972)]. Image and caption source: Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-revolutionary-faith</loc>
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    <lastmod>2024-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9e1d15c8-21d3-490f-96e0-d75e0cbf4801/41265954590_50978f497b_k.jpg</image:loc>
      <image:title>content - A Revolutionary Faith - Make it stand out</image:title>
      <image:caption>Chimbote's Festival de San Pedrito, in devotion to the patron saint of fishermen, Chimbote, Perú, 2018. A month before the 1968 Second Episcopal Conference of Latin America (CELAM II) in Medellín, Colombia, Gustavo Gutiérrez delivered his germane talk to priests and laity entitled "Toward a Theology of Liberation" in the city of Chimbote. Photo: Presidencia Perú</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/en-memoria-natividad-duran</loc>
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    <lastmod>2024-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7c053672-676c-40ea-a80d-773b8a4c95e5/70372159_4e0499f9c5_o.jpg</image:loc>
      <image:title>content - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Foto: faxpilot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8ee367b3-fe6b-4247-9073-9722754780f9/Nati+grad+party.jpeg</image:loc>
      <image:title>content - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Natividad Durán, recién graduada de la Universidad de Concordia con una maestría en Educación Infantil/Educación Especial, celebra en familia, Brooklyn, NY, mayo 2021. Izquierda a derecha: Gertrudis Durán (hermana), Elías Durán  (hermano), Yogi Rosario, Ela Durán (sobrina), Natividad Durán, Amantina Durán (madre), Estéban Durán (hermano) y Miriam Durán (hermana)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a0b4c5a-1f2f-4ef3-953f-a660a8881962/Nati+gradeschool.jpeg</image:loc>
      <image:title>content - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Natividad Durán, alumna de Nuestro Salvador [Our Saviour], la escuela parroquial de la Iglesia Transfiguración, y de la guardería Nuestros Niños a principios de la década de 1970, Brooklyn, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/pueblo-de-la-fe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1719984333045-1LBZM0HTDGZME1BHP5W5/1024px-Gold-gold_venezuela_meieran1.jpg</image:loc>
      <image:title>content - Pueblo de la Fe - 1024px-Gold-gold_venezuela_meieran1.jpg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1719984345469-VRAA13U3EGF9FDJM18FV/1024px-Gold-gold_venezuela_meieran2.jpg</image:loc>
      <image:title>content - Pueblo de la Fe - 1024px-Gold-gold_venezuela_meieran2.jpg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ea8637a8-5027-4391-87c9-1a139b03eeff/Esqueibo+camping.jpeg</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>“Camping en el Essequebo, camino a Diggings, Guyana Británica.” Fuente: The Caribbean Memory Project</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ad0aefbf-6f1e-45bf-acbe-08cd39fdf07c/362100114_5ef33e7ce9_o.jpg</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Cataratas Kaieteur sobre el río Potaro, Parque Nacional Kaieteur, Esequibo, Guyana, 2007. Foto: Cody Hinchliff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95203c82-1930-4973-9f5d-9714a3469525/muisca-tunjo-2507.jpg</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Un tunjo (ofrenda votiva) muisca (1200-1600 d.C.) que muestra el mito de El Dorado, según el cual, en la ceremonia de coronación, un hombre cubierto completamente en oro se sumerge en las aguas de la laguna de Guatavita como ofrenda a los dioses. Museo de Oro, Bogotá, Colombia, 2013. Foto: Ignacio Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81960b5c-0ed6-46a3-b283-9a2d514b8a62/collection-of-gold-as-tribute-codex-tepetlaoztoc-16170.png</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Una página del Códice Tepetlaoztoc de 1554 ilustrando la recaudación de tributos de oro en el valle de México entre Tezcoco y Otumba por parte de las autoridades coloniales españolas en Nueva España (México). Fuente: Museo Británico, Londres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c606da48-f7f4-4a16-9a5b-a3d8b6a3b94e/los-ofidios-venenosos-del-cauca-6260741362-105806.jpg</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Grabado 1 de Los ofidios venenosos del Cauca: métodos empíricos y racionales empleados contra los accidentes producidos por la mordedura de esos reptiles (1896) de Evaristo García, ilustrando la serpiente Bothrops atrox, también conocida como mapanare (Venezuela), pelo de gato (Colombia), equis (Ecuador, Panamá), yoperojobobo (Bolivia), jararaca (Brasil) y barba amarilla. Fuente: Biodiversity Heritage Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b23fd639-c582-4b5f-b344-85066c459e05/Oro+diablo.png</image:loc>
      <image:title>content - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Fotograma de Oro diablo (2000), película dirigida por Joseph Novoa y seleccionada como presentación oficial venezolana a los premios Oscar 2001 en la categoría Mejor Película en Lengua Extranjera. Fuente: IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/on-becoming-wise-together</loc>
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    <lastmod>2024-07-04</lastmod>
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      <image:title>content - On Becoming Wise Together - Make it stand out</image:title>
      <image:caption>Photo by TBD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/from-prof-to-admin</loc>
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      <image:title>content - From Prof to Admin - Make it stand out</image:title>
      <image:caption>Photo by Bruno Scramgnon</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/border-radio</loc>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>August 1973 cover of Action!, the bi-weekly magazine founded by Rev. Ike. Courtesy (photo and audio): Border Radio Research Institute</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d1b975d2-e547-47a1-9b88-c50035067c53/700+BOBOPH+++Lester+roloff+-+Copy.jpg</image:loc>
      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>“Lester Roloff givin’ ‘em what-for at a mid-1970s rally in Austin to protest the state’s insistence that his homes for troubled youths be licensed” (Border Radio). Photo: Gene Fowler</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Rev. J.C. Bishop (on crutches) and his “prayer band” pray over mail from radio listeners, Dallas, Texas, late 1940s. Photo: Harry Pennington, The Saturday Evening Post (“The Border Radio Mess,” 25 September 1948)</image:caption>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Wilbert Willis Holley, a.k.a ‘Mel-Roy the Mystic Wonder’. Courtesy: Border Radio Research Institute</image:caption>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Transmitter building of XER, the self-described "Sunshine Station between the Nations," located at Villa Acuña, Coahuila, Mexico across the Rio Grande from Del Rio, Texas, shown c. 1931. Owned by American showman and quack doctor John R. Brinkley, XER was the first high-powered "border-blaster" radio station. Photo: Lippe Studio. Source: Library of Congress</image:caption>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Publicity shot of border radio preacher Rev. Ike. Courtesy: Border Radio Research Institute</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68dbb410-de42-40b7-99ea-2f9cc171ac7b/91+sam+++Gene+T+stills+Sam+Morris+XEG+book.jpg</image:loc>
      <image:title>content - Border Radio - Make it stand out</image:title>
      <image:caption>Cover of a Prohibition-era booklet titled “The Voice of Temperance: Militant Crusader Against the Liquor Traffic,” depicting Texas Baptist Rev. Sam Morris (a.k.a. the “Booze Buster”) and the XEG (today known as La Ranchera de Monterrey) border blaster radio station in Monterrey, Nuevo León, Mexico. Courtesy: Border Radio Research Institute</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/sor-juana-ines-de-la-cruz</loc>
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    <lastmod>2024-06-13</lastmod>
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      <image:title>content - Sor Juana Inés de La Cruz - Make it stand out</image:title>
      <image:caption>“Sor Juana Ines de la Cruz [Mexico: 3|4],” 2015. Illustration: MikeMAMD on DeviantArt</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24247d24-9fbe-466e-bc64-28ac74f87b60/Retrato_de_sor_Juana_Ines_de_la_Cruz_Convento_de_Santa_Paula_Sevilla-scaled-aspect-ratio-650-430-4.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/nuestro-llanto</loc>
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    <lastmod>2024-06-06</lastmod>
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      <image:caption>“Rainbow and Bird.” Photo: Charles Tilford</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/opened-by-the-world</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-06</lastmod>
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      <image:title>content - Opened by the World - Make it stand out</image:title>
      <image:caption>“ If the world had an eye.” Image: SomatArt</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f22498b6-dcd9-4352-a64a-c4a5b793d53e/Wonder+as+a+New+Starting+Point+for+Theological+Anthropology.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/engaging-the-old-testament</loc>
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    <lastmod>2024-05-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ff653b31-4de0-49ff-ae6a-7d358847ee3e/Creation-Museum.jpg</image:loc>
      <image:title>content - Engaging the Old Testament - Make it stand out</image:title>
      <image:caption>Visitors view an Old Testament exhibit at the Creation Museum, Petersburg, Kentucky, 2011. The museum “promotes the pseudoscientific young Earth creationist (YEC) explanation of the origin of the universe and life on Earth based on a literal interpretation of the Genesis creation narrative of the Bible” (Wikipedia). Photo: Ellen Meiselman</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/atlas-obscura</loc>
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    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95e35cbb-8bb2-4e09-bdda-0030672130e7/atlas-obscura+logo.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2f716d1-f5c2-476f-8719-99c679a4a1d4/512px-Mezquita_Maicao_Colombia_Yuri_Romero_Picon.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Alternating Currents The rise and fall of Venezuela, as seen from a Colombia border city, its grand mosque, and the migrants and converts who worship there. 9/29/19 Mosque of Omar Ibn Al-Khattab, Maicao, Colombia, 2008. Photo: Yuri Romero Picon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ca19110-5da6-441c-9538-b4f064d38f97/2048px-Popina1.jpg</image:loc>
      <image:title>content - Atlas Obscura</image:title>
      <image:caption>Popina Memorial Park monument, Vrnjacka Banja, Serbia, 2015. Designed by architect Bogdan Bogdanovic, the monument “was created to honor the Republic of Uzice, the first sizeable liberated territory within the entire German Reich in 1941…[The monument’s] archetypal forms speak to us about the Revolution and the ideal society, while their orientation relative to the Sun addresses eternal themes of life, death, and sacrifice” (Architectuul). Photo: Vladimir2510986</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/74cab3b0-ff0a-4bfb-bdc0-f5ea7b160b07/Ashima+Krishna+photo.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Sacred Afterlives of Buffalo’s Vacant Churches The best way to preserve a church in a shrinking city is often to convert it to a mosque or temple. 11/4/19 A Buddhist temple in a former Catholic church, Buffalo, NY, 2015. Photo: Ashima Krishna</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2f9e8b15-da23-4df4-b445-74eb86b246b4/Centro+Islamico+de+Honduras_Abu+Ferreira.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>A Visit to the Biggest Little Mosque in Honduras The sky-blue building draws a diverse range of Muslims from hours away. 4/10/18 Members of the Centro Islámico de Honduras, San Pedro Sula, Honduras, 2024. Photo: Abu Ferreira</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8f1ce43e-68ff-4b5e-b196-86c5f28317c7/America%E2%80%94A+Nation+of+One+People+From+Many+Countries+by+Emma+Bourne.jpeg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Powerful 1940 Map That Depicts America as a Nation of Immigrants Produced by the Council Against Intolerance in the lead up to World War II, the map illustrates America’s unique ethnic and religious diversity by erasing state borderlines and showing the nation as one unit. 2/6/17 America—A Nation of One People From Many Countries (1940) by Emma Bourne. Source: Osher Map Library and Smith Center for Cartographic Education</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9e03da0-61cc-4e66-81eb-19a4661513dc/512px-Halfmooncrescent_clippers.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Ghost Story Behind a Bucolic Catholic Retreat Center A brief, true history of West Virginia’s Priest Field and “The Legend of the Wizard Clip.” 11/7/2017 Plaque of half-moon crescent and clippers repeated on several structures around the historic Civil War community of Middleway, West Virginia, 2010. Photo: Kilo22</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6ded7659-339c-4560-91e7-21d96d0d919c/512px-Tierra_santa_5.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Tierra Santa (Argentina) Bible stories are brought to life with gloriously cartoonish kitsch in this South American theme park. 1/13/13 Muro de Los Lamentos (Wailing Wall) at Parque Tierra Santa, Buenos Aires, Argentina, 2009. Photo: Roberto Ettore</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/349e0626-82e5-4450-94e4-487bf619a5b1/Denuncia_a_Pool_Marianela._POPA._2015.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>How a Jesus-Shaped Cake Incurred the Wrath of Argentina The dessert, which was part of an art exhibit, caused an uproar when a politician had a slice. 5/31/18 Scene from BJ: The Life and Times of Bosco and Jojo (2022) of government intervention in a exhibit by Pool &amp; Marianela exhibition, Buenos Aires, Argentina, 2016. Photo: Sblapalma</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cd96d3ff-7976-4ece-9b17-0a777a69bae4/Fid%CC%A3a%CC%84lat+al-Khiwa%CC%84n+recipes.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>How a Librarian and a Food Historian Rediscovered the Recipes of Moorish Spain When Spain was under Muslim rule (ca. 700-1200), Christians and Jews were free to worship and observe their dietary customs in what was known as Convivencia. A new cookbook is a translation of a rare, 13th-century volume. 10/15/21 Pages from Fiḍālat al-Khiwān describe recipes for meatballs, hare, and rabbit. Source: Qatar Digital Library</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bba93a3f-e6e5-4e1d-8f54-612f209f5bf2/512px-Holy_Land_Experience_-_Church_of_All_Nations.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Holy Land Experience (U.S.) A mega theme park-wax museum mélange in Orlando, Florida containing all things biblical. 7/20/15 Church of All Nations at The Holy Land Experience, Orlando, Florida, 2017. Owned by the Trinity Broadcasting Network, the Christian amusement park closed in 2020. Photo: Zfigueroa</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81dcf67d-2315-4d6c-8aa4-870a6c1ca604/512px-Virgen_del_Carmen_-_Paucartambo_Peru.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Sleepy Peruvian Town that Comes Alive Each Year to ‘Please the Virgin’ Demons, jokers, and colonial characters get together to celebrate tradition and faith with a raucous party. 12/13/16 Virgen del Carmen paraded through the town of Paucartambo, Cuzco, Peru, 2009. Photo: Tipene78</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ee897eed-8233-4477-bd51-d8f446fb458b/Santa-muerte-nlaredo2.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Celebrating Life While There’s Still Time Halloween meets Mexico’s Days of Death. 10/20/14 Close-up view of a Santa Muerte south of Nuevo Laredo, Mexico, 2007. Photo: El Comandante</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95e35cbb-8bb2-4e09-bdda-0030672130e7/atlas-obscura+logo.jpeg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/beb5e807-e851-4095-b291-be5490fb84d8/512px-Muro_norte_de_la_Capilla_Abierta_del_Convento_de_Actopan%2C_Hidalgo%2C_Me%CC%81xico._02.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Open Chapel Murals of Actopan (Mexico) These nearly 500-year-old scenes are largely faded by the ravages of time, yet still maintain their power to horrify. 2/22/19 North mural of the Open Chapel of the temple and former convent of San Nicolás de Tolentino in Actopan, Hidalgo, Mexico, 2017. Photo: RubeHM</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36feb2ce-bd4b-40c4-b1e2-a577e2bee837/512px-Santa_Maria_in_Cosmedin_%28Rome%29_Skull_of_St._Valentini_._Valentini.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Practicalities of Transporting a 400-Year-Old Heart How the traveling body parts of saints get through customs. 3/7/17 Reliquary of the alleged skull of St. Valentine at the Santa Maria in Cosmedin church, Rome, Italy, 2012. Photo: AlfvanBeem</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7d9a0a54-4821-4395-a411-f98613b3fc04/A%CC%81ngel_arcabucero%2C_Casabindo.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Decoding the Gun-Wielding Angels of Bolivia The ‘angeles arcabuceros’ morphed from Catholic messengers to symbols of Indigenous independence. 11/30/23 Military angel (ángel arcabucero), artwork by unknown artist, dated 1600-1699, Iglesia de Nuestra Señora de la Asunción, Casabindo, Argentina. Source: ARCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/56cefe7c-76da-4419-8348-65af94ecf4ab/Mujer_vertiendo_chocolate_-_Codex_Tudela.jpg</image:loc>
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      <image:caption>The Chocolate-Brewing Witches of Colonial Latin America The Inquisition persecuted women who used cacao to entice lovers and spurn enemies. 1/27/20 Image of Aztec woman preparing chocolate, from the Codex Tudela. Source: Museo de América</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/51e22406-2501-4450-868b-4da620856ce5/5806238853_b06ef91144_w.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>NYC’s Hidden Meditation Spots (U.S.) Places of pause in a city that never sleeps. 8/20/14 Meditating at Brooklyn Bridge Park, Brooklyn, New York, 2011. Photo: Santos "Grim Santo" Gonzalez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3e004238-f2c0-46f6-9003-d50a7035f716/Cakes_in_form_of_nuns_in_Avila.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>What’s So Special About Monk-Made Food? The enduring appeal of beer, cheesecake, and ferments made at convents and temples. 12/14/21 Cookies in the form of nuns in Avila, Spain, 2015. Photo: Zorro2212</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1030ad74-bfa7-4522-87c6-b2e3a10feed1/nunnery-pachacamac-5195.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Pachacamac (Peru) The remains of what was the most important religious complex in coastal Peru for over a millennium. 1/19/16 A view of the 'Nunnery' building at the sacred Andean site of Pachacamac, south of Lima, Peru, 2005. The 'Nunnery' provided accommodation for female priests and was built by the Incas when they took over the site in the late 15th century CE. Photo: Bruno Girin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4aa47363-e043-41b4-9e20-c41b9ce4e284/512px-Igreja_Matriz_de_Nossa_Senhora_das_Neves_Ilha_de_Mare%CC%81_2018-0270.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Inside a Brazilian Chapel Made Out of Wine During a drought, church-builders mixed their mortar with the local vintage. 1/22/19 Igreja Matriz de Nossa Senhora das Neves (Chapel of Our Lady of the Snows), Ilha de Maré, Salvador, Bahia, Brazil, 2018. Photo: Paul R. Burley</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c896a789-7ecd-4039-b90f-a0bac3b39c83/1600px-300-year-old_ceiba_tree_%28cotton_tree%29%2C_Vieques_-_Flickr_-_Jay_Sturner_%282%29.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>An Ancient Ceiba Tree Blooms Once Again After Puerto Rico’s Devastating Storms The island of Vieques is still struggling after the hurricanes of 2017, but its most famous tree offers hope. 3/6/19 300-year-old ceiba, Vieques, Puerto Rico, 2011. Photo: Jay Sturner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/538569dc-5fb5-496b-8cb3-de2f44c8f5c7/256px-Rodef_Shalom_Biblical_Botanical_Garden_-_IMG_1330.jpg</image:loc>
      <image:title>content - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Rodef Shalom Biblical Botanical Garden (U.S.) This Old Testament garden features 100 plants from biblical times. 2/15/17 Rodef Shalom Biblical Botanical Garden, Pittsburgh, Pennsylvania, 2010. Photo: Daderot</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/borderlands-corpus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d61e25c-04e6-4bab-bcb1-c585172534ca/The+King%27s+Salt+Lake.jpeg</image:loc>
      <image:title>content - Borderlands Corpus</image:title>
      <image:caption>The King's Salt Lake: Sal Del Rey, Edinburg, TX, 2013. Photo: Alex Garrido</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fdf0c6ff-58e6-486e-93b7-8142fff0903a/Artscape+within+South+Texas+Botanical+Gardens.jpeg</image:loc>
      <image:title>content - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Part of the "artscape" within the South Texas Botanical Gardens and Nature Center, Corpus Christi, TX, 2014, Photo: Carol M. Highsmith | Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e6ff7053-ef12-40b4-971d-93d572ceecbf/4270563298_b7dd715779_o.jpg</image:loc>
      <image:title>content - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>World cloud (2010) of Julia de Burgos's poem “‘Río Grande de Loíza” (1935) over enhanced photograph (2008) of the Río Grande from 1,000 feet. Photo and image: David Sánchez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6d70e7b-c5e5-4a9c-b68f-5b4bec782614/solstice.jpg</image:loc>
      <image:title>content - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Solstice By Emmy Pérez Swan Scythe Press, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b9d2f955-ac03-438a-b6b7-4b03d99447cf/With+the+River+on+Our+Face.jpeg</image:loc>
      <image:title>content - Borderlands Corpus</image:title>
      <image:caption>With the River on Our Face By Emmy Pérez University of Arizona Press, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d468548-a7d4-4a05-9991-a71682a3d6f6/mark-tegethoff-NbgQfUvKFE0-unsplash.jpg</image:loc>
      <image:title>content - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Photo: Mark Tegethoff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/363c020a-8d82-42c4-9d82-1e4a68d5986b/Ocotillo+flower+.jpeg</image:loc>
      <image:title>content - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Ocotillo flower (Fouquieria splendens), Tonto National Monument, Roosevelt, Arizona, 2015. Source: U.S. National Parks Service Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-end-of-theological-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a0d63a86-3b06-4252-9828-bf41abbc7177/archetype-ancient-spiritual-spiral-symbol-kosmos-1632792-pxhere.com.jpg</image:loc>
      <image:title>content - The End of Theological Education - Make it stand out</image:title>
      <image:caption>Archetype spiral sandstone carving in Crete, Greece. Photo: Gerhard Lipold</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-faithful-and-constructive-conversation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9e04d0a6-4b57-4887-831b-8ea7675339c2/Christianity+and+CRT.jpeg</image:loc>
      <image:title>content - A Faithful and Constructive Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d7b5684-aa38-4218-92b5-fa82db1d18b1/20221016-04-BillH_Paul_Klee_cityscape_Sonneberg_Germany_abstract_window_doo_c79e7d81-1a3f-4cbc-ad84-26471138834c-1.jpg</image:loc>
      <image:title>content - A Faithful and Constructive Conversation - Make it stand out</image:title>
      <image:caption>Image: Bill Hertha via MidJourney</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-look-of-common-prayer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1307bde8-8e98-4c1d-aa3b-a044a456fc65/youth-from-the-florencia-barrio-of-south-central-los-angeles-arrive-at-belvedere-e48926.jpg</image:loc>
      <image:title>content - The Look of Common Prayer - Make it stand out</image:title>
      <image:caption>Youth from the Florencia barrio of South Central Los Angeles arrive at Belvedere Park for La Marcha Por La Justicia, California, 31 January 1971. Photo: Luis C. Garza | Source: UCLA Chicano Studies Research Center</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-place-across-the-river</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ec65bb62-c0c7-466e-bec3-621a29457ed6/The+Place+across+the+River.jpg</image:loc>
      <image:title>content - The Place across the River</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef26158c-dd9d-4ed4-8d92-01344422d4f6/canoe-2800727_1280.jpg</image:loc>
      <image:title>content - The Place across the River</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/answering-gods-call-with-confidence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/751fba2f-be68-4300-8259-8f5d211891bf/God-Given+Dreams-Gavilanes.jpeg</image:loc>
      <image:title>content - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>God-Given Dreams: 6 Ways to Live Your Divine Purpose By Nancy Gavilanes NavPress, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/acc7f576-b009-4a54-9218-152948df79df/48759778782_278568c812_k.jpg</image:loc>
      <image:title>content - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>Detail from fresco depicting the Prophet Isaiah heeding God’s call, painted by Michelangelo and his assistants between 1508-1512 for the Sistine Chapel in the Vatican. Photo: Richard Mortel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9bdf02b5-b3c7-4448-9762-ebece0c42aa1/pictorialbibleco00cobb_0259.jpg</image:loc>
      <image:title>content - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>“The Fleece of Gideon” in The Pictorial Bible and Commentator: Presenting the great truths of God's word in the most simple, pleasing, affectionate, and instructive manner (Bradley, Garretson &amp; Co., 1878) by Ingram Cobbin. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9319a0da-687b-42e0-a16a-0a4954c72271/The+Calling+of+the+Apostles+Peter+and+Andrew.png</image:loc>
      <image:title>content - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d32cd39-5303-4341-8b1a-9dcc3fad9fa4/moses.jpg</image:loc>
      <image:title>content - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>The Trials and Calling of Moses (1481-82), fresco by Sandro Botticelli, Sistine Chapel, Vatican. Located on the wall opposite The Temptation of Christ (1480–1482), also painted by Botticelli, the painting integrates seven episodes from the life of the young Moses. Source: Web Gallery of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-pregnant-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf2a626f-6f04-41b6-84e8-b4bba8cc150d/Firework3+2024.jpg</image:loc>
      <image:title>content - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>New Year’s Eve fireworks over the Potomac River, Virginia, 2024. Photo: Doris García-Rivera</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/85bc40b2-d939-442b-a246-b5ad1e3c7ba8/Sunset+Potomac+River_D.+Lentz.jpeg</image:loc>
      <image:title>content - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>Sunset over the Washington Monument and the Thomas Jefferson Memorial on the Potomac River, Washington, D.C., 2022. Photo: D. Lentz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ffc81e8e-d0ae-45d8-90e1-a33af2bf2fc0/smith_wtr_baptism.jpg</image:loc>
      <image:title>content - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>A Baptizing on the South Branch of the Potomac near Franklin, Virginia (1844) by William Thompson Russell Smith; oil on canvas; 12 x 18 1/8 inches. Source: The Johnson Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ff8608e-1680-4e2d-bb9e-acb07ca2957a/Old_Town_Dawn_%2886554953%29.jpeg</image:loc>
      <image:title>content - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>Dawn breaking over the Potomac River as seen from the waterfront in Old Town Alexandria, Virginia, 2014. Photo: Mark Fischer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/lady-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36abfb3f-4b57-493c-9e77-e207a4ff9c87/2089507944_75acedb4dd_k.jpg</image:loc>
      <image:title>content - Lady Justice - Make it stand out</image:title>
      <image:caption>lady justice / no border (2007) by Austin Kleon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/relatos-de-la-cotidianidad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1708655549331-KJXFFK0HZ55PYHOYHKIC/Montan%CC%83a+de+Carabobo%2C+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Montaña de Carabobo, 2024. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c3267630-2538-4d98-8193-48323491fefe/Reton%CC%83o%2C+pandemia+junio+2021.+Foto+Mayela+Seijas.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Retoño, pandemia, junio 2021. Foto: Mayela Seijas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4285ad97-151f-4217-a582-3e74c1e4a260/Peni%CC%81nsula+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Península, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/89f9008c-7fd7-4750-945f-384744c7c643/Laguna+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Laguna, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5344a8e5-6b8b-40d9-86d5-3474edde16dc/San+Benito%2C+talla+de+Alberto+Manzanilla%2C+2005.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>San Benito, talla de Alberto Manzanilla, 2005. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2493d7aa-c703-477f-b3bf-df0fba62a1fd/Aves%2C+peni%CC%81nsula%2C+2014.+Foto+Willlian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Aves, península, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/27f8272e-8599-46d4-b44c-c2fe17170717/Agricultor+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Agricultor, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4d57f063-a9ba-44de-9eb0-97c6fc380c89/Ame%CC%81n%2C+2023.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Amén, 2023. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba3c04e5-4713-4891-ab16-dc815ec26da4/Picacho+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Picacho, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02cca74e-5513-4a89-ba1c-295e8ca156e8/Bojo%2C+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>content - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Bojo, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/empowering-latina-leaders-at-hti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/813e2dd7-34e5-443a-862a-7320623df017/7437b884-eea0-4126-a179-4dc70267c3d3.jpg</image:loc>
      <image:title>content - Empowering Latina Leaders at HTI - Make it stand out</image:title>
      <image:caption>Participants in HTI’s Latinas in Leadership Program, with (right to left, back row) Dr. Ahida (Calderón) Pilarski, Rev. Joanne Rodriguez, and Dr. María Carrión, 2021. Courtesy of Hispanic Theological Inititative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8185fad-e1c7-4ec9-a2cb-0e5bb57bb80f/Latinas+in+Leadership+hero+image.jpg</image:loc>
      <image:title>content - Empowering Latina Leaders at HTI - Make it stand out</image:title>
      <image:caption>HTI Open Plaza logo background superimposed with icons representing Latinas in Leadership Program website offerings (clockwise from upper left): testimonials, facilitators, resources, and participants. Image: HTI Open Plaza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/design-thinking-and-church-innovation</loc>
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      <image:caption>Image: aedoperter</image:caption>
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    <loc>https://www.htiopenplaza.org/content/revision-de-pura-vida</loc>
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    <lastmod>2025-10-29</lastmod>
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      <image:caption>Desfile de Silleteros, evento central de La Feria de las Flores en el mes de agosto, que desde el 1957 ha afirmado la vida, identidad y el trabajo generacional de los campesinos del corregimiento de Santa Elena. Medellín, Colombia, 2007. Foto: Guía de Viajes Oficial de Medellín</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/notes-from-el-mundo</loc>
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    <lastmod>2024-04-29</lastmod>
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      <image:caption>Enormísimo Cronopio (2008) by Andrea Baretto</image:caption>
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      <image:caption>Great-tailed grackle or Mexican grackle (Quiscalus mexicanus), Jim May Park, Santa Maria, CA, 2017. Photo: Jamie Chavez</image:caption>
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      <image:caption>Making a statement in Mission District, San Francisco, CA, 2010. Photo: Ed Bierman</image:caption>
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      <image:caption>Loteria cards, introduced into Mexico in 1887 by French businessman Don Clemente “Gallo” Jacques. Photo: Susan von Struensee</image:caption>
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      <image:caption>Check-out line during a Fruit &amp; Veggie Festival at a supermarket, Santa Ana, CA, 2008. Photo: heacphotos</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/un-arbol-nuevo-nace-en-brooklyn</loc>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>P. Karvelis en su oficina parroquial, Brooklyn, NY, 1987. Cortesía de la Iglesia Transfiguración</image:caption>
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    <image:image>
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      <image:caption>Detalle de un cuadro (artista desconocido) que representa a Carlos de Foucauld como el tronco del árbol "La Gran Familia de la Transfiguración." Cortesía de la Iglesia Transfiguración</image:caption>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Las hermanas del convento, siguiendo el ejemplo de Carlos De Foucauld en Los Sures, Brooklyn, NY, 1968. Cortesía de la Iglesia Transfiguración</image:caption>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a17190c-988d-4772-8eeb-b34b5fd8fe2f/Portada+del+Boletin+Iesus+Caritas+no.+112_marzo-agosto_1997.png</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Boletín Iesus Caritas, no. 112: “En la escuela de Carlos de Foucauld” (marzo, abril, agosto 1997), Familias Carlos de Foucauld.</image:caption>
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    <image:image>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba28e1b3-2438-45b5-83bd-75b83b268632/Ministries+brochure_2017.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d1c6a5d-4051-476e-b751-8c1e1451b7a9/Conclusion+II.jpeg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>El club social Las Marianetas, formado por la Hna. Peggy Walsh, frente al convento en un desfile de Epifanía, donde las participantes sostienen un enorme rosario como símbolo de unidad, Brooklyn, NY, 1959. Cortesía de la Parroquia Transfiguración</image:caption>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - IMG_1439.jpg</image:title>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Dibujo original de Carlos de Foucauld del Monasterio de Santa Clara en Jerusalén, realizado durante su estancia allí en los años 1897-1900. Fuente: Monasterio de las Clarisas de Jerusalén</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2ffcef8b-1ac2-4d5d-97d3-8b5b5e6e3548/Peggy-Bryan_Los+Sures_1971.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>La Hna. Peggy Walsh (izq.) y el Padre Bryan en Los Sures, Brooklyn, NY, 1971. Cortesía de la Iglesia Transfiguración</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f36c2f25-5a05-455e-824e-30d564a10446/transfiguration_1924_Brooklyn+Eagle.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>La iglesia Transfiguración, Brooklyn, NY, 1924. Fuente: Brooklyn Daily Eagle</image:caption>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5ad525f4-9fc0-4282-a620-498b913afc8f/Albert-Ortero.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Albert Ortero, ex-miembro de pandilla, trabajó con P. Bryan Karvelis para establecer el grupo de jóvenes Los Corintios; ca. 1959. Fuente: New York City Fighting Gang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0135e8ee-169f-4359-8ae1-5c9e597900fb/collage+Tabor.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Imágenes de Tabor, lugar de retiro de la Iglesia Transfiguración, Briarcliff Manor, NY. Lleva el nombre del monte Tabor en la Baja Galilea, lugar de la transfiguración de Jesús. Cortesía de la Iglesia Transfiguración y de Juan Yzuel</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704686967971-3OL32I51LEKEDAQKWUBI/Pascual+Chico_ca.1997.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Pascual Chico_ca.1997.jpg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704686977842-WF581GPMRHFCWI3OR638/Karvelis_ca.+1999.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Karvelis_ca. 1999.jpg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a8f6ea3a-f561-42c3-9cce-434d3f06b653/Ministries+brochure_2017.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Folleto distribuido durante la celebración del décimo segundo aniversario de la muerte del Monseñor Bryan Karvelis, Brooklyn, NY, 2017. Enumera los ministerios que fundó en la parroquia entre 1956 y 2005. Cortesía de la Iglesia Transfiguración</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704688354083-BA5XGVB0WPE8WD56PHRY/Fr.+Anthony+Hernandez_alberto-reyes_Bedford-Bowery_2013.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Fr. Anthony Hernandez_alberto-reyes_Bedford-Bowery_2013.jpg</image:title>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - P. Jeremias y Alejandro.JPG</image:title>
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      <image:title>content - Un árbol nuevo nace en Brooklyn - Gregoria De La Cruz.jpeg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/69024575-6dff-4e95-82e7-d7a93b2dfd0e/Slide16.jpg</image:loc>
      <image:title>content - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-universe-divine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/464a0d3f-eb32-42ea-bc93-0713eb943cb1/51ACuQIc3UL._SL1491_.jpg</image:loc>
      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>Read Until You Bleed: funny &amp; thoughtful poems for funny &amp; thoughtful children Daniel García Ordaz El Zarape Press, 2023</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5fef66c7-118e-4d68-8f35-b236b10b223d/dyu-ha-nGo-UVGKAxI-unsplash.jpg</image:loc>
      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>Photo: Dyu-Ha</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/258ad566-4ed9-4280-b1a4-b4704aa1167b/61Oxo1npQuL._SL1499_.jpg</image:loc>
      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>Cenzontle/Mockingbird: Songs of Empowerment (YA Edition)  Daniel García Ordaz El Zarape Press, 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de29a839-a20c-453c-a978-b229a8d146fc/71LRvTucmwL._SL1360_.jpg</image:loc>
      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>You Know What I'm Sayin'?Daniel García Ordaz El Zarape Press, 2006</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e46ed59e-df41-4811-b38c-c952c138f8c7/8167201924_d2d77b76a3_o.jpg</image:loc>
      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>Xcaret gift shop, Playa del Carmen, Quintana Roo, México, 2012. Photo: josullivan.59</image:caption>
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      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>The Houston metropolitan area–called the "energy capital of the world" due to its role as a major hub of the petroleum and other energy resource industries–photographed at night by an Expedition 22 crew member on the International Space Station. Houston, Texas, 2010. Photo: NASA</image:caption>
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      <image:title>content - The Universe Divine</image:title>
      <image:caption>Homemade shrine featuring Our Lady of Guadalupe, Staten Island, NY, 2014: “The guy who built it told me he started working on it nine years ago…He also invited me to his annual party here in December. He said there would be a mariachi band and that everyone would be welcome, Mexican or not.” Quote and photo: Matt Greene</image:caption>
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      <image:title>content - The Universe Divine - Make it stand out</image:title>
      <image:caption>Cenzontle/Mockingbird: Songs of Empowerment  Daniel García Ordaz FlowerSong Press, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-stupidest-angel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-30</lastmod>
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      <image:title>content - The Stupidest Angel - Make it stand out</image:title>
      <image:caption>Holiday fireplace display (see book list) at the Carl A. Pescosolido Library, known as “Pesky Library” by students at The Governor’s Academy, Byfield, MA, 2010. Photo: Pesky Librarians</image:caption>
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      <image:title>content - The Stupidest Angel - Make it stand out</image:title>
      <image:caption>Francisca Corona Terrazas. Courtesy of Beatriz Terrazas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/return-to-rancho-la-ceja</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81c60660-bd64-4a87-a3ff-55597992409b/A.+Dusty+Roads%2C+Page+1.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Las familias Reyna y Hernández are from the desolate dirt roads just south of the Tamaulipas state line– two and a half hours north of Monterrey, Mexico's third largest city, an hour south from the Texas-Mexico border. Still, a world away. Photo: Macarena Hernández</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de0f076f-63de-4233-a828-9d1dd8bc9d50/Tizoc+still.jpeg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Mexican silver screen's Golden Era actors María Félix (“La Doña”) and Pedro Infante, shown in a still from the 1957 award-winning film Tizoc: Amor indio, Infante's last film before his death in a plane crash that year.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5586e6a2-3eb3-4a58-b852-1fc003d777e6/TriptoCemetary.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>A few of my cousins, a nephew, and I (center left) ride in the back of the pickup carrying my grandmother’s body to the rancho’s cemetery. Sobbing by the foot of the coffin is my cousin Miriam (third from right). My cousins and I haven't been in the back of a pickup, driving through the ranchos, since we were kids, hitchhiking to the Elizondo store in Serafín. Photo: Delcia López / San Antonio Express-News</image:caption>
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      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>“Señor, bendice nuestro hogar [Lord, bless our home]”: The Reyna Salinas family crest at Rancho La Ceja, Nuevo León, Mexico, 2004. Photo: Macarena Hernández</image:caption>
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      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Presenting at a Write to Change the World seminar, led by the OpEd Project, Simmons College, Boston, MA, 2016. Photo: Mary E. Cronin/The Byline Blog</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/316e4376-a147-4257-8363-beccddf12f0f/Medium+sized+JPEG.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja</image:title>
      <image:caption>Presa Marte R. Gómez, Tamaulipas, Mexico, ca. 1950. Source: Mediateca Instituto Nacional de Antropología e Historia (INAH), México</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04e43071-c8fc-41ca-941f-3a9a1272e3b2/RANCHOdinnertable.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Left to right: My mother María Elva, my grandparents Cecilia and José María, and my aunt Lupe at her kitchen, Nuevo León, Mexico, 2003. Even when everyone else had left Mexico, my tía Lupe and her husband Lico remained. When my mother visited from the United States, we would all drive down the gravel door—a few miles north—to sit in Tía Lupe’s kitchen and tell stories. Photo: Delcia Lopez / San Antonio Express-News</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/654ac65d-d96f-43d2-9993-401cb6f56e3c/Carrot+workers.jpeg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>“Mexican girl, carrot worker[s],” Edinburg, Texas, 1939. Photo: Russell Lee. Source: Library of Congress</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7b7f6dcd-956e-4d0e-b481-a3afcbf374b4/E.+Dust+portraits+5.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Dusty portraits still hanging from walls in vacant homes, Nuevo León, Mexico. Owners away up north, en el otro lado. Reminders that there was once life here. Photo: Macarena Hernández</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f5678fd-8315-440e-9d1d-5f877eec7ef4/MOMatRancho.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva at the rancho, Nuevo León, Mexico, 2004. She begged my grandfather José María to let her move away. "Apá used to say that a woman's job was in the kitchen. Only men could study," my mother says, her voice trembling with anger. She finally left the ranchos when she was 17 and returned a couple of years later.  Photo: Delcia López / San Antonio Express-News</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f819c8e0-4f0d-4df6-9b22-1a79f61b990b/I.+Blank+granite%2C+9.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My father has been buried in the Sara Flores Cemetery in Nuevo León, Mexico since 1998—a few feet from his parents' graves and his beloved grandmother Manuela, and next to his younger brother Enrique, who had also died in a car accident nine years earlier. The blank granite marks where my mother's grave awaits. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5b97e406-aa24-4168-a0c1-998e4ae47630/D.+Religion.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Many on the rancho claimed to be Catholics, although the priests only showed up to ask for ofrendas and to baptize the huercos. But when I was a kid, there was a vocal minority of Baptists and Pentecostals, most of them having come across their new religion on migrant farmworking routes north. These were the most forceful believers. Their millennials will prefer nondenominational mega churches. Photo: Macarena Hernández</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc35f94b-95a9-4662-b6db-cc871d926c25/16495747705_7ad6339884_k.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Santuario Piedra Herrada monarch butterflies sanctuary, Temascaltepec, México, 2015. Monarch butterflies are important cultural symbols in Mexico, where their arrival symbolizes the return of the souls of ancestors and coincides with Day of the Dead. Photo: Adam Jones</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/546d4069-3613-427b-a4d5-82f96bfb70eb/J.+Feast+together+10.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>We feast at funerals. Get reacquainted. Those who left with those who wouldn't or couldn't. Later, as we drive away, we'll lament their lack of options. Wonder what will become of them. Photo: Macarena Hernández</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/13c0e928-9572-47c1-9ba0-4a5bcd316108/F.+Memories+and+ruins+6.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Memorias y ruinas. Many empty and dilapidated homes sit waiting for their owners who left for the United States, often with promises to come back, Nuevo León, Mexico. Photo: Macarena Hernández</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b74aa559-f3a4-4a9d-a0cd-7933e5c73a3a/RANCHOS.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva (right) runs into a long-lost relative at the cemetery during Día de los Muertos, Nuevo León, Mexico, 2003. At the height of its glory, the rancho hosted the biggest dance of the year on Day of the Dead. Photo: Delcia López / San Antonio Express-News</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/26ff5a57-ac13-4ee7-9749-724894a06544/RANCHO_CHPT_4_2.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Empty swings in nearby Dr. Coss, the biggest town and namesake of the municipio, Nuevo León, Mexico. Photo: Delcia López / San Antonio Express-News</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0f87c5e3-37ed-41bf-90b4-8ee29926a81b/One-Family-Two-Homenands-Macarena.png</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Author photo superimposed over cover page for Macarena Hernández’s “One Family, Two Homelands,” San Antonio Express-News, 19 December 2004.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/33724efa-254b-442d-957d-36ed6a605c21/M.+Pemex+13.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Petróleos Mexicanos (Pemex) workers drilling for black gold brought some paved roads and business to Serafín, Mexico. Not enough for most to live on. But not everyone can get a Pemex job. Those men come from elsewhere. El Cartel pays the locals to be watchmen. $300 per month. $200 more than ISIS. Best job in town. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e2fff57f-f97e-4712-b1b7-c09a49717834/GrandpaCasket.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Standing in front of my grandmother Cecilia’s coffin, my grandfather José María cries openly for the first time his grandchildren can remember.  Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68c2c92a-6dac-47bd-8394-b25c2ac48966/Q.+Mom+wth+len%CC%83a+17.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva collecting leña, Nuevo León, Mexico, sometime after 2004. The cartel turf war may not be over, but for now it is quiet. So she'll hitch a ride south with a sibling, pay for their gas and meals. She wants to collect wood, cook in la chimenea. Forget that most of her loved ones are dying or dead. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29b3c53f-50f9-4f85-8cb5-00b425a8759b/UelitaCecilia.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Uelita Cecilia, shortly before her passing, Nuevo León, Mexico, 2003.  Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b605159-61c0-40f3-9fee-77ed6cfe71c8/RANCHOEntrance.jpg</image:loc>
      <image:title>content - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My grandfather José María goes to La Ceja, Mexico to forget what he doesn't want to remember. In La Ceja, he is still el rey, the king, though almost everyone else has left for the United States, where, he says, “all you do is watch television…You go from your bed to the living room to the kitchen to the bathroom. Eso no es vida." Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/2023-highlights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/60c28536-e509-4bc0-a1e6-616a5a5c641e/The_Bible_of_Borso_d%27Este%2C_f._33r.png</image:loc>
      <image:title>content - Our Year of the Rabbit</image:title>
      <image:caption>From the Bible of Borso d'Este/Bibla latina [f. 33r, Ms. Lat. 422] (1455-1461), created at the same time Johann Gutenberg was producing the first printed Bible from moveable type. Source: Biblioteca Estense di Modena. Photo: Per Se</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/cultivation-of-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3932afe-6d5a-4d94-bef7-8987d5d19acb/Ambivalence_Paolo-Piscitelli.jpeg</image:loc>
      <image:title>content - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Ambivalence (2023) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1070ddd-be3c-483c-a4e8-5b63e128417c/Paolo-Piscitelli_image2.jpeg</image:loc>
      <image:title>content - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/70bcef92-0f84-4ce2-827b-1c6a0196a901/image4.jpeg</image:loc>
      <image:title>content - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Extended (2020) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95d43e44-3df6-460f-92d4-3ef080ecaeb3/image1.jpeg</image:loc>
      <image:title>content - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Eden (a sculpture of the world that has nothing in common with the world) (2022) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cac32758-005b-41b7-b217-94021205df3b/image0.jpeg</image:loc>
      <image:title>content - Cultivation of Life</image:title>
      <image:caption>Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/digital-tutor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bb1465a2-d45e-48e7-a403-d4fc689d7441/unnamed5.png</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>Screenshot of the DT for “Follow Me!,” a lesson from the Iodea course “This Is The Way!” Participants can interact with the biblical text as they read, think, and decide on options. The DT and the AI technologies allow learners to explore various choices and receive immediate feedback that can guide the learner towards the teaching objective. Courtesy of José Balcells</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1700542140982-M4HSLK1BLMKEHQ6HCIV8/unnamed4.jpeg</image:loc>
      <image:title>content - Digital Tutor - unnamed4.jpeg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1700542126380-QZ71R65M8Y7265EBO5EC/unnamed.jpg</image:loc>
      <image:title>content - Digital Tutor - unnamed.jpg</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36d3e93c-3ba2-44d1-9fc8-7434908f15ec/wisdom_of_the_bible_1611_ebook_by_retroreloads_dc62p05-pre.jpg</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>Image: retroreloads</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6905f9f6-c653-426b-a3cc-4ed6f991f379/unnamed2.png</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>Screenshot of a digital tutor (DT) showing how the tool can be used in learning foundational aspects of Biblical Hebrew. Depicted is the DT for “In Search of Disciples,” a lesson from the Iodea course “This Is The Way!” The left side of the screen shows the ongoing interactive dialogue that guides the participant with questions and activities. Content on the right side of the screen then changes as needed to support the given questions or activities. This right side can be designed with text or illustrations onto which the learner can perform specific tasks. Courtesy of José Balcells</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29981966-ec7a-4d12-bfd6-64f09bcc133c/journal.pone.0249769.g001.PNG</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>Using AI, researchers were able to identify textural patterns within the text of a Dead Sea Scroll for a better understanding of the Bible’s ancient scribal culture. Image: Maruf A. Dhali/University of Groningen. Source: Popović, Maruf A., et al. “Artificial intelligence based writer identification generates new evidence for the unknown scribes of the Dead Sea Scrolls exemplified by the Great Isaiah Scroll (1QIsaa).” PLoS ONE 16(4): e0249769. doi.org/10.1371/journal.pone.0249769</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/767b0e64-835a-427d-bdcd-1e91f8f6aae1/unnamed3.jpeg</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>Representatives from different churches meet to discuss the logistics of an upcoming cohort for the Iodea DT course “This Is The Way!” in Humacao, Puerto Rico, 16 November 2023. The DT, in combination with an on-site workshop, is a valuable tool to promote interdenominational efforts. Shown, left to right: Father Floyd Mercado (La Sagrada Familia Catholic Church, Humacao), Pastor Joe Ramos (Palmas Community Church, Humacao), and Pastor Kiki McManus (Amore Church, Humacao), and José E. Balcells (Iodea). Courtesy of José Balcells</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/084866d4-fba8-42ba-9868-044efbe58c06/unnamed+%281%29.png</image:loc>
      <image:title>content - Digital Tutor - Make it stand out</image:title>
      <image:caption>José Balcells (top left) authored the content for the discipleship DT course “This Is The Way!” using the technology developed by the team at Exquisitive. Shown with Balcells are some of the team members, discussing options for developing the course in Spanish: (top row, from center) Carole Balcells and Alex Broadwin; (2nd row, from left) Eric Bailey [CEO, Co-founder], Magdalena Mazur, and Tristan Beavitz; and (3rd row) Pavel. Courtesy of José Balcells</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sountracking-blue-beetle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e949727-4566-405e-8762-be3404ecd4aa/neomi-de-anda-st-marys.jpg</image:loc>
      <image:title>content - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Neomi De Anda Exec. Director, International Marian Research Institute Tenured Associate Prof., Dept. of Religious Studies, University of Dayton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dcefe26f-3966-43ee-9ae6-98bb55cbe829/DC_News_BlueBeetle-familia.jpeg</image:loc>
      <image:title>content - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Jaime Reyes (Xolo Maridueña, center) y familia in Blue Beetle (2023). Photo:  Hopper Stone/SMPSP/DC Comics</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf0e21a6-c8fc-4f84-87af-2ea7ec199dc3/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>content - Soundtracking ‘Blue Beetle’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/83550276-300f-4698-afcf-05b0269ee113/Blue+%281%29.jpg</image:loc>
      <image:title>content - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Display items for “Turning Cheeks? Blue Beetle and Religious Symbols: An Immersive Lecture Experience,” featuring theologian Neomi De Anda, at St. Mary's University, San Antonio, TX, 2023. Courtesy of Sudabée Lotfian-Mena and Neomi De Anda</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/flor-de-cocula</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d746235-8fb7-44fd-bced-eb36336b1232/Jesus+Contreras+Villegas_Consuelo+de+Cocula.jpeg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470874217-H8IYQZ3UT5IFGFSEYWRM/unnamed+%282%29.jpg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470908759-QOCB9MEGUW42P3I4D42R/unnamed+%284%29.jpg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470599667-5PHNSUJWPQZXV37P0XNR/unnamed+%287%29.jpg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>La Familia Contreras. Seated, left to right: Rosa María and Jesús Contreras; standing, left to right: Jesús, Erika, Mayra, Lucy, Rosy. Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470575959-SDZXSMWI3PKJVEX10S1A/unnamed+%286%29.jpg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Jesús Contreras and Luna, his faithful and loyal companion. Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699468183934-I7X4MT4NQSNRL74V3OSE/young-Don-Chuy.jpg</image:loc>
      <image:title>content - Flor de Cocula: Jesús in memoriam - Make it stand out</image:title>
      <image:caption>Contreras Farm founder Jesús “Don Chuy” Contreras in his earlier years. Courtesy of Familia Contreras</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-sweetcake-enso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/31f3f728-d4a8-4ba0-888f-180105ef41a8/Postal+and+Keegan_2010_A.Baez.JPG</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>The late Jion Susan Postal (foreground), founding teacher of the Empty Hand Zen Center, and the late teacher and Dharma heir Myozan Dennis Keegan at the zendo’s garden, New Rochelle, NY, ca. 2010. Photo: Annecy Baez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5eeb676a-6304-4a14-9eed-c2d6c0c2b0eb/Enso+collage_Annecy+Baez_2023.jpg</image:loc>
      <image:title>content - The Sweetcake Ensō</image:title>
      <image:caption>Ensō collage by Annecy Baez, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3cb4356-e7ed-4dc0-adb6-180c26bd9ed8/enso+stone_Won+Dharma+Center_2023.jpg</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>The ll Won Sang (O), the circular symbol of the Dharmakaya Buddha, at the entrance of the main Meditation Hall at Won Dharma Center, where Annecy Baez currently practices meditation, Claverack, NY, 2023. Photo: Annecy Baez [‘Won’ (圓), meaning ‘circle,’ and the Buddha Nature of all beings]”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f8a48209-c7fc-480c-a667-6c225a24c1bf/Sweetcake+enso+in+garden_2010_Annecy+Baez_2.JPG</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Sweetcake ensō by Annecy Baez, Irvington, NY, 2010. Photo: Annecy Baez</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7df2fd29-cb8f-45b6-b86a-b47cf65e4836/Enso+blurry_Annecy+Baez.jpg</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>“Ensō blurry” by Annecy Baez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1698636864432-NZYVCA8R38ATWZD5JES8/IMG_1784.JPG</image:loc>
      <image:title>content - The Sweetcake Ensō - IMG_1784.JPG</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1698636871787-Y6924KTEAOX11J1VV4JT/IMG_1783.JPG</image:loc>
      <image:title>content - The Sweetcake Ensō - IMG_1783.JPG</image:title>
    </image:image>
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      <image:title>content - The Sweetcake Ensō - IMG_0333.JPG</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50586fed-be9d-447c-bed1-bef7db440c93/sweetcake+enso_2010_Annecy+Baez.JPG</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Sweetcake ensō by Annecy Baez, displayed near the garden entrance of the Empty Hand Zen Center during its Sweetcake Enso exhibition, New Rochelle, NY, 2010. Photo: Annecy Baez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6917a0da-7bb5-42af-87a4-40ae670259a8/Brush+Enso_Annecy-Baez_2023+.jpg</image:loc>
      <image:title>content - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Digital brush ensō by Annecy Baez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/barrio-poet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c08ef48b-88b1-484a-8e9a-77d9843edf45/3148575107_c510b7dc25_k.jpg</image:loc>
      <image:title>content - Barrio Poet - Make it stand out</image:title>
      <image:caption>Detail of “Swinger” mural by Banksy, now mostly destroyed, Lower 9th Ward, New Orleans, Louisiana, 2008. Photo: Infrogmation of New Orleans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e4f7236-3dd0-4108-89b1-c9d4b5c5ad70/zebra_stripes.jpg</image:loc>
      <image:title>content - Barrio Poet - Make it stand out</image:title>
      <image:caption>Mural of woman hanging zebra stripes out to dry by Banksy, Timbuktu, Mali, 2008. Photo: BANKSY project by Alyssa Argento, Abdual Nadeem, and James Farley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2d44402-3be6-4f61-b2ec-b416273b2cfd/By+Throat-By+Miracle-Vidaurre.jpg</image:loc>
      <image:title>content - Barrio Poet</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc94c023-8fa5-4d3b-bd82-651e147267d7/51852727861_b7b7b028d1_k.jpg</image:loc>
      <image:title>content - Barrio Poet</image:title>
      <image:caption>“From the Dirt a Flower Must Grow” (2015), mural by anonymous street artist HiJack on the wall of the Snake Pit Alehouse, Melrose Avenue, Los Angeles, CA, 2015. Photo: Thomas Hawk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7cdd59f6-cb62-4f09-b3cf-e2bc75df4beb/m-accelerator-R3eho0Smh2E-unsplash.jpg</image:loc>
      <image:title>content - Barrio Poet - Make it stand out</image:title>
      <image:caption>"Made in LA" mural on the wall of the Cisco Home furniture store (closed 2019)—painted over by HiJack to read “Immigrants Made LA,” Melrose Avenue, Los Angeles, CA, 2020. Photo: M Accelerator</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b87fbf3b-6176-4273-b2f1-8a73487230fa/We%27re+all+in+the+same+boat_Banksy.jpeg</image:loc>
      <image:title>content - Barrio Poet - Make it stand out</image:title>
      <image:caption>“We’re all in the same boat,” mural by Banksy, England, 2021. Photo: Adrian S Pye</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/391fca44-6406-46ca-9b99-a5d4106dcf19/1440141340_d92e646652_k.jpg</image:loc>
      <image:title>content - Barrio Poet - Make it stand out</image:title>
      <image:caption>“Passage des Postes” by Jean-François Perroy AKA Jef Aérosol, Latin Quarter, Paris, France, 2007. Photo: Wally Gobetz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/becoming-sister-ernestine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58026c42-177e-43e3-846f-9cdcdd234df4/beneath-the-sands-cover-ALCORN.jpeg</image:loc>
      <image:title>content - Becoming Sister Ernestine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1ed0e04d-bf70-4861-8ddc-076e021c826f/Main-Hospital-State-Tubercular-Sanitorium-Postcard-Carlsbad-Texas-TX-1950s.jpg</image:loc>
      <image:title>content - Becoming Sister Ernestine - Make it stand out</image:title>
      <image:caption>Postcard image of Anti-Tuberculosis Colony No. 1 in Carlsbad, TX, n.d. Sixteen miles northwest of San Angelo, Texas in Tom Green County, the sanatorium was the state’s first institution of its kind. Established in 1912, it was renamed the State Tuberculosis Sanatorium in 1913, the McKnight State Sanatorium in 1951, the McKnight State Tuberculosis Hospital in 1955, before finally being converted to the San Angelo State School in 1969. Source: TXGenWeb Project</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ac995ffe-bdec-424c-a2d9-ba4a194c1a17/a_young_nun_2006.45.1.jpg</image:loc>
      <image:title>content - Becoming Sister Ernestine</image:title>
      <image:caption>A Young Nun (18th century) by Claude Mellan; graphite and black and red chalk on laid paper, 8 1/4 x 5 15/16 in. Source: Ailsa Mellon Bruce Fund, National Gallery of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/spirit-nations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6ccffe3-5c59-49b5-a7cd-c16a074a4f2e/5956710164_6f3782a3d6_k.jpg</image:loc>
      <image:title>content - Spirit Nations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/good-docs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1696168164833-2QYN85IYCI4EVL1NRBBZ/image-asset.jpeg</image:loc>
      <image:title>content - GOOD DOCS</image:title>
      <image:caption>Photo: Denise Jans</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/meds-for-biblical-scholars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5b5442b-5c97-4c08-8d12-606b7192b253/MEDS+graphic_HTI.jpg</image:loc>
      <image:title>content - MEDS for Biblical Scholars - Make it stand out</image:title>
      <image:caption>HTI Open Plaza logo element (background) superimposed with icons representing the concept of MEDS (Meditation, Exercise, Diet, and Sleep) coined by personal-development coach Brendon Burchard. Image: HTI Open Plaza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/self-made-podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f9dba21b-8017-41ad-96f1-1e333232e671/galan-books.jpg</image:loc>
      <image:title>content - Self-Made - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/53aa6edb-e230-4424-afef-93d014757536/1024px-Money_Tree.jpg</image:loc>
      <image:title>content - Self-Made</image:title>
      <image:caption>Ornamental money tree (Pachira aquatica), 2017. Also known as Malabar chestnut, French peanut, Guiana chestnut, Provision tree, Saba nut, Monguba (Brazil), Pumpo (Guatemala), the tropical wetland tree is considered a symbol of luck and prosperity. Photo: Karl Thomas Moore</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/adelante-excerpt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d2cc8ced-57e6-4fa1-8807-53fba8d4d3d9/3452195649_a2a78f8b06_k.jpg</image:loc>
      <image:title>content - Pinta el mapa de la trayectoria de tu vida</image:title>
      <image:caption>Flores del árbol Monguba (Pachira Aquatica), Ceret Sao Paulo, Brasil, 2009. Considerado un símbolo de suerte y prosperidad, este “árbol del dinero” del humedal tropical también se conoce como castaño de Malabar, maní francés, castaño de Guayana, árbol de provisión, nuez de saba, y pumpo (Guatemala). Foto: Mauro Halpern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e86e0fc-bad0-4cd0-a5e4-b6180feca3ef/adelante_galan.jpeg</image:loc>
      <image:title>content - Pinta el mapa de la trayectoria de tu vida - Make it stand out</image:title>
      <image:caption>¡Adelante!: Cómo ser emprendedora y autosuficiente para alcanzar una vida rica y realizada Nely Galán Spiegel &amp; Grau, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/self-made-excerpt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fecc21da-5a7b-4634-af92-ddbd9d33f94d/self-made_galan.jpeg</image:loc>
      <image:title>content - Becoming Empowered, Self-Reliant, and Rich in Every Way - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8470f58d-d148-4290-9b64-1eee340a265f/3453006494_3df721d82f_k.jpg</image:loc>
      <image:title>content - Becoming Empowered, Self-Reliant, and Rich in Every Way</image:title>
      <image:caption>Flowers from the Monguba (Pachira aquatica) tree, Ceret Sao Paulo, Brazil, 2009. Considered a symbol of luck and prosperity, the tropical wetland “money tree” is also known as Malabar chestnut, French peanut, Guiana chestnut, Provision tree, Saba nut, and Pumpo (Guatemala). Photo: Mauro Halpern</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/9-11-at-22</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc570f71-82f5-4d73-a5c3-bd3aa10512ed/hispanic-heritage-month-sgt-1st-class-luis-quinones-bf069a.jpg</image:loc>
      <image:title>content - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/122f5b32-9cb7-4732-8115-10913489816c/911_Memorial_South_Pool.jpeg</image:loc>
      <image:title>content - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>View of the 9/11 Memorial south pool, New York, NY, 2023. Designed by architect Michael Arad and landscape architect Peter Walker, the 9/11 Memorial features twin waterfall pools surrounded by bronze parapets that list the names of the victims of the World Trade Center attacks. The South Pool plaques include the names of first responders as well as victims who were killed at the South Tower, on hijacked Flight 175, at the Pentagon, on hijacked Flight 77, and on hijacked Flight 93. Photo: Nadia Eimandoust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e3f2339-c77e-4338-88c2-fafe26cd19df/42146575_35b83f7224_h.jpg</image:loc>
      <image:title>content - 9/11 at 22</image:title>
      <image:caption>The World Trade Center (WTC) cross, also known as the Ground Zero cross, New York City, September 2005. Following the 9/11 attacks in 2001, the two broken, cross-like, steel beams had been found by construction worker Frank Silecchia near the 6 World Trade Center debris in Lower Manhattan and was later welded together by ironworkers. The 17-foot-tall cross became an icon of hope and comfort throughout the recovery efforts. On October 4, 2001, it was blessed by Father Brian Jordan during a ceremony at nearby Zuccotti Park, where hundreds of recovery workers and their families had gathered. The Franciscan had been ministering to workers and blessing human remains recovered at the site, comforting rescue and recovery workers after the 9/11 attacks. As detailed in his memoir The Ground Zero Cross (Xlibris, 2017), Fr. Jordan spent Sunday after Sunday holding mass and offering communion at the base of the cross. The WTC cross was lowered into its permanent setting inside the September 11 Museum, which opened to the public in 2012, where it has been on exhibit since 2014. Photo: H. Michael Karshis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6be70f5f-1073-42de-a0af-c4af7ac9a1ef/Journal+of+Hispanic%3ALatino+Theology%2C+Vol.+9%2C+No.+2.jpeg</image:loc>
      <image:title>content - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Journal of Hispanic/Latino Theology 9.2 (Nov. 2001)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eed857e2-9ad8-431d-84fb-df6f0de908d8/The+Ground+Zero+Cross_Jordan.jpeg</image:loc>
      <image:title>content - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/la-buddhalupana-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f608bc0e-bac5-4305-b814-3599f2b30953/SandraCisneros.jpg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e977ef2e-9dec-46dd-bad7-8fb0e02528c9/Sandra+Cisneros_A+House+of+Her+Own.jpeg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Photo of exhibition installation Sandra Cisneros: A House of Her Own, held February 15- July 1, 2017 at The Wittliff Collections, Texas State University, San Marcos, TX. Journalist Macarena Hernández presented during the inaugural symposium to celebrate the launch of the exhibit, which highlighted key artifacts from the Wittliff Collections’ “Sandra Cisneros Papers, 1954-2014.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8882306-1b72-4c66-a5b4-5d8afbe23cd0/Traje+de+tehuana+utilizado+por+Sandra+Cisneros.jpeg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/df3e3caf-1f0b-4714-99d8-3edb68944afc/Sandra+Cisneros+as+a+Catholic+school+student.png</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros as a Catholic-school student. Courtesy of Sandra Cisneros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d87b0c3b-35fc-4dd8-8aeb-eb6e77175f8c/Nezahualco%CC%81yotl+Poetry+Festival%2C+Mexican+Fine+Arts+Center+Museum%2C+Pilsen%2C+Chicago%2C+1991.jpg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Nezahualcóyotl Poetry Festival, Mexican Fine Arts Center Museum, Pilsen, Chicago, 1991. Gelatin silver photograph; 5 5/8" x 8 1/2". Top row: Carlos Cumpían, Luis Rodriguez, Raúl Niño (Chicago), Ray González (Texas), Juan Felipe Herrera (Califas), Rosa María Arenas (Michigan), José Montalvo (Texas). Middle row: Demetrio Martínez (Missouri), Evangelina Vigil (Texas), Raúl Salinas (Texas). Bottom Row: Trinidad Sanchez (Michigan), Sandra Cisneros, Carlos Cortéz (Chicago). Photo: Jeffrey D. Scott. Source: National Museum of Mexican Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/149c26a7-eaf6-4273-8747-6d0fa266420b/SC-El+arroyo+de+la+la+Llorona.jpeg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>El Arroyo de la Llorona y otros cuentos by Sandra Cisneros Vintage Español, 1996</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/010019be-de61-44e8-8d20-2c94e3fafe23/SC-WomanHolleringCreek.jpeg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Woman Hollering Creek and Other Stories by Sandra Cisneros Random House, 1991</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5605f69-b166-4e64-a286-0c008fa6780e/Cisneros_1981.jpeg</image:loc>
      <image:title>content - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros in Chicago, 1981. Photo: Diana Solis, courtesy of Sandra Cisneros</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/pura-vida-la-voz-de-queen-nzinga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c417957b-5828-43aa-ba90-ac193da94c99/Phillis_Wheatley_frontispiece.jpg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Phillis Wheatley (1773), grabado sobre papel por un artista no identificado. Secuestrada del África occidental (probablemente en la actual Gambia o Senegal) para ser vendida como esclava, Phillis Wheatley (c. 1753-1784) fue la primera mujer africana y la segunda mujer estadounidense en publicar un libro. Fuente: National Portrait Gallery, Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf490dc7-0681-40b6-b9bc-b7c46c26bd25/Queen-Nzinga.jpeg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Queen Nzinga Sheps, nacida Wendy Maxwell, artista y activista afrocostarricense de ascendencia jamaicana. Nació en San José, Costa Rica, donde se crió en la Comunidad Garveyita de Puerto Limón. Fotografía: Fernando Montero Caballero</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e967958-7b69-4f0a-8cbc-437c8f96fd62/Ann_Zingha.jpg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Queen Nzinga Mbande (Anna de Sousa Nzinga), litografía coloreada a mano de la década 1830, artista desconocido. Nzinga Mbande, reina de los Reinos Ambundu de Ndongo y Matamba, también fue conocida como ‘Reina Ginga' en Portugal y luego 'Ana de Sousa' al convertirse al cristianismo. Fuente: National Portrait Gallery of London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/65b816ae-8e03-49f7-84df-a1e6e386c2c3/teresa+chikaba.jpeg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Retrato al óleo de sor Teresa Chicaba en el Museo del Convento de las Dueñas de Salamanca, España. Secuestrada de la Costa de Oro (parte de lo que hoy es Gambia) para ser vendida como esclava, Teresa Chikaba (c. 1676-1748) llegó a ser monja y la primera escritora afrohispánica. En “Con la palabra de mujer,” Dlia McDonald Woolery pinta un retrato político, social y religioso de Chikaba, también conocida como Sor Teresa Juliana de Santo Domingo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc39361c-3343-49b2-bd20-dca90ec89011/52081199975_3bc919ac5f_o.jpg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>The French Collection Part I, #4: Sunflowers Quilting Bee at Arles (1996), quilt de la artista y escritora Faith Ringgold, New Museum of Contemporary Art, Nueva York, 2022. Ringgold es conocida por aportar un poder político contemporáneo a las asociaciones históricas del trabajo femenino y la narración de esta forma de arte. En el quilt están representadas ocho poderosas mujeres afroamericanas del pasado y del presente–ellas mismas mostrando un quilt como símbolo comunitario de sus logros. Desde la parte superior izquierda: Madam CJ Walker, Sojourner Truth, Ida Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, Mary McLeod Bethune y Ella Baker. Una novena figura, en la parte inferior izquierda, es Willia Marie Simone, personaje ficticio creado por la artista. Vincent van Gogh, conocido por sus pinturas de girasoles, aparece a la derecha. Foto: Heidi De Vries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ffd78f78-8932-4aa3-bb04-50754995fdaa/oshun-nzinga.jpeg</image:loc>
      <image:title>content - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Imagen principal de la página web de la poeta, artista y activista costarricense-jamaiquina Queen Nzinga</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/forget-me-not-mati-in-memoriam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1692374036441-966SJUFGF5HRZYXF3LNV/Matilde+Kathleen+Moros+%282%29.png</image:loc>
      <image:title>content - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Photo collage depicting Dr. Matilde “Mati” Moros and photographs she took of the flowers gifted to her throughout her moments of joy and of struggle. Whether sent by her loved ones or nature itself, each flower served as a poignant reminder of the love that surrounded Dr. Moros. Graphic: Isabel Gonzalez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>content - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>content - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>content - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>content - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/liminal-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccd4a4a6-d103-44da-ad2c-8cd5c9a64950/robin-worrall-fpt10lxk0cg-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Getting Back to “Community” By Ricardo Gonzalez 1 July 2021 Photo: Robin Worrall</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9d6b5898-ebab-4d8e-9309-42aa301c62b9/mathieu-cheze-thpdigr-txy-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Liberation on the Margins By Rev. Marc Boswell 11 July 2019 Photo: Mathieu Cheze</image:caption>
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      <image:title>content - Liminal Theology</image:title>
      <image:caption>Image: Mike Dubyna</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a97771c4-0a37-4319-8bef-5f6d85c14e99/fallon-michael-vuwdlbxgogg-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Neither Here nor There By Alex Lopez 11 August 2020 Photo: Fallon Michael</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/888adfef-6a98-48a7-96c5-c48d8d1a645f/raul-de-los-santos-lqijnfgvuwk-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Mis abuelas y la Teología [My Grandmothers and Theology] By Claudia H. Herrera-Montero 4 August 2021 Photo: Raul De Los Santos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef3a647a-7a7b-4304-86db-a3eed827656e/1280px-weyden_rogier_van_der_-_descent_from_the_cross_-_detail_mary_of_clopas_saint_john_the_evangelist_and_mary_salome.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Maria Salome: The Unknown Yet Transformative Story of a Woman Disciple of the Early Church By Claudia H. Herrera-Montero 20 May 2020 Image: Detail from Descent from the Cross (14th c.) by Rogier van der Weyden, depicting mourners (from left) Mary of Clopas, Saint John the Evangelist, and Mary Salome. Source: Museo Nacional del Prado, Spain</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Justice is Blind By Jonathan L. Best 25 May 2018 Photo: Emmanuel Huybrechts</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/770db1fd-c462-4425-897c-2b191183eb6d/aunt_philliss_cabin_1852_-_frontispiece.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>The Negro Spirituals as a Form of Theology in the “Invisible Institution” (Part 2) By Adeline Jean 17 February 2021 Image: ‘Negro Village on a Southern Plantation' in Aunt Phillis’s Cabin: Southern Life as it is (1853) by Mary Henderson Eastman</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a2115dd-abbe-4624-8172-b2063b3f5114/bud-helisson-465328-unsplash-e1547675631159.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Remaking the Everyday [lo cotidiano] By Jonathan L. Best 18 January 2019 Photo: Bud Helisson</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cff43e1b-9c79-43c1-af0e-0e41d67a42c8/martin-adams-709144-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Rediscovering the Everyday [lo cotidiano] By Jonathan L. Best 20 December 2018 Image: Martin Adams</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b28071f5-9827-4b58-8ce8-3c87347634f8/Haiti_16341910841_2a6b5027a8_k.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Two Merchants, One Tale: Constructing Justice Through Artistic Encounter in Haiti By Emmanuel Buteau 26 February 2020 Photo: Nathan Congleton</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Lessons from Death An Exploration of the Legacy of Eudel Marcelin By Emmanuel Buteau 13 May 2019 Photo: Mayron Oliveira</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>A Practical Theological Approach on the Dialogue between Artificial Intelligence and Contemporary Catholicism: A Brief Exploration of Learning Methods By Jane M. Spanich 5 November 2019 Photo: Possessed Photography</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/71ce87b6-a774-4a3a-aa94-15d8663bfa48/tamar.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Tamar, Judah, and Marginalization: A Reflection on Genesis 38 By Thomas Parks 13 December 2021 Image: A Veiled Beauty (1880) by Frederick Arthur Bridgman</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Never Forget the Rich Young Man: The Liminality of Religious Faith Among Young People - Part 2 By Andrew McCarthy 11 March 2020 Photo: James Owen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954955855-6I4PG05KDJDOF2S6OCWB/jonathan-best.jpeg</image:loc>
      <image:title>content - Liminal Theology - Jonathan L. Best</image:title>
      <image:caption>Rev. Dr. Jonathan L. Best holds a PhD in Practical Theology. A North Carolina native, Dr. Best attended both Campbell University and the University of Mount Olive. Currently, he teaches online courses in theology and operates his own editing company (Best Academic Editing). His areas of research include postmodern and continental philosophy, hermeneutics, and social justice. He is the author of A Postmodern Theology of Ritual Action (Pickwick Publications, 2019) and a founding member of the Guild for Engaged Liminality. He now lives in Deltona, FL with his wife, Rebekah, and his daughter Ava.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954951641-ALF4GOSEHOI7RMXQ7U82/Marc+Boswell.jpeg</image:loc>
      <image:title>content - Liminal Theology - Marc Boswell</image:title>
      <image:caption>Rev. Marc Boswell is the founding editor of Progressive Southern Theologians. He currently serves as the director of the faith-based non-profit Together for Hope in Lake Providence, Louisiana. He has lived in the Delta for the past two years and enjoys photography and writing. His research and teaching interests include constructive/liberation theologies, community development, and race in American culture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954952596-UIG2R29542ZM7HVWZEI2/Emmanuel+Buteau.jpeg</image:loc>
      <image:title>content - Liminal Theology - Emmanuel Buteau</image:title>
      <image:caption>Dr. Emmanuel Buteau holds a PhD in Practical Theology from St. Thomas University in Miami, Florida. He emigrated from Haiti to the United States in 1993 and currently serves as Executive Director of the Haitian Institute of Atlanta, which he co-founded in 2017 with his wife Danielle and several other friends.</image:caption>
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      <image:title>content - Liminal Theology - Ricardo Gonzalez</image:title>
      <image:caption>As a theology teacher at Monsignor Pace High School and professional youth minister for over 25 years, Dr. Ricardo Gonzalez brings a wealth of knowledge on youth and young adult ministry in various contexts. Much of his scholarly and ministerial work revolves around best practice for youth and young adult ministries.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954953616-76S8K80R0EP1M4977PM3/Claudia+H.+Herrera-Montero.jpeg</image:loc>
      <image:title>content - Liminal Theology - Claudia Herrera-Montero</image:title>
      <image:caption>Dr. Claudia Herrera-Montero is a Catholic practical theologian, educator, and lay ecclesial leader. She holds a PhD in Practical Theology and an MA in Pastoral Ministries from St. Thomas University in Miami, FL. Her doctoral dissertation, “Understanding Contemporary Practical Latino/a Theology Through the Lenses of College-Age Latinas in Their 20’s: A New Marianismo?” has expanded her research on participatory-action with young Latinos/as in the classroom and ministerial settings, as she explores on their faith identity and social location. Dr. Herrera is the former Director of Campus Ministry at St. Thomas University. Currently, she teaches in the graduate program in pastoral ministry at the Southeast Pastoral Institute for Hispanic Ministry (Instituto Pastoral Para el Sureste Hispano). In addition, she serves as the elected Secretary of the Academy of Catholic Hispanic Theologians of the United States (ACHTUS) since 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954954781-MQ5WLL3OWY03VY9NXIK4/adeline-jean.jpeg</image:loc>
      <image:title>content - Liminal Theology - Adeline Jean</image:title>
      <image:caption>Adeline Jean is a Doctoral Student of Practical Theology and an adjunct professor of Religious Studies and English Composition (writing and literary analysis) at St. Thomas University in Miami, Florida. She holds a Master’s Degree in English Education. Her recent research work includes a comparative study of the Catholic Mass as simultaneously a story and a narrative and a study of the Catholic Mass at a diasporic ethnic mission church as the site and source of political and social advocacy in the form of a friendship theology. Her current research work focuses on charting the course toward the development of a Caribbean Theology. She recently published her first book, a compilation of memoirs, JESUS Speaks to Me: Whispers of Mercy, Whispers of Love (Xlibris, 2018), a distinctive genre and source of practical theology.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954952938-57EI17SMUA1UQQX5OAV1/Alex+Lopez.jpeg</image:loc>
      <image:title>content - Liminal Theology - Alex Lopez</image:title>
      <image:caption>A native South Floridian of Cuban descent, Dr. Alex Lopez, like most of us, knows a thing or two about the in-betweens of liminal experiences. He holds a PhD in Practical Theology and is currently an adjunct professor of Religious Studies at Broward College in Pembroke Pines, FL. His areas of research include post-metaphysical theology, political theory, and the role of the imagination in emancipatory thinking. He resides in Hollywood, FL with his wife Isabel, son Logan, and their two dogs Tsuki and Otis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954954727-XMAC6L9GRTE0JMUIA2U3/Andrew+McCarthy.jpeg</image:loc>
      <image:title>content - Liminal Theology - Andrew McCarthy</image:title>
      <image:caption>Andrew McCarthy holds a Master’s degree from Asbury Theological Seminary in Theological Studies and is currently a PhD student in practical theology at St. Thomas University, FL. Dr. McCarthy has worked as a missionary in Guatemala, Mexico, Thailand and China. He resides in South Florida.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691979605220-DAW9I03ZPC3EZAGFWEHD/Generic-Profile.jpg</image:loc>
      <image:title>content - Liminal Theology - Thomas Parks</image:title>
      <image:caption>Thomas Parks is a recovering academic and a faith reconstructionist. His research interests are in lament poetry and wisdom literature, with a piquing curiosity in narrative homiletics. He has earned a masters from Asbury Theological Seminary and is being called to pursue a PhD of religion, focusing on the Hebrew Bible. Thomas has worked and volunteered in ministry for the past ten years. He lives in central Florida with his wife and two young children.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954951622-GH1V0Q0N32FJ9GMP36OY/Jane+M.+Spanich.jpeg</image:loc>
      <image:title>content - Liminal Theology - Jane M. Spanich</image:title>
      <image:caption>Jane M. Spanich is the Co-director of Campus Ministry at St. Thomas Aquinas High School in Fort Lauderdale, FL. She holds a Bachelor degree in International Affairs from Florida State University, an MLS from Rollins College, and is currently a doctoral candidate in Practical Theology at St. Thomas University in Miami Gardens. Jane is the director of the LEAP Service Learning Program as well as the TEDx event at St. Thomas Aquinas High school where she teaches Leadership and the senior duel enrollment courses, World Religions and Catholic Social Teaching.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17d1b574-94f3-47b9-97a8-630064f5e9f6/liminal-theology+logo.jpeg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/487028a6-6b63-4dc5-a1dd-68cfd05df254/a5022b_07a7bfcef8ad497b961d2f29f058fc35_mv2-e1612850312910.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>The Negro Spirituals as a Form of Theology in the “Invisible Institution” (Part 1) By Adeline Jean 9 February 2021 Image: Slave Quarters, Louisiana, 1861-1865. Source: www.slaveryimages.org, compiled by Jerome Handler and Michael Tuite and sponsored by the Virginia Foundation for the Humanities</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Digital Social Space? Interpreting Digital Action and Behavior for Today’s Churches By Jonathan L. Best 3 May 2018 Photo: Tim Bennett</image:caption>
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      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Were You There? By Alex Lopez 15 July 2020 Mural portrait of George Floyd by Eme Street Art in Mauerpark (Berlin, Germany); photo by Singlespeedfahrer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf28b1ef-b466-4eb8-ac59-d10fbd4c8efd/alexis-fauvet-l-3otjhmsw4-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Liminality, Communitas, and Hope (Transition, Fear, and Liminality: Part II) By Jonathan L. Best 9 September 2020 Image: Alexis Fauvet</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3f34e0d-f891-4049-ae52-be5d2fafd475/joshua-ness-0xftwmrbz_0-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Borderlands of the Bridge Prophet: A Reflection on John the Baptist as a Liminal Figure By Andrew McCarthy 7 August 2019 Photo: Joshua Ness</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3bedcf00-0b65-4d24-b433-5c10ae22ba5f/edward-cisneros-qsa-uv4wj0k-unsplash.jpg</image:loc>
      <image:title>content - Liminal Theology - Make it stand out</image:title>
      <image:caption>Never Forget the Rich Young Man: The Liminality of Religious Faith Among Young People By Andrew McCarthy 5 September 2019 Photo: Edward Cisneros</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/institute-for-signifying-scriptures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ae74985f-3967-4a9a-8548-c8e7556ac8ce/E%CC%80s%CC%A3u%CC%80_go%CC%A3ngo%CC%A3.jpg</image:loc>
      <image:title>content - The Institute for Signifying Scriptures - Make it stand out</image:title>
      <image:caption>Symbol of Èṣù Láàlú, 2021. A pivotal in the cosmology of Yoruba spirituality, Èṣù is the deity in charge of law enforcement, orderliness, and direction, embodying the multiplicity of every issue and standing at the middle of divergent world forces. This divinity’s name varies in different locations: Exu de Candomblé and Exu de Quimbanda (Brazil); Legba in Vodou (Haiti); Leba in Winti (Suriname); and Echú in Santería and Lubaniba in Palo Mayombe (Cuba/Latin America). Photo: Ìṣẹ̀ṣeAssembly</image:caption>
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      <image:title>content - The Institute for Signifying Scriptures - Make it stand out</image:title>
      <image:caption>African Americans and the Bible: Sacred Texts and Social Textures Vincent L. Wimbush Wipf and Stock, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/finding-la-negrita</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2288c32-2e17-4ade-bca6-cb9829d90672/Mural_Museo+Municipal+de+Cartago.jpeg</image:loc>
      <image:title>content - Finding La Negrita - Make it stand out</image:title>
      <image:caption>Detail of a mural (2012) by Guadalupe Álvarez Rojas depicting the history of Costa Rica, Museo Municipal de Cartago, Cartago, Costa Rica. It is the first mural of this size to be painted by a woman in Costa Rica. Shown around the yellow flower basket (towards the right) is the legend of La Virgen de Los Ángeles, the nation’s patron saint. This mural detail serves as the book-cover image for the novel Finding La Negrita (Jaded Ibis Press, 2022) by Natasha Gordon-Chipembere. Photo: Esteban Cervantes Jiménez ©2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/369a19c2-2f43-42f9-bf7a-ef33ebdcac7b/Old_Ruins_in_Cartago%2C_Costa_Rica_by_Daniel_Vargas_-_25.jpg</image:loc>
      <image:title>content - Finding La Negrita - Make it stand out</image:title>
      <image:caption>View of the Santiago Apóstol [James the Apostle] Parish ruins, Cartago, Costa Rica, 2010. Photo: Daniel Vargas</image:caption>
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      <image:title>content - Finding La Negrita - Make it stand out</image:title>
      <image:caption>Finding La Negrita By Natasha Gordon-Chipembere Jaded Ibis Press, 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/catholic-and-indigenous</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b1b3bb51-068c-479d-9717-2e337fe47a1b/Statue_Kateri_Tekakwitha.jpg</image:loc>
      <image:title>content - Catholic and Indigenous - Make it stand out</image:title>
      <image:caption>Statue of Kateri Tekakwitha (“Lily of the Mohawks”) at the Cathedral Basilica of St. Francis of Assisi, Santa Fe, New Mexico, 2015. Born in the Mohawk village of Ossernenon, Auriesville, New York to an Algonquin mother and a Mohawk-chief father, St. Kateri Tekakwitha (1656-1680) is the first Native American to be recognized as a saint by the Catholic Church in the United States and in Canada. Photo: Dieterkaupp</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/will-new-mexico-sing-their-spanish-in-heaven</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1689468414110-69PR6N0LRIKBOVVBY63R/San+Ildefonso+woman+at+Christmas+Day+buffalo+dance.jpeg</image:loc>
      <image:title>content - Will New Mexico Sing Their Spanish in Heaven? - San Ildefonso woman at Christmas Day buffalo dance</image:title>
      <image:caption>San Ildefonso woman at Christmas Day buffalo dance, San Ildefonso Pueblo, 1989. Photo: Nancy Hunter Warren. Publisher: Palace of the Governors Photo Archive, New Mexico History Museum, Santa Fe, NM [Negative Number: HP.2003.29.037].</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1689468433841-0YYX0ZPQVQ5J9A2SKOB1/Girls+in+procession+honoring+Senor+Santiago%2C+Chimayo%2C+New+Mexico_Warren.jpeg</image:loc>
      <image:title>content - Will New Mexico Sing Their Spanish in Heaven? - Girls in procession honoring Senor Santiago</image:title>
      <image:caption>Girls in procession honoring Senor Santiago, Chimayo, New Mexico, 1987. Photo: Nancy Hunter Warren. Publisher: Palace of the Governors Photo Archive, New Mexico History Museum, Santa Fe, NM [Negative Number: HP.2003.29.33].</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b2362ad-631b-4487-9ccd-c8a3b3a8e7e2/El+Santuario+de+Chimayo.jpg</image:loc>
      <image:title>content - Will New Mexico Sing Their Spanish in Heaven? - Make it stand out</image:title>
      <image:caption>Altar at the historic Roman Catholic church and shrine El Santuario de Chimayó, Chimayó, New Mexico, 2013. The National Historic Landmark is visited by nearly 300,000 visitors per year. Photo: speedygroundhog</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ab06969a-ba6f-4092-80c2-bdedf60cc558/NM+worshippers_Christian+Silva.jpg</image:loc>
      <image:title>content - Will New Mexico Sing Their Spanish in Heaven?</image:title>
      <image:caption>"Worshippers in Northern New Mexico," created with Imagine AI Art Generator. Image: Christian Silva</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c778fc65-4780-4c03-94bf-e23f07aacddf/Nuestra+Senora+de+Los+Dolores_Fresqui.jpg</image:loc>
      <image:title>content - Will New Mexico Sing Their Spanish in Heaven? - Make it stand out</image:title>
      <image:caption>The Murder of Caesar (1865) by Karl von Piloty depicts the assassination of Julius Caesar. “The painting positions Caesar seated, crowned, and robed in a scarlet toga, as the centre and focus of composition. Tillius Cimber is depicted pulling on Caesar's toga to both distract and pin him, as Servilius Casca sneaks behind Caesar and attempts to stab Caesar with a dagger” (Wikipedia).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/tell-somebody</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4c6c20bb-1b2b-40f1-8e08-08ae8af95340/landscape-tree-nature-outdoor-branch-blossom-784138-pxhere.com.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a487acd2-5ecf-43ba-9438-9110610a9e8d/Auschwitz_II-Birkenau_a_flower_in_memory_of_one_of_a_million.JPG</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>“Auschwitz II-Birkenau a flower in memory of one of a million,”  Memorial and Museum Auschwitz II-Birkenau, Brzezinka, Poland, 2013. Photo: Oleg Yunakov, CC BY-SA 3.0</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3fdd00c4-f0b9-4e65-944a-9b5ee646f62d/lone_candle.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95b51171-2880-4704-9d17-b96a6f76618c/blossom-plant-flower-petal-bloom-rose-1401624-pxhere.com.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e68973d7-a4d6-437e-b788-38dd72834999/Karl_Theodor_von_Piloty_Murder_of_Caesar_1865.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>The Murder of Caesar (1865) by Karl von Piloty depicts the assassination of Julius Caesar. “The painting positions Caesar seated, crowned, and robed in a scarlet toga, as the centre and focus of composition. Tillius Cimber is depicted pulling on Caesar's toga to both distract and pin him, as Servilius Casca sneaks behind Caesar and attempts to stab Caesar with a dagger” (Wikipedia).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/52b67cb7-6950-47c5-b524-af4af111e6de/IMG_1795-300x225.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Bishop Oscar Romero crosses created on the anniversary of his death by children at St. Peter's Catholic Primary School, United Kingdom, 2017. Assassinated in 1980 while celebrating Mass, Bishop Romero was an outspoken critic of social injustice and violence amid the conflict between the military government and left-wing insurgents that led to the Salvadoran Civil War. Photo: Mrs. L.A. Stokoe, Executive Head Teacher. Source: St. Peter's Catholic Primary School</image:caption>
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      <image:title>content - Tell Somebody</image:title>
      <image:caption>Image: Freepik</image:caption>
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      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>“The Red Winter,” Central Park, New York, 2017. Photo: Andre Benz</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1e7d40f3-5edf-48d1-b240-9409c6709902/Bonhoeffer_series_banner.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Dietrich Bonhoeffer “was a German Lutheran pastor, theologian and anti-Nazi dissident who was a key founding member of the Confessing Church. His writings on Christianity's role in the secular world have become widely influential…He was hanged on 9 April 1945 during the collapse of the Nazi regime” (Wikipedia). Shown are four books from The Dietrich Bonhoeffer Works series (Fortress Press), “the definitive English translation of the German editions of Dietrich Bonhoeffer Werke—a comprehensive and thoroughly annotated sixteen-volume resource for the study of Bonhoeffer in the wider frame of twentieth-century thought and history.”</image:caption>
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      <image:title>content - Tell Somebody</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/030c7ab1-742b-411b-96f1-f872b9900497/illustration-digital-art-minimalism-selective-coloring-umbrella-symmetry-571754-wallhere.com.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de845567-6402-4049-9c39-fe69ff448ff0/AdobeStock_433366573_Harlem-Rowhouse-1.jpeg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Harlem brownstone window David Hammons’ 1990 “African American Flag,” New York City. Image source: PRINT</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc0da289-4543-4d50-831b-e2399c76426c/grandstand-g99393b562_1280.jpg</image:loc>
      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Image: Anja</image:caption>
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      <image:title>content - Tell Somebody - Make it stand out</image:title>
      <image:caption>Photo: Jake Thacker</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hummings-from-the-desert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5a84f827-fc48-452a-9bff-7927cc246755/Bryce_Canyon_Amphitheater_Hoodoos_Panorama.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Panorama of Hoodoos in Bryce Canyon National Park, Utah, 2006. Photo: Jonathan Zander</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3af5014-5bd4-4a22-bb3d-1ae79c0944f6/pexels-katarzyna-modrzejewska-1542937.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Foto: Katarzyna Modrzejewska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a4c9b7ae-3707-4944-8b2c-c8ba1cacc6af/uganda-g180a0d8a6_1280.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Lioness perched on tree, Ishasha Wilderness Camp, Uganda. Photo: Graham Hobster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f16c7ff-74f6-4900-9c05-82a1a849f848/pxfuel.com.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7c1d65e-70ae-477d-9463-231ffdc453e9/Young_to_queen_bees_to_get_out_of_the_cocoon_2465_1080_2_850.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>“La abeja maestra se desarrolla en un capullo de cera. Luego lo roe y sale afuera. [The queen bee develops in a wax cocoon. Then she gnaws it and goes outside].” Foto: Dr. Beekeeper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687927178220-MYEQOMYDL03E36SMV39G/Alma%252BCardenas-Rodriguez.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/af731428-460d-440c-97d7-75967a59b284/bdcce1a6cb7243f2b8ab9fbe3fc0b9c8Original.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Anna's hummingbird (Calypte anna), Organ Pipe Cactus National Monument, Ajo, Arizona, 2015. Source: National Park Service Colibrí de Anna (Calypte anna), Monumento Nacional Organ Pipe Cactus, Ajo, Arizona, 2015. Fuente: National Park Service</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9a580c9c-34f1-475f-af0d-e0f02c065297/clay-jug-gaeb0626ab_1280.jpg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Foto: Hannes/HaKoPhoto</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/60137a15-c235-4a17-93f3-2ca357ceb7e6/il_1588xN.4565605191_qoo3.jpeg</image:loc>
      <image:title>content - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Source/fuente: LaForgeDhalatte, Etsy</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hold-it-together-and-keep-going</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ff14474-dd98-4374-88f7-7a1dd868da67/service-pnp-highsm-27600-27616v_Los+Ebanos+cemetery.jpeg</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>“A small cemetery in Los Ebanos, a small settlement named for the ebony trees that once grew in profusion here along the Rio Grande River in Hidalgo County, Texas,” 2014. Photo: Carol Highsmith. Source: The Lyda Hill Texas Collection of Photographs; Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834177176-69Q4D7LQBPH5YUNJBEX3/nlaad-2021-infographics-english-1.jpg</image:loc>
      <image:title>content - Hold It Together and Keep Going</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d5aa205-b409-4a9f-925b-f798a533917c/Right+Now+HIV+test.jpg</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Right Now HIV At-Home Test and Free Testing Advertisement, 1990s. Source: Personal Collection of Alberto Sandoval-Sánchez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fb9821c5-f795-40dd-a617-217bdc3105fc/Erasmo+Guerra_Typewriting+Smith+Corona+Manual+Typewriter_+How+I+Learned+to+Type+2-44+screenshot.jpg</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Image still from the video short “Typewriting Smith Corona Manual Typewriter: How I Learned to Type” (2012) by Erasmo Guerra; shown are the first lines of his essay “Once More to the River.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2c86933d-f2e2-457f-978a-bf3bdc12733f/service-pnp-highsm-27500-27598v_Los+Ebanos+Ferry+depot.jpeg</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Sign the station for the Los Ebanos Ferry or El Chalán, formally known as the Los Ebanos-Diaz Ordaz Ferry, a hand-operated cable car/pedestrian ferry that travels across the Rio Grande River between Los Ebanos, Texas and Gustavo Diaz Ordaz, Tamaulipas, Mexico, 2014. Photo: Carol Highsmith. Source: The Lyda Hill Texas Collection of Photographs; Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7905a092-d590-4088-9308-a386b5a1bdd2/service-pnp-highsm-26300-26338v_Saint+Miguel+Archangel+Catholic+Church.jpeg</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2588fba7-ce96-4ae6-acd6-6429062b0917/Parroquia_de_San_Miguel_Arca%CC%81ngel_%28Azcapotzalco%29.JPG</image:loc>
      <image:title>content - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-book-is-not-a-one-size-fits-all</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bce99303-0df9-475e-b3da-801f912d9570/Reyna+Grande+books.jpeg</image:loc>
      <image:title>content - ‘A Book Is Not a One Size Fits All’ - Make it stand out</image:title>
      <image:caption>Books by Reyna Grande (clockwise spiral from left): Across a Hundred Mountains: A Novel (Atria, 2006); Spare Parts: The True Story of Four Undocumented Teenagers, One Ugly Robot, and an Impossible Dream (Farrar, Straus and Giroux, 2023); A Ballad of Love and Glory: A Novel (Atria, 2022); The Distance Between Us: A Memoir (Washington Square Press, 2013); Dancing with Butterflies: A Novel (Washington Square Press, 2009); Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings (HarperVia, 2022); A Dream Called Home: A Memoir (Washington Square Press, 2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/intervenxions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f60023e0-e025-4c11-a771-ff93c5bcb12c/Intervenxions+logo.jpg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d15c1ef-ef0d-4613-92cf-8d44af228ce7/year-of-the-dog.jpeg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Year of the Dog by Deborah Paredez (BOA Editions Ltd, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aa712671-2334-45a5-8205-e02c3ec377c3/Rafael+Soldi.jpg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Imagined Future #106, #122, and #139 from Imagined Futures series by Rafael Soldi; gelatin silver print from Photobooth, 2 x 1.5 inches, Unique. Courtesy of Rafael Soldi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/99f7c39e-1f74-43a2-bd72-ea475afcfc4c/52215109662_8b94a50928_h.jpg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Detail from Venus Envy, Chapter 1: The First Holy Communion Moments Before the End, 1993/2022 by Amalia Mesa-Bains; mixed media. Rena Bransten Gallery, SFMOMA, San Francisco, CA. Photo: Rob Corder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0abc0c5f-9db0-4b1d-a1d1-e701d910087e/Entre+PR+y+Richmond_Alicia%2BDi%CC%81az_Film%2BStill_Christina%2BLeoni%2BOsion%2Band%2BChristine%2BWyatt_Outside.jpeg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Production still from Entre Puerto Rico y Richmond: Women in Resistance Shall not be Moved (2020) by Alicia Díaz, co- created with Patricia Herrera, Christine Wyatt (left), Christina Leoni-Osion (right), Luis Vasquez La Roche, Héctor “Coco” Barez, Yaraní del Valle, and David Riley. Courtesy of the Institute of Contemporary Art at Virginia Commonwealth University, Richmond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fad2353c-6767-4c80-b8a6-35e4ba3e54de/VideoScreenshot--AngelitosNegrosHablanenSamanDarrelAlejandroHolnesinConversationwithPatriciaEncarnacinTheLatinxProjectatNYU-0%E2%80%9910%E2%80%9D.jpg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Image still from video short produced by interdisciplinary artist Patricia Encarnación that serves as an introduction to their conversation with poet Darrel Alejandro Holnes, “Angelitos Negros Hablan en Samaná,” Intervenxions, 26 July 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5a3e77a6-1c59-437b-96ca-07ab2132d1f4/Creation_of_God_by_Harmonia_Rosales.jpg</image:loc>
      <image:title>content - Intervenxions - Make it stand out</image:title>
      <image:caption>Creation of God (oil on Belgian linen; 2017) by Harmonia Rosales: “…when you consider that all human life came out of Africa, the Garden of Eden and all, then it only makes sense to paint God as a black woman, sparking life in her own image” (Los Angeles Academy of Figurative Art).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/exegeting-bad-bunny</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2bdb8489-4cb0-4638-9175-30cca7540e3d/bad-bunny-cement-cross-ckszaqagr8k3lgf5.jpg</image:loc>
      <image:title>content - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/928f6a34-21bb-4a9d-976f-80f198c90eaa/BAD_BUNNY_-_CONCIERTO_P_FKN_R_2021-1134x636.jpeg</image:loc>
      <image:title>content - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4828a78-edb9-468a-9c87-0bd634ed62be/DJ_Jesus.jpg</image:loc>
      <image:title>content - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/leaning-on-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/06649650-7bc4-4926-8070-ff2bc30bd6aa/Region+One+Education+Service+Center-+students.jpg</image:loc>
      <image:title>content - Leaning on God - Make it stand out</image:title>
      <image:caption>Students on the Texas-Mexico border at work at a writing workshop, Hidalgo County, Texas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/ode-to-olg-san-bernardino</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/15a6007b-6017-4962-b806-ad3ae24ba847/7+Santa+Fe+looking+West+toward+the+viaduct.+Circa+1925.+Photo+courtesy+of+Kenny+Jure.png</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Santa Fe Railroad depot looking West toward the viaduct, ca. 1925. Courtesy of Kenny Jure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/250c4b6b-5810-4e31-8738-5e121d7a4bb5/liz+horse+in+front+of+Ramona+Market.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author in front of John and Nellie Serrano’s market, San Bernardino, CA, 1964. Courtesy of liz gonzález</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/83a541a4-0ce7-46d5-9a35-e38a5746a747/Norton+AFB.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>“Greetings From Norton Air Force Base [AFB]” postcard, ca. 1950s, Ferris H. Scott Western Resort Publications, San Bernardino, CA. Source: cardcow.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63f936f7-6f93-4764-a1d3-1dcc988438be/18+Nellie+Gomez+Serrano%27s+Our+Lady+of+Guadalupe+bust+figurine+with+adornment.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez Serrano's Our Lady of Guadalupe bust figurine with adornment. Photo: liz gonzález</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3486d4d-8de0-488f-b244-78d743aa8401/16+The+author%27s+parents%2C+Dorothy+%28Serrano%29+Avance+and+Celicio-Robert+Gonzalez%2C+with+infant+liz%2C+Thanksgiving+1959.+Celicio+died+in+November+1962.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author as an infant with her parents Dorothy (Serrano) Avance and Celicio/Robert González (d. Nov. 1962), Thanksgiving 1959, San Bernardino, CA. Courtesy of liz gonzález</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b77ee6f8-5826-42b3-8a1d-831f98030b1f/15+Seal+Beach+Pier%2C+CA.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Seal Beach Pier, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3141b418-e3ed-41ed-8053-828ac6e51955/9+Ramona+School+students...+SEE+THE+COMMENT+IN+GOOGLE.DOCs+FOR+INFO.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Detail of a panoramic photo taken of Mexican immigrant and Mexican American students at the segregated Ramona School, San Bernardino, CA, 9 December 1929. Photo by C.N. Jackson, Cotton Brewer’s Studio, S.B. Courtesy of Gabriel Joseph Pérez, co-moderator of the "San Bernardino, Remember When" Facebook page. Used by permission of the San Bernardino Historical and Pioneer Society. Read more about the photo: “Ramona School Wins $50 Prize In Kris Kringle Parade as 600 Pupils March,” The San Bernardino Sun, 28 December 1929.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5ebeb647-3e57-48f8-825c-a35245a491f8/La+Reina.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Vintage LA REINA Citrus Fruit Crate Label, Rialto, San Bernardino, CA, 1920s-1930s. Source: The Box SF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8723a86f-57f2-4140-bd76-81ac5314de3c/14+Chacho%2C+the+author%27s+dog+%28RIP%29%2C+running+toward+the+ocean%2C+White+Point%2C+CA.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Chacho, the author's dog (RIP), running toward the ocean, White Point, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0b312039-eb36-4b9d-9bb5-0ee20ce04106/4+Our+Lady+of+Guadalupe+facade.+The+church+was+built+in+1954%2C+diagonally+across+the+the+Original+OLG.+The+latter+was+demolished.+Photo+courtesy+of+liz+gonza%CC%81lez+copy.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Our Lady of Guadalupe Church, built in 1954, diagonally across the Original OLG, San Bernardino, CA. Photo: liz gonzález</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/32bb91a4-569a-4fa2-860a-f87de766ea10/12+Front+L-R++Dorothy+%28Serrano%29+Avance%2C+Michelle+La+Fontaine%2C+Nellie+Gomez+Serrano.+Back+L-R+Cynthia+Duran%2C+Monique+La+Fontaine-Tomaso%2C+liz+gonzalez+2007.+Photo+courtesy+of+liz+gonza%CC%81lez.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author with her sisters, mother, and grandmother. Front L-R:  Dorothy (Serrano) Avance, Michelle La Fontaine, and Nellie Gómez Serrano. Back L-R Cynthia Durán, Monique La Fontaine-Tomaso, and liz gonzález, Highland, CA, 2007. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46e0a076-7ab6-4c48-a9cd-c4ce09725e90/10+Nellie+Gomez+Serrano%2C+%E2%80%9CEl+Barrilito%E2%80%9D+portrait%2C+1931.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez Serrano’s “El Barrilito” portrait, 1931. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d61123c-affa-44c5-a80f-6820b54c947d/8+Nellie+Gomez+and+John+Serrano%2C+San+Bernardino%2C+1936.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gomez and John Serrano, San Bernardino, CA, 1936. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00a20180-b0a3-4475-91a5-46c5156271e8/SAAM-1991.65.3_2-000001.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Ester Hernandez, La Ofrenda II, from the National Chicano Screenprint Taller, 1988-1989 (1988). Source: Smithsonian American Art Museum, Gift of the Wight Art Gallery, University of California, Los Angeles, 1991.65.3, © 1988, Self-Help Graphics &amp; Art, Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/676c51cc-b9dd-409f-a531-69923c9553c0/san+bernadino+county+courhouse.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Vintage postcard: San Bernardino County Court House, California, CA, 1930's. Source: Colbear Collectibles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a3dcf2d-d2ed-498a-9eff-41df993acd5c/2+OLG+lot.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Parking lot on Pico Avenue, behind Our Lady of Guadalupe Parish Hall, San Bernardino, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39865c3e-802f-445a-b722-eec1ff0c79c9/5+The+author+and+her+mother%2C+Dorothy+...1967.+Photo+courtesy+of+liz+gonza%CC%81lez.+copy.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author and her mother, Dorothy (Serrano) Avance, in front of the fountain at Our Lady of Guadalupe Church, San Bernardino, CA, 1967. Photo courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/64630f39-5a12-4a78-82e1-815985ffb3a5/21+Worn+image+of+Santo+Nin%CC%83o+de+Atocha+that+Nellie+Gomez+Serrano+kept+her+bed.+He+was+her+namesake+and+patron+saint..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Worn image of Santo Niño de Atocha that Nellie Gómez Serrano kept beside her bed. Protector of many, including travelers, he was her namesake and patron saint. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cacd2632-8398-4c4c-86bb-343473cb5bd0/17+OLG+mural+on+Serrano+family%27s+former+market.+On+the+left%2C+the+San+Bernardino+mountains+are+in+the+distance.+The+mural+wasn%27t+there+when+the+family+owned+the+building.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>West side of the Serrano family's former market, named Ramona Grocery then; the San Bernardino mountains are visible in the distance at left. San Bernardino, CA. John and Nellie built the store in front of their home in early 1940, ran the business until the 1960s, and sold it in 2010. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29b770bb-3f5f-4811-a743-85bff589d2af/Dorothy+holding+her+Tri%CC%81o+Los+Panchos+78+album.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Dorothy (Serrano) Avance holding her Trío Los Panchos 78 record. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1684727058481-D4HJTEZZT9RQ062CS1EH/ben_bone.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino</image:title>
      <image:caption>beneath bone by liz gonzález (Manifest Press, 1999)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1684727048186-NSLEVYZW3KTW6WAX37FB/DSAW_Cov_300w.jpg</image:loc>
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      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68b717c6-6969-48aa-b444-d66425eaa9f8/Virgin%2Bde%2BCalles%2Bweb.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Ester Hernández, La Virgen de las calles (Virgin of the Streets), 2001. Pastel on paper. Source: National Museum of Mexican Art Permanent Collection 2015.671, Gift of Sandra Cisneros Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3aa6c377-31f9-4593-93ad-44ca72488e53/20+OLG+mural+on+the+wall+in+the+front+parking+lot+of+Our+Lady+of+Guadalupe+Church+on+Fifth+Street.+Photo+liz+gonzalez.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>OLG mural on the wall in the front parking lot of Our Lady of Guadalupe Church on Fifth Street, San Bernardino CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6625cd06-4df2-46a9-b6d8-01084d11ef2d/13+Signal+Hill+view+of+San+Bernardino+Mountains+palm+tree.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Signal Hill view of San Bernardino Mountains. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1df85af-d7fa-484b-823d-5c9c2c706775/Church+of+the+Fifth+Apparition+to+Juan+Diego.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino</image:title>
      <image:caption>Mosaic from the facade of the Church of the Fifth Apparition to Juan Diego, January 2017. Also known as Santa Maria Tulpetlac, the church was built on the site of Juan Bernardino's house in Mexico City and designated as the World Center of Healing by Pope John Paul II. Photo: Fr. Lawrence Lew, O.P.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e84daf2-9113-4aac-ba62-a3abaf49f378/TonatzinChurubuscoDF.JPG</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Stone figure of Tonatzin, Museo Nacional de las Intervenciones (ex Monastery of Churubusco), Coyoacán, Mexico City, Mexico, 2009. Photo: Leigh Thelmadatter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68adc1dc-dee4-4a35-a685-d414a47ef660/6+Feast+Day+of+Our+Lady+of+Guadalupe%2C+Our+Lady+of+Guadalupe+Church%2C+San+Bernardino%2C+CA%2C+2018.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Feast Day of Our Lady of Guadalupe, Our Lady of Guadalupe Church, San Bernardino, CA, 2018. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02c8fe04-e9a0-4ac5-8549-4058b3f10e81/schlitz+ad.jpeg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Schlitz beer vintage print ad, 1963. Source: eyecatchingink, eBay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/86b69386-0267-4db0-8b28-79ed2791f2c1/19+Nellie+Gomez+and+John+Serrano+exiting+Our+Lady+of+Guadalupe+Church+after+the+celebration+Mass+of+their+50th+wedding+anniversary%2C+May+1980.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archi.jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez and John Serrano, exiting Our Lady of Guadalupe Church after the celebration Mass of their 50th wedding anniversary, San Bernardino, CA, May 1980. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/350b8c87-d419-415d-8066-13a199f7e70e/3+Front+of+the+Original+OLG%2C+built+in+1925.+Dorothy+Serrano+with+her+First+Holy+Communion+cohort%2C+1947.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Front of the Original OLG, built in 1925, where Dorothy Serrano poses with her First Holy Communion cohort, San Bernardino, CA, 1947. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3e29b085-189a-43e9-b6df-c81e13ae3667/Submergia_jesus_teen_white_lilies.png</image:loc>
      <image:title>content - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>“Jesús con White Lilies,” 2023. Image created by Submergia with Midjourney Beta on Discord</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sowing-the-sacred</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ad4aeae-fc13-437a-8216-fe4af7638079/Sowing+the+Sacred_Barba.jpeg</image:loc>
      <image:title>content - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Sowing the Sacred: Mexican Pentecostal Farmworkers in California by Lloyd Daniel Barba Oxford University Press, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7df7579-d1df-4932-8e17-1bc7c3013c44/hands+with+seeds.jpg</image:loc>
      <image:title>content - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e9306f88-0d29-4433-87e0-8130e141f677/Chapter+5+Sowing+the+Sacred_Salinas+Aposto%CC%81licos+Harvesting_1940s.png</image:loc>
      <image:title>content - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/covering-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9051206-5a8f-415a-84e0-fddaad052a8a/The+New+Face+of+Small-Town+America_Sandoval.jpeg</image:loc>
      <image:title>content - Covering Us - Make it stand out</image:title>
      <image:caption>The New Face of Small-Town America: Snapshots of Latino Life in Allentown, Pennsylvania by Edgar Sandoval Penn State University Press, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5060ce9f-f8c3-4748-a78c-716b569a4980/52296557698_dad28e59ae_k.jpg</image:loc>
      <image:title>content - Covering Us - Make it stand out</image:title>
      <image:caption>Robb Elementary School, where 18-year-old alum Salvador Ramos fatally shot nineteen students and two teachers on May 24, 2022. Uvalde, Texas, 10 August 2022. Photo: Michael Hogan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/faith-arising</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e8ab2fe-eb98-44bf-a07e-2e978889be6b/lauren_the_cow_bind_cover.jpeg</image:loc>
      <image:title>content - Faith Arising - Make it stand out</image:title>
      <image:caption>Lauren the Cow (Timothy Frazier, 2022) by T.I. Frazier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8674f96e-524f-47b6-981d-07c53269b82d/510286-person-shadow.jpg</image:loc>
      <image:title>content - Faith Arising - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17d96a0c-88c4-4e59-8e8f-86b395680cf1/faith+arising.jpg</image:loc>
      <image:title>content - Faith Arising - Make it stand out</image:title>
      <image:caption>Faith Arising (Timothy Frazier, 2022) by T.I. Frazier</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/writing-in-the-spirit-of-service</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/23b54e0a-fc77-432f-ad75-7a0391441589/Woman+without+Shame.jpg</image:loc>
      <image:title>content - Writing in the Spirit of Service - Make it stand out</image:title>
      <image:caption>Woman Without Shame by Sandra Cisneros Knopf, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6cb49172-8523-453b-bdb6-72b28bcd89b0/Submergia_heart_cactus.png</image:loc>
      <image:title>content - Writing in the Spirit of Service - Make it stand out</image:title>
      <image:caption>“Nepantla Heart-Cactus,” 2023. Image created by Submergia with Midjourney Beta on Discord</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/american-jesus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6006d555-0cab-4b81-bd53-dc37dc46c575/Guernica+revisited+cover+300dpi.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Guernica, revisited by Richard Vargas (Press 53, 2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/18c731b7-351d-43bb-9718-88c3d07e8d96/1450603766_1a43bd9403_k.jpg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Sand sculpture of Jesus Christ crucified, Puerto Vallarta Beach, Mexico, 2005. Photo: Wonderlane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/96391002-2316-4907-96cd-818d8e0c1c06/Salt+portrait.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Screenshot from “How to do salt portraits ( Jesus Christ ),” by Rob the Original, youtube.com, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/066b238c-d1fc-47f0-b049-13a218d9be31/How+a+Civilization+Begins.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>How A Civilization Begins by Richard Vargas (Mouthfeel Press, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/025b240e-97d8-48dc-b055-649bd57478ab/israel-2201717_1920.jpg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Statue of Jesus preaching to the Twelve Apostles in Domus Galileae on the Mount of Beatitudes near the Sea of Galilee, Israel. Photo: Desi Maxwell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e44ef148-d44e-4886-9abf-a43bc79b6d0b/7002164515_95a5b1f5e1_k.jpg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>“‘I was a stranger and you welcomed me’ - Jesus,” Playas de Tijuana Secc Monumental, Tijuana, Baja California, 2012. Photo: Adam McLane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/33b48b33-7c6e-4140-a658-9d595d4e3c7e/Warhol+American+Jesus.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>“Jesus by Andy Warhol” (2022) posted by No_Geologist525. Source: Weird Ai Generations on Reddit</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0efc8882-905d-4966-ba4c-7d185930cb44/American+Jesus_vargas.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>American Jesus by Richard Vargas (Tia Chucha Press, 2007)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8c4b3bc5-9b42-425d-b3f5-b95a6977371b/Navajo+Christ.jpg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Navajo Christ Breaking Bread (1997) by Father John Giuliani. Oil on wood, 48 x 22.5 in. Source: The Art of John B. Giuliani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5fbd9f54-e09e-49b4-ba72-85337777e7f9/29955046448_304f7ed3ae_k.jpg</image:loc>
      <image:title>content - American Jesus</image:title>
      <image:caption>“Artefacts in Trumpistan: ‘God Bless the USA’ and Jesus,” 3 August 2018. First published in News Junkie Post, “The Global Rise of Fascism: Capitalism End Game?" (5 November 2018). Photo: Gilbert Mercier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e2e4413-67e8-4f3b-b9c4-d603d53c7226/McLife.jpeg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>McLife by Richard Vargas (Main Street Rag, 2005)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e978653-18ec-4612-98d2-a4c5d8d58c4f/4556039273_aec930c11d_o.jpg</image:loc>
      <image:title>content - American Jesus - Make it stand out</image:title>
      <image:caption>Minneapolis protest against Arizona immigrant law SB 1070, which gives law enforcement more power to demand proof of citizenship and detain those they suspect of being illegal immigrants. Minneapolis, Minnesota, 26 April 2010. Photo: Fibonacci Blue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-first-rainbow-coalition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/64fe1b67-9638-4097-b5b1-905d94d80f08/YL-Rainbow+Coalition+Albizu+Campos+march_1969.jpg</image:loc>
      <image:title>content - The First Rainbow Coalition - Make it stand out</image:title>
      <image:caption>The Black Panthers, Young Patriots, and Students for a Democratic Society (SDS) join the Young Lords in a march from “People’s Park” to Humboldt Park in honor of Puerto Rican independence leader Pedro Albizu Campos, Chicago, Illinois, 11 October 1969. The photo appears in Y.L.O., the publication of the Young Lords’ Ministry of Information. Source: Y.L.O. Vol. 1 No. 5 (January 1970), p. 3, Young Lords Newspaper Collection, Special Collections and Archives, DePaul University, Chicago, Illinois</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/605ca896-8258-42ea-9926-52f5a0207bb1/FIRST-RAINBOW-COALITION+poster.jpeg</image:loc>
      <image:title>content - The First Rainbow Coalition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/far-and-near</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d703541-9555-498b-9480-6f64fd3e4acc/Childhood%2BSketchbook%2BPage%2B-%2BFaeries%2Bnd%2BEF.jpg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Childhood Sketchbook Pages (n.d.) by Charles Demuth. Opaque paint on paper; 8 1/2 x 10 3/4 in. Source: Gift of Salander-O’Reilly Gallery, Demuth Museum Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/706ef576-fcfb-47a4-bebd-7d5bc1166490/Jacob+Lawrence+Tombstones+1942.jpeg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Tombstones (1942) by Jacob Lawrence. Opaque watercolor on paper; 30 7/8 × 22 13/16 in. The painting “encapsulates the full sweep of life within the African American community, from the cradle—the baby carriage at left, the Madonna-like mother and child at right—to the grave, marked at center by the tombstone seller’s wares.” Image and quote source: Whitney Museum of American Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d0cc333e-da6e-44e9-8196-849464f89f18/The+Looking+Glass_Recinos.jpeg</image:loc>
      <image:title>content - Far and Near</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d5fd0137-8149-4dde-b7d1-bb9db20baab4/the+visitors_jacob+lawrence.jpg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>The Visitors (1959) by Jacob Lawrence, many of whose works are about the lives of ordinary Americans. Tempera on gessoed panel. Source: Dallas Museum of Art, General Acquisitions Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3d7694a-33b1-47f4-9e2a-672f2ff32b47/Daffodils_Demuth.jpeg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Daffodils (date illegible) by Charles Demuth. Watercolor and graphite on paper; 13 3/8 x 9 3/8 in. Source: Demuth Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c13883d1-8e2d-4907-9f82-58346c1f3ab4/SAAM-1969.47.24_3.jpg</image:loc>
      <image:title>content - Far and Near</image:title>
      <image:caption>The Library (1960) by Jacob Lawrence. Tempera on fiberboard, 24 x 29 7⁄8 in. “Jacob Lawrence researched many of his paintings of African American events by reading history books and novels…[The] standing figure in the front looking at African art may represent the artist as a young man, delving deeper into his heritage.” Image and caption source: Smithsonian American Art Museum, Gift of S.C. Johnson &amp; Son, Inc., 1969.47.24</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/548e54a1-d3d8-4f53-a7c4-2d2280e45336/Charles_demuth_fruit_and_flower.jpeg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Fruit And Flower (ca. 1925) by Charles Demuth. Watercolor and pencil on paper; 12 x 18 in. Source: Christie’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b03b53d4-1666-45fc-a0a9-eec2d9fbe7ab/Lula+And+Alva+Schon.jpeg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Lula And Alva Schön (1918) by Charles Demuth. Watercolor and graphite on wove paper; 8 x 13 in. Source: The Barnes Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f70104e4-ea6e-43db-ab4e-ac960f8b926d/incense-of-a-new-church-1921.jpg%21Large.jpg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Incense of a New Church (1921) by Charles Demuth. Oil on canvas. Source: WikiArt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3f22e47f-dab3-4080-a79f-c6f251bef868/confrontation-at-the-bridge-from-the-series-not-songs-of-loyalty-alone-the-struggle-for-1975.jpg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>Confrontation at the Bridge from the series Not Songs of Loyalty Alone: The Struggle for Personal Freedom (1975) by Jacob Lawrence. Screenprint; 49.5 x 66 cm. Commissioned in honor of the United States' bicentennial in 1976, the work depicts a 1965 march on the Edmund Pettus Bridge in Selma, AL by unarmed protesters objecting to the denial of African Americans' right to vote. Two days later, Martin Luther King Jr. led 25,000 marchers to Montgomery. ©Jacob Lawrence © Fair Use. Source: WikiArt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/08968d54-b5f8-4281-91c4-1b4b9d4ae1fe/The+Migration+Series-Panel+49.jpg</image:loc>
      <image:title>content - Far and Near - Make it stand out</image:title>
      <image:caption>The Migration Series, Panel No. 49: They Found Discrimination In The North. It Was A Different Kind (1940-41) by Jacob Lawrence. Casein tempera on hardboard; 18 x 12 in. Acquired 1942; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Source: The Phillips Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sacred-fields-sacred-nostalgia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7df7579-d1df-4932-8e17-1bc7c3013c44/hands+with+seeds.jpg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ad4aeae-fc13-437a-8216-fe4af7638079/Sowing+the+Sacred_Barba.jpeg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Sowing the Sacred: Mexican Pentecostal Farmworkers in California by Lloyd Daniel Barba Oxford University Press, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f94b2c74-497f-465e-b52a-52102c92aed9/Chapter+3+Sowing+the+Sacred_Page_13_Cantando+en+la+carpa.jpeg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.2. Cantando en la carpa. The carpa in Patterson brought together farmworkers from the far-flung reaches of the borderlands. As this photograph of cantando en la carpa (singing in the tent) captures, an adult, or even a child, could very well be sitting next to another who might have journeyed hundreds to thousands of miles to work for a portion of the summer. The carpa, rather limited in size, brought worshipers into close quarters. Here we see the Dorcas (the married-women’s auxiliary) performing for the congregation. In the more transitory conditions uniforms were harder to come by and much less to keep consistent, and one can thus see the variation of dress styles and standards in the carpa. These variations in life and customs notwithstanding, the hymnals in their hands facilitated a shared expression of worship. Photograph courtesy of Milca Montañez-Vizcarra.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/482296a6-7b1a-400c-9ae2-039fea37cfb1/Chapter+3+Sowing+the+Sacred_Page_15_Carpa+at+Riverbank.jpeg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.3. The Carpa in Riverbank. The carpa in Riverbank (ca. 1949) offers a glimpse of a sturdier tent whereas the carpas in Patterson and Sanger match the description of tents suspended by guy ropes and anchored by stakes. The tent served as a semipermanent transitional house of worship for two years. Photograph courtesy of Eugenia Manzano.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aef56844-3d07-454f-9540-217f53bfced2/Chapter+3+Sowing+the+Sacred_Page_16+Makeshift+Baptisery.jpeg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.4. The Makeshift Baptistery. Felipe Manzano baptizes in the makeshift baptistery in the Riverbank carpa. Because baptism counted as the most important ritual in Apostólico doctrine (as noted in the previous chapter), a baptistery factored in as a key feature of some carpas and all temples. Photograph courtesy of Eugenia Manzano.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e9306f88-0d29-4433-87e0-8130e141f677/Chapter+5+Sowing+the+Sacred_Salinas+Aposto%CC%81licos+Harvesting_1940s.png</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia</image:title>
      <image:caption>Salinas Apostólicos Harvesting. Members of the Salinas church gather for a quasi-staged photograph in the mid-1940s. The church familia remembered and kept names of their fellow believers in a practice which betrayed that of portraying Mexican as mere laborers. Standing to the far right is the eventual presiding bishop of the AAFCJ Manuel Vizcarra. Photograph courtesy of Milca Montañez-Vizcarra.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b33d9c1-2499-4105-b531-2d8c4e8e7a7c/Chapter+3+Sowing+the+Sacred_Page_10_The+Isaac+Sa%CC%81nchez+Labor+Camp.jpg</image:loc>
      <image:title>content - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.1. The Isaac Sánchez Labor Camp. Irma Pérez drew a diagram of the spatial arrangement of the agricultural labor camp managed by Isaac Sánchez in Patterson. The carpa functioned as the centerpiece of the camp, and families, including the Pérezes, lived near it and attended services there. Workers at the camp remembered it as the “Isaac Sánchez Farm Labor Camp” though Sánchez only oversaw the camp. The spatial arrangement of the camp embodies the kinds of alternative religious communities forged in the social margins. Schematic layout hand-drawn by Irma Pérez and digitally enhanced by Eva M. Díaz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/turn-back-and-look</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95069325-18a8-4d68-8d2f-1af758ff6864/Lot%27s_Wife.jpeg</image:loc>
      <image:title>content - Turn Back and Look - Make it stand out</image:title>
      <image:caption>Pillar of salt known as Lot’s Wife on Mount Sodom, near the southwestern part of the Dead Sea in Israel, 2013. Photo: JoTB</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929796227-AGRYEIUDTJRTIE5E1UC2/9765173181_1f4802278a_o.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (1877-78) by Sir William Thornycroft, R.A., Victoria &amp; Albert Museum, London, UK. Photo: Leighton Prichard, widdowquinn, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678930055481-8LECIXC1ZJ4IKCVG33FL/vind_pal_1191_f10v.png</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>The flight from Sodom, with Lot’s wife turned into salt (14th century), in Codex Vindobonensis Palatinus 1191, f. 10v. Source: The Hill Museum &amp; Manuscript Library, Ohio State University / Vivarium, Saint John’s University and The College of St. Benedict</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929767976-XX8ZJSE2QY148NP7ZOER/Lot_and_his_family_flee_Sodom_as_it_burns%3B_Lot%27s_wife_faces_Wellcome_V0034238.jpg</image:loc>
      <image:title>content - Turn Back and Look - V0034238 Lot and his family flee Sodom as it burns; Lot's wife f</image:title>
      <image:caption>Lot and his family flee Sodom as it burns; Lot's wife faces the terrible scene, aghast by John Martin, from Bible, O.T., Genesis 19.23-26. Lithograph, with watercolour and gum arabic; 24.3 x 34 cm. Source: Wellcome Collection 15821i</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929777174-VA47NJWI4H8TCHC4EG5G/YW034239V_Lot-and-his-family-flee-while-Sodom-burns.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot's escape from Sodom (n.d.), from Bible, O.T., Genesis 19.23-26. Line engraving, with etching; platemark 19 x 24.5 cm. Source: Wellcome Collection 15822i</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929796990-KY7H77F3UW16R9PVCMCK/14194333980_2d13d7975b_k.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot and his daughter flee from Sodom (circa 1585) by Paolo Caliari (called Veronese and workshop), Kunsthistorisches Museum Vienna, Austria. Painting on canvas; 138.5 × 282 × 2.8 cm. Photo: Jean Louis Mazieres, 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929786914-H8PBYO21G11478ZZDJ0K/Lot%27s_wife_looks_back_at_the_flames_pouring_from_Heaven_upon_Wellcome_V0034240.jpg</image:loc>
      <image:title>content - Turn Back and Look - V0034240 Lot's wife looks back at the flames pouring from Heaven</image:title>
      <image:caption>Lot's wife looks back at the flames pouring from Heaven upon Sodom; Lot and his daughters go on ahead (1583) by Raphael Sadeler, after Martin de Vos, from Bible, O.T., Genesis 19.26. Line engraving with etching; 22.8 x 20 cm. Source: Wellcome Collection 15823i</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929797888-T1MYJXE8OUSID9DBLV6V/Sodom_Monreal.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot transformed into a statue of salt in front of burning Sodom (12th century). Mosaic in the Cattedrale di Santa Maria Nuova di Monreale in the City of Palermo, Sicily, Italy. Source: Public Domain</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929795801-6P78YWH9Q5UWH5XYM2OZ/7132609027_b29c95b113_o.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>The Lot's wife (2012) by jaci XIII. Created for Photoshop Contest Week, DUC challenge 581, in tribute to Guercino And Bouguereau,. Original photos:Sammydavisdog, Gravityx9; background: FOTOLIA free downloads; textures: JOesSistah, xNickixstockx</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678933600537-0YDN4RB0KLYN9D5HXR67/PR-INC-00000-A-00007-00002-00888-000-00087.jpg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot leaving Sodom (1493) by Michel Wolgemut and Wilhelm Pleydenwurff. Woodcut in the Nuremberg Chronicle (image 87, page 21r), with Lot's wife (center) already transformed into a pillar of salt. Source: University of Cambridge Digital Library</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929795330-26J5WKIOB0JROSK2Q9MH/43_1_cropped.jpeg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (1942) by Ann Brockman. Oil on canvas, 46 × 35 13/16 in. Source: Whitney Museum of American Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678931428542-CLK6YRPRREU75K1HK901/Canterbury+Cathedral+Lots+Wife+Turned+into+a+Pillar+of+Salt+de.jpeg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Canterbury Cathedral, Lot's Wife Turned into a Pillar of Salt (c.1178), unknown artist. Detail of Second Typological Window, North Choir Aisle, n. XV, fourth register, Gothic stained glass, late 12th century, England. Including work by the Methuselah Master. Source: Digital Kenyon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929802830-XHTPXSHWH5GIET8UW6KK/PikiWiki_Israel_33998_Lots_Wife_by_Kaete_Ephraim_Marcus.jpeg</image:loc>
      <image:title>content - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (2013), sculpture by Käthe Ephraim Marcus, Protea Village, Israel. Photo: Dr. Avishai Teicher</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/theologies-that-resemble-our-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4434383f-708c-4150-a4a7-6db8c29251e3/Celia-Cruz-Comunion_1932.jpeg</image:loc>
      <image:title>content - Theologies That Resemble Our People - Make it stand out</image:title>
      <image:caption>Future “Queen of Salsa” Celia de la Caridad Cruz Alfonso (Celia Cruz) at the time of her First Communion, Havana, Cuba, 1932. Courtesy of Omer Pardillo-Cid, celiacruz.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sense-of-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/16b1c0bf-7766-4f92-992f-969430ee8506/The+Persistence+of+Memory_Dali.png</image:loc>
      <image:title>content - Sense of Mind - Make it stand out</image:title>
      <image:caption>La persistance de la mémoire [The Persistence of Memory] (1931) by Salvador Dalí; oil on canvas, 9 1/2 x 13". © Salvador Dalí, Fundació Gala-Salvador Dalí , Figueres, 2007 © 2006. Digital image, Museum of Modern Art (MoMA), New York/Scala, Florence</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-inheritors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9df23860-e0ed-4b70-89c6-f6bec3f9a58d/Screen+Shot+2023-02-04+at+11.16.51+AM.png</image:loc>
      <image:title>content - The Inheritors - Make it stand out</image:title>
      <image:caption>Soccer fans celebrate in Soweto during the World Cup, South Africa, 2010. Photo: Eve Fairbanks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f0e392e-23a5-4b37-9bfe-85c55b54e796/the-inheritors-fairbanks.jpeg</image:loc>
      <image:title>content - The Inheritors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170560946-MPZG1265X3LVTORCWM3O/Screen+Shot+2023-02-04+at+11.18.44+AM.png</image:loc>
      <image:title>content - The Inheritors - Nieu Bethesda Church</image:title>
      <image:caption>Sunday afternoon in the Nieu Bethesda Church, 2010. Once white-only, rural South African dorps, or villages, are fast losing inhabitants.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170510048-7DAK5M1CHMOPGDIGN9H3/Screen+Shot+2023-02-04+at+11.14.33+AM.png</image:loc>
      <image:title>content - The Inheritors - Young Worshippers</image:title>
      <image:caption>Three young worshipers pose in the sun outside a so-called “black church” near the University of the Free State, 2010. Many churches in South Africa, especially in rural places, are still informally racially segregated.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170605808-NK28TGNQ5JQOR610OMK8/Screen+Shot+2023-02-04+at+11.19.27+AM.png</image:loc>
      <image:title>content - The Inheritors - Summer Storms</image:title>
      <image:caption>Summer brings incredibly dramatic clouds and flash thunderstorms over South Africa, much of which is typically arid., 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170524928-XQ7VTXWNGDGMPW5O9O0Q/Screen+Shot+2023-02-04+at+11.17.26+AM.png</image:loc>
      <image:title>content - The Inheritors - Black Homeland</image:title>
      <image:caption>A girl considers her reflection, Limpopo Province, 2012. Until just before she was born, her region was a segregated, so-called “black homeland.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170569638-AFBCB6JZJ45BAVRGWXJZ/Screen+Shot+2023-02-04+at+11.19.18+AM.png</image:loc>
      <image:title>content - The Inheritors - Storefront</image:title>
      <image:caption>Dilapidated storefront in Rietbron, a formerly white-only dorp, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170517208-3RCIBGHNAWVQQTY3QZA7/Screen+Shot+2023-02-04+at+11.17.07+AM.png</image:loc>
      <image:title>content - The Inheritors - Makaraba</image:title>
      <image:caption>A fan shows off his homemade makaraba, an ornately hand-decorated miner’s hat South African soccer supporters wear to games, Johannesburg, 2013. Johannesburg was built around gold mines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170500427-3LL7DPADRYAA1WNM3YOZ/Screen+Shot+2023-02-04+at+11.13.57+AM.png</image:loc>
      <image:title>content - The Inheritors - Agriculture Building</image:title>
      <image:caption>The University of the Free State’s Agriculture (“Landbou”) Building, Bloemfontein, 2010. Many Brutalist-style buildings remain in South Africa from its apartheid era.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170548949-BP7RDTS6BPWE98ZIPANG/Screen+Shot+2023-02-04+at+11.18.37+AM.png</image:loc>
      <image:title>content - The Inheritors - Fence Repairs</image:title>
      <image:caption>Six men work to repair a fence on a white-owned sheep farm in Nieu Bethesda, a desert town, 2010. The vast majority of large South African farms are still white-owned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170609808-NQAJM968R6DNIEGBUWHQ/Screen+Shot+2023-02-04+at+11.19.35+AM.png</image:loc>
      <image:title>content - The Inheritors - Farmhouse</image:title>
      <image:caption>A farmhouse outside the dorp of Nieu Bethesda, 2010.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/watering-the-sacred</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d1c93b9f-0360-4cd8-882d-d75cfd21394f/FLORA+logo.jpeg</image:loc>
      <image:title>content - Watering the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bb933d63-9e3c-42fb-9e26-f430ddc593a2/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>content - Watering the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/true-stories-of-good-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a26adeb-ad14-44d8-9382-d9703a86f823/28171419526_56e2b26d8f_k.jpg</image:loc>
      <image:title>content - True Stories of Good People - Make it stand out</image:title>
      <image:caption>Hand-heart-eye graffiti in the River North Art District (RiNo), Denver, Colorado, 2016. Photo: Chris Goldberg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/historia-e-politica-do-protestantismo-brasileiro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/832e40e3-a4d9-4348-9023-d6f7d2666cdc/Joao_web_directory.jpeg</image:loc>
      <image:title>content - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/19e63543-b103-49a6-9b5d-a49408feba00/por_uma_fe_encarnada_wanderley_pereira_da_rosa.png</image:loc>
      <image:title>content - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f9b199e-b07d-4640-b67c-54815faa798e/Wanderley+Pereira+da+Rosa.jpeg</image:loc>
      <image:title>content - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9132e485-e8c0-4fe2-95a4-f627e06e72a5/france-antarctique.jpeg</image:loc>
      <image:title>content - História e política do protestantismo brasileiro</image:title>
      <image:caption>Detalhe do mapa do Oceano Atlântico (1613) do Pierre de Vaulx, mostrando partes da Europa, África e América do Norte e do Sul. Os marcos do Brasil incluem La France Antártica, uma colônia francesa no Rio de Janeiro que existiu entre 1555 e 1567, com controle sobre a costa do Rio de Janeiro a Cabo Frio. A colônia rapidamente se tornou um refúgio para os huguenotes (protestantes franceses) e acabou sendo destruída pelos portugueses em 1567. Fontes: The History Archive; mapa original na Library of Congress Detail from map of the Atlantic Ocean (1613 ) by Pierre de Vaulx, showing parts of Europe, Africa, and North and South America. Brazil landmarks include La France Antarctique, a French colony in Rio de Janeiro that existed between 1555 and 1567, with control over the coast from Rio de Janeiro to Cabo Frio. The colony quickly became a haven for the Huguenots (French Protestants) and was ultimately destroyed by the Portuguese in 1567. Sources: The History Archive; original map at the Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sacred-tech</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/689b70c4-f45b-4e1c-be4c-1abec135ffdf/devices+for+testing+electronic+bibles.jpg</image:loc>
      <image:title>content - Sacred Tech - Make it stand out</image:title>
      <image:caption>Set of devices for testing electronic bibles, 2014. Photo: Kahunapule Michael Johnson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/virgin-of-altagracia-medallions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/76b18ade-f85f-41fa-9d43-0420c01440ff/arts-10-00037-g001.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 1. Unknown, Virgen de la Altagracia, oil on panel, c. 1510–1515, Basílica de Nuestra Señora de Altagracia, Higüey, Dominican Republic. Used with permission from Obispado de Higüey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d738bdb-8ad5-47ca-9c18-165294fceb7d/Child+asphyxiation+accident_arts-10-00037-g006.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 6. Child asphyxiation accident, c. 1760–1778, oil on panel, Museo de Altagracia, Higüey, Dominican Republic. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0d6497c8-5e71-475f-a21b-694b6744f4ef/Enslaved+Mute_arts-10-00037-g010.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 10. Enslaved Mute, Altagracia miracle medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey, Dominican Republic. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5058fff3-cb94-468b-835e-f035707a5a21/Familia+Conde_arts-10-00037-g012.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 12. José Nicolás de Escalera, Familia del Conde de Casa Bayona (Family of the Count of Casa Bayona), 1770’s. Oil on canvas. Church of Santa María del Rosario, Cuba. Photo by Ramsés Hernández Batista. Courtesy of Agnes Lugo-Ortiz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c16eb9b8-8b55-4ad8-b146-c1fdedb63018/Map+of+Hispaniola_arts-10-00037-g003.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 3. The villa of Salvaleón de Higüey is marked by the San Dionisio Sanctuary at the southeastern-most edge of the island. Map of Hispaniola by Andrés Morales, in Peter Martyr, De Orve Novo Decades, 1516. From Emilio Rodríguez Demorizi 1979, comp. Mapas y planos de Santo Domingo (1979), p. 5. Copyright: Editora Taller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d0276b9f-bf69-4e78-ad10-ff4492f7cefa/The+Fire_arts-10-00037-g004.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 4. The fire, Altagracia medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1dadacbc-80d6-4943-98f7-ba303b8db94c/San+Dionisio+Sanctuuary_1923_arts-10-00037-g002.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 2. A view of the main altar in the San Dionisio sanctuary, with Altagracia medallions displayed, c. 1923. Album de la coronación. Used with permission from Archivo Histórico Diocesano de Santo Domingo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e5532e4a-f477-4a2e-b1d2-95c9b7b1ad18/Nuestra+Sen%CC%83ora+de+la+Caridad+y+de+los+Remedios_arts-10-00037-g009.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 9. Nuestra Señora de la Caridad y de los Remedios, c. 1792–1823, Cuba. Image reproduced from Olga Portuondo Zúñiga 1995, La Virgen de la Caridad del Cobre: Símbolo de Cubanía (1995).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc0ed660-5093-41cf-a95e-703833c85fcd/museo+de+la+altagracia.jpeg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions</image:title>
      <image:caption>Medallion exhibit at the Virgin of Altagracia history museum, Higüey, Dominican Republic, 2014. Source: Museo de La Altagracia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c2f717b7-1b73-46d4-a3d5-e46c7a9201e7/The+apostles_arts-10-00037-g007.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 7. Images of the apostles (a–d). Francisco Velásquez, medallions, end of 18th century, oil on panel, Cathedral of Santa María la Menor, Santo Domingo. From Arte Sacro Colonial en Santo Domingo (2002), p. 48. Copyright: Fundación de la Zona Colonial, Inc. 2002.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/415d706e-28ad-450a-9fa3-469562028c05/Liturgical+calendar_1683_arts-10-00037-g014.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 14. Liturgical calendar with feast days in Hispaniola as of 1683, “Titulo 3. De la Observancia y guarda de las fiestas”, in Proemio Yquicion de la Sancta Synodo, Folio VI, Number 247 to 301 (1683 to 1699), Santo Domingo 93, Archivo General de Indias. Used with permission from Ministerio de Cultura y Deporte. Archivo General de Indias.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fdfa9e6b-38a2-4c16-98b0-aaf51dfeb587/Martyrdom+of+Simon+of+Trent_arts-10-00037-g008.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 8. Francesco Oradini, medallion depicting the imagined martyrdom of Simon of Trent, marble, mid-eighteenth century, Palazzo Salvadori, Trento, Italy (Created by Andreas Caranti, CC BY-SA 2.0).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90124abd-8861-42cb-8440-4f8abf2969d2/Empty+Chest_arts-10-00037-g005.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 5. Empty chest, Altagracia medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7ec2df4-ddb5-4edf-8280-56b6c730446f/Exvoto+de+la+Sagrada+Familia_arts-10-00037-g011.jpg</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 11. José Campeche y Jordán, Exvoto de la Sagrada Familia, oil on wood, 18th century. Colección del Instituto de Cultura Puertorriqueña.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/70c484e0-ed65-4177-ac94-e8afaaa1ea23/San+Dionisio+sanctuary_arts-10-00037-g013.png</image:loc>
      <image:title>content - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 13. San Dionisio sanctuary, 1572, Higüey, Dominican Republic. Image created by Josue Collado, https://www.pbase.com/image/65323407, accessed 11 June 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/marking-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bdefcfe7-c818-4450-94f6-41c57aeeebc5/5833953835_e3274f7503_o.png</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>Composition à la jambe (1944) by Salvador Dalí; watercolor, pen and ink, gouache and collage on card laid on board; 13.4 x 10.2 in. Photo: cea +</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d3ad08d8-5f4c-454b-8c91-82307924b472/Slave+Market+with+the+Disappearing+Bust+of+Voltaire.jpg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>Slave Market with the Disappearing Bust of Voltaire (1940) by Salvador Dalí; oil on canvas, 18 1/4 in x 25 3/4 in. The painting uses the “double image” technique and depicts Voltaire, French writer and philosopher known for his opposition to slavery. Source: Collection of The Salvador Dalí Museum, St. Petersburg, FL (USA); Gift of A. Reynolds &amp; Eleanor Morse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/78fa92e9-4c23-4094-b01b-2cf28d44f24e/Swans_reflecting_elephants.jpg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>Swans Reflecting Elephants (1937) by Salvador Dalí. Oil on canvas, 51 x 77 cm. Source: Salvador Dalí Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/30e7db4d-e3b0-481f-8013-451767a72415/The+Hand_Remorse+of+the+Conscience_Dali.jpg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>La main (Les remords de conscience) [The Hand (Remorse of the Conscience)] (1930) by Salvador Dali; oil and collage on canvas, 41.3 x 66 cm. Photo: Mark Mauno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/25f13ce0-4d78-4f5b-9d5a-ffadddbb7d52/Madonna+of+Port+Lligat_Dali.jpeg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>Madonna of Port Lligat (1949) by Salvador Dalí; oil on canvas, 48.9 x 37.5 cm. Dalí submitted the painting to Pope Pius XII for approval, and it was granted. Source: Collection of the Haggerty Museum of Art, Marquette University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc5b35e5-f035-4fd6-8b5f-27b52e59aaf1/The+Disintegration+of+the+Persistence+of+Memory_Dali.jpg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>La Desintegración de la Persistencia de la Memoria [The Disintegration of the Persistence of Memory] (1954) by Salvador Dalí; oil on canvas, 10 x 13 in. Source: Collection of The Salvador Dalí Museum, St. Petersburg, FL (USA); Gift of A. Reynolds &amp; Eleanor Morse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/019f736a-18ec-4731-a392-bd42968e325c/Phantasmagoria_Dali.jpg</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>Phantasmagoria (1929) by Salvador Dali; oil on panel 69 x 44 cm. “Dali was well versed in Freudian psychoanalysis. From Dali's writings, we can tentatively identify some of the characters in this and other paintings…his mother (the jug-receptacle bust, in the middle), his father (the ferocious lion head), and Dali himself (the horizontal anamorphic profile with the bleeding nose).” Caption and photo: Mark Mauno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f26c71a9-3ce0-49b9-862f-b97427985959/The+Temptation+of+St.+Anthony_Dali.png</image:loc>
      <image:title>content - Marking Time - Make it stand out</image:title>
      <image:caption>The Temptation of St. Anthony (1946) by Salvador Dalí, The Temptation of St. Anthony (1946) by Salvador Dalí, the first of his pieces to exhibit his interest in the intermediates between Heaven and Earth. Source: Royal Museum of Fine Arts of Belgium (RMFAB), Brussels / Fundació Gala-Salvador Dalí / Société d'Auteurs Belge – Belgische Auteurs Maatschappij (SABAM) Belgium</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/black-dignity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d424a5f-0240-410b-a36a-3f92460b2fac/Black+Dignity.jpeg</image:loc>
      <image:title>content - Black Dignity - Make it stand out</image:title>
      <image:caption>Black Dignity: The Struggle against Domination by Vincent Lloyd (Yale University Press, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b22a11d7-b66f-4bbb-999e-c83dc3192c9b/the-civil-rights-march-from-selma-to-montgomery-alabama-in-1965.jpg</image:loc>
      <image:title>content - Black Dignity - Make it stand out</image:title>
      <image:caption>Demonstrators at a civil rights march from Selma to Montgomery, Alabama, 1965. Their placard reads: "We march together, Catholics, Jews, Protestant, for dignity and brotherhood of all men under God, Now!" Photo: Peter Pettus. Source: Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/trading-futures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1c639ca-14e6-4f2e-bd5c-80cad8af8564/trading+futures.jpeg</image:loc>
      <image:title>content - Trading Futures - Make it stand out</image:title>
      <image:caption>Trading Futures: A Theological Critique of Financialized Capitalism by Filipe Maia (Duke University Press, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1671066555233-03P68IRHCLT6ZE0P2V2L/money-savings-piggy-white-c94a6b240c45669b801d78280a6c2d2c.jpeg</image:loc>
      <image:title>content - Trading Futures</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/recovering-the-prophetic-voice-for-today</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/431735d1-def1-4ee4-9460-b9e7b5af8261/Tomb+of+the+Prophets.jpg</image:loc>
      <image:title>content - Recovering the Prophetic Voice for Today - Make it stand out</image:title>
      <image:caption>Tomb of the Prophets, believed to be the burial place of Haggai, Zechariah and Malachi, the last three Hebrew Bible prophets. Jerusalem, Israel, 2009. Photo: Corinna Hann, William &amp; Mary</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eeac72eb-bc55-43f1-93bb-55cfa4063424/The+Lord+Roars_Carroll.jpeg</image:loc>
      <image:title>content - Recovering the Prophetic Voice for Today - Make it stand out</image:title>
      <image:caption>The Lord Roars: Recovering the Prophetic Voice for Today by M. Daniel Carroll Rodas (Baker Publishing, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8810d63-097a-4c2c-bbf1-e39d48dc7c27/The+Prophets.png</image:loc>
      <image:title>content - Recovering the Prophetic Voice for Today - Make it stand out</image:title>
      <image:caption>Open Plaza Exclusive Excerpt The Lord Roars—“Prophetic Critique: Deconstructing the Unacceptable” (Ch. 2) and “‘Let Justice Roll Down’: Worship and Social Responsibility” (Ch. 3).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/spirited-away</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/62da93bd-7bb3-4cf7-9d82-a28379666c3d/Altar+in+the+James+A.+McAllister+chapel+at+the+Seminario+Evange%CC%81lico+de+Puerto+Rico%2C+2017.jpeg</image:loc>
      <image:title>content - Spirited Away</image:title>
      <image:caption>Altar in the James A. McAllister chapel at Seminario Evangélico de Puerto Rico, 2017. Source: The Presbyterian Outlook</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-unjust-steward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef05aae5-f6a5-4621-9b40-8a583eb731c2/Seguimos-Adelante_Bagley_1995.jpeg</image:loc>
      <image:title>content - The Unjust Steward - Make it stand out</image:title>
      <image:caption>HTI Open Plaza: “Dreams of Reversal,” 7 February 2022 In this exclusive excerpt, Miguel Escobar offers a biblical understanding of money and prosperity from the perspective of his migrant farmworker family experience .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6884ad00-cfd9-4b42-856b-158e94fa2ba6/2147022799_0408695a3e_k.jpg</image:loc>
      <image:title>content - The Unjust Steward</image:title>
      <image:caption>Part of “The Famine” (1997), a commemorative sculpture by Rowan Gillespie dedicated to those forced to emigrate during the 19th-century Irish Famine. Custom House Quay, Dublin, Ireland, 2007. Photo: Nic McPhee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/be1f772f-df0d-4f18-96ed-0839d9f5c2f8/The-Unjust-Steward.jpeg</image:loc>
      <image:title>content - The Unjust Steward - Make it stand out</image:title>
      <image:caption>The Unjust Steward: Wealth, Poverty, and the Church Today by Miguel Escobar (Forward Movement, 2022)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/explore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1bd207fb-2f62-48b4-8938-12eaad66cacf/Kyle%2BVanEtten_Black+Ministry.jpeg</image:loc>
      <image:title>content - Explore</image:title>
      <image:caption>InterVarsity New England. Photo: ©Kyle VanEtten - No Shortcuts Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a9f302d9-11f0-4df3-84d7-d6be3a3286e4/Explore-book.jpeg</image:loc>
      <image:title>content - Explore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/this-american-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58ead803-e901-4ff0-806a-aca9db1592fb/US-Flag-pray-for-our-country.jpg</image:loc>
      <image:title>content - This American Life - Make it stand out</image:title>
      <image:caption>“Pray For America Magnet US United States Flag,” sold by StickerTalk, LLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a1cf651-0582-4d16-883f-41f246cbbf80/African_America_Flag.svg.png</image:loc>
      <image:title>content - This American Life - Make it stand out</image:title>
      <image:caption>"African-American Flag" designed in 1990 by David Hammons, an African-American artist from New York City. Inspired by the civil rights and Black Power movements, the re-colored US flag uses Marcus Garvey colors. It is now a part of the permanent collection of the New York Museum of Modern Art, and a copy is flown daily at the entrance of the Harlem Studio Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/713ca1b5-c15c-4dab-b664-186d65a02854/This+American+Life-WBEZ_logo.png</image:loc>
      <image:title>content - This American Life - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4bb16000-c967-4dd1-8237-2733265bc3c7/serape+flag.jpg</image:loc>
      <image:title>content - This American Life</image:title>
      <image:caption>“American and Mexican serape flag Die-Cut Stickers” sold on Etsy by YuckyStar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-lord-roars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1f6b2bd3-b246-46bd-b611-3fa63ba22f1b/Amos-prophet.jpeg</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8810d63-097a-4c2c-bbf1-e39d48dc7c27/The+Prophets.png</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>“The Prophets,” one of nine stained-glass windows installed in the sanctuary floor of the New York Avenue Presbyterian Church, Washington, DC: “It has been said that the prophets are ‘the beating hearts of the Old Testament.’ Here Isaiah, Micah and Amos call the people of Israel to renewed faith and justice. Towering skyscrapers remind us that the prophetic word must still be spoken” (Paul Dornan). Source: New York Avenue Presbyterian Church</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/47ed970f-0eb2-48d9-a18b-a496242666e3/Micah_prophet.jpeg</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eeac72eb-bc55-43f1-93bb-55cfa4063424/The+Lord+Roars_Carroll.jpeg</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/431735d1-def1-4ee4-9460-b9e7b5af8261/Tomb+of+the+Prophets.jpg</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>Recovering the Prophetic Voice for Today: Dr. Jean-Pierre M. Ruiz talks to Dr. M. Daniel Carroll Rodas about his new book The Lord Roars</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0d9e771a-5e14-4c58-a5de-fb131b18e02a/the+prophet+Isaiah.jpeg</image:loc>
      <image:title>content - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/songs-of-songs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4828a78-edb9-468a-9c87-0bd634ed62be/DJ_Jesus.jpg</image:loc>
      <image:title>content - Songs of Songs</image:title>
      <image:caption>“DJ Jesus, the original: Last Life A DJ Saved My Night” (2010). Image: Visionello via Like Cool</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-scholars-guide-to-writing-a-dissertation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a031695f-c53f-4fc2-8c26-dc14d4885360/stockvault-audio-book-concept186371.jpg</image:loc>
      <image:title>content - The Scholar’s Guide to Writing a Dissertation</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-days-you-bring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/575332b6-819d-4f68-aa80-f37461bd8ed9/Good+Counsel+home+Guadalupe+mural.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Mural on the side of the Good Counsel home, a shelter for pregnant women in crisis, in the South Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/48e9f817-b4aa-4a30-bd56-7545773ffb7d/Recinos.TheDaysYouBringcover.jpg</image:loc>
      <image:title>content - The Days You Bring</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/517bae69-0686-4f52-8acf-b64aaea57774/Bronx+sunrise_2011.jpg</image:loc>
      <image:title>content - The Days You Bring</image:title>
      <image:caption>Sunrise over the Bronx, New York, 2011. Photo: Dwayne Bent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0bc68ef6-0489-4285-b499-2876c44451ac/Bronx+River_2007.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>The Bronx River at Bronx Zoo, NY, 2007. The 24-mile river’s Native American name was the Aquahung before the arrival of European colonists like Jonas Bronck, for whom the Bronx and its river are named, in 1639. During the 19th and 20th centuries, the river became a natural sewer for industrial waste. Recently, action has been taken by different environmental groups, including the Bronx River Alliance, to return the river to its original state as a clean waterway. Photo and caption excerpt: Wally Gobetz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c67a67a2-db66-49cb-be5e-b2efb8cf2add/Opening+Eyes+on+Opening+Day_2010.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>“Opening Eyes on Opening Day,” Yankee Stadium, West Concourse, Bronx, NY, 2010. Photo: Still the Oldie</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b564ed32-0a5a-4b68-b2cd-fb1f13b6eace/Dancing+Pumpkin_2021.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Dancing Pumpkin (2020) by Yayoi Kusama on display in the plaza in front of the Enid A. Haupt Conservatory at the New York Bronx Botanical Garden as part of the exhibit KUSAMA: Cosmic Nature, Bronx, NY, 2021. Photo: Wally Gobetz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f11a30f4-e611-4ed3-8399-461c318bce1f/NYS+Dept+of+Health_COVID_vaccination.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Nurse provides a Bronx resident with vaccination in support of state efforts to provide mass COVID-19 vaccinations administered by the New York State Department of Health at Yankee Stadium, Bronx, NY, 2021. Photo: Staff Sgt. Christopher S. Muncy, courtesy of New York National Guard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1855a3b3-12ff-460d-915c-bfe17e171d61/Young+Lands+mural.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Mural at Young Land store, Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9da316b7-0e9f-4822-ba40-6879eaac55ee/Bronx+fire+hydrant_2011.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Fire hydrant in the Bronx, NY, 2010. Photo: ChrisGoldNY</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/69da5efc-0f71-48f7-babc-90a396be08fe/Sign+of+the+end.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>“Signs of the End,” Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46dd8ead-98e8-4345-9a05-4278507571c1/Details_of_door_handle%2C_Gould_Memorial_Library%2C_Bronx_Community_College.jpeg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Detail of lion door handle, Gould Memorial Library, Bronx Community College, City University of New York, Bronx, New York, 2015. Photo: Bestbudbrian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/665fa3b8-91a8-483c-afdd-3f6217198cec/Woodlawn+Cemetery_2015.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>Woodlawn Cemetery, Bronx, NY, 2015. It is one of the largest cemeteries in New York City and a designated National Historic Landmark. Notable persons interred at Woodlawn include: Harlem Renaissance writer Countee Cullen; musicians Miles Davis, Duke Ellington, King Oliver, and Max Roach; and singers Celia Cruz and Florence Mills. Photo: Marcela McGreal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6872bd0c-acf1-4c90-a13b-c81299eacd4f/South+Bronx+Timeline_2011.jpg</image:loc>
      <image:title>content - The Days You Bring - Make it stand out</image:title>
      <image:caption>South Bronx Timeline mural by Andrew Antonaccio and Fillio Galvez (2Alas) at 138th Street and Grand Concourse, Bronx, NY, 2015. Courtesy New York City Department of Transportation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/powers-of-pen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3110987-608d-4bac-acbd-bdcec269d404/mark-d-jordan-quote-lbc0y6b.jpeg</image:loc>
      <image:title>content - Powers of Pen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e8777eb-de8f-4cbe-9817-31fcb9ba583c/mark-d-jordan-quote-lbo5j3m.jpeg</image:loc>
      <image:title>content - Powers of Pen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/10f76fef-0ab7-47f2-9e0d-9cb8d174dc50/DrawingHands_escher.jpeg</image:loc>
      <image:title>content - Powers of Pen</image:title>
      <image:caption>Drawing Hands (1948), lithograph by M. C. Escher</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/transnational-phenomenon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c765d1ad-c980-4041-ba8d-9c14116de46c/Provisional+flag+of+Brazil.jpeg</image:loc>
      <image:title>content - Transnational Phenomenon</image:title>
      <image:caption>Screenshot from a video rendering of the provisional flag of the Republic of the United States of Brazil, flown 15–19 November 1889. Proposed by Brazilian jurist and abolitionist Ruy Barbosa, the flag design was inspired by that of the United States of America but ultimately vetoed for looking too similar to the flag of another country. Image: Lord Daine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/penitential-pilgrimage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46e3a808-69cd-493c-8f72-2b7c3e580640/Study_period_at_Roman_Catholic_Indian_Residential_School%2C_Fort_Resolution%2C_NWT_%2814112957392%29.jpeg</image:loc>
      <image:title>content - Penitential Pilgrimage - Make it stand out</image:title>
      <image:caption>Study period at Roman Catholic Indian Residential School, [Fort] Resolution, Northwest Territories, u.d. Source: Library and Archives Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8582a77f-cd07-48cf-9dc2-218733f71078/52329975620_34d5c92a33_k.jpg</image:loc>
      <image:title>content - Penitential Pilgrimage</image:title>
      <image:caption>Pope Francis at the annual holy Lac Ste. Anne Pilgrimage, which dates back to 1889, blessing with water from the lake believed to have healing powers. Alberta, Canada, 26 July 2022. Photo: Michael Swan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/earth-angels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/32a858b6-0eee-464d-a637-184a17e3d2b7/Pink+Ribbons+Talk+logo+w+border.png</image:loc>
      <image:title>content - Thank You, Earth Angels</image:title>
      <image:caption>“You’re Not Alone.” Logo for Pink Ribbons Talk, a platform that supports breast-cancer and hysterectomy survivors through health and wellness coaching. Courtesy Pink Ribbons Talk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d5ee73f3-286f-4717-9330-6b2d6cb653a9/Pink+Ribbons+gallery+event.jpg</image:loc>
      <image:title>content - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a67f3d31-23ad-4d0a-aa36-958f24dc831e/Cruz_20220926_135728.jpeg</image:loc>
      <image:title>content - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/341cdee4-ddf5-49fe-a749-56b91d040ec8/Cruz_20220926_135819.jpeg</image:loc>
      <image:title>content - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d99ad211-34cf-4a4a-a849-ff6cc70144cc/Cruz_20220926_135810.jpeg</image:loc>
      <image:title>content - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50f8b084-5d06-4f5b-be5b-d42f0953f6e8/Cruz_20220926_135847.jpeg</image:loc>
      <image:title>content - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-hope-of-the-gospel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1660061916892-40J29PGJGVK7E8UK1LUS/The+Hope+of+the+Gospel.jpeg</image:loc>
      <image:title>content - The Hope of the Gospel - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0ee0c6dc-d4ec-4b0f-8a5e-a0d1b9a78360/Gospel+Compass.jpg</image:loc>
      <image:title>content - The Hope of the Gospel</image:title>
      <image:caption>Detail from “The Gospel Compass for Sailors of All Nations” (ca. 1880), designed by W.C. Miles. Source: Time and Tide Museum of Great Yarmouth Life, Great Yarmouth, Norfolk, England, UK. Photo: Leo Reynolds</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/christ-in-the-heights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/477121e9-d004-488a-82b6-61bb00cc1523/29945028785_cae19c3954_k.jpg</image:loc>
      <image:title>content - Christ in the Heights</image:title>
      <image:caption>Christ Church Washington Heights served as the point of departure for the 16th Annual Gladys Ricard and Victims of Domestic Violence Memorial Walk/Brides' March, New York City, 26 September 2016. Photo: Michael Appleton/Mayoral Photography Office</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/cultivating-community-cultural-capital</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d303ddb2-83e4-42a5-8cdd-72c624321ae9/Librotraficantes_march_for_MexAm-Studies_2013.JPG</image:loc>
      <image:title>content - Cultivating Community Cultural Capital</image:title>
      <image:caption>Librotraficantes march for Mexican American Studies, 2013, San Antonio, The National Association for Chicana and Chicano Studies Conference, left to right: Jesus Archuleta, Tony Diaz-El Librotraficante, Sonya Rose Hernandez, Eloy Gonzales; second row: Mario Castillo. Photo: Ezekiel J. Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/023bd160-ab79-4ef9-afa2-6ddbd66df1fa/tip+of+pyramid_diaz_cover.jpeg</image:loc>
      <image:title>content - Cultivating Community Cultural Capital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-tip-of-the-pyramid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0aca6da-30be-4eca-a28a-5ce198fcb3f7/Gilb-Chavez-Diaz-Librotraficantes.jpeg</image:loc>
      <image:title>content - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Front row, left to right: Writers Dagoberto Gilb, Denise Chávez, and Tony Díaz cheer on the Librotraficantes during the Librotraficante Caravan's stop, Mesilla, New Mexico, 2012. Photo: Liana López, courtesy of Tony Díaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81118615-5a33-4163-9f5b-e14f9937d378/Tip+of+the+Pyramid_Dr.+Cintli.jpg</image:loc>
      <image:title>content - The Tip of the Pyramid</image:title>
      <image:caption>Pyramid of the Sun, San Juan Teotihuacan, Mexico. Photo: Dr. Cintli [Dr. Roberto Rodríguez, retired Associate Professor, Mexican American Studies Department, University of Arizona]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d303ddb2-83e4-42a5-8cdd-72c624321ae9/IMG_0548.JPG</image:loc>
      <image:title>content - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Librotraficantes march for Mexican American Studies, National Association for Chicana and Chicano Studies Conference, San Antonio, TX, 2013. Left to right: Jesus Archuleta, Tony Diaz-El Librotraficante, Sonya Rose Hernandez, Eloy Gonzales; 2nd row: Mario Castillo. Photo: Ezekiel J. Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2dd7bb37-c151-498d-90a4-1bcbfe593592/Pyramid+of+the+Sun+from+the+west%2C+San+Juan+Teotihuacan%2C+Mexico.jpg</image:loc>
      <image:title>content - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Stereograph of Pyramid of the Sun from the west, San Juan Teotihuacan, Mexico, ca. 1879-1930. Source: Boston Public Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/023bd160-ab79-4ef9-afa2-6ddbd66df1fa/tip+of+pyramid_diaz_cover.jpeg</image:loc>
      <image:title>content - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/fruit-of-the-vine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0e1914c3-6725-4ec2-a264-2da542dcf76f/Picture_wine+crystals.jpeg</image:loc>
      <image:title>content - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Sediment of a Bordeaux 2011 wine opened in 2021, with crystals of tartaric acid visible in the glass. Photo: Capsellanaut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ac3118c-1988-48d9-877c-a2cf8d35e965/wine-1729459_1920.jpg</image:loc>
      <image:title>content - Fruit of the Vine</image:title>
      <image:caption>Photo: Stefan Schweihofer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/392f87c7-148d-4926-bc89-6999de2890b8/GC-On-Wine-online.jpeg</image:loc>
      <image:title>content - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3cacd01-5cd6-4ceb-8b46-fd12a6116830/kiddush+wine.jpeg</image:loc>
      <image:title>content - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Royal Wine Corp. Kiddush Wine Malaga. Photo: Open Food Facts</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/race-capitalism-and-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a755b9a-18b6-480c-8c33-5a15894627bb/winn-dixie-boycott.jpeg</image:loc>
      <image:title>content - Race, Capitalism, and Theology - Make it stand out</image:title>
      <image:caption>Winn-Dixie Boycott. Rev. Joseph Lowery (middle, right), Rev. Randel Osburn (middle, left), and others picket a Winn-Dixie grocery store in Atlanta, Georgia. The Southern Christian Leadership Conference’s boycott of Winn-Dixie began in the fall of 1985 and lasted four months, ending only when the chain agreed to stop selling products grown or manufactured in South Africa. Courtesy of Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Southern Christian Leadership Conference Records, Photograph by Elaine Tomlin. Source: New Georgia Encyclopedia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/trends-in-christianity-in-the-us-and-the-global-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/078c10e9-9c87-46ae-8d74-25f91dcbef69/Allegory+of+Florida_2009.jpg</image:loc>
      <image:title>content - Trends in Christianity in the U.S. and the Global South</image:title>
      <image:caption>"Allegory of Florida" (2009) mural by Greek artist Stelios Faitakis, Wynwood Walls, Miami, Florida, 2011. His first in the United States, the mural incorporates the styles of classical frescoes, Byzantine art, and early 20th-century Mexican Muralism. Photo: Wally Gobetz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/591f38d1-c33a-49e4-ad83-522f1615a997/Climate+Catastrophe+Faith_Jenkins.jpeg</image:loc>
      <image:title>content - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>Climate, Catastrophe, and Faith: How Changes in Climate Drive Religious Upheaval (Oxford University Press, 2021) By Philip Jenkins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c01f6b31-b3fd-4f6d-b5d5-7f7bbf461b58/He+Will+Save+You+from+Deadly+Pestilence_Jenkins.jpeg</image:loc>
      <image:title>content - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>He Will Save You from the Deadly Pestilence: The Many Lives of Psalm 91 (Oxford University Press, 2022) By Philip Jenkins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/961dc908-82e6-4b35-98c0-2981395c6dd7/A+Global+History+of+the+Cold+War+1945-1991_Jenkins.jpeg</image:loc>
      <image:title>content - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>A Global History of the Cold War, 1945-1991 (Palgrave Macmillan, 2021) By Philip Jenkins</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/untold-stories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/94a845b1-2bc5-4b55-bdb9-d431a1a7ddc9/Untold+Stories.jpeg</image:loc>
      <image:title>content - Untold Stories - Make it stand out</image:title>
      <image:caption>Untold Stories: The Latinx Leadership Experience in Higher Education (Wipf and Stock Publishers, 2021) by Dr. Peter Rios</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4860adce-f266-4c2f-9c5d-41daa9213ca7/Scroll_and_Key_Pin.jpeg</image:loc>
      <image:title>content - Untold Stories</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/cultivating-talent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/876a1eac-8f4d-47b0-9ff9-175ef7ed0141/Cultivating+Talent+image_Page_17.jpg</image:loc>
      <image:title>content - Cultivating Talent</image:title>
      <image:caption>Image courtesy of Boston College's Two-Way Immersion Network of Schools. Source: Cultivating Talent:  A Summary of Findings from the National Study ‘Examining Pathways to Increase the Presence of Hispanic Teachers and Leaders in Catholic Schools’ (2022)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/faith-and-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1729f547-8e31-4d50-aa2a-d7a10c998c0e/Faith+and+Power.jpeg</image:loc>
      <image:title>content - Faith and Power - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656730728148-A1P7VG98ETG2XCK7BKVI/Cato%CC%81licos%2BPor%2BLa%2BRaza%2Bimage_a3b96c13-1b8e-4e64-b170-3f6c67e2a260-prv.jpeg</image:loc>
      <image:title>content - Faith and Power</image:title>
      <image:caption>Católicos Por La Raza: A nun speaks to protesters in front of the California State Building in downtown Los Angeles at an immigration march against the Dixon-Arnett Act, which sought to fine employers who hired undocumented workers, 22 January 1972. © Pedro Arias. From the La Raza Photograph Collection (#1000). Courtesy of the UCLA Chicano Studies Research Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/thinking-from-latin-america</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/84a921be-18cc-442d-a130-49f26e3558c2/the-san-lorenzo-monument-a-replica-of-an-olmec-colossal-head-of-ancient-mesoamerica-1.jpg</image:loc>
      <image:title>content - Thinking from Latin America</image:title>
      <image:caption>The San Lorenzo Monument by artist Ignacio Pérez Solano is located on the campus of the University of Texas at Austin. Also known as El Rey, the monument is an exact replica of the giant head that was discovered at the Olmec site of San Lorenzo, Veracruz, Mexico. Some researchers speculate that Africans made contact with and had significant influence on the cultures, languages, and religions of native peoples in Mesoamerica, primarily the Olmec civilization. Source: The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division. Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/pensar-desde-latinoamerica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cdd57bdd-15ae-43c6-947b-403d8b6cf21e/olmec+head.jpg</image:loc>
      <image:title>content - Pensar desde Latinoamérica</image:title>
      <image:caption>Cabeza colosal No. 1  San Lorenzo Tenochtitlán (1200 - 900 BC), también conocida como “El Rey,” Museo de Antropología de Xalapa, Mexico, 2006. Algunos investigadores especulan que los africanos entraron en contacto y tuvieron una influencia significativa en las culturas, idiomas y religiones de los pueblos nativos de Mesoamérica, principalmente la civilización olmeca. Foto: Lorena Cassady</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-kingdom-began-in-puerto-rico</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cddfb2ab-22af-478d-b2c7-c048bf0fd615/%2311+-+Seneca++Youth_religious_procession_Hunts_Point.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico</image:title>
      <image:caption>Church on the streets: Father Neil Connolly with Seneca Chapel youth procession in the late 1960s/early 1970s, Hunts Point, Bronx, NY. Photo: Mili Bonilla</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085249469-MDLO3TKLCJ4D5I33FA9U/%239+-+Seneca_Chapel_Mother%27s++Day_Mass.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Mother’s Day, Seneca Chapel</image:title>
      <image:caption>Full house at Seneca Chapel on Mother’s Day, Bronx, NY, 1960s. Photo: Kathleen Osberger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085255763-DFCIOJE4U92VLLR3FLFH/%2310+-Seneca+Center++-+serving+the++people_Lillian_Camejo_in_action.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Serving the  people</image:title>
      <image:caption>Services director Lillian Camejo (seated, rear) advises a woman at Seneca Center, Bronx, NY, late 1960s. Photo courtesy of Lilliam Camejo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085224612-1311PYMRM1NCGSRVXPEM/%2313+-+Unitas+Circle+on+Fox+led+by++Ed+Eismann.JPG</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Unitas circle</image:title>
      <image:caption>The Unitas circle on Fox Street, led by psychotherapist and former seminarian Dr. Ed Eismann, mid-1960s, Bronx, NY. A “therapetic community” established by Dr. Eismann, the Unitas circle heard and solved problems as a community. Photo courtesy of Ed Eismann/Unitas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085230014-BMK87PVRWQKQ1352FP5G/%2316+-+Gigante_Campaigning+for++Office.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Fr. Gigante for Congress</image:title>
      <image:caption>Congressional candidate Father Louis Gigante campaigning on streets with his entourage, ca. 1970. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085226821-SAZSYQ7CPWUUFYQAY1UU/%2320+-+Fr_Bob_Stern+-+Pastoral++Center+Director.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Fr. Bob Stern</image:title>
      <image:caption>Fr. Bob Stern, co-founder and director of the nation’s first Catholic lay ministry organization, the South Bronx Pastoral Center. Photo courtesy of Fr. Bob Stern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085236230-HYBR0X5IBNTV2NURHUEE/%2321+-++Pastoral_Ctr_teachers_Brgantty%2C+and+founders+Sr.+Muriel+Long%2C+and+Sr.+Nora++Cunningham.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - South Bronx Pastoral Center</image:title>
      <image:caption>Left to right: South Bronx Pastoral Center lay trainer Luis Brigantty, and co-founders Sister Muriel Long and Sister Nora Cunningham at the center, late 1970s, Bronx, NY. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085233884-N9LXT6SDPJ14XCGEPKKD/%2325+-+PFC+leader+Aida++Martinez_speaking_at_anti-crime_march.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Aida Martínez</image:title>
      <image:caption>People for Change St. Anselm’s Social Action Committee leader Aida García Martínez [mother of Angel García] (center, with microphone) speaks out at the beginning of a march for safety in John Adams Houses, Bronx, NY. Photo: Mili Bonilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085239343-KPUR2A7ASYON4KVRXM7O/%2327-+PFC+leader+Fr.+Flynn+and+ally++Rev.+Fairbanks+calling+for+new+policies+from+Commissioner+Paul++Crotty.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Calling for new housing policies</image:title>
      <image:caption>People for Change Housing Committee leader Fr. John Flynn (left) and ally Rev. Jim Fairbanks (right) prepare New York City housing commissioner Paul Crotty (2nd from right) for a bus tour of South Bronx buildings in need of rehabilitation, 1980s, Bronx, NY. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085238908-6J7LCKJ76CKEV1K3KTNR/%2329+-+People+for++Change_staff-retreat.jpeg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - PFC retreat</image:title>
      <image:caption>People for Change staff on retreat (left to right): (front row) Katie Clyde, administrative assistant; Fr. Dean Brackley; organizers Tom Amato and Angel García; (back row) organizer Mili Bonilla, Fr. Neil Connolly’s “right hand”; Nancy Brennan, intern; and Tom’s wife Kris and son Nate. Photo: Mili Bonilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085250474-CAWYOF1A01IB4YN7YNJW/%2332+-+Pastoral_Ctr_Graduate+with++new+Cardinal+OConnor_and+Vicar+Neil+Connolly.jpg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Graduation</image:title>
      <image:caption>South Bronx Pastoral Center graduates another lay minister, with (from right) South Bronx Vicar Neil Connolly, newly appointed Cardinal John O’Connor, and lay trainer Luis Brigantty. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/513df483-de25-4ed4-867c-1c452d96fdd1/The+Kingdom+Began+in+PR_Garcia.jpeg</image:loc>
      <image:title>content - The Kingdom Began in Puerto Rico - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-needle-and-the-thread</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831913219-WKU49M8D7MM56MEA4KMD/Title+of+Film.png</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Title screen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830407068-60R8RZNA4OO5ECTSV0F5/Jumano+Elder.png</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Jumano Elder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830752189-RAWAVCJ7KUFCGQ84R4G7/Jumano+Hunting.png</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Jumano hunting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831354892-Q4C4NVE0E5EKX3HYEI8X/The+Lady+in+Blue.png</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>The Lady in Blue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831243789-GBIOFSFQENUO1T4VCV10/Sor+Maria+and+Jumanos.png</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Sor María and the Jumanos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830810942-PDY8PP7NR7P0R8FCS5XY/San+Gregorio+de+Aba%CC%A8+Mission+New+Mexico.jpg</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>San Gregorio de Abó Mission, established around 1621 in Mountain Air, New Mexico. Spanish missionaries came to occupy Abó Pueblo, the home of the Tompiros in the early 17th century. The mission was empty by the early 1670s, as a series of droughts and Apache raids made life in the Salinas Valley precarious. Today, the ruins of the pueblo and mission are a National Historic Landmark as part of the Salinas Pueblo Missions National Monument. (National Park Service, U.S. Dept. of the Interior)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831300268-WCQE7I4XLIBKGMB185QY/Shrine+to+Lady++in+Blue.jpg</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Shrine to Lady in Blue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831440931-DRYIN08A8ZSU2RYPFLJN/San+Angelo.jpg</image:loc>
      <image:title>content - The Needle and the Thread</image:title>
      <image:caption>Left to right: The Needle and the Thread producer Jim Nikas, lead actress Marissa Casillas, and director Victor Mancilla in San Angelo, Texas</image:caption>
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      <image:title>content - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>Image still from The Needle and the Thread (2022). Courtesy of Eravision Films</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e091edf9-9931-41e4-8267-957caf28eeef/Lady-in-Blue_Statue.jpg</image:loc>
      <image:title>content - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>"Maria - Lady in Blue" bronze statue by Vic Payne for the San Angelo, TX Commission. Unveiled in 2018, the statue is located in Bart DeWitt Park along the Concho River in downtown San Angelo, Texas. Photo: Jonathan Cutrer</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655829719390-5NZCVRKR37DKSMRSW8RR/Maria_de_Jesus_de_Agreda_-_frontispiece.jpeg</image:loc>
      <image:title>content - The Needle and the Thread - Frontispiece</image:title>
      <image:caption>Frontispiece of Mística ciudad de Dios, Vida de la Virgen María by María de Jesús de Ágreda (Henrico y Cornelio Verdussen, 1696). Source: Franciscan Institute Library, St. Bonaventure University</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655829836384-TX6AMB1ZRLKT0439GI3D/Mystical+City+of+God.jpeg</image:loc>
      <image:title>content - The Needle and the Thread - Bound Volumes</image:title>
      <image:caption>Four-volume set of Mystical City of God by María de Jesús de Ágreda (TAN Books, 2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63e13336-de6e-4aee-8560-cb94d0b72d12/Salinas+Monument.jpeg</image:loc>
      <image:title>content - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>Salinas National Monument, a complex of three Spanish missions located in the U.S. state of New Mexico, near Mountainair. Source: New Mexico Tourism Department</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/37-weeks-and-38-hours</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d40c81b0-c56f-4a8b-a849-79c6a2d9998e/Jesus_healing_the_paralytic_in_Cafarnaum_-_Sant%27Apollinare_Nuovo_-_Ravenna_2016.jpeg</image:loc>
      <image:title>content - 37 Weeks and 38 Hours - Make it stand out</image:title>
      <image:caption>Healing of the Paralyzed Man in Capernaum (6th century) wall mosaic, Basilica di Sant'Apollinare Nuovo, Ravenna, Italy. Photo: José Luiz Bernardes Ribeiro</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7bc59363-938c-494f-8bf8-b17d966ba890/Antakya_Archaeological_Museum_Geometric_mosaic_6055.jpeg</image:loc>
      <image:title>content - 37 Weeks and 38 Hours</image:title>
      <image:caption>Geometric mosaic (2nd-4th century), Hatay Archaeology Museum, Antakya, Turkey. Photo: Dosseman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aab3ed6b-6c2d-450d-bd76-37dcc3499e4c/holy+martyrs+Perpetua+and+Felicity.jpg</image:loc>
      <image:title>content - 37 Weeks and 38 Hours - "Memorial of the holy martyrs Perpetua and Felicity, arrested in Carthage under the emperor Septimus Severus together with other young catechumens; of these, Perpetua, a married woman about twenty years of age, was a mother with an infant at the breast; while Felicity was a serving girl, who, since she was pregnant, was granted a respite, in accordance with the law, until she was delivered. Though she suffered in giving birth, when thrown to the wild beasts she rejoiced. They processed from prison into the amphitheatre with happy faces, as if looking to heaven."  —From The Roman Martyrology for 7th of March, Dominican Province of the Assumption, 2012</image:title>
      <image:caption>Detail of 6th-century wall mosaic depicting Saints Perpetua and Felicity, Basilica di Sant'Apollinare Nuovo, Ravenna, Italy. Photo and text selection: Fr. Lawrence Lew, O.P.</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/queer-and-apostolic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/34fcabbe-e330-4f09-b8fd-f05032a49f9e/Arena-2_DSCF4414.jpeg</image:loc>
      <image:title>content - Queer and Apostolic</image:title>
      <image:caption>Scene from Arena: A House MUSIC-al, 2019. Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/98c9b839-6e61-4a0d-94b7-1d6b44e08ad0/casa0101-logo.png</image:loc>
      <image:title>content - Queer and Apostolic - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/arena-a-house-music-al</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a4cb789-6671-4c7a-aa36-77ddb52ba360/ArenaMainPic.jpeg</image:loc>
      <image:title>content - Arena: A House MUSIC-al</image:title>
      <image:caption>Scene from Arena: A House MUSIC-al, 2019. Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/49aae7a4-3251-4475-92dd-2403d29b8e3c/arena-logo.png</image:loc>
      <image:title>content - Arena: A House MUSIC-al - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/322fc57b-ec6b-44b4-97e9-153d436d5122/arena-scene.jpeg</image:loc>
      <image:title>content - Arena: A House MUSIC-al - ARENA: A HOUSE MUSIC-AL (Workshop Production)</image:title>
      <image:caption>Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c1c10b1a-d06a-482a-bfb1-06a9e278ba63/arena-cast.jpeg</image:loc>
      <image:title>content - Arena: A House MUSIC-al - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/phantoms-of-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e079f13-f5d2-4942-ac82-e0f82e261f33/Iglesia+Pentecostal+Unida+Hispana_2008.jpg</image:loc>
      <image:title>content - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Iglesia Pentecostal Unida Hispana, INC. Houston, Texas, 7 June 2008. Photo: © Don Mason</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bdb5dc16-c49e-4919-9e57-b7768d77874a/Hernan+Silguero.jpg</image:loc>
      <image:title>content - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Image of Rev. Hernán Silguero from iCentral 45 Aniversario (2017), a documentary about the history of La Iglesia Pentecostal Unida Hispana</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a349c32-f1e2-4cbb-9067-7afb487bb11c/iStock-512060774.jpg</image:loc>
      <image:title>content - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Source: iStock by Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a0746095-084b-4382-b98e-e307d0902e01/IGLESIA+PENTECOSTAL+UNIDA+HISPANA+0-1+screenshot.png</image:loc>
      <image:title>content - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Image still from video presenting the youth group IPUH17 JOVENES of the 17th Iglesia Pentecostal Unida Hispana, Houston, Texas, 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/st-everyday-part-2-mais-viva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f22c48a-8305-4919-9fcb-018b4babf0bb/GGR_Corazon4jpg.jpeg</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo: Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1516d44-1839-44df-b03b-5d4547097f6c/GGR-embroidered+patch.jpeg</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Embroidered corazón patch by Gabriel García Román</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ad25276a-30f1-477e-8a4a-e23c6af8d8c1/GabeGIF.gif</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo and animation: Gabriel García Román</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653971523756-R0RDYEJ4IEYHQO0QHYVU/Freda2.jpeg</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva!</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653971526727-7CS4YD0IR5EGRDPFCSC1/Fei3.jpeg</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva!</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dd45074e-cc29-43e3-9233-773e7a3ce2b2/Dora-santana.jpeg</image:loc>
      <image:title>content - St. Everyday (Part II): Mais Viva!</image:title>
      <image:caption>Dora, portrait of Dora Silva Santana by Drew Riley. From Gender Portraits, a nonprofit project of the Austin Creative Alliance that advocates for sex and gender minorities through art.</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/st-everyday-part-1-queer-icons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63952aa0-4be8-4490-a7b5-f0d1bd5dae0c/Corazon.gif</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons - COMING SOON…</image:title>
      <image:caption>St. Everyday (Part II): Mais Viva! Dr. Xochitl Alvizo sums up Gabriel García Román’s visit to her Queer Theory class at California State University, Northridge and her students’ engagement with his work, along with the scholarship of Black trans feminist scholar Dr. Dora Silva Santana of John Jay College, CUNY.  Photo and animation: Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/28db3dc4-8a16-4fba-96a6-638d5a03db13/Gabriel1.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Gabriel (2011); photogravure with chine-colle, 11in x 14in. From the Queer Icons portrait series by Gabriel García Román.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fa4266c6-aadb-4b86-8e0d-9e048e979704/Gabriel-Floating2.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957209554-RKMTF4J7EREZ1MF9NLOG/SagradaFamilia1.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Castro, Bayani &amp; Candy, 2019. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “We found love, trust, and healing in each other and with that we manifested our familia.” READ MORE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957227152-RD957GNNAH271EYY6LNL/Mitchyll1.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Mitchyll, 2014. Photogravure w/Chine-Colle and silkscreen, 11x14.” Mitchyll Mora is an activist and community organizer bringing visibility to the Queer Trans Community of Color who are currently in the prison system.  SEE MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957236880-TWJSPQ5X85QMMMD6QUSB/Gabriela4.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Gabriela, 2018. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “Made by womxn with more than one spirit. Womxn whose existence wasn’t measured by sins.” READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957251615-ZK7V87RGARFTIHTPPWL1/CarFer2.jpeg</image:loc>
      <image:title>content - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Carlos &amp; Fernando, 2016. Photogravure w/ Chine-Colle and silkscreen, 18x15.” Both Carlos &amp; Fernando are social workers focusing on the LBGTQ and Latino community in the L.A. area. They have been married for 10 years. READ MORE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/meatpacking-america</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3567e32d-ae29-49d7-9695-b62903511b15/USDA-meat.jpg</image:loc>
      <image:title>content - Meatpacking America</image:title>
      <image:caption>“U.S. Department of Agriculture (USDA) meat inspectors and graders perform their mission,” 2018. Photo: Preston Keres, USDA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8d7708d5-3036-495e-948a-512589d30ba2/Meatpacking+America.jpeg</image:loc>
      <image:title>content - Meatpacking America - Make it stand out</image:title>
      <image:caption>Meatpacking America: How Migration, Work, and Faith Unite and Divide the Heartland by Kristy Nabhan-Warren University of North Carolina Press, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/neruda-on-the-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/10daa781-6d99-4e76-9bc3-5d3af4833e1f/Neruda+on+the+Park_Natera.jpeg</image:loc>
      <image:title>content - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Neruda on the Park by Cleyvis Natera (Ballantine Books, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de9328de-bd0a-4403-9707-749cc2e9c42b/28960295225_cf9a5b3cc3_o.jpg</image:loc>
      <image:title>content - Neruda on the Park</image:title>
      <image:caption>Washington Heights, New York, 1990s. Photo: Winston Vargas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b28d040e-71dd-405d-97f4-3121554a0bf4/28959448025_8c8c81070c_6k.jpg</image:loc>
      <image:title>content - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Washington Heights, New York, 1990s. Photo: Winston Vargas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f29b2e8d-13fa-4542-9ba1-60af4b37c270/28675169220_80e1ba0839_k.jpg</image:loc>
      <image:title>content - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Washington Heights, New York, 1992. Photo: Winston Vargas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/sofias-theme-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f5b28ffa-7a5d-4d33-8aed-6e85114bc6c9/Sofia%27s+Theme+Park.jpg</image:loc>
      <image:title>content - Sofia's Theme Park - PLAY and REST at Rivers of Life! Friday, 10 June 2022, 5:40pm CT to Saturday, 11 June 2022, 5:40pm CT</image:title>
      <image:caption>Sophia's Theme Park: Rivers of Life 2022 is a space for rest, renewal, and spiritual direction to nourish your inner child and be intimate with Divine Wisdom. The retreat begins and ends with playful worship services! Each day, participants will engage in individual and communal spiritual practices, the serious work of play, reflection, improvisation, movement, imagination, fellowship, interaction with biblical stories, and ongoing vocational discernment. It is summer, a great time to refresh your spirituality at Rivers of Life! For more information and to register go to www.pluriversofia.net</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d66a4c28-8e49-4d3b-9186-b7c3aa02f9cc/Psychedelic-flowers.jpeg</image:loc>
      <image:title>content - Sofia's Theme Park</image:title>
      <image:caption>Flowers by I'm a Puzzle!, a free online game with unlimited graphic online puzzles—PLAY HERE!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/becoming-mujeres</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc9f4e4f-6bed-4f87-9368-2aaa9dc86f55/Our+Lady+of+Everyday+Life_Castaneda.jpg</image:loc>
      <image:title>content - Becoming Mujeres - Make it stand out</image:title>
      <image:caption>Our Lady of Everyday Life: La Virgen de Guadalupe and the Catholic Imagination of Mexican Women in America María del Socorro Castañeda Oxford University Press, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651756867210-3TW2JNRCB2CVC30UGSK8/Becoming+Mujeres_guadaLupe.jpeg</image:loc>
      <image:title>content - Becoming Mujeres</image:title>
      <image:caption>Lupita Castañeda-Liles invokes her inner Guadalupe. Image courtesy of Becoming Mujeres</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/and-the-barrio-did-not-devour-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fed14635-c79f-40e6-9fa9-774eb4c668c3/Barrio+USA+Logo.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>“Barrio USA Series” logo designed by Jose Esquivel in the 1990s.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1646497169722-XLNZK99AV0AWSQ1X7V1M/Las+Nubes.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Las Nubes (2016) by José Esquivel; acrylic on canvas; 30” x 40.” Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2b4688c0-6ac2-4a86-8f0e-f85ae4580978/El+Mundo+de+Elenita+Cruz.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>El Mundo de Elenita Cruz (2007) by Jose Esquivel; acrylic on canvas, 24”x36”. Collection of the National Museum of Mexican Art, Chicago, Illinois. Photo: Lee Young “El Mundo de Elenita Cruz” is a portrait of my grandmother. Elenita left the town of Bustamante, Mexico with my father, who was nine years old at the time, to the United States. They came here legally to seek a better life, first settling in Laredo, Texas, and finally moving to San Antonio. She was a spiritual warrior who believed that bad spirits could be overcome through prayer and positive thinking. The composition portrays symbolic elements of her world and pays homage to the strong woman she was in spirit and inspiration. The original painting is at the National Museum of Mexican Art Collection in Chicago, Illinois.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a6d1e871-927c-4b0c-a61e-cdbc375e5ec3/20190623_202148.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Studio space in Texas, 23 June 2019.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278221304-ZLBSLR46TG40CQ6E0Z0W/La+Cruz_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - La Cruz (1970)</image:title>
      <image:caption>A powerful symbol of faith projecting light in a troubled world. Acrylic on canvas, 20” x 30”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278267104-SYD5BC4JMU4585T9HFI1/Nuestra-Sen%CC%83ora_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Nuestra Señora (1995)</image:title>
      <image:caption>A barrio symbol of goodness and protector in times of violence. [Presented at the Centro Cultural Aztlán’s 21st annual Celebración a la Virgen de Guadalupe Exhibit, 2016.] Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278322296-Q3AE3SK31HZ7HMOW25MR/Victory+at+the+Temple_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Victory at the Temple (2000)</image:title>
      <image:caption>The [Victory Outreach ministry] was founded by Freddie Garcia, a recovered drug addict. The painting depicts his spiritual journey and how his belief in Jesus Christ transformed his life. [Part of the Santos Martínez Chicano Art Collection.] Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278178930-XFWOEZ493WDWG2ROX44S/Boxed+in+at+1638_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Boxed in at 1638 (2001)</image:title>
      <image:caption>A personal narrative of me and my family in a box by design, enduring social and economic conditions in America. [Published in the October 2016 issue of Nashville Arts Magazine as part of the Joe Diaz collection.] Oil on canvas, 24” x 18”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278307035-1VKYDV72GEP0RJPSG8WX/The+Shrine_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - The Shrine (2001)</image:title>
      <image:caption>A small garden with La Virgen de Guadalupe as the focal point, indicating the importance of our cultural and religious beliefs. [This painting adorns the cover of Little Nations and Other Stories by Alejandro Morales (Arte Público Press, 2014).] Acrylic on canvas, 40” x 30”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278297461-M8FDCWB6OCEJAVYNRSKF/The+Garcias+and+St+Juse_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - The Garcia’s and St. Jude (2003)</image:title>
      <image:caption>“Las Capillas” en el barrio, decorated with their favorite Saint. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278289799-QFTCM8R2GU4DMQAD91IA/Technoman_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Technoman 21st Century (2007)</image:title>
      <image:caption>Since the 1970s, environmental pollution, global warming, and self-destruction have been focal points in my work. [This work brings] into frame the emotional, psychological, and physical consequences of a society in peril. Acrylic on canvas, 48” x 60”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278241986-85AL1S4MGBQUR6WSZ96E/Los+Angelitos_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Los Angelitos (2011)</image:title>
      <image:caption>A visual narrative of children who are the tragic victims of barrio drive-by shootings. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278190194-77HK1L9M9GKN5TETVHP4/El+Dimo_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - El Dimo (2015)</image:title>
      <image:caption>Drug-infested and gang member battles are sadly commonplace events that occur in some of our communities. ’’El Dimo” is a pachuco slang term referencing the 10% payment made to local narco-trafficker kingpins [for permission] to operate in neighborhood territories. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278207605-KL01TFM0BX82S4TUH1R0/Golden+Hand_Esquivel.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Golden Hand (2016)</image:title>
      <image:caption>Inspired by my father’s talent with tile and cement, and building the house I grew up in. Mixed media, 20” x 26”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fd5b89de-beb7-4283-a376-dcb76ebd4661/Los+Mismos+Charcos.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Los Mismos Charcos (2000) by Jose Esquivel; acrylic on canvas, 20”x16”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b1d80522-75ca-4f0d-976a-7b29d8baf6d8/Esquivel+with+Puffing+Away_1970s.jpeg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e358f1a4-ad9d-4bf5-9ef4-27d48c1cfc70/20180331_220112_HDR.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel with his African masks and carvings collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba19f412-3c9c-4209-8c9a-8bcea91c32b4/Tech+High+School+%231.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>“Joe” Esquivel (right) and fellow Tech High School student Becky Ramon, shown in the 1950s with art instructor Katherine Alsup (center), putting finishing touches on their “Life in America” paintings. Done under the international Junior Red Cross Art Program, the paintings would be on display at River Art Gallery and later sent abroad.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c90602bb-6034-4d8b-bb13-cadd40c635ed/Puffing+Away_Jose-Esquivel.png</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Puffing Away by José Esquivel, shown left ca. 1970.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f3d9096-1bfe-4006-81f6-1bbb93014458/01_JoseEsquivel.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Con-Safo artists included (l. to r.): Santos Martínez, Jesse Almazán, Roberto Ríos, Felipe Reyes, José Esquivel, Vincente Velásques, Mel Casas, and José P. Garza</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1650985512652-ZI33549J7SDMH905MKGK/Self-portrait_Esquivel.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me</image:title>
      <image:caption>Detail from Self-Portrait (2006) by José Esquivel, acrylic on canvas. Courtesy of Mario Esquivel, Art Representative of José Esquivel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3cafd50-14f9-4ae5-834d-922fce68280a/20180714_164551_HDR.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Texas, 14 July 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3c493ff8-bac0-4657-930c-26d86e3a7930/Art+Career+%233.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel, commercial artist at City Public Service, 1961</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0cb0a134-931e-46c8-b688-7c2baeb1e1a4/20150906_172713.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel’s collection of ancient Mexican Indian figuras de barros [clay figures]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63413777-d619-441d-9f34-9930d7a21976/20181106_125253.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel, 11 June 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/598acccd-3fdf-4314-a8db-a73ecda9fe61/Dreamers+in+Space.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>The Dreamers/Dreamers in Space (2014) by Jose Esquivel; acrylic on canvas, 48”x60.” Photo: Lee Young Another favorite work is “The Dreamers,” completed in 2014 and inspired by the Deferred Action for Childhood Arrival (DACA) Act, which allows some individuals with unlawful presence in the United States after being brought to the country as children [“Dreamers”] to receive a renewable two-year period of deferred action from deportation and become eligible for a work permit in the U.S. The painting depicts Dreamers suspended in outer space, not knowing where they belong or where their future lies in our society.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3b7329d-1d7f-4e59-8332-635946f91932/20150906_144035.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel at his Westside studio, San Antonio, Texas, 6 September 2015.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6247f096-efdd-4e45-9fb5-fbc24669e697/27_JoseEsquivel.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Wildlife painting by Jose Esquivel, circa 70’s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4b3ed4a9-e3c0-41e1-ac61-9e615e45505e/El+Grupo+%235.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>El Grupo included (l. to r.): Felipe Reyes, José Esquivel, Jesse Cantú, Roberto Ríos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a8cabb9-5433-49a0-aa93-b54abab62368/20181102_142309.jpg</image:loc>
      <image:title>content - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel with Los Mismos Charcos [The Same Puddles] at the Thaer-Institute - Humboldt-Universität zu Berlin, Germany, 2018.</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/where-the-sidewalks-meet-a-time-before-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
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      <image:title>content - Where the Sidewalks Meet a Time Before Water</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/590a660b-a09c-4e07-a413-ca146dbaa4e1/A-Time-Before-Water_Danny-Peralta_Page_42_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>7 February 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29126b35-b321-4d43-ba7e-f52bfc8d7512/A-Time-Before-Water_Danny-Peralta_Page_41_Image_0002.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>17 March 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/221f211a-78e5-4fbf-97a1-4345354bad0a/A-Time-Before-Water_Danny-Peralta_Page_43_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617326861775-UWG3LX1AXFLTZ30PFZDY/Harold%2BRecinos.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4f744ac-c26d-49ee-b457-c8a10cb6a6e2/181215-31%2Bsel_32.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58bb3345-9aee-424a-9234-69996716b25c/181215-31%2Bsel_13.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6bb00010-fef9-48ee-8301-51396ade9b45/A-Time-Before-Water_Danny-Peralta_Page_29_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>7 March 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8cb811c9-e905-47cc-8c4f-c91a084e7e46/181215-31%2Bsel_20.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
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      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/182ba6e7-5585-4724-9fef-fbb4dc745337/A-Time-Before-Water_Danny-Peralta_Page_48_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8007e92c-6dd4-46b7-8d46-2e57e91a63bb/A-Time-Before-Water_Danny-Peralta_Page_44_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>9 March 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/77743d4e-55c6-4a87-a1d6-0b024d3d355b/A-Time-Before-Water_Danny-Peralta_Page_07_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>9 March 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/09b31252-cee7-482a-b108-a1d6d05a2884/190317-27%2Bsel_39.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>17 March 2019. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3299395f-2375-4e27-a998-c37e8474a7d2/A-Time-Before-Water_Danny-Peralta_Page_18_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water</image:title>
      <image:caption>Untitled (2 March 2019). Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6378513a-de54-4f1b-ba72-91e03dece826/A-Time-Before-Water_Danny-Peralta_Page_21_Image_0002.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>2 December 2018. Photo: Danny R. Peralta</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b9c8a0ed-59f6-4acb-8b97-8818dbfe0099/time+before+water.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6ab31a2a-0448-441f-a823-24c5cd2d2dfe/A-Time-Before-Water_Danny-Peralta_Page_13_Image_0001.jpg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7aad6a23-cb99-4b61-82d6-d5b4cbe77424/untitled_190301_356.jpeg</image:loc>
      <image:title>content - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Untitled, 1 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/dont-you-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38368732-2df8-4cf2-b223-5717534a773f/skies_Loida_Martell_2019.jpeg</image:loc>
      <image:title>content - Don’t You Care?</image:title>
      <image:caption>Photo: Dr. Loida I. Martell © 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/ars-botanica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2d9ef0e1-d662-4887-a3f9-f90a60b26294/san-souci_matchbook-detail.jpeg</image:loc>
      <image:title>content - Ars botánica - Make it stand out</image:title>
      <image:caption>Detail from Sans Souci Restaurant vintage matchbook cover, Indio, CA. Source: Cardboard America Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/452f8f18-e7df-47be-a2b6-f08551db0e97/Botanical-illustrations-from-the-Codex-Pictoricus-Mexicanus-a-set-of-drawings-of-Baja.png</image:loc>
      <image:title>content - Ars botánica</image:title>
      <image:caption>Botanical illustrations from the Codex Pictoricus Mexicanus, a set of drawings of Baja California’s plants and animals sketched around 1762 by the Jesuit Ignác Tirsch (1733–1781) during his missionary work in the Cape Region. (Courtesy of the National Library of the Czech Republic). Cited as Fig. 3 in: Garcillán, Pedro &amp; Gonzalez-Abraham, Charlotte &amp; Ezcurra, E. “The Cartographers of Life: Two Centuries of Mapping the Natural History of Baja California.” Journal of the Southwest 52 (2010), p. 8. 10.2307/27920207</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/efe62710-4872-4a54-8f0c-0016043246ab/Three+studies+of+hands_Gatti.jpg</image:loc>
      <image:title>content - Ars botánica - Make it stand out</image:title>
      <image:caption>Three studies of hands; after Guercino; plate 7 Engraving (1619-1620) by Oliviero Gatti. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e0c871c-9127-4b30-8235-cc5d61a0e18b/Quintus_Horatius_Flaccus.jpg</image:loc>
      <image:title>content - Ars botánica - Make it stand out</image:title>
      <image:caption>“Quintus Horatius Flaccus,” imaginary portrait of Horace by Anton Alexander von Werner (1843-1915). Horace’s poem "Ars Poetica [The Art of Poetry]," written c. 19 BC, which advises poets on the art of writing poetry and drama, has inspired poets and authors since.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e6e9dacb-3bf8-4a56-854f-9445c2c1076a/aylante_glanduleux.jpeg</image:loc>
      <image:title>content - Ars botánica - Make it stand out</image:title>
      <image:caption>The ailanthus or “Tree of Heaven” is native to Asia, where it is considered medicinal; common in neglected urban areas, it is considered a noxious weed and vigorous invasive species in Europe and North America. Source: Botanical.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a6296006-7bb3-4fb5-9398-a08c93c51d35/Study+of+crossed+feet_Gatti.jpg</image:loc>
      <image:title>content - Ars botánica - Make it stand out</image:title>
      <image:caption>Study of crossed feet; after Guercino; plate 10 Engraving (1619-1691) by Oliviero Gatti. © The Trustees of the British Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/transforming-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a15a237c-e3b5-4be1-833e-5cb9a2fb8ad0/1953P5.37+The+Flower+Book+-+Fire+Tree.jpg</image:loc>
      <image:title>content - Transforming Fire</image:title>
      <image:caption>“Fire Tree” from The Flower Book (1905) by Sir Edward Burne-Jones. Source: The Birmingham Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741596269-PTAZP7K0RWEPLS8NKFVT/Transforming+Fire.jpeg</image:loc>
      <image:title>content - Transforming Fire - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-grand-silence</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00b68410-11b4-45a9-a933-bea65ca63c1c/The+Girl+who+chased+me+at+Cotui_1904-05.jpeg</image:loc>
      <image:title>content - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>“The girl who chased me at Cotui (also double exposure),” ca. 1904-1905. Source: The Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c089a241-363e-4c59-8c59-53452040112b/iglesia-las-mercedes-enhanced-01-8-17-2016fbz.jpg</image:loc>
      <image:title>content - The Grand Silence, 1929</image:title>
      <image:caption>Door of the Iglesia y Convento de La Mercedes, Santo Domingo, Dominican Republic. Photo: Janette at Colonial Zone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccaeab2b-b1bc-49ba-b282-d3eb1d4cba8f/Mercedes_convent_DR_Rosario_3.28.22.jpg</image:loc>
      <image:title>content - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Nelly Rosario stands at the entrance to the Biblioteca Vetilio Alfau Durán, formerly the convent of Iglesia de Las Mercedes. Santo Domingo, Dominican Republic, 27 March 2022. Photo courtesy of Nelly Rosario</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e1572e1-0a9d-4103-a906-bc0450bd3916/fe4d649d-1984-01-07-el-claustro-de-la-iglesia-de-las-mercedes-cuna-de-america-5da111d565863.jpeg</image:loc>
      <image:title>content - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Cloister of the Iglesia de Nuestra Señora de las Mercedes, December 1983. Source: El Caribe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d4b7d6d-79e6-4b0a-a6de-067eba231f9b/Calle+De+Las+Mercedes.jpeg</image:loc>
      <image:title>content - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Santo Domingo, R.D. Calle de "La Mercedes" Dominican Republic [ca. 1900 to 1940]. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef06d37c-9887-4a28-9cf1-274caf144c86/song+of+the+water+saints+cover.jpeg</image:loc>
      <image:title>content - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/atando-cabos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f52dcd29-ac08-4baf-b817-3bcd1283b329/Apollos+Acknowledgement.jpeg</image:loc>
      <image:title>content - Atando Cabos</image:title>
      <image:caption>“Apollo’s Acknowledgement” crotchet-pattern design, 2021. Source: The Guy with The Hook Crochet Designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624597547141-JG5HBN52LMNH6YUDJCFQ/Atando+Cabos.jpeg</image:loc>
      <image:title>content - Atando Cabos - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/jewish-in-the-americas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95f803b2-61e5-4bef-8899-1f5a5b290540/Zacatecas_121_-_Archivo_Histo%CC%81rico_Universidad_de_la_Comunicacio%CC%81n.jpeg</image:loc>
      <image:title>content - Jewish in The Americas</image:title>
      <image:caption>Founding of the Mount Sinai Hebrew School (presently the campus of Universidad de la Comunicación), 1943, México City, Mexico. Source: Archivo Histórico de la Universidad de la Comunicación</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092610627-59NVZHF62V6KCJJ67W2Z/LGM-2.jpg</image:loc>
      <image:title>content - Jewish in The Americas - Make it stand out</image:title>
      <image:caption>JUDAISM IN THE AMERICAS ReVista: Harvard Review of Latin America, 20.2 (Winter 2021) Photo: © LGM Studio – Luis Gallardo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e7599b3f-4b0e-4bbc-a9ce-ce9768b8d299/marjorie-agosin.jpeg</image:loc>
      <image:title>content - Jewish in The Americas - Make it stand out</image:title>
      <image:caption>"Marjorie Agosin" by Ruth Behar Shalvi/Hyman Encyclopedia of Jewish Women. 23 June 2021. Jewish Women's Archive. Photo courtesy Margorie Agosin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/feminism-and-christianity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b0f91f3-18b2-49ca-9557-306624f7472e/holy-bible-icon-christianity-christian.jpg</image:loc>
      <image:title>content - Feminism and Christianity</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/ode-to-elegies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17e172eb-e821-4a7d-9b25-448232861f55/Samana-Bay-DR_1871.jpeg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>View of the U.S. Coaling Station and Marciaq's store, Samaná Bay, city of Samaná, Dominican Republic, 1871. Photo reproduction of watercolor by James E. Taylor. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d206e6cf-7242-4c94-8142-163dae1b7a7e/Monte-Cristi_Ahd-Photography_2010.jpg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>“Tied to shore, but floating at sea.” Monte Cristi, Dom. Rep., 2010. Photo: Ahd Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/948eb267-f8ca-41e8-84a3-55716628da59/dominican-republic-1871-superestitious-burial-ceremony-in-the-capilla-del-rosario.jpg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Burial ceremony in Capilla del Rosario in the remnant of the city of Nueva Isabella, opposite Santo Domingo City, Dom. Rep., 1871. Photo reproduction of watercolor by James E. Taylor. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c90e7add-ae31-4b01-b840-2b11f46c4b96/Unbreakable_Julianny+Ariza_2013.jpg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Unbreakable (2013) by Julianny Ariza. Fabric, thread and plaster on canvas, 13 x 18 in. Source: Condition: My Place Our Longing / Condición: Mi lugar nuestro anhelo exhibition by The City College of New York-CUNY Dominican Studies Institute, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/94c99b5c-6d38-4e85-83b5-8c0cf0747025/Puerto-Plata-DR_Thibault.jpg</image:loc>
      <image:title>content - Ode to [Elegies]</image:title>
      <image:caption>Puerto Plata, Dominican Republic, 2019. Photo: Jason Thibault</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/45b4e93b-c8d6-44e0-bbc6-909810eca5a0/jochen-bams-P7HBwzxU66Q-unsplash.jpg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Dominican Republic, 2019. Photo: Jochen Bams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a209021-6fb0-4853-be0b-eabdfb74f718/tree-in-san-domingo-to-which-columbus-is-said-to-have-tied-his-caravel-91921-6ddb3a.jpg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Ceiba de Colón, tree to which Columbus is said to have tied his caravel. Santo Domingo, Dom. Rep., 1947. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f3ad6e1-7abe-45bf-a469-28094e1ca095/elegies-roberto-carlos-garcia.jpeg</image:loc>
      <image:title>content - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>[Elegies] by Roberto Carlos García FlowerSong Press, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/xitlali-zaragoza-curandera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e7514d3b-7904-4199-9a96-a5fabedd8d9c/metapth39465_xl_1977.09.04.jpg</image:loc>
      <image:title>content - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90f11a12-591e-48c5-9d29-8d6f27a0bae6/La+Curandera+y+su+jardin.jpg</image:loc>
      <image:title>content - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>La curandera y su jardín [The Healer and Her Garden] (1998), bronze sculpture relief by Reynaldo Rivera at The Healers Garden, ABQ BioPark, Rio Grande Botanical Garden, Albuquerque, New Mexico, 2013. Photo: Zruda</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38339f84-07a3-45cc-b880-2d82d211e8d8/book-of-wanderers_COVER_Reyes-Ramirez.png</image:loc>
      <image:title>content - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8aac9aa3-c66d-4c38-938b-b3eda2bb0dc5/Teresa-Urrea-laying-hands-on-a-baby-in-El-Paso-Texas-1896-While-in-El-Paso-she.jpg</image:loc>
      <image:title>content - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Teresa Urrea laying hands on a baby, 1896, El Paso, Texas, where she treated approximately 200 people per day. Photo: Charles Rose. Source: Serman, J. “Laying-on Hands: Santa Teresa Urrea’s Curanderismo as Medicine and Refuge at the Turn of the Twentieth Century,” Studies in Religion / Sciences Religieuses Vol 47, Issue 2, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/333ff062-7572-47c8-b29a-5148e16d5564/SAAM-1995.50.60_1.jpg</image:loc>
      <image:title>content - Xitlali Zaragoza, Curandera</image:title>
      <image:caption>La Curandera, ca. 1974, hand-colored etching and aquatint on paper by Carmen Lomas Garza, artist and activist who was central to the early Chicano Movement. Garza chronicles intimate daily life scenes based on remembrances of her own childhood in Kingsville, Texas, in the 1950s and 1960s. Source: Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.60, © 1974, Carmen Lomas Garza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/beyond-profession</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741897952-WJBRZKA2AEPA4XIFKZG4/Beyond+Profession.jpeg</image:loc>
      <image:title>content - Beyond Profession - Make it stand out</image:title>
      <image:caption>After Whiteness: An Education in Belonging by Willie James Jennings (Eerdmans, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633469123828-DL1OIKSLNQGKAHD6SXRB/stained-glass-g23d647a7c_1920.jpeg</image:loc>
      <image:title>content - Beyond Profession</image:title>
      <image:caption>Photo: James Henry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ca4ce94-5ad5-4b76-bb98-15d021c2b270/justo-y-catherine_gonzalez.jpg</image:loc>
      <image:title>content - Beyond Profession - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/dreams-of-reversal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc1e689f-a3c7-4f43-8442-67113c085abb/Sun-Mad-ofrenda_Hernandez_1989.jpg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4d4d7979-ba4d-46c1-9be8-e5866597c962/Eight-Beatitudes_DP821010.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>The Eight Beatitudes, ca. 1578, Hendrick Goltzius, 10 1/16 x 7 5/16 in. engraving. Source: Harris Brisbane Dick Fund, 1953, The Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7801963-44a4-4d12-986e-9e5e92d7268e/Mexican-migrant-workers_1948_0303000779-l.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>A Mexican woman and her six children standing on the porch of the multiple-family housing provided to them by the pea cannery for which their husband and father works, Plymouth, Wisconsin, 15 July 1948. Source: Sheboygan Press, courtesy Wisconsin Historical Society</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6884ad00-cfd9-4b42-856b-158e94fa2ba6/2147022799_0408695a3e_k.jpg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>HTI Open Plaza: “The Unjust Steward,” 12 December 2022 In this episode of OP Talks, Rev. Dr. Tony Lin talks to Miguel Escobar about his new book on wealth, poverty, and the Church today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc1f272c-d416-4ccb-a7e8-1d41bf9d1cd7/Marching+to+Madison_1966_1114000079-l.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Marchers of Obreros Unidos (United Workers) along Highway 21 in Wisconsin, 1966. The 30 marchers are en route to Madison to petition lawmakers to hold farms and food industry corporations accountable for better working conditions for migrant farm workers. The marchers, among them a priest known as Father Garrigan, carry images of Our Lady of Guadalupe, the National Farm Workers Association (NFWA) banner with the Aztec eagle symbol, and the American flag. Photo: David Giffey. Source: Wisconsin Historical Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39e25157-23eb-4bf0-996c-e902d1228438/The+Rich+Man+in+Hell+and+the+Poor+Lazarus+in+Abraham%27s+Lap%2C+from+Das+Plenarium_1517_DP849940.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2206577-b0a2-422f-b11e-6399eddd12b4/Poor+People%27s+campaign_2017.jpg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef05aae5-f6a5-4621-9b40-8a583eb731c2/Seguimos-Adelante_Bagley_1995.jpeg</image:loc>
      <image:title>content - Dreams of Reversal</image:title>
      <image:caption>Seguimos Adelante (1995) by James Bagley, commemorative artwork created for the National Center For Farmworker Health, a Texas nonprofit dedicated to improving the health of farmworker families. Source: NCFH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/024e5a04-30b8-4176-b696-02bdaf40d4d2/Francesco_hayez-destruction_of_temple_of_jerusalem.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Destruction of Temple of Jerusalem (1867) by Francesco Hayez. Source: Galleria d'Arte Moderna di Palazzo Piti (Italy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1947994-68fe-4c11-8460-4f742d4759b1/Hoffman-ChristAndTheRichYoungRuler.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - DISCUSSION QUESTION</image:title>
      <image:caption>In the context of the quote below, what would it mean to ground one’s faith in Jesus’ dream of a great reversal? “[I]t oftentimes still feels…like a betrayal to open the Bible, a text that is thoroughly owned by those who are committed to terrorizing the lives of LGBTQ+ communities and people of color.” —Miguel Escobar Image: Christ and the Rich Young Ruler (1889) by Heinrich Hofmann, painting purchased by John D Rockefeller, Jr. and today residing at Riverside Church in Harlem, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/be1f772f-df0d-4f18-96ed-0839d9f5c2f8/The-Unjust-Steward.jpeg</image:loc>
      <image:title>content - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>The Unjust Steward: Wealth, Poverty, and the Church Today by Miguel Escobar (Forward Movement, 2022)</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/return-to-padre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/85d7dfad-373d-44f2-be9d-deb542fe30ec/Statue+of+Padre+Balli.jpg</image:loc>
      <image:title>content - Return to Padre</image:title>
      <image:caption>Statue of Padre José Nicolás Ballí, South Padre Island, Texas, 2018. Padre Ballí’s family migrated from Spain to Mexico City in 1569 and later became large landowners in the Lower Rio Grande Valley. He served as collector of finances for all the churches in the Rio Grande Valley and founded the first mission in present-day Cameron County, Brownsville, TX. Photo: William Hicks. Source: University of North Texas Libraries, The Portal to Texas History</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b112c38-78ea-48a2-a618-806dc745bc33/Balli-Austin-Statesman_10-1-2000.jpeg</image:loc>
      <image:title>content - Return to Padre - Make it stand out</image:title>
      <image:caption>Pearl Ballí Mancillas shown with her husband Ruben Mancillas (top); Emma Ballí (under timeline) celebrates outside the federal courthouse in Brownsville, TX in August 2000. Source: Harmon, Dave. "THE FIGHT FOR A HISTORIC BIRTHRIGHT; Padre Island Ruling Gives Hope to Latino Families." Austin American Statesman, 01 October 2000, p. A1.</image:caption>
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    <image:image>
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      <image:title>content - Return to Padre - Make it stand out</image:title>
      <image:caption>Illustration of Padre Ballí with the Karankawa. Source: National Park Service, U.S. Department of the Interior</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba0eade2-fa42-48a4-81d4-4df23479a5c9/Valley+Morning+Star_1937.jpeg</image:loc>
      <image:title>content - Return to Padre - Make it stand out</image:title>
      <image:caption>Ignacio Ballí Tijerina (left) and Manuel Ballí shown holding deeds and documents related to family properties in Texas. Source: Valley Morning Star (6 June 1937), page. 4.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/on-music-justice-and-hope</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8fef887a-404f-4575-b80a-1dda720b7713/Carlos+Sai%CC%80nchez+Class+of+1966.jpg</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Carlos Sánchez</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24c74da0-3b32-4378-b409-f4034054bc2f/Ruben+Blades+Class+1966.jpg</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Rubén Blades</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c5cddc72-09cb-4338-bd09-97488d9aff6d/1599px-Instituto_Naciona%2C_esfinge_derecha.jpeg</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Sphinxes symbolizing wisdom and genius guard the entrance of the Instituto Nacional de Panamá, a cultural heritage monument. Panamá City, Panamá, 2016. Photo: KarlaOhhh</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/25fb9246-aa9a-4b29-8199-1f617ab75ae1/LIFE-magazine_24_Jan_1964.jpeg</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c023c22f-cf74-4ecb-9279-a545bd6e22f3/Basilio+Class+of+1966.jpg</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Basilio Fergus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bae28c02-962f-42af-b78f-f78377039493/Leopoldo+and+Carlos+Sanchez.png</image:loc>
      <image:title>content - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>“Feliz día, Papá” (Instagram post @salsasanchez, 20 June 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/after-dark-nueva-luz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635657644239-V9FBHTTN4Y8I3HKIQ21Y/After+Dark-book.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/05894a28-bdf3-4f92-9d9e-83945ea95bed/Oye+Willie_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Oye Willie, 1980 Frank Gimpaya, Puerto Rican/Filipino, b. 1942, Ponce, Puerto Rico  “The images evoke for me a special relationship among objects and their immediate environments. My perspective allows the subjects of my imagery to lose their true sense of scale because I perceive the objects as impressions from the corners of my eyes.” —F. G. Nueva Luz Vol 1, Issue 5, Summer 1986, p. 2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/44e96aa1-6bba-4172-8766-a18977f0d748/Westchester+Square_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz</image:title>
      <image:caption>Westchester Square, 1977. Bronx, New York. Photo: Frank Gimpaya</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ca25a1f4-2add-4578-b18e-7aee750f79e0/Boy+Jumping+Off+Pier_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Boy Jumping Off Pier, 1972 Gelatin Silver Print, 13x19” Part of En Foco’s Print Collectors’ Program Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico Nueva Luz Vol 5, Issue 1, 1 February 1997</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5194683d-f1d2-44af-a9b1-9b298471d6b4/Arrowheads+and+feet_1993_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>[Arrowheads and feet], 1993 Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/76bea3f3-8123-4f3f-8aa2-15c7c04acb22/NYC-2_2018_Charge_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>NYC-2, 2018. Charge series. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68036517-ef9c-41cc-bb64-d9fba813fc0d/covenant-meeting_vol-06_issue-02.jpg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Covenant Meeting, 1999 Gelatin silver print, 11 x 14” Sheila Pree African American, resides in Atlanta, Georgia “They did not dress in long robes or ask for money. Instead they were compelled only to give the world their message. As I listened closely, I noticed that they were preaching from the books of Matthew &amp; Revelations. Behind my camera I could see true spirit as it was and actually exists...I believe that the spirit can be found in places that we least expect.” —S. Pree, 2000 Nueva Luz Vol 6, Issue 2, 1 August 2000</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccda4555-3b0a-408d-9a39-9b7be84286f6/Ivy+Orna+and+her+son_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Ivy Orna and her son. La Familia En Foco Exhibition, El Museo del Barrio, New York, 1978. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/912fe7e0-eb68-44fb-bfdd-bd81599175a9/Child-God.png</image:loc>
      <image:title>content - After Dark/Nueva Luz</image:title>
      <image:caption>Child God, 1999/2006 Digital print with gold acrylic and mixed media, 15 x 19” Charles Biasiny-Rivera Puerto Rican b. 1930, Bronx, New York, resides in Olivebridge, New York Co-Founder of En Foco, Inc.; Executive Director from 1974-2005 Nueva Luz Vol 7, Issue 2- Commemorative Issue, 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/52dbc58d-ce8d-49c4-99c6-bc3bde176147/cropped-logo-enfoco.png</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/72b03bec-d454-4a00-9ad0-44504347b80e/Lincoln+Hospital+Detox+Acupuncture+Research+Unit_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Lincoln Hospital Detox Acupuncture Research Unit, late '70s, New York Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a50db4fb-ad8c-4faf-a007-d34ad440a185/Nueva-Luz-25.2_AGS_+Issue_2021.jpg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>The latest issue of Nueva Luz, Vol 25, Issue 2, 2021, features BIPOC artists from En Foco's ongoing public exhibition program, Apartment Gallery Series (AGS). AGS prides itself on providing curated exhibition opportunities for the pool of applicants to the En Foco Photography Fellowship. With the purpose of engaging the community on an intimate level without the pretensions of an art gallery, AGS features exhibitions hosted in homes and alternative spaces in the South Bronx and in Harlem. Since the inception of AGS in 2017, En Foco has partnered with seven venues, produced 12 exhibitions, and exhibited close to 50 artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e53c5ea1-91c1-4630-8c75-e747430fbd76/Peralta_12.%2B%27Bout%2Bthat%2BLife%2B121014.jpg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>'Bout that Life 121014. Bout that Life: The G. Mesa Story series, 2014. Danny Ramon Peralta Dominican-American b. 1978, Bronx, New York “Portrait of G. at the local barber shop as he grooms. The ‘San Miguel 7 Espadas’ card that hovers above his reflection represents San Miguel, who for believers, is known as the protector of evil.” —Danny R., Bronx, NYC. December 2014 Nueva Luz Vol 20, Issue 2, 1 September 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617326861775-UWG3LX1AXFLTZ30PFZDY/Harold%2BRecinos.jpg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d41fc580-70cb-4c20-a88f-014961a0c1a6/Dia-de-los-Muertos_1980_F-Gimpaya.jpeg</image:loc>
      <image:title>content - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Día de Los Muertos, 1980. Cuernavaca, México. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9fa4f103-d6e0-4cdf-b6fa-93d93347c883/Angel_Meyer_vol-11_issue-03.jpg</image:loc>
      <image:title>content - After Dark/Nueva Luz</image:title>
      <image:caption>The Temptation of the Angel. Truths &amp; Fictions series, 1991 Pedro Meyer Founder, Consejo Mexicano de Fotografia [Mexican Council of Photography] Nueva Luz Vol 11, Issue 3- Mentor Issue: Pedro Meyer, 1 September 2007</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/buddhism-and-the-real-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3e706c2-4ed6-4b8b-97ac-764e82713fa7/Shayamuni_C2006.24.1HAR65687-front-b-0000.jpeg</image:loc>
      <image:title>content - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Buddha Shakyamuni. Karnali Basin, Khasa Malla Kingdom, Northwestern Nepal; 13th-14th century. Gilt copper alloy with inlay. Courtesy Rubin Museum of Art, C2006.24.1 (HAR 65687)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf772c74-d40c-4b52-87a2-c9d6049c6b01/Manjushri_The+Wisdom+Buddha_Balmy+Alley_SF.jpeg</image:loc>
      <image:title>content - Buddhism and the Real World</image:title>
      <image:caption>Manjushri [Bodhisattva of Wisdom] (2001) by Salvadoran-born muralist Marta Ayala, Balmy Alley, Mission District, San Francisco, CA, 2011. Ayala’s mural merges 17th-century Tibetan Art with Latin American motifs. Manjushri, whose name means “Gentle Glory,” is said to be the embodiment of all the wisdom of all the Buddhas. Photo: SF Mural Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9a0d929b-bae5-467d-86b3-a6635ddff6f8/Wheel+of+Life_00591.jpeg</image:loc>
      <image:title>content - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Wheel of Life. Tibet; 18th century. Pigments on cloth. Courtesy Rubin Museum of Art, Gift of Shelley &amp; Donald Rubin Foundation, F1997.40.10 (HAR 591)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a645a436-bb19-4321-8647-ad8bf74cc2fd/Hacienda-Cortina_Buda_Raul+Corrales.jpeg</image:loc>
      <image:title>content - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5cca338d-e1f9-4ff4-b926-319c28b247a0/Ricardo-Ortega-alumni-rally-300x247-1.jpeg</image:loc>
      <image:title>content - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Sanathavihari Bhante Bhikku (l. foreground), a Mexican-American Theravada monk on alms rounds outside Los Angeles Buddhist Vihara, Pasadena, California, 2018. Born in L.A. as Ricardo Ortega, he was raised Catholic and served in the U.S. Army. Today, he lives at the Sarathchandra Buddhist Center in North Hollywood. He created the YouTube channel Monje en la Modernidad [Monk in Modernity] and founded Casa de Bhavana, a Theravada organization devoted to spreading the Dharma in the Spanish-speaking community. Photo: Moran Perera for Lion's Roar</image:caption>
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      <image:title>content - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Maitreya. Tibet; 14th century. Brass with copper alloy, silver and copper inlay. Courtesy Rubin Museum of Art, C2005.16.33 (HAR 65456)</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/seventy-years-since</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-09</lastmod>
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      <image:title>content - Seventy Years Since - Make it stand out</image:title>
      <image:caption>“The People’s Champ,” illustration by Joel Agosto, son of Efraín Agosto. Courtesy of Joel Agosto</image:caption>
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      <image:title>content - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita Pérez on her 80th birthday, Bethel, Connecticut, 2010. Courtesy of Efraín Agosto</image:caption>
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      <image:title>content - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita with her three children (l. to r.) Elizabeth, Efraín, and Naomi, New York City, ca. 1964. Courtesy Efraín Agosto</image:caption>
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      <image:title>content - Seventy Years Since - In New York City, early 1950s. Courtesy Efraín Agosto</image:title>
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      <image:title>content - Seventy Years Since - At daughter Naomi’s wedding, 1986. Courtesy Efraín Agosto</image:title>
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      <image:title>content - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita Pérez at age 17, Carolina, Puerto Rico. Photo courtesy of Efraín Agosto</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ee7f5fdc-7041-4a72-bbb1-b5246057ce12/YerbaBruja1.jpg</image:loc>
      <image:title>content - Seventy Years Since - INVOCATION</image:title>
      <image:caption>Images from Yerba Bruja (Long Wharf Theatre and Sageseeker Productions, 2021), a film directed and produced by Jasmin Agosto [right, daughter of Efraín Agosto]. Source: Arts Council of Greater New Haven</image:caption>
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      <image:title>content - Seventy Years Since</image:title>
      <image:caption>Emerita Agosto Pérez and Efraín Agosto Saldaña, New York City, mid-1950s. Photo courtesy of Efraín Agosto</image:caption>
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      <image:title>content - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Efrain Agosto, Sr. with Elizabeth and Efrain, Jr., ca. 1960. Photo courtesy of Efraín Agosto</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/expiration-date</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-01-07</lastmod>
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      <image:title>content - Expiration Date</image:title>
      <image:caption>Photo: Loida Martell © 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/commodified-communion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>content - Commodified Communion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fd7d631c-daa8-4b9d-8750-38b0536eab9c/Flea+market_San+Jose_CA_2016.jpg</image:loc>
      <image:title>content - Commodified Communion</image:title>
      <image:caption>Flea market in San Jose, California, 2016. Photo: Jim Johnson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/012d4a9f-b2cf-4e53-9c6f-2f98a83982ac/Commodified-Communion-A-Alonso.jpeg</image:loc>
      <image:title>content - Commodified Communion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/santa-lucia-de-siracusa-y-de-las-matas-de-farfan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-09</lastmod>
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      <image:title>content - Santa Lucía de Siracusa…y de Las Matas de Farfán</image:title>
      <image:caption>Foto cortesía de Joel Andrés Ramírez</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/nuestra-senora-de-las-nieves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/620e62f9-8201-485f-b3df-ec484f60649c/JW7C1667.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Noon procession and rosary recitation during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/441b6e16-37d7-4e25-9194-2f22b33bddb7/JW7C1662.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Children representing the sacrament of marriage take part in the procession of Our Lady of the Snows during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/53679385-71a6-459d-97d5-71f319b71779/Our+Lady+of+the+Snows_Rome.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves</image:title>
      <image:caption>Our Lady of the Snows or the Madonna "Regina Pacis," Liberian Basilica, Rome, Italy. The statue was commissioned by Pope Benedict XV in gratitude for the end of World War I. Source: Domenico Musso</image:caption>
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      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>“The Miracle of the Snow” by Masolino da Panicale (1383-1447). Christ and the Blessed Virgin Mary observe Pope Liberius, who marks in the legendary snowfall the outline of what would be the Basilica of St. Mary Major in Rome, Italy. Source: The Yorck Project</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/42179f19-b2ae-43d7-9f64-91601fd5de9c/JW7C1865.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Bazaar at dusk as people stroll among the booths that are set up as part of the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/911ef108-f67c-461f-81d2-5e785d87482f/JW7C1894.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Latecomers arrive for Mass on the last evening of Our Lady's novena during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514923501-JPXTGRS9IPMMBCLRBD8W/la-palma-Lady+of+the+Snow.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - CANARY ISLANDS</image:title>
      <image:caption>Our Lady of the Snows at the Royal Insular Sanctuary of Nuestra Señora de las Nieves, Canary Islands, Spain, where she is patron saint of the island of Santa Cruz de La Palma. Photo: caeuje</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514950663-PZEHYFAF736YME05NM5H/Nossa+Senora.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - POLAND</image:title>
      <image:caption>Based on the Salus Populi Romani (“health/salvation of the Roman People”), the main image of the Mother of God of Rome, located at the Cathedral of Santa Maria Maggiore, this Byzantine-style painting is the most reproduced image of Our Lady of the Snow, dating back to the 12th century.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635918331396-3PH7IKCXURBLLGHQQFQ0/Ennepetal_Schemm_-_Maria_im_Schnee_09_ies.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - GERMANY</image:title>
      <image:caption>Our Lady of the Snow in the Maria im Schnee Chapel in Ennepetal, North Rhine-Westphalia, Germany, 2009. Photo: Frank Vincentz</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515954672-OSGV9T04EGMJX7WKS1U4/Nossa+Senhora+Das+Neves.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - BRAZIL</image:title>
      <image:caption>Plaster statuette of Nossa Senhora Das Neves, Brazil. Image: Mercado Livre</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515236873-H0I3XN6A19YLCUTA6GNI/VDN-mexico-templo.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - MEXICO</image:title>
      <image:caption>Nuestra Señora de las Nieves, Patroness of the Congregación del Oratorio de San Felipe Neri, Mexico City. Source: Diego Rodarte, El Color de la Fe</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635920888038-P7PFU098BSBIYWS322OB/virgen_nieves-Cuba2.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - CUBA</image:title>
      <image:caption>La Virgen de las Nieves, Patroness of Tobacco, Mantua, Cuba. Photo: Eduardo González Martínez, OnCuba</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515359556-QVP2ENCSP5G76O51L8ZQ/virgen_de_las_nieves-blanca.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - NETHERLANDS</image:title>
      <image:caption>“Diamond Painting” of Heilige Maria. Image: Joba Stores</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514940254-PR6W7CXXJ6WC0V26XLHA/Ntra_Sen%CC%83ora_de_las_Nieves_de_Benacazon.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - SPAIN</image:title>
      <image:caption>Nuestra Señora de las Nieves de Benacazón, Sevilla, Spain, 2018. Photo: Javi Rodríguez</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514959509-FP8R2T93YGMKZW06HJ9Q/VDN+Milagros.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - PERU</image:title>
      <image:caption>Vírgen de las Nieves Coracora Ayacucho, Coracora (Qura Qura), Peru. Source: Virgen de las Nieves, Milagros y Tradición</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514966291-0LJHYL0CR0Z1514H2T2X/61453024_2272219056146966_5755061636096327680_n.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - MEXICO</image:title>
      <image:caption>Our Lady in Oaxaca, Mexico. Photo: Santuario de La Virgen de las Nieves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1636325967122-C968A4VDGFLWP7ZVEBUO/Illinois-shrine.jpeg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - UNITED STATES</image:title>
      <image:caption>The National Shrine of Our Lady of the Snows in Belleville, Illinois is administered by Missionary Oblates of Mary Immaculate. With over 200 acres of land, it is one of the country’s largest outdoor shrines and visited by over one million pilgrims each year. Photo: The Catholic Travel Guide</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b22c3f21-bf23-4cbf-9b91-508636b4ad35/JW7C2371.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Painting of Nuestra Señora de Las Nieves: “This painting of Our Lady of the Snows was in my family for decades—at least one generation—and was the official icon of the saint for the people of Villa Las Nieves while my family lived there.” Quote and photo: Beatriz Terrazas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f5e0da35-0741-4a5d-9193-9b8e4d94323a/JW7C2033.jpg</image:loc>
      <image:title>content - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>In this procession of El Santísimo [the Most Holy—the Eucharist], a girl portraying Our Lady of the Snows rides along with the priest during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/descolonizando-la-educacin-teologica-latinoamericana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1637981624696-IR7VKYQ8MY7ZYEW1LVVJ/abstract+art+2.jpeg</image:loc>
      <image:title>content - Descolonizando la educación teológica latinoamericana</image:title>
    </image:image>
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  <url>
    <loc>https://www.htiopenplaza.org/content/decolonizing-latin-american-theological-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-29</lastmod>
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      <image:title>content - Decolonizing Latin American Theological Education</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hti25-perspectivas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1660702830482-947KH1UX557B863H9Z8I/perspectivas+logo+2.jpeg</image:loc>
      <image:title>content - Quarter-Century Perspectives</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hti-25th-anniversary-lecture-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634068262787-HCE0W88FLC27M9OP3V8X/folco-masi-p_UlItAbkcM-unsplash.jpg</image:loc>
      <image:title>content - HTI 25th Anniversary Lecture Series</image:title>
      <image:caption>Black Lives Matter protest in front of the St. Bonifatius Cathedral, Wiesbaden, Germany, 2020. Photo: Folco Masi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634069474481-14QZQHG4JDWNMDZ7LZEL/HTIGreen.jpeg</image:loc>
      <image:title>content - HTI 25th Anniversary Lecture Series - Make it stand out</image:title>
      <image:caption>A Latinx Imagination and Future for Theological Education Rev. Dr. Eric Barreto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634069560518-SB8Q3QO1IF86NCJKSB8V/HTIPurple.jpeg</image:loc>
      <image:title>content - HTI 25th Anniversary Lecture Series - Make it stand out</image:title>
      <image:caption>Latinidad in Our Righteous Republic Latinx Churches, Christian Libertarianism, and the Future of American Politics Dr. Gerardo Martí</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634069525208-RJ4WLQ663DBN8TI1O9CP/HTIyellow1.jpeg</image:loc>
      <image:title>content - HTI 25th Anniversary Lecture Series - Make it stand out</image:title>
      <image:caption>Soaring into the Night Remapping the Theological Star Chart Dr. Doris García Rivera</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/not-your-typical-devotional</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e4e70deb-7d4e-4073-9b47-d8b226f0c5dd/mockup-of-an-iphone-8-placed-next-to-a-book-and-a-coffee-2903%2B%282%29.png</image:loc>
      <image:title>content - Not Your Typical Devotional - Make it stand out</image:title>
      <image:caption>The Deconstructionists Playbook (Bemba Press, 2021) comprises selections from devotionals that have been published by Our Bible App.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04ea4137-4efd-45b4-ad44-c3b6c7d0cc3f/our%2Bbible%2Bdownload%2Bpage%2Bdevices-2.png</image:loc>
      <image:title>content - Not Your Typical Devotional - Make it stand out</image:title>
      <image:caption>The Our Bible App platform offers the largest compilation of progressive faith-based content.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/223d78e5-eb5b-4fed-a3a9-fe32c31c3680/mockup-of-an-ipad-pro-and-an-iphone-11-pro-in-portrait-mode-at-a-studio-2031-el1%2B%25282%2529.jpeg</image:loc>
      <image:title>content - Not Your Typical Devotional</image:title>
      <image:caption>Promotional image for the ebook edition of The Deconstructionists Playbook (Bemba Press, 2021), edited by Crystal Cheatham and Theresa Ta. Image Courtesy of Our Bible App</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c164acf3-92d1-42f9-b339-0c94260b648b/gradient-pink-background.jpeg</image:loc>
      <image:title>content - Not Your Typical Devotional - SAMPLE DEVOTIONALS</image:title>
      <image:caption>This is not your typical devotional. Until now, it has been extremely difficult to find devotionals, podcasts, and resources that aren’t overtly conservative in nature. Our Bible App supports the belief that spirituality is a spectrum and that faith is a journey. At its core, the holy texts were written to be inclusive of all of God’s creation, especially those on the margins. These devotionals are explicitly queer-affirming, anti-racist, pro-feminism, and encouraging of interfaith inclusion, bringing together a once fragmented community of spiritual wanderers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/diversity-among-latinx-evangelicals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
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      <image:title>content - Diversity Among Latinx Evangelicals</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/calavera-images-and-jose-guadalupe-posada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633879121358-AFZ6BH21EU0AAJY5U8ZY/Gran-calavera-electrica-Posada.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada</image:title>
      <image:caption>[Gran calavera eléctrica] by José Guadalupe Posada depicts a large skeleton hypnotizing a sitting skeleton and a group of skulls; shown in the background is an electric trolley filled with skeleton passengers. Source: Library of Congress [LC-DIG-ppmsc-04468]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634387395726-YE8Q8UVHZK70RJB7LHI5/Portentosa-vida-de-la-muerte.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Engraving by FG Bustamante in Joaquín Bolaños’s 1792 La portentosa vida de la muerte [The Ominous Life of Death]. Image source: Swann Auction Galleries</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634385573356-I9GQ4Z5GBEFX6T2LOETX/Hrastovlje_Dans3.jpg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Detail of a Dance Macabre fresco (1490) by Johannes de Castua in the Holy Trinity Church in Hrastovlje, Slovenia. Photo: Bibliofil at cs.wikipedia, CC BY-SA 3.0</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634645425264-VJSEAJC1X08J575T7Z5S/la+patria+ilustrada.jpg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Front cover of La Patria ilustrada (4 Nov 1889), México—some speculate it is among Posada’s first calavera illustrations. Source: Biblioteca Nacional de México (Instituto de Investigaciones Bibliográficas, Universidad Nacional Autónoma de México [UNAM]), Biblioteca y Hemeroteca Nacional Digital de México</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633889477485-F4HZ1NFTDFQV302M0B3K/Gigante-calavera_Posada.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>“Esta es de Don Quijote la primera, la sin par, la gigante calavera [This one is of Don Quixote the first , the unparalleled, the giant skull],” ca. 1910-1913. Source: Library of Congress [LC-DIG-ppmsc-04597]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634050332236-4IK35BWZQZTX380F84F7/Mictlantecuhtli.jpg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Mictlanteculhtli, god of the underworld, dwells in Mictlān with his goddess wife Mictecacihuatl. Museo del Templo Mayor, Mexico City, Mexico. Photo: Travis Shinabarger</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634631894207-9RSBU4POJ2GKUIEK9R1S/El+Calavera.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>El Calavera, edited during the first half of 1847, made political use of calaveras to illustrate the “internal and external war that bled and mutilated Mexico” (Archivo General de la Nación). Source: Gobierno de México</image:caption>
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      <image:title>content - Calavera Images and José Guadalupe Posada - Skull mask</image:title>
      <image:caption>Skull mask of Mictlantecuhtli, Lord of the Land of Death, made from human sacrifice, with shell eyes and holes for inserting hair, found in the pyramid ruins of Aztec capital Tenochtitlán. Museo del Templo Mayor, Mexico. Photo: MenMag, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633924350546-LJQKWD35O94ZL11ALME9/Calavera+Azteca.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Stone carving</image:title>
      <image:caption>Stone carving of skull possibly as a site marker, at the Museo Nacional de Antropología in Mexico City, Mexico. Photo: Posada Art Foundation</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633924573512-4IJEPYX5OPTWYTNBK7Q3/Tzompantli_Tovar.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Tzompantlis</image:title>
      <image:caption>Named after Jesuit missionary Juan de Tovar's, the 1587 Aztec manuscript (aka the Tovar Codex) depicts tzompantlis or “skull rack” at right. Source: World Digital Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634386546225-OR45AARDTE1GEPFJ8MI3/The+Abbess.jpeg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>“Abdis en de Dood [The Abbess],” Plate 15 in Danse Macabre by Hans Lützelburger, published in Lyon, France in 1538. Source: Rijksmuseum, Amsterdam</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d744360-136a-430b-9b1d-7cea7be323f4/DOD+Mex+Consulate+2021.jpg</image:loc>
      <image:title>content - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Day of the Dead mini-exhibition installed by the Posada Art Foundation at the Consulate General of Mexico in San Francisco, California, on view from October through November 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/si-de-aqui-si-de-alla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634700356245-7JOC1YE1AZM4N730YJXY/6_MS_MM.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634851355206-MKDP8U750TIIW97G4UWU/Menjivar_WL.jpeg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá</image:title>
      <image:caption>Artist Mark Menjivar conducts a Migration Stories workshop in the Stanier Gallery at Washington and Lee University, Lexington City, Virginia, 2017. Migration Stories is an oral history project focusing on personal narratives of how we arrived to where we are now. Photo courtesy of Mark Menjivar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634701272274-OODDRKYQ4Z8I0NJTISNC/10_Stations_Bluestar_1.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634700851334-66U4KL6USOBBUKOCCJZ2/8_NT-5.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634858908337-U9SVJ65P46W0KRH2X0J5/3_Kids_+Drawings+of+the+Raids-1.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634858907763-B5IDY6JLJI6E20VOUWJS/4_Kids_+Drawings+of+the+Raids-3.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634858910083-DYZZZELTFLSDOQVWX05W/5_Kids_+Drawings+of+the+Raids-13.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634700493451-UKHPRNFBLUFF5PXJPJZ6/7_MS-SAIC_2.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634700981599-N5MRMM2KOF6PFY6S2OP4/9_posters-23.jpg</image:loc>
      <image:title>content - Sí de Aquí, Sí de Allá - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/migrational-religion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632972010669-6WCQA4YOX1S6BQYAU8B1/Migrational+Religion.jpeg</image:loc>
      <image:title>content - Migrational Religion - Make it stand out</image:title>
      <image:caption>Migrational Religion: Context and Creativity in the Latinx Diaspora by João Chaves (Baylor University Press, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633146248707-HMCB3JVH6I2WNKYDACGU/Christ+the+Redeemer+and+Statue+of+Liberty.jpeg</image:loc>
      <image:title>content - Migrational Religion</image:title>
      <image:caption>Rio de Janeiro’s Christ the Redeemer meets New York City’s Statue of Liberty. Image source: freakingnews</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/publica-intellectualis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633548889101-HAPT2MC2AQSRIED5A948/IMG_0250-Daniel-Ramirez-and-Carlos-Martinez-Garcia_Writers-Week-Tepoztlan-MX-2019.jpg</image:loc>
      <image:title>content - Publica intellectualis - Make it stand out</image:title>
      <image:caption>Daniel Ramírez (l. [izq.]) &amp; Carlos Martínez García, HTI Open Plaza Writers’ Week [Semana de Escritores], Tepoztlán, México, 01/2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633488366440-A05G9SWDDUFM7MVF0SPZ/8104747456_f475486cc2_o.jpg</image:loc>
      <image:title>content - Publica intellectualis</image:title>
      <image:caption>Image/n: Nod Young</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/what-cancer-did-not-take</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632229188434-57ZPRXKOXBRMNL4FC2WF/angiola-harry-nJv6xnlpNaA-unsplash.jpg</image:loc>
      <image:title>content - What Cancer Did Not Take</image:title>
      <image:caption>Photo: Angiola Harry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/renewing-the-church-by-the-spirit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741219829-SVI9JBEX2OZ46T0QX3GL/Renewing+the+Church+by+the+Spirit.jpeg</image:loc>
      <image:title>content - Renewing the Church by the Spirit - Make it stand out</image:title>
      <image:caption>Renewing the Church by the Spirit: Theological Education after Pentecost by Amos Yong (Eerdmans, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632615420442-78YHA1O5ZEQZJLIS4DCD/MaxPixel.net-Candles-Wreath-Fire-Ring-Flare-up-Light-3286023+muted.jpeg</image:loc>
      <image:title>content - Renewing the Church by the Spirit</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/after-whiteness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624597286475-UE6PPVVWMP7JIOFQRMCP/After-Whiteness.jpeg</image:loc>
      <image:title>content - After Whiteness - Make it stand out</image:title>
      <image:caption>After Whiteness: An Education in Belonging by Willie James Jennings (Eerdmans, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632022938441-03QB5G5X4B8XS4W7W9JW/White+Power+Button+And+Black+Background+HD+Wallpaper+Widescreen.jpg</image:loc>
      <image:title>content - After Whiteness</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/visiting-angels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1631464662765-A09TMUZ9PDVLR2K9QTA4/160424_Norma_Pimentel_124.jpeg</image:loc>
      <image:title>content - Visiting Angels - Make it stand out</image:title>
      <image:caption>Sister Norma Pimentel, Executive Director of Catholic Charities of the Rio Grande Valley in Texas, is hailed as “a tireless advocate for families, and especially children” by her alma mater Loyola University Chicago. Photo: Heather Eidson, Loyola Magazine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/benedictine-blackboard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630931123595-S2BIKJX5R93UO5YN44CX/breakthrough-848632_1920.jpg</image:loc>
      <image:title>content - Benedictine Blackboard</image:title>
      <image:caption>Image: Darwin Adalia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/facing-nihilism-with-high-school-seniors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630473777533-WAI1XLZ2FVN1XE1MYRQR/piqsels.com-id-jmydj.jpg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630926436521-CEMZ9KV4D7YECALNS0Y4/Caspar_David_Friedrich_-_Wanderer_above_the_sea_of_fog.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - Wanderer Above the Sea Fog</image:title>
      <image:caption>Caspar David Friedrich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630926836764-LMB46PS0WW5D1NE7EUG4/Edvard_Munch%2C_1893%2C_The_Scream%2C_oil%2C_tempera_and_pastel_on_cardboard%2C_91_x_73_cm%2C_National_Gallery_of_Norway.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - The Scream</image:title>
      <image:caption>Edvard Munch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630926838248-9YJNGT5RS59HRXVLQCAI/hopper-morning-sun.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - Morning Sun</image:title>
      <image:caption>Edward Hopper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630927858522-U8M6TN1MZSMITXZHDZBH/Ecstasy_of_Saint_Teresa_September_2015-2a.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - Ecstasy of St. Teresa</image:title>
      <image:caption>Gian Lorenzo Bernini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630927936340-YB1ZSPRAHBEURFGC89E7/cot-the+storm.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - The Storm</image:title>
      <image:caption>Pierre Auguste Cot</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630928424513-BG9RAZ53GR77JD8N9N5W/Lavisio%CC%81ndeSanAntonio.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - The Vision of Saint Anthony of Padua</image:title>
      <image:caption>Bartolomé Esteban Murillo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630927993296-5SPMD3T1G6MTJ157G6FF/free+curve+to+the+point.jpeg</image:loc>
      <image:title>content - Facing Nihilism with High School Seniors - Free Curve to the Point</image:title>
      <image:caption>Vasily Kandinsky</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/learning-useless-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Learning Useless Things</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/college-orientation-and-the-long-loneliness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-23</lastmod>
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      <image:title>content - College Orientation and the Long Loneli&lt;/a&gt;ness</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/complex-dynamics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1628419541531-JD7BVMQBR7DLFGQYL106/THORN2.jpeg</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“THORN2” (2011) fractal art by Robert D. Ogden</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627786970317-BSQJB6LLMJC60D3XCGW2/SPINE1.jpeg</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“SPINE1” (2011) fractal art by Robert D. Ogden</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627786483962-U2PWK4PRP6IM6XLX87SO/BWHEARTS.jpeg</image:loc>
      <image:title>content - Complex Dynamics</image:title>
      <image:caption>“BWHEARTS” (2011) fractal art by Robert D. Ogden</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627787730701-VQCX25YQHKWQOYVVUNWM/Robert+and+Jessica.jpeg</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Goddaughter “Jessica” and me a couple of years back.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629257214089-K7FTICRE0D0AP6HA19T5/Robert-Ogden_RosieGrandnieces.jpg</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Robert and Rosie Ogden with grand nieces Linda (elder) and Harley (younger)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627787390738-3TFGP8X7M0NDB8UJKADG/SHARE8.jpeg</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“SHARE8” (2011) fractal art by Robert D. Ogden</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627820924378-CMM1L92TTHBY9A1N83VU/pluses.gif</image:loc>
      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Fractal created by recursively growing a cross at each of its four line ends as many times as desired. Source: Andy Long’s Classes</image:caption>
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      <image:title>content - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“NEWT256” (2011) fractal art by Robert D. Ogden</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/creating-the-conditions-for-scholars-of-color-to-thrive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629687651400-RH1ON4KXFK23VLYSL391/Nobody_Cries_When_We_Die_cover_final_994dde7f-abb8-49ad-afd9-b187eacd52e2_946x1400.jpeg</image:loc>
      <image:title>content - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>Nobody Cries When We Die: God, Community, and Surviving to Adulthood by Dr. Patrick Reyes (Chalice Press, 2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629168681758-CYXMP2CKFJWQO79QBTX7/11099601195_f2718352ba_o.jpg</image:loc>
      <image:title>content - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>“Quetzalcóatl” (1973) mural by Mario Torero, et al., the first attempt at collective mural painting in Chicano Park, San Diego, CA, 2013. Parts of the mural image grace the cover of Nobody Cries When We Die by Patrick Reyes (Chalice Press, 2018). Photo: teddeady</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247843402-A4F2HKMKRX8A1W3TFUMV/sound-of-the-genuine.jpg</image:loc>
      <image:title>content - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-coyolxauhqui-imperative</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:title>content - A Coyolxauhqui Imperative</image:title>
      <image:caption>Archaeologists of the Instituto Nacional de Antropología e Historia working at the place where The Coyolxauhqui Stone had been discovered by electric-power company workers, Mexico City, Mexico, 1978. Source: Museo Archivo de la Fotografía (MAF)</image:caption>
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      <image:title>content - A Coyolxauhqui Imperative</image:title>
      <image:caption>The Coyolxauhqui Stone (3.25 meters), Tenochtitlán Museum, Mexico City, 2007. Photo: Dennis Jarvis</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411577377-WUQ26O72UHU3YIUZA8F8/1188px-Coyolxa%CC%84uhqui.jpeg</image:loc>
      <image:title>content - A Coyolxauhqui Imperative</image:title>
      <image:caption>Exhibition replica of The Coyolxauhqui Stone, painted in what are believed to have been its original colors, Museo del Templo Mayor, Mexico City, 2010. Photo: Drini</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411643442-X5M2WZOIGZCHM6SUVBEV/Coyolxauhqui.svg.png</image:loc>
      <image:title>content - A Coyolxauhqui Imperative</image:title>
      <image:caption>Illustration of Coyolxauhqui, Goddess of Moon (public domain)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626408304618-63Y346HE4EWISCWRRNTR/Huitzilopochtli.jpeg</image:loc>
      <image:title>content - A Coyolxauhqui Imperative - 1.</image:title>
      <image:caption>The birth of Aztec deity Huitzilopochtli and the defeat of his sister, Coyolxauqui, 1569. Source: General History of the Things of New Spain by Fray Bernardino de Sahagún: The Florentine Codex [Book 3], World Digital Library.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626410100854-BG7KLXVH0RR45JZDJCR9/coatlicue-ill.jpeg</image:loc>
      <image:title>content - A Coyolxauhqui Imperative - 3.</image:title>
      <image:caption>My first true brush with death: I am being carried by my mother. Instead of feeling safe in my mother’s arms, I feel physically vulnerable—a sadness, a deep sense of loss overtakes me. My mother is no doubt harboring her own anxieties, fears, and traumas. (Fleeing two countries within a decade is no walk in the park. Deep scars are inevitable, notwithstanding her outward expressions of strength, pride, and even joy.) I feel a sense of dread. Dread at the possibility of losing her, of no longer being held in her comforting arms at any moment. Is it my dread or hers, transferred through a loving embrace? Could it be that even three-year-old me feels her inner struggles, her pain? Death—the feeling of loss, of fragmentation—has been a constant companion since. I still associate my sense of comfort with utter discomfort. I tend to sit in shadows of despair, always dressed in black, waiting for its icy grip. Image: Coatlicue, who gave birth to the moon, stars, and Huitzilopochtli, god of the sun and war. She is also known as Toci ("our grandmother") and Cihuacoatl ("lady of the serpent"), patron of women who die in childbirth. Art: Gwendal Uguen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625978755723-ZFI1A79G06PKVJ44GP13/Coyolxauhqui.jpeg</image:loc>
      <image:title>content - A Coyolxauhqui Imperative</image:title>
      <image:caption>Detail of colored replica of original Aztec sculpture depicting moon goddess Coyolxauhqui, Mexico City, MX, July 2008. Photo: laap mx</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626409054610-FF320TR456K4W975ONMW/Coyolxauhqui+Has+Something+to+Say.jpeg</image:loc>
      <image:title>content - A Coyolxauhqui Imperative - 2.</image:title>
      <image:caption>I am three or four when I first see Bambi (1942). On this fateful day, I’m sitting on the floor of my humble apartment, the palace of my imagination, eyes glued to the television: Bambi, a talking deer who can express his feelings to other creatures in the forest, to his mother, to me from the other side of the screen. Then comes the blow: A white male hunter kills Bambi’s mother—even rejoices at her death as the baby flees. Now the mother lives only in Bambi’s memory, her body the trophy of another’s barbaric appetite. A Disney “classic.”   Image: “Coyolxauhqui Has Something to Say” (1972) mural by Irene Perez, Balmy Alley, San Francisco, CA, 2003. Photo: Franco Folini</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626412654334-3JXP66Q22DL719GONDDB/aztec-calendar-stone-coyolxauhqui-png.png</image:loc>
      <image:title>content - A Coyolxauhqui Imperative - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/christianity-empire-and-the-spirit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1628259528999-11X5Y111K8OCIL1ONZKP/christianity-empire-spirit.jpeg</image:loc>
      <image:title>content - Christianity, Empire and the Spirit - Make it stand out</image:title>
      <image:caption>Christianity, Empire and the Spirit: (Re)Configuring Faith and the Cultural by Néstor Medina (Brill, 2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1628210676681-T2YRSIPY1MK8YPUOOU2U/Monumento_Fray_Antonio_de_Montesinos_SD_08_2019_7873.jpg</image:loc>
      <image:title>content - Christianity, Empire and the Spirit - Make it stand out</image:title>
      <image:caption>Statue by sculptor Antonio Castellanos Basich representing Spanish Dominican friar Antonio de Montesinos, Santo Domingo, Dominican Republic, 2019. The 50-foot statue was donated by Mexico to the Dominican people in 1982. Known as the first European to publicly denounce the horrific treatment of indigenous peoples on the island, Fray Montesinos traveled throughout the Americas on a crusade for human rights during the 1500s. He influenced Fray Bartolomé de Las Casas and the first set of international laws concerning universal humanity. Photo: Mario Roberto Durán Ortiz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/attempt-great-things-for-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627419001591-UQQ2WP0KN4NV71AK9UYQ/canstockphoto54444076.jpeg</image:loc>
      <image:title>content - Attempt Great Things for God</image:title>
      <image:caption>© Can Stock Photo / sdmix</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627041532159-S2FT4SBSKL83HD6KABLN/Attempt+Great+Things+for+God.jpeg</image:loc>
      <image:title>content - Attempt Great Things for God - Make it stand out</image:title>
      <image:caption>Attempt Great Things for God: Theological Education in Diaspora by Chloe T. Sun (Eerdmans, 2020)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/creating-meaning-and-purpose</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626843890145-ZJ59BQBYJYXWDPS6R50M/labyrinth+of+the+Chartres+Cathedral.jpeg</image:loc>
      <image:title>content - Creating Meaning and Purpose</image:title>
      <image:caption>Labyrinth of the Chartres Cathedral, France. Photo: Sylvain Sonnet/Corbis</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627258695168-S3EED30ZG5R2L00BNZUR/Purpose+Gap-+Reyes.jpeg</image:loc>
      <image:title>content - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>The Purpose Gap: Empowering Communities of Color to Find Meaning and Thrive - Patrick Reyes (Westminster John Knox Press, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247843402-A4F2HKMKRX8A1W3TFUMV/sound-of-the-genuine.jpg</image:loc>
      <image:title>content - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247764093-N99AAXD8IHJMF290SG4I/Robin_Owens_-_Podcast_Cover_Art_reduced_10.jpeg</image:loc>
      <image:title>content - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/world-christianity-urbanization-and-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620501210936-7274EHBDJJBC2CP0EVE7/1_rio_de_janeiro_favela_2010.JPG</image:loc>
      <image:title>content - World Christianity, Urbanization, and Identity</image:title>
      <image:caption>Cristo Redentor statue (top left) foregrounded by a favela (right) and a more affluent neighborhood (left), Rio de Janeiro, Brazil, 2010. Photo: Chensiyuan</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620621562429-X11F2F5V55UG2C9XQISU/World-Christianity-Urbanization-and-Identity.jpg</image:loc>
      <image:title>content - World Christianity, Urbanization, and Identity</image:title>
      <image:caption>World Christianity, Urbanization, and Identity - Volume Editors: Raymundo Barreto, Moses O. Biney, and Kenneth Ngwa (Fortress Press, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/dominicana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625882477946-L7YGP3RD070RY62D16E9/Transient+13_Doris+Rodriguez.png</image:loc>
      <image:title>content - Dominicana</image:title>
      <image:caption>Transient 13 by Doris Rodríguez (oil on canvas, 30” x 80”), 2014. Source: CUNY Dominican Studies Institute, Dominican Artists in the United States: Doris Rodríguez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-wafers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625964055425-L0EYYBCYQYGM8IHRIYD9/mosaic-bread.jpg</image:loc>
      <image:title>content - The Wafers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625115397032-EEITMCGUM19CZHC2D3CK/dominicana-cover-ENG.jpeg</image:loc>
      <image:title>content - The Wafers - Make it stand out</image:title>
      <image:caption>Dominicana: A Novel by Angie Cruz (Flatiron Books, 2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hostias</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626010277988-F4MMLEN44GZO3XFRKH4R/AC-KNA1.jpg</image:loc>
      <image:title>content - Hostias - “La importancia de este libro es invaluable…</image:title>
      <image:caption>Foto: Emmanuel Abréu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626011678860-LDYW33JJDTF40A1Z9QLI/Domionicana-ESP.jpeg</image:loc>
      <image:title>content - Hostias - Make it stand out</image:title>
      <image:caption>Dominicana: una novela ﻿de Angie Cruz, traducción de Kianny N. Antigua (Editorial Siete Cuentos, 2021)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624259652798-9SJAWK5B6DWHTV20YAC3/recortes-de-hostias.jpeg</image:loc>
      <image:title>content - Hostias - Make it stand out</image:title>
      <image:caption>Recortes de hostias directo del Convento de las Capuchinas Sacramentarias en Tlalpan, México, 2013. Foto: Kattia Hernández</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-stories-we-tell-each-other</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625884851251-DY95AZT2BNCBNGIFRYBS/7854763694_e0b5485006_o.jpeg</image:loc>
      <image:title>content - The Stories We Tell Each Other</image:title>
      <image:caption>A wedding in Washington Heights, New York City, 1971. Photo: Winston Vargas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/theological-education-between-the-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-20</lastmod>
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      <image:title>content - Theological Education between the Times</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/symbols-of-latinidades-in-the-2020-election</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624677626116-PNT94JNFZTYXRZ0WR8S7/Lady-Gaga-inauguration2.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Lady Gaga enters the inauguration platform as she prepares to sing a rendition of “The Star-Spangled Banner” at the 59th Presidential Inauguration ceremony in Washington, Jan. 20, 2021. Photo: Navy Petty Officer 1st Class Carlos M. Vazquez II, U.S. DOD</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624639600768-987GXJ7S6994DZXZBNGA/Lady-Gaga-inauguration.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Lady Gaga sings a rendition of “The Star-Spangled Banner” at the 59th Presidential Inauguration ceremony in Washington, D.C., 20 January 2021. Photo: Navy Petty Officer 1st Class Carlos M. Vazquez II, United States Department of Defense</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624676718701-DFAL40LQNK853FBCSFVI/quetzalcoatl-556881_1920.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election</image:title>
      <image:caption>A rendering of Aztec god Quetzalcoatl, the feathered serpent deity in Mesoamerica. Image: John Hain "According to the accounts of our Mexican ancestors, Quetzalcoatl is a God of life, Creator of humanity, a God who loves people and rejects human sacrifice, a God who sacrificed himself to give life to his creatures, a God who gives light like the morning star, breaking the dominion of darkness." —Elsa Tamez, "Quetzalcoatl Challenges the Christian Bible," 1997</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624714772737-VUEPRATT2VV5SZCTSRR3/folklorico-san-fran-2013.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Top: Ballet Folklórico Costa de Oro, San Francisco Ethnic Dance Festival, CA, 22 June 2013. Photo: Mark</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624673484042-FUF6AAHQXSFN1T8UGGEX/birds-quetzal-bird-quetzal-wallpaper-preview.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election</image:title>
      <image:caption>Found from Chiapas, Mexico to western Panama, the resplendent quetzal is the national bird of Guatemala. Considered divine, it plays an important role in Mesoamerican mythology and is associated with the "snake god" Quetzalcoatl.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624674100894-C2TX90TZA9L9VPTHAZKI/the-hunger-games-811955_1920.jpeg</image:loc>
      <image:title>content - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/say-their-names</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624801433828-J5W7SKD88O46U2UQ0C0J/Adam-Toledo-memorial-at-murder-scene.jpeg</image:loc>
      <image:title>content - Say Their Names</image:title>
      <image:caption>Makeshift memorial for Adam Toledo in Chicago’s Little Village. Photo: Mateo Zapata/@mateoxzapata</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-harlem-lynching-tree-with-poems-for-alma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623904381624-6K1632WLGX4K08TEWJG4/red-tailed+hawk-st-john-cathedral.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma</image:title>
      <image:caption>Red-tailed hawk (Buteo jamaicensis) perched atop the Cathedral of St. John the Divine, Amsterdam Avenue between W. 110th &amp; W. 113th Streets, New York City, 2007. Photo: Robert</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624147031021-DMAZ52N9SBJNPURDPKUD/SAAM-1967.59.1113_1.jpg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - "Harlem Street with Church"</image:title>
      <image:caption>By William H. Johnson, ca. 1939-1940, hand-colored relief print, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1113</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622868056399-99UNSV4RSUVRVPILYTGI/Church+of+All+Saints.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - Church of All Saints</image:title>
      <image:caption>Also known as “The St. Patrick's of Harlem,” 129th &amp; Madison, NYC, 2006. Photo: Georgia Popplewell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623909151363-6ED7CRFBHMXTHD8KVRKH/church-of-god-25-east-132nd-street-manhattan-433086.jpg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - Church of God</image:title>
      <image:caption>At E. 132nd St., NYC, 1936. Photo: Berenice Abbott, Federal Art Project. Source: New York Public Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623908689683-ZWU98U8GR81ZRV88ENEI/reguge-church.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - The Greater Refuge Temple of the Church of Our Lord Jesus Christ</image:title>
      <image:caption>At Adam Clayton Powell Jr. Blvd. and W. 124th St., NYC, 2010. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1610595575179-P0EVMF5RLKZZP3WFPSU0/First+People%E2%80%99s+Church-Hiram+Maristany-1970.png</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - First Spanish United Methodist Church</image:title>
      <image:caption>Young Lords members addressi a crowd outside the “Second People’s Church” at Lexington Ave. &amp; E. 11th St., NYC, 1970. Photo: © Copyright Hiram Maristany; courtesy of Hiram Maristany.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624112163128-EP16RFRGPLAG2FLHGPDR/Church_of_Jesus_Christ_of_Latter-Day_Saints_Harlem_1st_Ward_360-68_Lenox_Avenue.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - The Church of Jesus Christ of Latter-Day Saints</image:title>
      <image:caption>At Lenox Avenue (Malcolm X Blvd.) &amp; W. 128th St., NYC, 2014. Photo: Beyond My Ken</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623910969532-IFHL9C4JXXI6SBAENUJG/universal-pnp-vrg-00000-00019v.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - The Universal Church</image:title>
      <image:caption>At E. 125th St., NYC, 2014. Photo: Camilo J. Vergara Source: Library of Congress</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623911523909-F00OJSYJ9IXOLX26Z42J/Abyssinian_Baptist_Church_Harlem1.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - Abyssinian Baptist Church</image:title>
      <image:caption>At 132 W. 138th St. between Adam Clayton Powell Jr. Blvd. &amp; Lenox Ave., NYC, 2006. Photo: DennisInAmsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622856103489-XV57GA69RT4E610ECIDM/say-her-name.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - Make it stand out</image:title>
      <image:caption>#SayHerName vigil in remembrance of Black women and girls killed by the police, 20 May 2015, New York, NY. Photo: #SayHerName</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623901981342-84PTC55HCB95BJYXFBA2/ridgeway-hawks.jpeg</image:loc>
      <image:title>content - The Harlem Lynching Tree, with Poems for Alma - Make it stand out</image:title>
      <image:caption>Pair of Ridgeway's hawks (Buteo ridgwayi/gavilán dominicano), Los Haitises National Park, Dom. Rep., 2009. Photo: Ron Knight</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/complicated-grief-in-extraordinary-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623283227384-38T35AWZDHQB2H3NHZ6H/covid-rememberance.jpeg</image:loc>
      <image:title>content - Complicated Grief in Extraordinary Times</image:title>
      <image:caption>Empty chairs set up by Covid Survivors for Change, representing a fraction of the 200,000+ lives lost due to COVID-19. The memorial was shown during the National COVID-19 Remembrance at The Ellipse outside the White House, Washington, D.C., 4 October 2020. Award-winning singer Dionne Warwick, Former U.S. Ambassador for Health, hosted the livestreamed event. Photo: Ted Eytan, MD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/im-a-wild-seed-decolonize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621626478362-JOS20NI9NLBA69SW4TVD/cover.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>I’m a Wild Seed by Sharon De La Cruz (Street Noise Books, 2021)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694421881-1YPNQBGOFJ53YZSKO28G/Wild+Seed+Chapter+6+5.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694280642-6ERD48CDKF6YPKVF9CT1/Wild%2BSeed%2BChapter%2B6%2B4.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694182677-O9XWXXW11CN63E74T0RM/Wild%2BSeed%2BChapter%2B6%2B4.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694556365-ECTT3N8EYLM04UXRHSC0/Wild%2BSeed%2BChapter%2B6%2B6.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688822520-G0EUVR2KXKSAZEY9PV53/Wild%2BSeed%2BChapter%2B6%2B1.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622693874921-EEX7DAZ12N471QPU40K6/Wild%2BSeed%2BChapter%2B6%2B3.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688563406-OIWOSARTGTO2MCV0CH1M/Wild%252BSeed%252BChapter%252B6%252B1.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688936746-Q2GNWFTEU5EB5CD067PV/Wild%2BSeed%2BChapter%2B6%2B2.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694031070-VPHC9DZ3XW805VJXTSIT/Wild%2BSeed%2BChapter%2B6%2B3.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694730965-LNNLW7YC9KIG2U5FBRP1/Wild%2BSeed%2BChapter%2B6%2B6.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622483640940-6FJC49V7K89V537DBJPY/Sharon-de-la-Cruz-portrait-art.jpg</image:loc>
      <image:title>content - Decolonize</image:title>
      <image:caption>Artwork/photo courtesy of Sharon Lee De La Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622689156089-RT1UWQ9KK0H5QAS0QKX5/Wild%2BSeed%2BChapter%2B6%2B2.jpg</image:loc>
      <image:title>content - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/faith-justice-and-immigration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620189824439-6VOFRFH97CN40CCNVJND/8737011970_f8d263e43a_o.jpg</image:loc>
      <image:title>content - Faith, Justice, and Immigration</image:title>
      <image:caption>“Who Would Jesus Deport?” Backbone Campaign banner lift over the private, for-profit NW Detention Center in Tacoma, WA, 12 May 2013. The action in support of allied faith communities is part of the Backbone Campaign’s efforts to amply “the aspirations of ‘We the People’ with creative strategies and artful activism to manifest a world where life, community, nature, and our obligations to future generations are honored as sacred.” Photo: The Backbone Campaign</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/covid-19-la-comunidad-and-the-church</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/my-ancestors-keys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621082084773-7OBINVNACPE3QTHZDMEG/Havana-fruit-cart-by-Ruth-Behar-e1614228594168.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Havana fruit cart. Photo: Ruth Behar</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617511996975-9FVRBD91N20D808Z68BR/Patronato-2019-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys</image:title>
      <image:caption>Patronato (also known as Temple Beth Shalom), Havana, Cuba, 2019. Photo: Ruth Behar</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621081433771-OFGDE1W42SONXK71HMHY/Adela-Dworin-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Adela Dworin. Photo by Ruth Behar</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621081736844-607R2IECA9RJZZME5AGQ/Purim-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Purim. Photo: Ruth Behar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092610627-59NVZHF62V6KCJJ67W2Z/LGM-2.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - JUDAISM IN THE AMERICAS</image:title>
      <image:caption>Photo: © LGM Studio – Luis Gallardo READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092714104-KG8PA6GNIEDDMTK2NXLD/1.-Cali.Altar_.1jpg.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - CATHOLICISM AND BEYOND</image:title>
      <image:caption>Photo: From footage by Werner Monterroso, Abdias Pérez READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092885125-T87L67V1EP7CPVP035TP/Elena-Marti%CC%81nez.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - AFRO-LATIN RELIGIONS</image:title>
      <image:caption>Photo: Elena Martínez READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621094234736-9B37KR08NUGDP1ZBC5EE/IMG_0275.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - INDIGENOUS RELIGIONS IN THE CONTACT ZONE</image:title>
      <image:caption>Photo: ©Hibridos Moon, Telmon READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621079035509-OFK2K2IZUGRTLB0MI8I5/Everything+I+Kept_Behar.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - PRAYER</image:title>
      <image:caption>This happens to me often, too often: I am on my way home, driving down familiar streets, only a few blocks to go, and out of nowhere a merciless hand comes and grips my heart and wrings it dry. I tremble. Fog clouds my eyes. I am no longer sure if I am awake or dreaming. If I die, who will find me? All I can do is pray: Let me return home, I am almost there, please… I don’t know why this happens. What I know is that, so far, my prayers have been answered. Hardly breathing, I reach my house. And when I open the door, I hear many keys clanging, the keys my ancestors stubbornly took with them to their exile. —Everything I Kept/Todo lo que guardé by Ruth Behar (Swan Isle Press, 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621080181229-9RONQ4IIPZUTGGGEA6U3/Homenaje-a-Marti-in-Yiddish-1954-title-page.jpg</image:loc>
      <image:title>content - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>De cara al sol: Homenaje a Martí en Yiddish en el centenario de su natalicio [Facing the Sun: Homage to Martí in Yiddish on the centenary of his birth]. Agrupación Cultural Hebreo-Cubana, 1954. Source: University of Florida George A. Smathers Libraries</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/our-lady-of-lactation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1614586157067-9FQUIBVNEFTF5D3Q7A84/8D9DF425-F93A-4760-9851-FA48A1140805_1_105_c.jpg</image:loc>
      <image:title>content - Our Lady of Lactation</image:title>
      <image:caption>“Breastfeeding Virgen De Guadalupe - Virgin Mary and infant Jesus” stained glass, 8x10 print by Alicia Sosa-Provencio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899860907-RXJRZSQ17C1T950ZK1XJ/786E6DB8-C6F5-47A8-A332-B23D6562AFE9_1_105_c.jpeg</image:loc>
      <image:title>content - Our Lady of Lactation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899927388-IW1ZR0MIICNXXCAH8A44/C9997EDD-4FC7-48A1-8A33-D8C6B8A75674_1_105_c.jpeg</image:loc>
      <image:title>content - Our Lady of Lactation</image:title>
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      <image:title>content - Our Lady of Lactation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899913160-7H1AFWSY5TGFC2K995CE/8D9DF425-F93A-4760-9851-FA48A1140805_1_105_c.jpeg</image:loc>
      <image:title>content - Our Lady of Lactation</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/cuerpo-sabio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620615584388-6PPHPPPK96Z03WU7DD26/DSCN3002.JPG</image:loc>
      <image:title>content - Cuerpo Sabio</image:title>
      <image:caption>“La Oración al Proscrito [The Prayer to the Outlaw]” bronze sculpture by Rodrigo Arenas Betancourt, Aeropuerto Internacional El Dorado, Bogotá, Colombia, 2014. Source: “Esculturas de Colombia,” BerSua</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620139883388-54X2J4LQV0MW2GT9H5BR/rio+magdalena.jpg</image:loc>
      <image:title>content - Cuerpo Sabio</image:title>
      <image:caption>Río Magdalena, San Augustín, Colombia, 2014. Photo: Alexander Schimmeck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620103432156-ZJTISYAEX3HMC59LEN4B/Gospel_of_Mary.jpg</image:loc>
      <image:title>content - Cuerpo Sabio</image:title>
      <image:caption>Gospel of Mary, 120–180 AD, discovered in 1896. Source: P. Oxyrhynchus L 3525, Papyrology Room, Ashmolean Museum, Oxford.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/how-dmx-prayed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619237311900-V1CDKVNQ14703RPUW84B/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>content - How DMX Prayed</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/brown-in-red-orange-county</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619410217238-BY7F8A234V8HXSTVSGPR/saints-of-santa-ana.jpg</image:loc>
      <image:title>content - Brown in Red Orange County</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>content - Brown in Red Orange County - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619230797730-OOVUY70M2T6EE6Z9B2QQ/img-8684_orig.jpg</image:loc>
      <image:title>content - Brown in Red Orange County</image:title>
      <image:caption>Mural at the former Guest Inn and Suites hotel, now The Orchard, a permanent housing community for the homeless in Santa Ana, California, 2017. Art: Brian Peterson (Founder of Faces of Mankind) and Damin Lujan (Santa Ana street artist). Photo: Brian Peterson, courtesy Faces of Santa Ana</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/antiphons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618804244514-AFZG870W1XRPH3RA6W5D/Praise%252BNothing-J-Robbins.jpg</image:loc>
      <image:title>content - Antiphons</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617762597128-Y3HK6Y9Q1NLZNX0GZPWJ/3056131509_7efc11914f_o.jpg</image:loc>
      <image:title>content - Antiphons</image:title>
      <image:caption>Image: Tom Donald</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/called-to-wonder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618629272410-V1GJPB2KLU97T7Z7HA6U/IMG_20201102_144407+%282%29.jpg</image:loc>
      <image:title>content - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616993514254-XU6LTAW534CQIYQBVJ45/NYC-Under-3-1.jpg</image:loc>
      <image:title>content - called to wonder</image:title>
      <image:caption>Photo: Susan Watts | NYC Comptroller's Office</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618070272001-EYPBEOP9ILW6QM1EAILV/kid+fireman.jpg</image:loc>
      <image:title>content - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616825885407-TGV9U428EXSTWG9YZBQV/6148455929_7605ac7f61_k.jpg</image:loc>
      <image:title>content - called to wonder</image:title>
      <image:caption>“Damballah &amp; Ayida Wedo &amp; Erzulie Freda Dahomey, in progress,” 2011. Image: Judith Pudden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618084101172-BRR0UTJZYPD9R9JOW7C4/87478777_10221608757234428_7056129610852859904_n.jpg</image:loc>
      <image:title>content - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/embroidery-at-the-hearth-of-faith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618199442132-DNNYLMPUCD8YPJQ9ZY9A/idol-teoyaomiqui-ie-coatlicue-1.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618198958623-MB0ZUR3V1TA5OE4K1519/Coatlicue.png</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Image: Los Puntuales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617250695860-52NFZBBH6YLWL73YK4YA/Por+Las+Tardes+Le+Gusta+Bordar+Midafternoon+at+her+Embroidery.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Por las tardes le gusta bordar (Midafternoon at her Embroidery), pencil drawing by Los Angeles artist-author J. Michael Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329514754-4JX1ZHE1L0Y73TJN16GX/virginx.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>VirginX by Natalia Treviño Finishing Line Press, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618196727005-M9BBH5JWIK2YF3Z68Z99/1600px-Botticelli-primavera.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>La Primavera (Spring), 1481-82, tempera on wood panel, by Sandro Botticelli. Source: Uffizi Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329582954-HPXFVEP3S97HF1FK9PEK/tx-poets-speak-out.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>CONTRA: Texas Poets Speak Out, eds. Rooster Martinez and Chibbi Orduña FlowerSong Press, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618197921299-DMZ43CWWOYG60WR6H7RJ/Sandro_Botticelli_-_Madonna_del_Magnificat_-_Google_Art_Project.jpg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Madonna del Magnificat, 1481-82, tempera on wood panel, by Sandro Botticelli. Source: Uffizi Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329429839-IFDBSHSPQB6E2M1VWW0R/lavando-la-diry-laundry.jpeg</image:loc>
      <image:title>content - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Lavando La Dirty Laundry by Natalia Treviño Mongrel Empire Press, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/predicadores</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>content - Predicadores - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616773003994-I8E5C5BH76WNZGW38FDV/predicadores.jpg</image:loc>
      <image:title>content - Predicadores</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617558321144-0DBGNGFE3FIC5YXNH5JX/GettyImages-919707606.jpg</image:loc>
      <image:title>content - Predicadores</image:title>
      <image:caption>Image: David Malan/Getty Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/wading-in-the-river</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616957861865-AGW970JUXGD7Z1GC395D/stations_of_the_cross_coloring_book_11.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>XI. Jesus is nailed to the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955570830-GT3TB1575GG7NL0R3PAL/stations_of_the_cross_coloring_book_5.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>V. Simon of Cyrene is made to bear the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956939832-EFS4DG20G9ABD5SJHP32/stations_of_the_cross_coloring_book_9.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>IX. Jesus falls the third time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955311771-9JOFYMY5EV4IAI18GD7Z/stations_of_the_cross_coloring_book_4.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>IV. Jesus meets his mother</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958344055-A09AAL7EGJ5L5WBFN3IO/stations_of_the_cross_coloring_book_12.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>XII. Jesus dies on the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615697291958-HI3G0D0HSUD6VM1IRV1T/wading-in-the-river.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955276280-OMV9GOAPOR9J3WBTRU6I/stations_of_the_cross_coloring_book_3.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>III. Jesus falls the first time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617597006625-OR6TRDE5MT2ZZD7I6XQ6/SAAM-2016.30.3_1.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>Hiram Maristany, Hydrant: In the Air, 1963, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.30.3, © 1963, Hiram Maristany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955155671-AV1CP5S8DE7TSWMXG5SO/stations_of_the_cross_coloring_book_1.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>I. Jesus condemned to death</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956410222-C895HF0ZUEXBGL57KRHO/stations_of_the_cross_coloring_book_8.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>VIII. The women of Jerusalem weep over Jesus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955221286-CPND791AT48V2TOLQJA9/stations_of_the_cross_coloring_book_2.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>II. Jesus made to bear his cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958441519-ZP0ST66L7W3UWZRLBC0H/stations_of_the_cross_coloring_book_13.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>XIII. Jesus is taken down from the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955804361-LO99K820GANP98YVOQA2/stations_of_the_cross_coloring_book_6.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>VI. Veronica wipes Jesus’ face</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958658054-FCY0D62Y9ZHGRXPXWF8O/stations_of_the_cross_coloring_book_14.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>XIV. Jesus is placed in the sepulchre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956058799-JQ69UUGS4CK70HM58VWP/stations_of_the_cross_coloring_book_7.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>VII. Jesus falls the second time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616957701470-X95K6COI4XRRDOCU7FA3/stations_of_the_cross_coloring_book_10.jpg</image:loc>
      <image:title>content - Wading in the River</image:title>
      <image:caption>X. Jesus is stripped of his garments</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/race-religion-and-the-republic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616539666876-ZM5GJTY049W58J5VQGXI/The_Allegory_of_the_Republic%2C_after_Daumier.jpg</image:loc>
      <image:title>content - Race, Religion, and The Republic</image:title>
      <image:caption>The Allegory of the Republic, after Daumier (coal on board, acrylic) by Balázs Kicsiny, 1990. Source: Museum Ludwig-Museum of Modern Art, Budapest Collection Kicsiny’s coal painting is based on La République (1848) by Honoré Daumier, an oil sketch submitted for a competition to define the "painted face of the republic" the year the French Republic was proclaimed. Commentary on Daumier’s sketch highlighted its ideals of a "'big woman'...a strong republic, nourishing and educating her children...[a] 'fertile, serene and glorious' republic claiming its descent from the first great republic which had abolished slavery; the republic whose flag had circled the world" (Musée d'Orsay).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/i-am-not-your-virus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:title>content - ‘I Am Not Your Virus’: COVID-19 and Creation Care</image:title>
      <image:caption>Graphics by multimedia artist Amanda Phingbodhipakkiya for "I Still Believe in Our City," a “public awareness campaign developed with the NYC Commission on Human Rights to combat anti-Asian discrimination, harassment, and bias as a result of COVID-19, and launched with the support of the NYC Department of Cultural Affairs.” Source: NYC Commission on Human Rights, The City of New York [The collection of multilingual graphics to address anti-Asian racism and harassment CAN BE DOWNLOADED FREE OF CHARGE HERE]</image:caption>
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    <loc>https://www.htiopenplaza.org/content/academentia</loc>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Academentia</image:title>
      <image:caption>“Metamorphose” bronze sculpture by Maria-Luise Bodirsky, inspired by artworks of early history, including Egyptian high culture, Greek mythology, and the Old Testament. Source: PNGfind</image:caption>
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      <image:title>content - Academentia</image:title>
      <image:caption>Xochitl Alvizo (far left) and other HTI Dissertation Scholars at the “Writing your Dissertation” Workshop, Princeton Theological Seminary, Princeton, NJ, June 2012. Photo courtesy of HTI</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/red-alert</loc>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - ¡Red Alert!</image:title>
      <image:caption>Photo: Archivo / GFR Media</image:caption>
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      <image:title>content - ¡Red Alert!</image:title>
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      <image:title>content - ¡Red Alert!</image:title>
      <image:caption>AOC at the Women’s March on NYC, 19 January 2019. Photo: Dimitri Rodríguez</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/learning-jesus</loc>
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    <priority>0.5</priority>
    <lastmod>2022-06-06</lastmod>
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      <image:title>content - Learning Jesus</image:title>
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      <image:title>content - Learning Jesus</image:title>
      <image:caption>Iconic photo of James Cone at the pulpit delivering the annual Rall Lectures in the Chapel of the Unnamed Faithful at his alma mater, Garrett-Evangelical Theological Seminary, Evanston, Illinois, 1969. Source: Garrett-Evangelical Theological Seminary</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/en-sintonia-tuned-in</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-08</lastmod>
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      <image:title>content - En sintonía/Tuned In…</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/content/cuban-literature-in-the-age-of-black-insurrection</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-12</lastmod>
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      <image:title>content - Cuban Literature in the Age of Black Insurrection</image:title>
      <image:caption>"View of the Harbor and Town of Matanzas from the Hill," 1870. Source: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library Digital Collections</image:caption>
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      <image:title>content - Cuban Literature in the Age of Black Insurrection</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/content/thats-what-you-get</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
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      <image:title>content - that’s what you get</image:title>
      <image:caption>Coney Island, Brooklyn, NY, July 2017. Photo: Sheila Maldonado</image:caption>
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      <image:title>content - that’s what you get</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/content/the-weight-of-his-words</loc>
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    <priority>0.5</priority>
    <lastmod>2024-08-05</lastmod>
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      <image:title>content - The Weight of His Words</image:title>
      <image:caption>Iconic photo of James Cone at the pulpit delivering the annual Rall Lectures in the Chapel of the Unnamed Faithful at his alma mater, Garrett-Evangelical Theological Seminary, Evanston, Illinois, 1969. Source: Garrett-Evangelical Theological Seminary</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611785662446-WWRAV38JPCYUNOM70NG1/Cone+w%3A+Soelle%2C+Gutierrez%2C+Morse%2C+Moltmann.jpg</image:loc>
      <image:title>content - The Weight of His Words</image:title>
      <image:caption>From left to right: James Cone, visiting professors Dorothee Soelle, Gustavo Gutiérrez, Christopher Morse (doctoral student), and Jürgen Moltmann at Union Theological Seminary, New York City, early 1970s. Source: Jürgen Moltmann, A Broad Place: An Autobiography (Minneapolis, MN: Fortress Press, 2009), 22.</image:caption>
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      <image:caption>Cover, CrossCurrents, 27.2, (Summer 1977). JSTOR</image:caption>
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      <image:title>content - The Weight of His Words</image:title>
      <image:caption>Letter from James Cone to Theo Witvliet written in January of 1987 about Witvliet’s book and Cone’s intention to publish a major study of Third World Theology. Courtesy of Professor Witvliet</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611770042864-H80BISDSSH0SQAWM1JP5/WCC+-+1973+Symposium.jpg</image:loc>
      <image:title>content - The Weight of His Words</image:title>
      <image:caption>From right to left: Hugo Assmann, Paulo Freire, James Cone, Eduardo Bodipo Malumba at a WCC conference in Geneva, May 1973. Courtesy of James Cone. Source: James D. Kirylo, Paulo Freire: The Man from Recife (New York: Peter Lang, 2011), 197.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611779147464-W93P3YV32RYH6QX718XV/BTP%252BCover%252BImage.jpg</image:loc>
      <image:title>content - The Weight of His Words</image:title>
      <image:caption>Chavis, Benjamin; Charles S. Spivey; Muhammad Kenyatta; Sister M. Shawn Copeland; and Gayraud S. Wilmore, “MESSAGE TO THE BLACK CHURCH AND COMMUNITY (Drafted and Adopted by the National Conference of the Black Theology Project, Atlanta, August 1977.).” CrossCurrents, vol. 27, no. 2, (Summer 1977), p. 140. JSTOR, www.jstor.org/stable/24458314.</image:caption>
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      <image:title>content - The Weight of His Words</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/content/against-anti-intellectualism</loc>
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    <lastmod>2021-02-04</lastmod>
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      <image:title>content - Against Anti-Intellectualism</image:title>
      <image:caption>“Off with their heads/Stop the steal” signs near the U.S. Capitol on the day of the insurrection, 6 January 2021. Photo: Tyler Merbler from USA</image:caption>
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      <image:title>content - Against Anti-Intellectualism</image:title>
      <image:caption>"Smashing The Walls Of Our Prison,” 2015. Image: James Randi</image:caption>
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      <image:title>content - Against Anti-Intellectualism</image:title>
      <image:caption>Screenshot of tribute to teachers [at 37:45] from the "Celebrating America" Primetime Special aired after the Biden-Harris Inauguration, 20 January 2021. Source: Biden Inaugural Committee</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/apostles-of-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:title>content - Apostles of Change</image:title>
      <image:caption>Young Lords member Felipe Luciano addressing a crowd outside the FSUMC [First Spanish United Methodist Church], “Second People’s Church,” October 1970. © Copyright Hiram Maristany; courtesy of Hiram Maristany. "In December of 1969, after months of failed negotiations with church leadership, the New York Chapter of the #YoungLords occupied the First Spanish Methodist Church in East Harlem, renamed it 'The People's Church,' and for eleven days hosted community programs within its walls." —Jorge Juan Rodríguez V @JJRod for @UnionSeminary, 12 April 2019</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/prosperity-gospel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-12</lastmod>
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      <image:title>content - Prosperity Gospel</image:title>
      <image:caption>Symbols representing the Four Evangelists of the New Testament: Matthew (angel), Mark (lion), Luke (ox), and John (eagle)</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/opmmxxi-divine-playlist-2021</loc>
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    <priority>0.5</priority>
    <lastmod>2022-08-22</lastmod>
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      <image:title>content - OPMMXXI: Divine Playlist 2021</image:title>
      <image:caption>Photo: nonatickler</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/revelation-in-aztlan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608069117839-LM54DY75KCH3Q3JVVUKV/1704_Gemelli_Map_of_the_Aztec_Migration_from_Aztlan_to_Chapultapec_-_Geographicus_-_AztecMigration-gemelli-1704.jpg</image:loc>
      <image:title>content - Revelation in Aztlán</image:title>
      <image:caption>“Gemelli Map of the Aztec Migration from Aztlan to Chapultapec” by Giovanni Francesco Gemelli Careri, 1704. First published representation of the pre-Columbian Aztec pilgrimage from Aztlán (shown in upper right corner as square lake with palm tree). Supposedly copied from Nahuatl sources, the map embraces both cartographic and spiritual elements. Source: Geographicus Rare Antique Maps</image:caption>
    </image:image>
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  <url>
    <loc>https://www.htiopenplaza.org/content/por-fin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-21</lastmod>
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      <image:title>content - ¡Por fin!</image:title>
      <image:caption>Photo: Rincón de San Lázaro Church</image:caption>
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      <image:title>content - ¡Por fin!</image:title>
      <image:caption>Altar to San Lázaro and Babalú Ayé, 17 December 2020. Photo: Elaine Penagos</image:caption>
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      <image:title>content - ¡Por fin!</image:title>
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      <image:title>content - ¡Por fin!</image:title>
      <image:caption>Photo: Elaine Penagos</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/reconsiderando-el-chisme-construyendo-un-dialogo-mas-inclusivo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo - ‘Las encíclicas que no nombran el cambio que debe producirse dentro de los propios sistemas y enseñanzas de la Iglesia...no ayudan a los afectados a sentirse invitados al diálogo.’</image:title>
      <image:caption>Imagen: Agencia de Noticias ANDES</image:caption>
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      <image:title>content - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo - ‘No podemos simplemente decir que la comunicación utilizada por personas que se sienten desempoderadas es negativa o pecaminosa.’</image:title>
      <image:caption>Imagen: Mustafa Bader</image:caption>
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      <image:title>content - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo</image:title>
      <image:caption>Imagen: Casa Rosada</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/theological-imagination-in-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-05</lastmod>
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      <image:title>content - Theological Imagination in Education</image:title>
      <image:caption>Salvation Mountain, a man-made visual environment created by Leonard Knight in the California Desert. Photo: April Morales</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/post-election-roundup</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:title>content - Post-Election Roundup</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/uno-and-counting</loc>
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    <priority>0.5</priority>
    <lastmod>2022-11-21</lastmod>
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      <image:title>content - UNO…and counting!</image:title>
      <image:caption>Photo: Daria Besedina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/karma-chameleon-parts-1-and-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1601919520297-3563SA9IKPMQNEG4CY9J/12519624925_2254308414_o.jpg</image:loc>
      <image:title>content - Karma Chameleon- Parts I and II</image:title>
      <image:caption>Photo: Pietro Bellini</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/karma-chameleon-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1601832326191-49SYBI3OJ9J02F853N0X/psychedelic-2835148_1280.jpg</image:loc>
      <image:title>content - Karma Chameleon- Part II</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/american-blindspot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603986883818-SS8VU1JEJ216AV8H003K/pxfuel.com.jpg</image:loc>
      <image:title>content - American Blindspot</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/theological-school-leaders-respond-to-racial-injustice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603508506716-XHV36OA07UMYPG06QYT0/50022093183_ca2b756e12_o.jpg</image:loc>
      <image:title>content - ‘Infinite Hope:’ Theological School Leaders Respond to Racial Injustice</image:title>
      <image:caption>George Floyd mural outside Cup Foods at Chicago Ave. and E. 38th St, Minneapolis, MN, 18 June 2020. Arists: Xena Goldman, Cadex Herrera, and Greta McLain. Photo: Lorie Shaull</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-evangelical-latinx-voter-and-the-complexity-of-collective-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603335653088-BUL99E451KTY218I4WPU/tiffany-tertipes-RYh40IrsnB8-unsplash.jpg</image:loc>
      <image:title>content - The Evangelical Latinx Voter and the Complexity of Collective Identity</image:title>
      <image:caption>Photo: Tiffany Tertipes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/answering-the-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603077756916-7WH8JZY8Z5XEYANI41TT/landscape-nature-forest-rock-wilderness-person-879299-pxhere.com.jpg</image:loc>
      <image:title>content - Answering the Call</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/evangelizando-a-tiempo-y-a-destiempo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1602038942018-C0IN477697WAJL2JG92W/texture-pattern-money-circle-artwork-painting-1159908-pxhere.com.jpg</image:loc>
      <image:title>content - Evangelizando ‘a tiempo y a destiempo’</image:title>
      <image:caption>Tarjeta postal de la República Dominicana. Imagen: Anna Langova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1602114332957-R6H35WKLYLN9BH36J9HR/Coat_of_Arms_of_Bishop_Jose%CC%81_Grullo%CC%81n_Estrella.svg.png</image:loc>
      <image:title>content - Evangelizando ‘a tiempo y a destiempo’</image:title>
      <image:caption>Escudo de armas de Mons. José Dolores Grullón Estrella, Obispo de San Juan de la Maguana (1991-presente). Imagen: Jacobo Lama</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/karma-chameleon-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1601609650326-JP7UVIUASWMEXS1VOCPY/colour-1885352_1280.jpg</image:loc>
      <image:title>content - Karma Chameleon- Part I</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/en-conjunto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599539074733-SGP746680C1ZK8ACRCOW/Screen%2BShot%2B2020-09-08%2Bat%2B12.16.19%2BAM.jpg</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>Source: 2019-20 HTI Annual Brochure, Hispanic Theological Initiative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547401299-Y37DKK4VAEO5F151SLBV/orlando-costas_j-agosto.png</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>Orlando Costas, missiologist. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547582122-72YE9SDPG7XVN65WOFWB/virgilio-elizondo_j-agosto.png</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>Fr. Virgilio Elizondo, theological pioneer. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599544066707-YGJLGCAT3VTU87OF3Z54/en-conjunto_joel-agosto.jpg</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>From the cover of the 2017-18 HTI Annual Brochure, “The Legacy of En Conjunto Leadership.” Depicted left to right: Ada María Isasi Díaz, Fr. Virgilio Elizondo, Orlando Costas (standing), and Otto Maduro. Illustration by Joel Agosto, courtesy of the Hispanic Theological Initiative (HTI).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599538909227-M7KKI28QHP8PV5RH3P6D/Screen%2BShot%2B2020-09-08%2Bat%2B12.15.45%2BAM.jpg</image:loc>
      <image:title>content - En conjunto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599538964550-MS3IOB9W78NQN5QBHSY6/Screen%2BShot%2B2020-09-08%2Bat%2B12.16.02%2BAM.jpg</image:loc>
      <image:title>content - En conjunto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547864817-PV9AE0T0D4M7UDXF5TWR/Ada+Maria+Isasi+Diaz_J-Agosto.png</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>Ada María Isasi Díaz, theologian and mujerista theorist. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547733063-VWIDBGBBMDIRY476U1HL/otto-maduro_j-agosto.png</image:loc>
      <image:title>content - En conjunto</image:title>
      <image:caption>Otto Maduro, sociologist of religion. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/mentorship-in-the-academy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599526263587-MKLCGJOXSHOJPBREW6YW/Victoria-Perez_Sophia-Magallanes.jpg</image:loc>
      <image:title>content - Mentorship in the Academy</image:title>
      <image:caption>Victoria Pérez Rivera (l.) with her mentor Dr. Sophia Magallanes at Pérez Rivera's graduation from Latin American Bible Institute (LABI) College, 2013. Courtesy of Victoria Pérez Rivera</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/borderlands-studies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599224777011-3SQA5L44UD8J4VW6PQI8/border-62866_1920.jpg</image:loc>
      <image:title>content - Borderlands Studies</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/open-pathways-to-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598890504241-RW0A2XQHHX4CKARW0Y0Y/pathways.jpeg</image:loc>
      <image:title>content - Open Pathways to College</image:title>
      <image:caption>Alumni- Cohort 2, CSUN HSI Pathways to the Professoriate 2018–2019 Fellows. Source: California State University, Northridge</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598889852291-DSWWVRD3TFZ9ZPDN65QQ/image-asset.jpeg</image:loc>
      <image:title>content - Open Pathways to College</image:title>
      <image:caption>Photo: Baim Hanif</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/toward-a-critical-theological-imagination-parts-1-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594972325545-UWL24CYDZEEPP6UGL0GE/2017_05_06-Ringgold.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Parts 1-3</image:title>
      <image:caption>Dancing at the Louvre (The French Collection Part 1: #1) story quilt by Faith Ringgold (1991), acrylic on canvas, tie-dyed, pieced fabric border, 73.5 x 80 in. Source: Gund Gallery at Kenyon College, Gift of David Horvitz '74 and Francie Bishop Good</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/toward-a-critical-theological-imagination-part-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592471292233-ZBMM01Q2ZIAZHWM7YEAC/Community-Freedom-Quilt.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 3: Expanding Circles of Theological Knowledge Production</image:title>
      <image:caption>Community Freedom Quilt, 2009. Artist Edna Patterson-Petty worked with quilt and sewing clubs throughout the Confluence area in East St. Louis, Illinois to create a large community quilt that speaks of Freedom. During the slavery era, freedom quilts were displayed as signals to enslaved people that they should begin to pack for the journey. Photo: Lynn deLearie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598647633344-JFEORRSOZJ1CUHXEWB9L/3948821750_186226fb7a_o.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 3: Expanding Circles of Theological Knowledge Production</image:title>
      <image:caption>“Welcome Mat” quilt square, 2009. Photo: Lynn deLearie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592927060826-KXTB0GSRT4Z1TEOLAACQ/Beloved-quilt-sq.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 3: Expanding Circles of Theological Knowledge Production</image:title>
      <image:caption>“Beloved” quilt square, 2009. Photo: Lynn deLearie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592929292051-7YN129DC4W5337OKMIUJ/1.3.5_Underground_RR_Freedom_quilt.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 3: Expanding Circles of Theological Knowledge Production</image:title>
      <image:caption>Freedom Quilt, 2009. Patterson-Petty also worked with the Confluence (Trailnet), Grace Hill Settlement House, and teen mothers, who integrated symbols they associated with ‘freedom’. The quilt honors the Mary Meachum Freedom Crossing, Missouri’s first nationally designated Underground Railroad site. Meachum, a free black woman and widow of a prominent black clergyman, helped enslaved people cross the Mississippi River from St. Louis, MO toward a route to freedom through IL. Photo: Lynn deLearie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598226692611-92I5TRMTXQPR26RRNFVN/3948044989_2a7e8af408_o.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 3: Expanding Circles of Theological Knowledge Production</image:title>
      <image:caption>Confluence Freedom Quilt, 2009. Community quilt envisioned by art teachers from three Confluence Academy campuses, in collaboration with artist Edna Patterson-Petty and Grace Hill Settlement House in E. St. Louis, IL. Students designed quilt squares that represent their own ideas of Freedom. Photo: Lynn deLearie</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/try-jesus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1596741908384-77YP8JZAHZ5C28W8OBO4/religion-faith-shepherd-sch%25C3%25A4fer.jpg</image:loc>
      <image:title>content - Try Jesus</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/present-but-unseen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597516037580-NPB94ABE65KK4PPIN3BB/Juan+Francisco+Manzano-1840+Translation-Frontispiece.jpg</image:loc>
      <image:title>content - Present but Unseen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587416212000-T30953YRPTE0BL9E9DD0/Official-Book-Cover-Dr.-Matthew-Pettway.jpg</image:loc>
      <image:title>content - Present but Unseen</image:title>
      <image:caption>Cuban Literature in the Age of Black Insurrection by Matthew Pettway (University Press of Mississippi, 2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594820454098-K39O3577SS6MPIXF97MP/cuba-religion-toy-figurine-action-figure-1593101-pxhere.com%2B%25281%2529.jpg</image:loc>
      <image:title>content - Present but Unseen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597528589990-7QBC6Y8O5ANI4P2UMKNK/John%2BAndrew%2BJackson-Ecape%2Bon%2BHorseback%2Bfrom%2Bthe%2BEvils%2Bof%2BSlavery.jpg</image:loc>
      <image:title>content - Present but Unseen</image:title>
      <image:caption>Book cover image of The Experience of a Slave in South Carolina by John Andrew Jackson (London: Passmore &amp; Alabaster, 1862) depicts Jackson escaping the horrors of slavery on horseback—as Juan Francisco Manzano had in Cuba. Source: Documenting the American South</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/spirit-of-the-crossroads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597558819577-5FG9GZ6EXXLKFBPL5777/nypl.digitalcollections.5e66b3e8-b502-d471-e040-e00a180654d7.001.w.jpg</image:loc>
      <image:title>content - Spirit of the Crossroads</image:title>
      <image:caption>Ruins of Ingenio El Molino [Los Molinos], Matanzas, Cuba, 2014. In his autobiography, 19th-century poet Juan Francisco Manzano describes this sugar plantation as the site of his greatest suffering. Photo: Claudia Regina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/hermeneutica-elefantina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1596827482998-VTVTEXA9VWUA6Q0WU86A/1_q7QKl_Kq6u5hGEZo7XBgUQ.jpeg</image:loc>
      <image:title>content - Hermenéutica elefantina</image:title>
      <image:caption>Illustration for the "Blind men and an elephant" parable from World Stories for Children by Sophie Woods (Ainsworth &amp; Co., 1916)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1596826877457-UHT3J2JJ2QC0SEWHCG62/Blind_monks_examining_an_elephant.jpg</image:loc>
      <image:title>content - Hermenéutica elefantina</image:title>
      <image:caption>The ukiyo-e print "Blind monks examining an elephant" (1888) by Hanabusa Itchō illustrates the Buddhist parable in which each man reaches a different conclusion based on which part of the elephant he has examined. Source: Library of Congress Prints and Photographs Division</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/greek-for-spanish-speakers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-10</lastmod>
    <image:image>
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      <image:title>content - Greek for Spanish Speakers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-bio-logical-order-of-human-dignity-in-brazil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595467562807-FPE9GEJR4J5FCKC17A9N/escadaria-selaron.jpg</image:loc>
      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Escadaria Selarón mosaic in Rio de Janeiro, created 1990–2013 by Chilean-born artist Jorge Selarón as his "tribute to the Brazilian people".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595481972883-EAPKYLXFGIV81BQ5053P/fernnado+gill.jpg</image:loc>
      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>A Black Jesus displayed by the Mangueira Samba Community during the Carnaval of 2020. Photo: Viviane Medina / Riotur</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595455089882-UAAUVNWL9ZCGELS27OAM/brazil-flag-modular-design.png</image:loc>
      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Appendix 2, Brazilian Federal Law 8.421</image:caption>
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      <image:title>content - The Bio-logical Order of Human Dignity in Brazil - ORDER</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595481657814-5RSPGHONN1ASB3B6EQ92/49892255751_7a00b4a13f_o.jpg</image:loc>
      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Mass in the sanctuary of Christ the Redeemer in honor of the 211 years of the Military Police, 13 May 2020. Photo: Charlemagne</image:caption>
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      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
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      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>View of Cristo Redentor from Santa Marta Favela, Rio de Janeiro, Brazil, 2015. Photo: Julyane Galvão</image:caption>
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      <image:title>content - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>"Afetocolagem: Desconstrução de Visualidades Negativas em Corpos Negros [Deconstruction of Negative Visualities in Black Bodies] (2019)," digital collage by Silvana Mendes</image:caption>
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      <image:title>content - The Bio-logical Order of Human Dignity in Brazil - Tenacity: “Brazil can’t stop;” “Some will die. I’m sorry, but this is life. You can’t stop an automobile factory because people die on the road.” Courage: “Don’t be a coward;” “The virus is real, but we must fight it as a man, not as a kid.” Selflessness: “A nation like Brazil will be free only when a certain number of people become infected.” Faith: “Brazilians must be studied. They don’t get sick;” “So what? I am the Messias [Bolsonaro’s middle name], but can’t do miracles.”</image:title>
      <image:caption>Motorcade in protest against the social-distancing policies of state governments in Brazil, 2020. Photo: RodrikMartins</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/dios-mio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Dios mío</image:title>
      <image:caption>Devonne Mayweather leads a Sunday-morning prayer at the George Floyd Memorial in Minneapolis, MN, 31 May 2020. Photo: Lorie Shaull</image:caption>
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      <image:title>content - Dios mío</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/toward-a-critical-theological-imagination-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592470384266-6Y1H66LXZ6YWN2CDITCH/Klah_rug.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 2: Collective and Individual Meaning Making</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1593163567903-NYADOOJ9YMN4AT7TKNMI/Ye%27ii_tapestry%2C_Navajo%2C_c._1920-1930%2C_McNay_Art_Museum.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 2: Collective and Individual Meaning Making</image:title>
      <image:caption>Ye'ii tapestry, ca. 1920-1930. The Ye'ii (Holy People) figures shown are supernatural beings closely connected spiritually to the Diné people and their natural environment, and help maintain all aspects of Navajo daily life. Bequest of Marion Koogler McNay, McNay Art Museum</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1593089507526-6DOX1LJGYCXVJXJVHKXT/Chief%2527s_blanket.jpg</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 2: Collective and Individual Meaning Making</image:title>
      <image:caption>Navajo “chief’s-style” blanket, c. 1870-80. Navajo weavers recycled and rewove the red yarn from red cloth given to them by the U.S. government while the Navajo people were living in forced military camps. Gift of Col. F. M. Johnson, Jr., The Textile Museum at George Washington University</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/transoccidentalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-08</lastmod>
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      <image:title>content - Transoccidentalism</image:title>
      <image:caption>The Hieroglyphic Stairway of Copán, Honduras. Carved with over 2200 hieroglyphs that relate the history of Copán’s 12 rulers, the temple staircase is considered the longest Mayan text ever found. Photo: José Porras</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-vote</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594015287058-LO2DZVOVA8D5CBQTU9Q1/Dreaming+of+Other+Worlds.jpg</image:loc>
      <image:title>content - The Vote</image:title>
      <image:caption>“Dreaming of Other Worlds,” collage by Annecy Báez, 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594015484907-WQSD185EPZJASLVQFHID/Dreams+of+Parallel+Worlds.jpg</image:loc>
      <image:title>content - The Vote</image:title>
      <image:caption>“Dream of Parallel Worlds” by Annecy Báez, February 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594016323987-USHHV1B0NLLQ258B6J7L/Dreaming+Eye.jpg</image:loc>
      <image:title>content - The Vote</image:title>
      <image:caption>“Dream of Eye” by Annecy Báez, February 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594015808586-BXXFOH0MU6A8H3JSE606/Confusion.jpg</image:loc>
      <image:title>content - The Vote</image:title>
      <image:caption>“Confusion” by Annecy Báez, January 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594013640486-X3D7YE4EJ6461QBM206H/the+Vote+Collage.png</image:loc>
      <image:title>content - The Vote</image:title>
      <image:caption>“The Vote” by Annecy Báez, 4 July 2020</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/content/choosing-the-jesus-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:title>content - Choosing the Jesus Way</image:title>
      <image:caption>Uplifting Jesus in front of dorms at the American Indian Bible College, Phoenix, AZ, 1982. Source: Flower Pentecostal Heritage Center</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-sin-of-racism-in-america-is-not-unbelievable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592808085141-2IAJR232VG4XGUKM5FMC/PopeFrancisPhoto14Sep22.jpeg</image:loc>
      <image:title>content - The Sin of Racism in America is not “Unbelievable”</image:title>
      <image:caption>Official White House Photo by Lawrence Jackson</image:caption>
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      <image:title>content - The Sin of Racism in America is not “Unbelievable”</image:title>
      <image:caption>Official White House Photo by Pete Souza</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/toward-a-critical-theological-imagination-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
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      <image:title>content - Toward a Critical Theological Imagination, Part 1: Narrative Logic and Meaning Making</image:title>
      <image:caption>Bible Quilt (1898) by Harriet Powers, who was born into slavery in Georgia. Source: Bequest of Maxim Karolik, Museum of Fine Arts, Boston</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592619648750-Z2JIYTKDKNZQYV21YDYB/Panel-8_Bible-Quilt.png</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 1: Narrative Logic and Meaning Making</image:title>
      <image:caption>Panel 8: “The falling of the stars on Nov. 13, 1833,” when people thought the end had come—detail from Bible Quilt (1898) by H. Powers, MFA, Boston</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592618698290-DRQG5LN1ATBG87RC8TEX/Panel-13_Bible-Quilt.png</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 1: Narrative Logic and Meaning Making</image:title>
      <image:caption>Panel 13: “Rich people who were taught nothing of God”—detail from Bible Quilt (1898) by H. Powers, MFA, Boston</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1592595071231-IR4EXCZSKFMB57VEMEUK/Screen+Shot+2020-06-19+at+3.30.44+PM.png</image:loc>
      <image:title>content - Toward a Critical Theological Imagination, Part 1: Narrative Logic and Meaning Making</image:title>
      <image:caption>Panel 1: “Job praying for his enemies. Job crosses. Job's coffin.”—detail from Bible Quilt (1898) by H. Powers, MFA, Boston</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/finding-your-way-to-a-phd-in-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-05</lastmod>
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      <image:title>content - Finding Your Way to a PhD in Theology</image:title>
      <image:caption>Photo: Michael Kooiman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/race-and-ethnicity-in-the-new-testament</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-10</lastmod>
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      <image:title>content - Race and Ethnicity in the New Testament</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/the-bible-as-a-text-of-migration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-10</lastmod>
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      <image:title>content - The Bible as a Text of Migration</image:title>
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      <image:title>content - The Bible as a Text of Migration</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/abuelitas-the-oikos-and-the-church</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1588953514767-SK3V8KL6MN4MF3MVIN4R/Mama.jpeg</image:loc>
      <image:title>content - Abuelitas, the Oikos, and the Church</image:title>
      <image:caption>Mamá, courtesy of Eli Valentín</image:caption>
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      <image:title>content - Abuelitas, the Oikos, and the Church</image:title>
      <image:caption>Ceramic seal for ritual bread with an inscription "Daniil – a prophet of Christ", 6 c. Source: Historical Museum, Dupnitsa</image:caption>
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      <image:title>content - Abuelitas, the Oikos, and the Church</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1588943930196-WRNZKTRES3DOBSY9BG7G/Cristo_en_casa_de_Marta_y_Mari%CC%81a%2C_by_Diego_Vela%CC%81zquez.jpg</image:loc>
      <image:title>content - Abuelitas, the Oikos, and the Church</image:title>
      <image:caption>“Cristo en casa de Marta y María [Christ in the house of Martha and Mary]” by Diego Velázquez, c. 1618. Source: National Gallery, London</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/embracing-hopelessness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1589474856391-XGS1IXHQAPQQDCO8MF5P/Mapping-Resistance-TB-truck_NRosario.jpeg</image:loc>
      <image:title>content - Embracing Hopelessness</image:title>
      <image:caption>"Take-over of the TB-testing truck- 1970," original photography by Hiram Maristany featured in Mapping Resistance: The Young Lords in El Barrio, a public-art project organized by artist Miguel Luciano, New York City, 2019. Photo: N. Rosario</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/el-grito-del-silencio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1589258380382-0B40KKDX48K4PE6OE3S9/DSC_3389.jpg</image:loc>
      <image:title>content - El grito del silencio</image:title>
      <image:caption>Cueva Ventana, Arecibo, Puerto Rico, 2017. Photo: Loida I. Martell</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1589328379591-2AUFTAGMF351IZ5KCRUK/DSC_5528.jpg</image:loc>
      <image:title>content - El grito del silencio</image:title>
      <image:caption>Photo: Loida I. Martell</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/a-saint-for-the-pandemic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1588745732907-PA3RNG4XFBO5YDGAZ5LX/My+San+Lazaro+altar.jpg</image:loc>
      <image:title>content - A Saint for the Pandemic</image:title>
      <image:caption>Altar to San Lázaro and Babalú Ayé, courtesy Elaine Penagos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1588817340445-LUICQ5HSQF9NRGHZ722G/IMG_8429.JPG</image:loc>
      <image:title>content - A Saint for the Pandemic</image:title>
      <image:caption>Omolu wood sculpture by Héctor Julio Páride Bernabó (Carybé), Museu Afro Brazil, Salvador, Bahia, Brasil. Photo: Elaine Penagos</image:caption>
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      <image:title>content - A Saint for the Pandemic</image:title>
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      <image:title>content - A Saint for the Pandemic</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/rejecting-the-christian-legacy-of-intolerance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587607005356-ASKUCFEXD8ZIQRE0FS3H/Glass-House-Lake-Nona-Facebook-1000.jpg</image:loc>
      <image:title>content - Rejecting the Christian Legacy of Intolerance</image:title>
      <image:caption>Glass House by Tom Fruin. Source: LakeNona</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587613058166-BI2K3L8NC6ZSEH1VGHG9/1_VxCsqAqpdib1_L5PuSIeKg.jpeg</image:loc>
      <image:title>content - Rejecting the Christian Legacy of Intolerance</image:title>
      <image:caption>Image: “San Bernabé o San Mateo” by Juan Martín Cabezalero, ca. 1640, Real Academia de Bellas Artes de San Fernando, Madrid, Spain</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/content/coronavirus-and-the-future-of-ethical-imagination</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587876032861-ZZQRAKAOXCR5H5JNZ4QF/luke-michael-DUV8TJtD2QY-unsplash.jpg</image:loc>
      <image:title>content - Coronavirus and the Future of Ethical Imagination</image:title>
      <image:caption>Photo: Luke Michael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587876733825-CBFACG9389CI5VJ97S2H/mindaugas-petrutis-VSUukPpHkvU-unsplash.jpg</image:loc>
      <image:title>content - Coronavirus and the Future of Ethical Imagination</image:title>
      <image:caption>Photo: Mindaugas Petrutis</image:caption>
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      <image:caption>“Ruth in Boaz's Field” by Julius Schnorr von Carolsfeld, 1828. Source: The National Gallery, London</image:caption>
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    <lastmod>2023-10-08</lastmod>
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      <image:title>content - Central Americans in Diaspora: Identity, Education, and Visibility</image:title>
      <image:caption>Scene from Greg Nava’s El Norte. Photo: Greg Nava © 1983</image:caption>
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    <lastmod>2021-10-26</lastmod>
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      <image:caption>The Paso del Norte International Bridge; El Paso, Texas, US/Ciudad Juárez, Chihuahua, MX</image:caption>
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    <lastmod>2020-10-04</lastmod>
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      <image:title>content - Centering Ritual: Gratitude - WEEK 3</image:title>
      <image:caption>GRATITUDE “New rituals and ceremonies are needed to make sacred space wherever we are.” —E. Ortega, Facebook, 6 April 2020</image:caption>
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      <image:caption>Image: Chumphon Whangchom</image:caption>
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      <image:title>content - Centering Ritual: Gratitude - WEEK 1</image:title>
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      <image:title>content - Centering Ritual: Gratitude - WEEK 2</image:title>
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      <image:title>content - Centering Ritual: Gratitude</image:title>
      <image:caption>Illustration: Ellis Rosen/Paris Review</image:caption>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Believe, Repeat, and Act</image:title>
      <image:caption>A National Guard officer and a pedestrian pass the smashed window of a black-owned flower shop in riot-torn Newark, NJ, 15 July 1967. Source: AP</image:caption>
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      <image:title>content - Believe, Repeat, and Act - “best thing to do when I don’t know is to rehearse what I do know”</image:title>
      <image:caption>Photo: Berlian Khatulistiwa</image:caption>
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  <url>
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    <lastmod>2025-10-31</lastmod>
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      <image:title>content - Centering Rituals (Weeks 1-3)</image:title>
      <image:caption>Photo: Ashley Batz</image:caption>
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    <loc>https://www.htiopenplaza.org/content/centering-ritual-week2-wandering</loc>
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    <lastmod>2020-10-04</lastmod>
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      <image:title>content - Centering Ritual: Wandering</image:title>
      <image:caption>Source: Milwaukee Independent</image:caption>
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      <image:title>content - Centering Ritual: Wandering - WEEK 2</image:title>
      <image:caption>WANDERING</image:caption>
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      <image:title>content - Centering Ritual: Wandering - WEEK 1</image:title>
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      <image:title>content - Centering Ritual: Wandering - WEEK 3</image:title>
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      <image:title>content - Fish Out of Water</image:title>
      <image:caption>The Indian Revival Center (now Indian Revival Church), once the largest Native American church in Los Angeles, ca. 1962. Source: Assemblies of God</image:caption>
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    <image:image>
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      <image:caption>Choosing the Jesus Way: American Indian Pentecostals and the Fight for the Indigenous Principle (University of North Carolina Press, 2014) by Angela Tarango</image:caption>
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    <image:image>
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      <image:title>content - Fish Out of Water</image:title>
      <image:caption>From Universal Traveller or a Compleat Description of the Several Nations of the World (1745-46) by Thomas Salmon. Source: New York Public Library</image:caption>
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    <lastmod>2021-06-20</lastmod>
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      <image:title>content - Where Two or Three (can no longer) Gather...</image:title>
      <image:caption>“Two or Three Gathered in my Name [Deux ou trois personnes assemblées en mon nom]” (1886-1894) by James Tissot. Source: Open Collection of Brooklyn Museum</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2020-10-12</lastmod>
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      <image:title>content - Rx: Relief and Remedies</image:title>
      <image:caption>Inaugural faculty, University of Puerto Rico School of Medicine, 1950. Source: Universidad de Puerto Rico</image:caption>
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      <image:caption>Photo: Angelo Rosa</image:caption>
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    <lastmod>2020-10-04</lastmod>
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      <image:title>content - Centering Ritual: Presence - WEEK 2</image:title>
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      <image:title>content - Centering Ritual: Presence - WEEK 1</image:title>
      <image:caption>PRESENCE</image:caption>
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      <image:title>content - Centering Ritual: Presence - WEEK 3</image:title>
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      <image:caption>“Presence” by Elizabeth Curry, 2001, Poetry Magazine</image:caption>
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      <image:caption>Angie Rosa se para frente a la ventana de su apartamento de tres habitaciones en Chicago; no sabe cuándo o si su familia puede regresar a Puerto Rico, 2018. Foto: Sofi LaLonde / MEDILL</image:caption>
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      <image:caption>Photo: mkhmarketing</image:caption>
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    <lastmod>2022-08-10</lastmod>
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      <image:caption>Photo: Charles Rondeau</image:caption>
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      <image:caption>Image: Chris Lawton</image:caption>
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      <image:caption>Photo: Karim Manjra</image:caption>
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    <lastmod>2025-10-31</lastmod>
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      <image:caption>Photo: Designed by topntp26</image:caption>
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      <image:caption>Photo: Pijarn Jangsawang</image:caption>
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      <image:caption>Courtesy of Jorge Juan Rodríguez V</image:caption>
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      <image:caption>Black Panther Free Breakfast for Children Program, St. Augustine’s Episcopal Church, 1969. Source: University of California, Santa Cruz</image:caption>
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      <image:caption>Photo: Alexander Mueller</image:caption>
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      <image:caption>Illustration: Emily Lin</image:caption>
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    <lastmod>2020-03-16</lastmod>
    <image:image>
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      <image:title>content - Latinidad and Leadership</image:title>
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      <image:caption>“But how can my leadership be of maximum impact without my Latinidad?”</image:caption>
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    <lastmod>2025-10-30</lastmod>
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      <image:title>content - Chisme and its Cultural Importance</image:title>
      <image:caption>Image: “Powered by Chisme” coffee mug by Tony Avina on Etsy</image:caption>
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    <lastmod>2020-03-16</lastmod>
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      <image:title>content - Migrants: A Blessing to be Claimed</image:title>
      <image:caption>Pastor and professor Carmelo Santos (far left) testifying before the U.S. Senate Democratic Policy and Communications Committee on the effects of the Trump administration’s family separation policy on the U.S.-Mexican border, 27 June 2018. Source: Living Lutheran, a magazine of the Evangelical Lutheran Church in America (ELCA)</image:caption>
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      <image:title>content - Migrants: A Blessing to be Claimed</image:title>
      <image:caption>Photo: Hudson Hintze on Unsplash</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2021-02-05</lastmod>
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      <image:caption>Photo: Stephanie Ellice</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2025-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1571771702823-8HPRJXBWNI4LXCNCPZJ4/god-is-woman.jpeg</image:loc>
      <image:title>content - Ella, mi Sagrada Madre</image:title>
      <image:caption>Image from Ariana Grande’s “God is a Woman” music video. Source: Republic Records, 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1578194297951-9SE9JD9M6E8VF4W4C52Z/The-Journey-Is-Home.jpg</image:loc>
      <image:title>content - Ella, mi Sagrada Madre</image:title>
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      <image:title>content - Ella, mi Sagrada Madre</image:title>
      <image:caption>Image: Public domain</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2020-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1573244952246-WGOKW9HITYHGZ0OZMWFN/Orquesta-Sinfonica-Nacional-de-Panama.jpeg</image:loc>
      <image:title>content - "A Latino Classical Musician?"</image:title>
      <image:caption>Source: Orquesta Sinfónica Nacional de Panamá</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1577708816077-LDY3KHM4TLX1CRAHCNKU/St.+Louis+Civic+Orchestra-L.Sa%CC%81nchez.jpg</image:loc>
      <image:title>content - "A Latino Classical Musician?"</image:title>
      <image:caption>Dr. Leopoldo A. Sánchez M. (center right) with fellow members of the St. Louis Civic Orchestra at a concert that featured Tchaikovsky No. 5, Logan University, 17 February 2018. Source: Chesterfield Lifestyle Magazine</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1576568741663-ADB9VXJZR9KEBYHPEQV7/Fiesta_popular_en_el_Hatillo_-_Panama%CC%81.jpg</image:loc>
      <image:title>content - "A Latino Classical Musician?"</image:title>
      <image:caption>Fiesta Popular in Panama City, 1890. Source: Casa Museo Endara (public domain)</image:caption>
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    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1576555965349-K9Z5T0IKCLQXO0OA9WOZ/daughters+of+jethro.png</image:loc>
      <image:title>content - Encounter with Daughters of Zelophehad</image:title>
      <image:caption>Five of the seven daughters of Jethro reunited, as depicted in a scene from the popular 2015 Brazilian telenovela Os Dez Mandamientos [Moses and the Ten Commandments]. Image: RecordTV</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1576637522956-OOT7EDN8TZW2UM70ZVZM/IMG_9080.jpg</image:loc>
      <image:title>content - Encounter with Daughters of Zelophehad</image:title>
      <image:caption>Podcast recording session during HTI Open Plaza Writers Week, Princeton Theological Seminary, July 2019. Photo: Macarena Hernández</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1571752495194-BCZXJF0LYABSI2ZGMK6Q/daughters+of+zelophehad.jpeg</image:loc>
      <image:title>content - Encounter with Daughters of Zelophehad</image:title>
      <image:caption>The Daughters of Zelophehad before Moses. From The Bible and Its Story Taught by One Thousand Picture Lessons, eds. CF Horne and JA Bewer, 1908.</image:caption>
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    <lastmod>2020-12-07</lastmod>
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      <image:title>content - Hermeneutics in the Latinx Context- Episode 3</image:title>
      <image:caption>Image: Public domain</image:caption>
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    <lastmod>2020-12-07</lastmod>
    <image:image>
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      <image:title>content - Hermeneutics in the Latinx Context- Episode 2</image:title>
      <image:caption>Image: Public domain</image:caption>
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    <lastmod>2020-12-07</lastmod>
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      <image:title>content - Hermeneutics in the Latinx Context- Episode 1</image:title>
      <image:caption>Image: Public domain</image:caption>
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      <image:title>content - Hermeneutics in the Latinx Context, Episodes 1-3</image:title>
      <image:caption>Image: Public domain</image:caption>
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    <lastmod>2025-10-30</lastmod>
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      <image:caption>Photo: Ian Schneider</image:caption>
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      <image:caption>Photo: Luz Mendoza</image:caption>
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      <image:caption>MEChA meeting circa 1971. Source: Rodolfo F. Acuña, Somos en escrito, courtesy of Jose Reyes García</image:caption>
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    <image:image>
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      <image:caption>Cover image of El Plan de Santa Bárbara, the document that catalyzed the establishment of Chicano Studies departments across the United States half a century ago. Source: UC Santa Barbara</image:caption>
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      <image:caption>Gumercindo Palacios Lágrimas de Thelma Los Guaraguao Tío Juan Casa de Cartón Agustín Lara Oración Caribe Mercédez Soza &amp; León Gieco Sólo le pido a Dios Corito En Egipto esclavo fui Los Tigres Del Norte Tres veces mojado Los mojados La jaula de oro Bad Bunny Estamos bien Violeta Parra Gracias a la vida</image:caption>
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      <image:caption>Photo: Guneet Narula</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Federico Carrasquilla</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6f5a7d58-8cf2-4fec-b8d5-38855b69dcbf/Hernan+Ramirez.jpeg</image:loc>
      <image:title>Contributors - Hernán Ramírez</image:title>
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    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/db078232-47b6-4a8f-af39-e91d03b6c8d6/Cesar+L.+de+Leon.jpg</image:loc>
      <image:title>Contributors - César L. de León</image:title>
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    <lastmod>2024-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0794c515-8951-4d50-bc2e-41db045f9a22/P.+Jeremias+y+Alejandro.jpg</image:loc>
      <image:title>Contributors - Alejandro Enríquez</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/db68e904-f887-4fd9-985e-a2505dbbc03e/Daniel+Garci%CC%81a+Ordaz.jpeg</image:loc>
      <image:title>Contributors - Daniel García Ordaz</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/paolo-piscitelli</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/06b96803-3348-4a69-bb4d-24b21ebaa7d5/Paolo+Piscitelli+2023.jpg</image:loc>
      <image:title>Contributors - Paolo Piscitelli</image:title>
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    <changefreq>monthly</changefreq>
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    <lastmod>2023-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a5241284-98c6-4f22-9bb8-afc284ce93ad/JEB+P10+HTI.jpeg</image:loc>
      <image:title>Contributors - José Balcells</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/sudabee-lotfian-mena</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e2f9565-0fbc-4e6d-a883-0716238b02f0/Susie+Lotfian.jpg</image:loc>
      <image:title>Contributors - Sudabée Lotfian-Mena</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/edward-vidaurre</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9fe89c2-ad85-439a-979c-992a466c6556/Edward-Viduarre.jpeg</image:loc>
      <image:title>Contributors - Edward Vidaurre</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/charles-alcorn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/91036418-89f3-45b3-8345-239ecc7e2b59/Charles+Alcorn+2.jpeg</image:loc>
      <image:title>Contributors - Charles Alcorn</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/ahida-calderon-pilarski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ac842a2-6256-46fc-b3d9-593a8dde90ed/calderon_pilarski_ahida_preferred_headshot_2022-scaled.jpeg</image:loc>
      <image:title>Contributors - Ahida (Calderón) Pilarski</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/nely-galan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/41083a60-2326-405a-b9f0-1c263104f1cc/20151023_NelyGalan_Nikon_CO9149.jpg</image:loc>
      <image:title>Contributors - Nely Galán</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/dlia-mcdonald-woolery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fedfd8bb-c1c5-4216-b00e-c4c0cc9e6043/Dlia+McDonald+Woolery.jpeg</image:loc>
      <image:title>Contributors - Dlia McDonald Woolery</image:title>
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    <loc>https://www.htiopenplaza.org/contributors/isabel-gonzalez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/51377539-8202-4345-83f1-a7bc7ed4b96d/Isabel+Gonzalez.jpeg</image:loc>
      <image:title>Contributors - Isabel Gonzalez</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/vincent-wimbush</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/69f28926-4876-4549-a47d-fffa8d5f29a0/vincent-wimbush.jpeg</image:loc>
      <image:title>Contributors - Vincent Wimbush</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/natasha-gordon-chipembere</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17f3f317-402c-4f9d-97c3-8348450484eb/Natasha+Gordon-Chipembere.jpg</image:loc>
      <image:title>Contributors - Natasha Gordon-Chipembere - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/jonathan-hamilton-diabo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fd3aa8b0-70ee-4294-b0e3-f8ffb7cc8b4e/Jonathan+Hamilton-Diabo.jpeg</image:loc>
      <image:title>Contributors - Jonathan Hamilton-Diabo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/christian-silva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b9dee5de-c9cd-42aa-8b92-be2f0943fa9a/ChristianSilvaGrad-BiancaVisual-52.jpg</image:loc>
      <image:title>Contributors - Christian Silva - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/alma-cardenas-rodriguez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a26cfffb-10e0-4830-9b37-4ab655576514/Alma+Cardenas-Rodriguez.jpeg</image:loc>
      <image:title>Contributors - Alma Cárdenas-Rodríguez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/erasmo-guerra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e32abab8-c687-4653-bc8c-6fd7efb52b41/Guerra%2C+Erasmo+075.jpg</image:loc>
      <image:title>Contributors - Erasmo Guerra - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/reyna-grande</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba0fbe23-00f2-42f2-b26b-50f33e92e70d/Reyna+Grande.jpeg</image:loc>
      <image:title>Contributors - Reyna Grande - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/alex-evangelista</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/80410e71-60d6-417a-9680-ca693722dd8b/alex-evangelista.jpeg</image:loc>
      <image:title>Contributors - Alex Evangelista - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/norma-mccormick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aca3c176-816a-488b-b8da-7925c7ca3b2a/Norma+McCormick.png</image:loc>
      <image:title>Contributors - Norma McCormick - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/rita-cedillo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2d789043-3270-45a3-8b9b-e08777e286aa/Rita+Cedillo.JPG</image:loc>
      <image:title>Contributors - Rita Cedillo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/liz-gonzalez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dcf0058d-510e-4920-ac7f-e3b9170c7196/liz+gonzalez+headshot.jpg</image:loc>
      <image:title>Contributors - liz gonzález - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/edgar-sandoval</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00315ee6-0f0a-418f-a5c7-9aacf6d0a8d5/edgar-sandoval.jpeg</image:loc>
      <image:title>Contributors - Edgar Sandoval - Make it stand out</image:title>
      <image:caption>Source: pbs.twimg.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/ti-frazier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0981dbe4-0306-40f9-b7c1-7baa0e070502/ti-frazier-profile-pic.jpg</image:loc>
      <image:title>Contributors - T.I. Frazier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/sandra-cisneros</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f26a8e73-1db6-4da6-812d-08e2c2e3b33d/sandra-cisneros.png</image:loc>
      <image:title>Contributors - Sandra Cisneros - Make it stand out</image:title>
      <image:caption>Photo: © Keith Dannemiller</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/richard-vargas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4e034a2-ef06-4762-8613-a96bdbc52c83/IMG_8562.jpg</image:loc>
      <image:title>Contributors - Richard Vargas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/ray-santiesteban</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9be7b47f-3a7b-437d-ba62-0af594354c7c/Ray+Santisteban.jpeg</image:loc>
      <image:title>Contributors - Ray Santiesteban - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/amanda-calderon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8b2f402a-5e24-4110-a421-d6e52928342a/Amanda+Calderon.jpg</image:loc>
      <image:title>Contributors - Amanda Calderón - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/emanuel-padilla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7ebfdbee-de2b-49c7-a1f7-bd57b7bae37c/Emanuel-Padilla.jpg</image:loc>
      <image:title>Contributors - Emanuel Padilla - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/eve-fairbanks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8b664b0c-9e41-4d33-b76a-fa996e098df8/Eve-Fairbanks-headshot-003-Julie-Napear-Photography.jpg</image:loc>
      <image:title>Contributors - Eve Fairbanks - Make it stand out</image:title>
      <image:caption>Photo: Julie Napear</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/noemi-cordova</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cd6839a6-4a0e-474d-9d71-5aef6f879176/Noemi+Cordova.jpeg</image:loc>
      <image:title>Contributors - Noemi Córdova - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/wanderley-pereira-da-rosa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f9b199e-b07d-4640-b67c-54815faa798e/Wanderley+Pereira+da+Rosa.jpeg</image:loc>
      <image:title>Contributors - Wanderley Pereira da Rosa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/jose-perez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ed3d32e6-0981-4595-8b7c-6da20a9e5753/Jose+A.+Perez.jpeg</image:loc>
      <image:title>Contributors - José Pérez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/jennifer-baez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/15bcfd55-247f-4f5f-9902-35996a394bae/jennifer-baez-1024px.jpeg</image:loc>
      <image:title>Contributors - Jennifer Baez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/lis-valle-ruiz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2b0e4716-6fb9-4830-837c-5cee685eae5b/Lis+Valle-Ruiz+2.jpeg</image:loc>
      <image:title>Contributors - Lis Valle-Ruiz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/jung-mo-sung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4afd48bc-3dda-47af-b38a-908655460da0/Jung+Mo+Sung.jpeg</image:loc>
      <image:title>Contributors - Jung Mo Sung - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/filipe-maia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/897888d8-9d16-4833-96ae-eacd650b5236/Filipe-Maia.jpeg</image:loc>
      <image:title>Contributors - Filipe Maia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/joanne-rodriguez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1571621391264-DRVCPSRT2UUXI53CLSBI/joanne-rodriguez.jpeg</image:loc>
      <image:title>Contributors - Joanne Rodríguez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/kristina-lizardy-hajbi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c1ba5dfd-6b65-4263-b558-e2c31b547291/Kristina-Lizardy-Hajbi.jpeg</image:loc>
      <image:title>Contributors - Kristina Lizardy-Hajbi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/adriana-nieto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e7bec040-6662-4bb2-8a07-9f8a0f4707e0/Adriana+Nieto.jpeg</image:loc>
      <image:title>Contributors - Adriana Nieto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/valentina-napolitano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b891b416-f4f9-456d-ad08-787995d45f4a/Valentina+Napolitano.jpeg</image:loc>
      <image:title>Contributors - Valentina Napolitano - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/kristin-norget</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b0b31b4-93fe-46a3-9f34-30f7d172624b/kristin_norget+CROP.jpeg</image:loc>
      <image:title>Contributors - Kristin Norget - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/mickey-correa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/704d2fc2-5ab8-497d-af5d-261d931232b9/correa-mickey.jpeg</image:loc>
      <image:title>Contributors - Mickey Correa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/angela-valenzuela</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bce4d8e7-069c-4a36-a2ab-6d04bbba9330/Angela+Valenzuela.jpg</image:loc>
      <image:title>Contributors - Angela Valenzuela - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/tony-diaz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5c4b43d2-218a-445a-ba80-5160267cb318/tony-diaz.jpeg</image:loc>
      <image:title>Contributors - Tony Diaz - Make it stand out</image:title>
      <image:caption>Photo: Pablo Rocha, courtesy of Tony Diaz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/patricia-nunez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/49152457-16ac-4923-b1cc-07a091feb42a/Patricia+Nunez.jpeg</image:loc>
      <image:title>Contributors - Patricia Núñez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/mark-s-young</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7bd97a31-6cf3-419c-8597-6ad6a20e561c/mark_young.jpeg</image:loc>
      <image:title>Contributors - Mark S. Young - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/vincent-lloyd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1671739076818-JN64ZDD8HJHUB79SS1MJ/Vincent-Lloyd_2.jpeg</image:loc>
      <image:title>Contributors - Vincent Lloyd - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/matthew-vega</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3cf10fba-c821-41af-9810-d1084dc3b7ec/Matthew+Vega.jpeg</image:loc>
      <image:title>Contributors - Matthew Vega - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/philip-jenkins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7907133a-ec4c-4637-808a-49c379f8b8b5/Philip+Jenkins.jpeg</image:loc>
      <image:title>Contributors - Philip Jenkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/joel-perez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/53a1d407-ea9c-4cd0-92eb-fe0d44884731/joel-perez.jpeg</image:loc>
      <image:title>Contributors - Joel Pérez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/peter-rios</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dd51b836-f886-429b-8113-9866641615d1/Peter+Rios.jpg</image:loc>
      <image:title>Contributors - Peter Rios - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/sergio-gonzalez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e0585541-33cc-4b68-aa9d-6f0e0ee6ba64/Sergio_Gonzalez.UWComms.jpg</image:loc>
      <image:title>Contributors - Sergio González - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/rafael-vizcaino</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/130c4e8f-7a39-42c6-b1de-c00346bf851f/Rafael-Vizacino_2.png</image:loc>
      <image:title>Contributors - Rafael Vizcaíno - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/maggie-elmore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/14953c0e-2515-46ab-8411-e7da96703287/Maggie+Elmore.jpeg</image:loc>
      <image:title>Contributors - Maggie Elmore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/gus-clemens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ee96aa0c-e65a-4fc5-b437-3e272d6ecef4/Gus+Clemens.png</image:loc>
      <image:title>Contributors - Gus Clemens - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/victor-mancilla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a52969cf-a7f1-498f-9626-2c265e68587e/victor-mancilla.png</image:loc>
      <image:title>Contributors - Victor Mancilla - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/elyssa-salinas-lazarski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0318909c-15df-41d7-a258-3722e7d920f8/Elyssa+Salinas-Lazarski.jpeg</image:loc>
      <image:title>Contributors - Elyssa Salinas-Lazarski - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/michael-lee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/94a02d26-0794-4479-91f5-f0f21af1027d/Michael+Lee_1.jpeg</image:loc>
      <image:title>Contributors - Michael Lee - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/angel-garcia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/234fb46b-53f1-4142-b7cc-6d8d40be6ecf/Angel+Garcia.jpg</image:loc>
      <image:title>Contributors - Angel García - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/abel-alvarado</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f39f812-90c1-477f-a191-6a0df5d7bf85/Abel-Alvarado.jpeg</image:loc>
      <image:title>Contributors - Abel Alvarado - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/sammie-seamon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/91d49bc0-8772-467f-987d-92a4cffe01e7/Sammie-Seamon.jpeg</image:loc>
      <image:title>Contributors - Sammie Seamon - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/gabriel-garcia-roman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a31558ca-a531-4bc8-96b7-4f17ab83422d/Gabriel-Garcia-Roman.jpeg</image:loc>
      <image:title>Contributors - Gabriel García Román - Make it stand out</image:title>
      <image:caption>Photo: Gabriel García Román</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/kristy-nabhan-warren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/abc466dd-b36f-4de7-9193-a67ef9cbdd31/Kristy+Nabhan-Warren.jpeg</image:loc>
      <image:title>Contributors - Kristy Nabhan-Warren - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/cleyvis-natera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2f2efaac-c253-403f-bd3d-9b8d06297a2b/Cleyvis+Natera.jpeg</image:loc>
      <image:title>Contributors - Cleyvis Natera - Make it stand out</image:title>
      <image:caption>Photo: Beowulf Sheehan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/lakisha-lockhart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/49a59de2-bc70-491c-a0f2-b2b629d9a711/Lakisha+R.+Lockhart.jpg</image:loc>
      <image:title>Contributors - Lakisha Lockhart - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/lupita-castaneda-liles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/06b127fb-c8d4-4cfa-a994-c3cba7a9d0ed/Lupita+Tonantzin+Castan%CC%83eda-Liles.jpeg</image:loc>
      <image:title>Contributors - Lupita Castañeda-Liles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/maria-del-socorro-castaneda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1c0c303b-6375-4cf4-98ee-0628e7178b24/Mari%CC%81a+Del+Socorro+Castaneda.jpeg</image:loc>
      <image:title>Contributors - María del Socorro Castañeda - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/jose-esquivel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/89fd4916-5fe9-480d-983a-445f076f8eea/Contact+Pic_Jose+Esquivel+copy.jpg</image:loc>
      <image:title>Contributors - José Esquivel - Make it stand out</image:title>
      <image:caption>Photo: Mario Esquivel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contributors/danny-peralta</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1649646950235-FC18EXK88LVZWEDBNSLC/John+Olivares+Espinoza.png</image:loc>
      <image:title>Contributors - John Olivares Espinoza - Make it stand out</image:title>
      <image:caption>Photo: Monica Espinoza</image:caption>
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    <loc>https://www.htiopenplaza.org/contributors/mark-jordan</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1b1a9b6d-e771-4c53-a5e7-fe57f6e6e12d/Mark+Jordan.jpeg</image:loc>
      <image:title>Contributors - Mark Jordan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/mayra-rivera</loc>
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    <image:image>
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      <image:title>Contributors - Mayra Rivera - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/elizabeth-conde-frazier</loc>
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    <image:image>
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      <image:title>Contributors - Elizabeth Conde-Frazier - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/mary-hess</loc>
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      <image:title>Contributors - Mary Hess - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/contributors/marjorie-agosin</loc>
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      <image:title>Contributors - Marjorie Agosín - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.htiopenplaza.org/contributors/roberto-carlos-garcia</loc>
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    <image:image>
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      <image:title>Contributors - Roberto Carlos García - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.htiopenplaza.org/contributors/reyes-ramirez</loc>
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      <image:title>Contributors - Reyes Ramírez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Justo González - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Daniel Aleshire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Miguel Escobar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Cecilia Ballí - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Efraín Agosto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Joel Andrés Ramírez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Beatriz Terrazas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Nicolás Panotto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Crystal Cheatham - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Jasmin Figueroa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Ryan Gladwin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Matt Reis - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Jim Nikas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Mark Menjivar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contributors - Daniel Montañez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contribuyentes - Stephen DiTrolio Coakley</image:title>
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      <image:title>Contribuyentes - Daniel Ramírez</image:title>
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    <lastmod>2021-10-11</lastmod>
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      <image:title>Contribuyentes - Carlos Martínez García</image:title>
      <image:caption>Foto: Kara Lofton, Eastern Mennonite University News</image:caption>
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      <image:caption>Foto: Robert Gill</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/angie-cruz-esp</loc>
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    <lastmod>2021-07-12</lastmod>
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      <image:title>Contribuyentes - Angie Cruz</image:title>
      <image:caption>Foto: Erika Morillo</image:caption>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/gilberto-cavazos-gonzalez-esp</loc>
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    <lastmod>2020-12-15</lastmod>
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      <image:title>Contribuyentes - Gilberto Cavazos-González</image:title>
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    <lastmod>2021-03-08</lastmod>
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    <loc>https://www.htiopenplaza.org/contribuyentes/francisco-de-la-rosa</loc>
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    <lastmod>2020-12-12</lastmod>
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      <image:title>Contribuyentes - Francisco de la Rosa</image:title>
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    <loc>https://www.htiopenplaza.org/contribuyentes/loida-martell-2</loc>
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    <lastmod>2020-10-08</lastmod>
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      <image:title>Contribuyentes - Loida Martell</image:title>
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    <lastmod>2020-05-02</lastmod>
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      <image:title>Contribuyentes - Margarita Benítez</image:title>
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    <loc>https://www.htiopenplaza.org/contribuyentes/doris-garcia-rivera-2</loc>
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    <lastmod>2022-12-15</lastmod>
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      <image:title>Contribuyentes - Doris García-Rivera</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/lydia-hernandez-marcial-2</loc>
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    <lastmod>2020-05-02</lastmod>
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      <image:title>Contribuyentes - Lydia Hernández-Marcial</image:title>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/category/podcast</loc>
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  <url>
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  <url>
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  <url>
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  <url>
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  <url>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/tag/Lydia+Hern%C3%A1ndez-Marcial</loc>
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  <url>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
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    <priority>0.5</priority>
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  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/tag/Neomi+De+Anda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
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    <priority>0.5</priority>
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  <url>
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  <url>
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    <priority>0.5</priority>
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  <url>
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    <priority>0.5</priority>
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  <url>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
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    <priority>0.5</priority>
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  <url>
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  <url>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/tag/Angie+Cruz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/tag/Loida+Martell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuyentes/tag/Yonar+BM</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-02-06</lastmod>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/wanderley-pereira-da-rosa-port</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f9b199e-b07d-4640-b67c-54815faa798e/Wanderley+Pereira+da+Rosa.jpeg</image:loc>
      <image:title>Contribuidores - Wanderley Pereira da Rosa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/joao-chaves-port</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/832e40e3-a4d9-4348-9023-d6f7d2666cdc/Joao_web_directory.jpeg</image:loc>
      <image:title>Contribuidores - João Chaves - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/blog-post-title-four-8sk8d</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/category/podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/tag/Wanderley+Pereira+da+Rosa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/contribuidores/tag/Jo%C3%A3o+Chaves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-31</lastmod>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/revision-de-pura-vida</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/41c6e4f1-0761-45cd-9866-d507061df275/5278143814_9eebc4d79e_k.jpg</image:loc>
      <image:title>watch - Revisión de pura vida</image:title>
      <image:caption>Desfile de Silleteros, evento central de La Feria de las Flores en el mes de agosto, que desde el 1957 ha afirmado la vida, identidad y el trabajo generacional de los campesinos del corregimiento de Santa Elena. Medellín, Colombia, 2007. Foto: Guía de Viajes Oficial de Medellín</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/the-hope-of-the-gospel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0ee0c6dc-d4ec-4b0f-8a5e-a0d1b9a78360/Gospel+Compass.jpg</image:loc>
      <image:title>watch - The Hope of the Gospel</image:title>
      <image:caption>Detail from “The Gospel Compass for Sailors of All Nations” (ca. 1880), designed by W.C. Miles. Source: Time and Tide Museum of Great Yarmouth Life, Great Yarmouth, Norfolk, England, UK. Photo: Leo Reynolds</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1660061916892-40J29PGJGVK7E8UK1LUS/The+Hope+of+the+Gospel.jpeg</image:loc>
      <image:title>watch - The Hope of the Gospel - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/faith-and-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656730728148-A1P7VG98ETG2XCK7BKVI/Cato%CC%81licos%2BPor%2BLa%2BRaza%2Bimage_a3b96c13-1b8e-4e64-b170-3f6c67e2a260-prv.jpeg</image:loc>
      <image:title>watch - Faith and Power</image:title>
      <image:caption>Católicos Por La Raza: A nun speaks to protesters in front of the California State Building in downtown Los Angeles at an immigration march against the Dixon-Arnett Act, which sought to fine employers who hired undocumented workers, 22 January 1972. © Pedro Arias. From the La Raza Photograph Collection (#1000). Courtesy of the UCLA Chicano Studies Research Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1729f547-8e31-4d50-aa2a-d7a10c998c0e/Faith+and+Power.jpeg</image:loc>
      <image:title>watch - Faith and Power - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/st-everyday-part-2-mais-viva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dd45074e-cc29-43e3-9233-773e7a3ce2b2/Dora-santana.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva!</image:title>
      <image:caption>Dora, portrait of Dora Silva Santana by Drew Riley. From Gender Portraits, a nonprofit project of the Austin Creative Alliance that advocates for sex and gender minorities through art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ad25276a-30f1-477e-8a4a-e23c6af8d8c1/GabeGIF.gif</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo and animation: Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1516d44-1839-44df-b03b-5d4547097f6c/GGR-embroidered+patch.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Embroidered corazón patch by Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f22c48a-8305-4919-9fcb-018b4babf0bb/GGR_Corazon4jpg.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo: Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653971523756-R0RDYEJ4IEYHQO0QHYVU/Freda2.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653971526727-7CS4YD0IR5EGRDPFCSC1/Fei3.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part II): Mais Viva!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/st-everyday-part-1-queer-icons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/28db3dc4-8a16-4fba-96a6-638d5a03db13/Gabriel1.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Gabriel (2011); photogravure with chine-colle, 11in x 14in. From the Queer Icons portrait series by Gabriel García Román.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957209554-RKMTF4J7EREZ1MF9NLOG/SagradaFamilia1.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Castro, Bayani &amp; Candy, 2019. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “We found love, trust, and healing in each other and with that we manifested our familia.” READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957227152-RD957GNNAH271EYY6LNL/Mitchyll1.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Mitchyll, 2014. Photogravure w/Chine-Colle and silkscreen, 11x14.” Mitchyll Mora is an activist and community organizer bringing visibility to the Queer Trans Community of Color who are currently in the prison system.  SEE MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957236880-TWJSPQ5X85QMMMD6QUSB/Gabriela4.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Gabriela, 2018. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “Made by womxn with more than one spirit. Womxn whose existence wasn’t measured by sins.” READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957251615-ZK7V87RGARFTIHTPPWL1/CarFer2.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Carlos &amp; Fernando, 2016. Photogravure w/ Chine-Colle and silkscreen, 18x15.” Both Carlos &amp; Fernando are social workers focusing on the LBGTQ and Latino community in the L.A. area. They have been married for 10 years. READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63952aa0-4be8-4490-a7b5-f0d1bd5dae0c/Corazon.gif</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons - COMING SOON…</image:title>
      <image:caption>St. Everyday (Part II): Mais Viva! Dr. Xochitl Alvizo sums up Gabriel García Román’s visit to her Queer Theory class at California State University, Northridge and her students’ engagement with his work, along with the scholarship of Black trans feminist scholar Dr. Dora Silva Santana of John Jay College, CUNY.  Photo and animation: Gabriel García Román</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fa4266c6-aadb-4b86-8e0d-9e048e979704/Gabriel-Floating2.jpeg</image:loc>
      <image:title>watch - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/descolonizando-la-educacin-teologica-latinoamericana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1637981624696-IR7VKYQ8MY7ZYEW1LVVJ/abstract+art+2.jpeg</image:loc>
      <image:title>watch - Descolonizando la educación teológica latinoamericana</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/decolonizing-latin-american-theological-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/30891651-9300-48a2-b4b0-f04e4a8af7af/abstract+art.jpeg</image:loc>
      <image:title>watch - Decolonizing Latin American Theological Education</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/not-your-typical-devotional</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04ea4137-4efd-45b4-ad44-c3b6c7d0cc3f/our%2Bbible%2Bdownload%2Bpage%2Bdevices-2.png</image:loc>
      <image:title>watch - Not Your Typical Devotional - Make it stand out</image:title>
      <image:caption>The Our Bible App platform offers the largest compilation of progressive faith-based content.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c164acf3-92d1-42f9-b339-0c94260b648b/gradient-pink-background.jpeg</image:loc>
      <image:title>watch - Not Your Typical Devotional - SAMPLE DEVOTIONALS</image:title>
      <image:caption>This is not your typical devotional. Until now, it has been extremely difficult to find devotionals, podcasts, and resources that aren’t overtly conservative in nature. Our Bible App supports the belief that spirituality is a spectrum and that faith is a journey. At its core, the holy texts were written to be inclusive of all of God’s creation, especially those on the margins. These devotionals are explicitly queer-affirming, anti-racist, pro-feminism, and encouraging of interfaith inclusion, bringing together a once fragmented community of spiritual wanderers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e4e70deb-7d4e-4073-9b47-d8b226f0c5dd/mockup-of-an-iphone-8-placed-next-to-a-book-and-a-coffee-2903%2B%282%29.png</image:loc>
      <image:title>watch - Not Your Typical Devotional - Make it stand out</image:title>
      <image:caption>The Deconstructionists Playbook (Bemba Press, 2021) comprises selections from devotionals that have been published by Our Bible App.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/223d78e5-eb5b-4fed-a3a9-fe32c31c3680/mockup-of-an-ipad-pro-and-an-iphone-11-pro-in-portrait-mode-at-a-studio-2031-el1%2B%25282%2529.jpeg</image:loc>
      <image:title>watch - Not Your Typical Devotional</image:title>
      <image:caption>Promotional image for the ebook edition of The Deconstructionists Playbook (Bemba Press, 2021), edited by Crystal Cheatham and Theresa Ta. Image Courtesy of Our Bible App</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/migrational-religion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633146248707-HMCB3JVH6I2WNKYDACGU/Christ+the+Redeemer+and+Statue+of+Liberty.jpeg</image:loc>
      <image:title>watch - Migrational Religion</image:title>
      <image:caption>Rio de Janeiro’s Christ the Redeemer meets New York City’s Statue of Liberty. Image source: freakingnews</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632972010669-6WCQA4YOX1S6BQYAU8B1/Migrational+Religion.jpeg</image:loc>
      <image:title>watch - Migrational Religion - Make it stand out</image:title>
      <image:caption>Migrational Religion: Context and Creativity in the Latinx Diaspora by João Chaves (Baylor University Press, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/after-whiteness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632022938441-03QB5G5X4B8XS4W7W9JW/White+Power+Button+And+Black+Background+HD+Wallpaper+Widescreen.jpg</image:loc>
      <image:title>watch - After Whiteness</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624597286475-UE6PPVVWMP7JIOFQRMCP/After-Whiteness.jpeg</image:loc>
      <image:title>watch - After Whiteness - Make it stand out</image:title>
      <image:caption>After Whiteness: An Education in Belonging by Willie James Jennings (Eerdmans, 2020)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/attempt-great-things-for-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627419001591-UQQ2WP0KN4NV71AK9UYQ/canstockphoto54444076.jpeg</image:loc>
      <image:title>watch - Attempt Great Things for God</image:title>
      <image:caption>© Can Stock Photo / sdmix</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627041532159-S2FT4SBSKL83HD6KABLN/Attempt+Great+Things+for+God.jpeg</image:loc>
      <image:title>watch - Attempt Great Things for God - Make it stand out</image:title>
      <image:caption>Attempt Great Things for God: Theological Education in Diaspora by Chloe T. Sun (Eerdmans, 2020)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/race-religion-and-the-republic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616539666876-ZM5GJTY049W58J5VQGXI/The_Allegory_of_the_Republic%2C_after_Daumier.jpg</image:loc>
      <image:title>watch - Race, Religion, and The Republic</image:title>
      <image:caption>The Allegory of the Republic, after Daumier (coal on board, acrylic) by Balázs Kicsiny, 1990. Source: Museum Ludwig-Museum of Modern Art, Budapest Collection Kicsiny’s coal painting is based on La République (1848) by Honoré Daumier, an oil sketch submitted for a competition to define the "painted face of the republic" the year the French Republic was proclaimed. Commentary on Daumier’s sketch highlighted its ideals of a "'big woman'...a strong republic, nourishing and educating her children...[a] 'fertile, serene and glorious' republic claiming its descent from the first great republic which had abolished slavery; the republic whose flag had circled the world" (Musée d'Orsay).</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/the-stories-we-tell-each-other</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625884851251-DY95AZT2BNCBNGIFRYBS/7854763694_e0b5485006_o.jpeg</image:loc>
      <image:title>watch - The Stories We Tell Each Other</image:title>
      <image:caption>A wedding in Washington Heights, New York City, 1971. Photo: Winston Vargas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/theological-education-between-the-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624762017450-G6AUTAKEA8T9PTJY7XKL/fractal-art-TEBT.jpg</image:loc>
      <image:title>watch - Theological Education between the Times</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/our-lady-of-lactation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1614586157067-9FQUIBVNEFTF5D3Q7A84/8D9DF425-F93A-4760-9851-FA48A1140805_1_105_c.jpg</image:loc>
      <image:title>watch - Our Lady of Lactation</image:title>
      <image:caption>“Breastfeeding Virgen De Guadalupe - Virgin Mary and infant Jesus” stained glass, 8x10 print by Alicia Sosa-Provencio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899860907-RXJRZSQ17C1T950ZK1XJ/786E6DB8-C6F5-47A8-A332-B23D6562AFE9_1_105_c.jpeg</image:loc>
      <image:title>watch - Our Lady of Lactation</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899927388-IW1ZR0MIICNXXCAH8A44/C9997EDD-4FC7-48A1-8A33-D8C6B8A75674_1_105_c.jpeg</image:loc>
      <image:title>watch - Our Lady of Lactation</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899876113-DVKQE14IAXU108MC6LP8/7F6AE37B-90D7-4E4C-96A2-5049FC4B0AFA_1_105_c.jpeg</image:loc>
      <image:title>watch - Our Lady of Lactation</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615899913160-7H1AFWSY5TGFC2K995CE/8D9DF425-F93A-4760-9851-FA48A1140805_1_105_c.jpeg</image:loc>
      <image:title>watch - Our Lady of Lactation</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/cuban-literature-in-the-age-of-black-insurrection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597640517449-LLHBU6QJ3EOHXFX2F510/Official-Book-Cover-Dr.-Matthew-Pettway.jpg</image:loc>
      <image:title>watch - Cuban Literature in the Age of Black Insurrection</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1602031488524-Q1PBI2S7ULBOK82W1YUO/nypl.digitalcollections.5e66b3e8-b502-d471-e040-e00a180654d7.001.w.jpg</image:loc>
      <image:title>watch - Cuban Literature in the Age of Black Insurrection</image:title>
      <image:caption>"View of the Harbor and Town of Matanzas from the Hill," 1870. Source: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library Digital Collections</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/theological-imagination-in-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1607139905864-4YVM7CHM3FWOGQGDDQ0K/april-morales-EXiaA2pb1zI-unsplash.jpg</image:loc>
      <image:title>watch - Theological Imagination in Education</image:title>
      <image:caption>Salvation Mountain, a man-made visual environment created by Leonard Knight in the California Desert. Photo: April Morales</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/espa%C3%B1ol</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/TEBT</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/Dominicana</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/podcast</loc>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/video</loc>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/OPTalks</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/AfroSpiritus</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/Books</loc>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/blog</loc>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/category/Carlos+De+Foucauld</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/South+America</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Teresa+Delgado</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Central+America</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Willie+James+Jennings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Charles+De+Foucauld</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Chicanx</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/watch/tag/Daniel+Aleshire</loc>
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    <priority>0.5</priority>
  </url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/43aceeca-8659-40fc-bb89-48559dd57ae5/IMG_6167.jpg</image:loc>
      <image:title>read - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Photo courtesy of Quiara Alegría Hudes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2686e890-2e6c-42f1-a67f-47b53d2021ba/91D-kRZkwTL._SL1500_.jpg</image:loc>
      <image:title>read - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f6af452f-9689-4834-a44c-6c783bf98aca/42410434022_b51e5ce3af_o.jpg</image:loc>
      <image:title>read - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>SEMPITERNA-SIEMPREVIVA, 2018. Photo Glas-8</image:caption>
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    <image:image>
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      <image:title>read - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>In this photo are the two plants, an element of the play’s set, designed by Arnulfo Maldonado. Photo courtesy of Quiara Alegría Hudes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1515628b-c548-4a95-b464-6421b5b0c800/9182i5b2n7L._SL1500_.jpg</image:loc>
      <image:title>read - Siempreviva Ceremony - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <lastmod>2025-05-06</lastmod>
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      <image:title>read - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Margarita Erazo (fourth from right). Photo:  Courtesy of Margarita Erazo</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc8acb59-a673-407a-bb51-80c8c1f2a24a/Picture2.png</image:loc>
      <image:title>read - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Margarita Erazo (first from left). Photo:  Courtesy of Margarita Erazo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8674b3de-df18-442a-bb05-c2b10f275bf4/Ruinas_del_antiguo_leprocomio%2C_Islote_de_Cabras%2C_Palo_Seco%2C_Toa_Baja%2C_Puerto_Rico.jpg</image:loc>
      <image:title>read - Cultural Memory from the Margins - Make it stand out</image:title>
      <image:caption>Ruins of a leprocomio (leprosarium), a hospital for leprosy patients, completed in 1883, Islote de Cabras, Palo Seco, Toa Baja, Puerto Rico, 2012. Photo: Norma Arbelo Irizarry</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cfefd54b-0e86-4991-9a54-30cf6b8150b4/Self-Portrait+in+the+Zone+of+Silence+COVER.jpg</image:loc>
      <image:title>read - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00b9aae4-1300-4793-be0a-d9c4b715909a/SAAM-2013.46.2_1.jpg</image:loc>
      <image:title>read - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Untitled, ca. 1965, mixed media on canvas, 13 1/2 x 13 1/2 in. (34.3 x 34.3 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.2</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f2f234d-cf8d-4baa-bba8-870732eaae64/SAAM-2013.46.1_1.jpg</image:loc>
      <image:title>read - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Untitled, ca. 1960, acrylic on paper, 10 x 13 in. (25.4 x 33.0 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/edcff8e0-8a75-4239-9a89-d2048f3ba883/SAAM-2013.46.3_1.jpg</image:loc>
      <image:title>read - Self-Portrait in the Zone of Silence - Make it stand out</image:title>
      <image:caption>Alberto Valdés, Perro Cósmico for Summer, ca. 1981, acrylic on paper, 15 1/2 x 20 in. (39.4 x 50.8 cm), Smithsonian American Art Museum, Gift of David and Susan Valdés, 2013.46.3</image:caption>
    </image:image>
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    <loc>https://www.htiopenplaza.org/read/dispatch-reflections-on-a-trip-to-the-border</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1b3d6c0d-4ded-4d21-9eac-7d12a4a372d5/Image%2B2.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>A small portion of the border wall near the Reynosa-Hidalgo International Bridge crossing. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6f9e3ca7-3168-4548-8a1e-3dc198326ade/Image%2B4%2BHaircut.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Samir, a Nicaraguan barber seeking asylum, gives a haircut to Jose Antonio, who is escaping violence from El Salvador. Both are temporary residents at Casa del Migrante in Reynosa, Tamaulipas, MX. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1734416050277-7DMB9T9HEFJU33WI1VZO/IMAGE%2B5Don%2Bpedro%2Bshrine.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Don Pedro Jaramillo Shrine. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38356531-29d5-4fa9-986e-c01bfde84c8e/IMAGE%2B7%2BCANDLELIGHT%2B.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Father Roy reading from his bible for his 6 AM mass at La Lomita Chapel, a historic 19th century site along the Rio Grande with no electricity. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/053d6d66-15ca-4ac6-a334-e4e36c00e6e7/IMAGE%2B1.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Century plant flowering stalk, a native Texas agave, nearing its end of life. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1734412245828-9YAZSWSKHHABJFQS76CE/image.jpg</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Crested Caracara, also known as the Mexican Eagle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1734416050341-VHKP1CGP3MXQV55X4IBW/IMAGE%2B6%2BDon%2Bpedro%2Bshrine%2Bnotes.JPG</image:loc>
      <image:title>read - Faith and Flight: A Trip to the Border - Make it stand out</image:title>
      <image:caption>Prayers left at Don Pedro Jaramillo Shrine seeking protection. October 2024. Photo by Cinthya Briones Santos</image:caption>
    </image:image>
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      <image:caption>Migrant children playing after lunch in the main courtyard of Casa del Migrante. October 2024. Photo by Cinthya Briones Santos</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/words-chosen-for-the-wall</loc>
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    <lastmod>2025-05-06</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8fb760df-6b90-49ab-9160-c5bd476456ba/8943332851_2bd3c2b470_o.jpg</image:loc>
      <image:title>read - Words Chosen for the Wall - Make it stand out</image:title>
      <image:caption>Stellar Cave II, Julien Salaud, Installation made entirely of screws and thread inspired by prehistoric paintings in France's Lascaux Caves, Singapore Art Museum @ 8Q, Queen Street, 2013. Photo: Choo Yut Shing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7a8612bf-3e2a-44f5-b7ec-1e9234d9e87b/lines07.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-murmuring-grief-of-the-americas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/981ea126-e5a1-42db-9fa6-fa25b50238a2/NMNH-Cysticercus+tenuicollis.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>C. Armstrong, Collector, Cysticercus Tenuicollis Rudolphi, 1810, Invertebrate Zoology, Platyhelminthes, National Museum of Natural History, US National Parasite Collection Date: June 1934, 1340302.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38c44cc2-459d-4c28-9707-20b095344a51/MurmuringGrief.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2b5e282-0f76-42c1-9e4b-a6a5b2e4beda/HMSG+-+Radar+Station.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Gastón Orellana, Radar Station,1981, oil and ink on canvas 17 5/8 X 23 3/8 in. (44.8 X 59.4 cm), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 86.3500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/72477fff-4864-4cfb-b394-dd4d9f035b37/NMAH+-+United+States-Mexico+Border+Fence.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>United States-Mexico Border Fence, fence, barbed wire, metal (overall material), National Museum of American History, 2009.0242.28</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/262f9b0c-a91c-4074-9cc7-6f659f0f338e/05+-+Lake+Michigan%2C+Scene+131.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/19d4cf1d-9a1d-4781-b9c4-7ac8a13422bb/06+-+Lake+Michigan%2C+Scene+2123.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/daa58a92-7ee8-45b9-aac9-6cb978b39310/deepwater-horizon-oil-spill-03109c.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Deepwater Horizon Oil Spill, Mobile, Alabama,  (May 6, 2010), Aerial images of the Deepwater Horizon oil spill taken from a  US Coast Guard HC-144 aircraft. The flight was conducted primarily for media support and to plot the locations of the Deepwater Horizon oil spill. Defense Visual Information Distribution Service, US Navy. Photo by Michael B. Watkins, Mass Communication Specialist First Class.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a02580a0-0adc-42ea-8af1-ff6e1cc55f86/Three+Tulips.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>E. McKnight Kauffer, Three Tulips, (1943) brush and gouache, 45 × 33.6 cm (17 11/16 × 13 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, 1997-134-14.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/af8343db-ac35-4bc4-a82f-a3d1919868eb/01+-+The+Murmuring+Grief+of+the+Americas.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/709cfc3c-9ab6-4e85-8abf-10788ef94759/04+-+Lake+Michigan%2C+Scene+1130.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a7a8de48-3295-4c14-82de-076ca47ea4cd/HMSG+-+Untitled.jpg</image:loc>
      <image:title>read - THE MURMURING GRIEF OF THE AMERICAS - Make it stand out</image:title>
      <image:caption>Gastón Orellana, Untitled, Hirshhorn Museum and Sculpture Garden,1981, opaque paint and colored pencil on paper 19 13/16 x 27 1/2 in. (50.4 x 69.9 cm), Smithsonian Institution, Washington, D.C., The Joseph H. Hirshhorn Bequest, 86.3504.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/647024d9-999f-4678-95f8-3e5178d9fb4f/03+-+Lake+Michigan%2C+Scene+525.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4d48cba0-ffcd-4075-806b-bd669f4002b7/02+-+Lake+Michigan%2C+Scene+2022.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/smithsonian-nmal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/31f3eb76-e16b-4e18-bb99-d98c3b42679d/SAAM-1996.91.57_1_Santa+Barbara.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Santa Barbara. 1700s CE [carved and painted wood, 9 1⁄4 x 3 7⁄8 x 3 3⁄4 in.]. Loan from SAAM, Teodoro Vidal Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2b5f21c2-538c-4ab4-b676-63faaaa4f851/Immigration+display-crucifix-photo-dress_NMAL.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3af9e337-e7ac-4304-baf4-b17f27631e84/NMAL_sign-800.jpeg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Photo: Morgan Fischer/Cronkite News. For more stories from Cronkite News, visit cronkitenews.azpbs.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1ab7ae6c-e085-4df4-b986-7d1d0bbf6826/Screenshot+2023-11-11+at+10.21.51%E2%80%AFAM.png</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>“Claudia De la Cruz.” Somos , 2021. Directed by Alberto Ferreras for the National Museum of the American Latino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90cbc1c5-36d1-4311-9cfe-5c9ce7c2f864/Padre+Varela_and_divination+tray_NMAL.png</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>32c Padre Varela single stamp © 1997. © United States Postal Service, reproduction courtesy of the Smithsonian National Postal Museum. | Opon Ifá divination tray. Adrian Castro, 1999. Loan from Adrian Castro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/234f35e0-b98d-4e54-aeb7-108721941228/divination-tray_X70.646.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Divination Tray (Opon Ifa) [19th century]. From the Yoruba people in Efon, Nigeria, West Africa, 1960. [Diameter: 14.9 in.] Loan from Fowler Museum at UCLA, Gift of the Ralph B. Lloyd Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/143f0373-2dad-4496-93d5-dd41bc858563/museumicons-800.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Viajando con Mis Raíces (Traveling with My Roots). Samuel Miranda, 2010. Loan from Samuel Miranda. Photo: Morgan Fischer/Cronkite News (for more stories from Cronkite News, visit cronkitenews.azpbs.org).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/59b07527-d2a6-400a-91e8-4a21a5c37b54/Pinback+button+for+the+People%27s+Church_NMAAHC.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a80385e5-c644-4016-99fc-1e53241f4ddc/The+Poet+X_Acevedo.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Acevedo, Elizabeth. The Poet X. Quill Tree, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/581e24cf-9a85-481b-9b44-cbd225259449/Altar+screen+finial+SMAH.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Altar screen finial from Our Lady of Guadalupe mission church, Santa Fe, NM, 1775–99. NMAH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5cd10fa-953c-401c-b1c6-b0e066edec20/Margil-Espinosa.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Engraving of Father Antonio Margil from The Exemplary Life of the Venerable Father Friar Antonio Margil de Jesus (Colegio de la Santa Cruz, 1737) by Isidro Felix de Espinosa. Source: John Carter Brown Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/810a69fb-3951-427f-a7bb-f46b8c7850f2/Black-Cuban-Black-American.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Grillo, Evelio. Black Cuban, Black American: A Memoir. Arte Público Press, 2000. Book cover photo of the Grillo family, 1920 (from left): Sylvia, Raul, Evelio (seated in mother's lap), Amparo (mother), Henry, and Anival.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ae5a5a7e-321a-435d-8a7a-69d9cebd66c7/Danse+des+Californiens.jpeg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Danse des Californiens [Dance of native Californians at San Francisco de Assis Mission, California] (1816) by Russian artist Ludwig Choris. “Group of Indians holding spears and wearing native dress dance in front of large gathering in yard before Mission Dolores; church façade and other buildings in background…Date based on Otto von Kotzebue Expedition visit to California in 1816.” Painting on paper: watercolor and pencil 17.7 x 29.4 cm. Source: UC Berkeley, Bancroft Library [1963.002:1312-FR].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6523687-e753-40df-b2e8-c5f17a8c2319/NMAL+screenshot.png</image:loc>
      <image:title>read - “Making History Together”</image:title>
      <image:caption>Virtual-tour image capture of “Case 1- Colonial Legacies,” part of the Molina Family Latino Gallery exhibit ¡Presente! A Latino History of the United States, National Museum of the American Latino, November 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8f3fa1a2-1c4b-43a0-8644-ea5dff7b0207/Teresa+Ruelas+display_NMAL.png</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a68a7f89-9698-49ab-ab02-0bb919f206f6/SAAM-1998.94A-D_1.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Charles M. Carrillo, Devoción de Nuevo México/Devotion of New Mexico, 1998, gesso and natural pigments on pine, 96 1/2 x 60 x 21 3/4 in. Smithsonian American Art Museum, Museum purchase made possible by William T. Evans and the Smithsonian Institution Collections Acquisition Program, 1998.94A-D, © 1998, Charles M. Carrillo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3f0fa193-1814-4c09-9683-291a187393bb/Retablos_NMAL.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24465229-c731-4e15-869a-cb2d5a9d9183/SAAM-1996.91.12_Pi%CC%81o+Casimiro+Bacener_Autorretrato.jpg</image:loc>
      <image:title>read - “Making History Together” - Make it stand out</image:title>
      <image:caption>Autorretrato (Self-Portrait). Pío Casimiro Bacener, 1894 [oil on wood, 11 7⁄8 x 9 3⁄4 in.]. Loan from SAAM, Teodoro Vidal Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/opwrites-insurrectionist-wisdoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e0c13473-75fe-4ca1-b384-21c7140b8238/Picture1.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2823374e-b639-4538-8fe0-93ec18425bc1/15322998658_b5c0b99113_k.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Sculpture of Mexic Goddess Chicomecoatl with Ears of Corn, Museum of Anthropology, Mexico City, Mexico, 2014. Photo: Adam Jones</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Catedral, Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology - Untitled, March 2020, maquila en China, Diario El Mundo</image:title>
      <image:caption>Maquila in China, March 2020 Source: Diario El Mundo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d4315802-ba8e-4e94-bc7a-03efe74cf30b/1280px-Mun%CC%83ecas_zapatistas.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Muñecas elaboradas en comunidades autónomas zapatistas en la venta en el segundo festival de cine “Puy Ta Cuxlejaltic,” 2019. [Dolls made in autonomous Zapatista communities on sale at the second “Puy Ta Cuxlejaltic” film festival, Mexico, 2019.] Photo: Xolotl</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Image of Chaac, Uxmal, Yucatán, México, November 2016. Photo: Marlene M. Ferreras</image:caption>
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      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Empiezan las Historias, Title page of oldest known Popol Vuh manuscript. Source: Wikimedia Commons</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725060810857-X5BWLP6PRXMZY8BVBEV8/Book+Lecture+HTI_Page_08_Image_0002.jpg</image:loc>
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      <image:caption>Caracol de Morelia, Chiapas, México, March 2018. Photo: Marlene M. Ferreras</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725060810900-MRXRNDH6203PTBA98VTD/Book+Lecture+HTI_Page_08_Image_0003.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>A tattoo of the god/goddess of maíz. Photo: Marlene M. Ferreras</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053545716-TU4E05KVMLXGVF5YKMLZ/Book+Lecture+HTI_Page_03_Image_0005.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Maíz, Pueblo Mágico. Photo: Marlene M. Ferreras</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a54b58af-9f21-4733-8f56-0ea6553ccf19/Book+Lecture+HTI_Page_11_Image_0001+copy.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Lxs Hijxs de Maíz, (2018) by Marlene M. Ferreras, pencil, Redlands, Ca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/42e83913-4175-4fb8-a46e-edd160ed0f3a/QM-2019MundosAlternos.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725042754591-17BQ94W9SGQ9NI8DZK9S/Autonomous+InterGalactic+Space+Program.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Rigo 23, Autonomous InterGalactic Space Program, 2009-present (ongoing), exhibited as part of Mundos Alternos: Art and Science Fiction in the Americas, (April 7 - August 18, 2019). Photo courtesy Queens Museum, credit Hai Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0ed36fe-edf7-483b-ad6b-1d975d273b9f/81Ib-wzziEL._SL1500_.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e54bce4-a111-41cb-be02-7ae692791c38/juan-pablo-flores-padilla--EK0TG71D1s-unsplash.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology - Make it stand out</image:title>
      <image:caption>Brown Wooden Logs on Green Grass Field near Lake during Daytime, Lagunas de Montebello National Park, San Cristóbal de las Casas, Chis., Mexico, 2020. Photo: Juan Pablo Flores Padilla</image:caption>
    </image:image>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053544895-94M5XVYKE3Y3Q7PVJ5CM/Book+Lecture+HTI_Page_03_Image_0003.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725053544949-PXWNFM2K70LSBKP3DLKG/Book+Lecture+HTI_Page_03_Image_0004.jpg</image:loc>
      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
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      <image:title>read - Toward a North American Indigenized Pastoral Theology</image:title>
      <image:caption>Photo: Marlene M. Ferreras</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-eaters-of-flowers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38223eea-5133-41ac-b4dc-b3ab1faf6eb0/cholla_cactus_skeleton_by_mistakeablyme_d3i7s1f-fullview.jpg</image:loc>
      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Cholla Cactus Skeleton. Photo: mistakeablyme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/14e100ed-3e07-4540-879a-3fdf21ea5a4f/8635370082_bfef4ed719_o.jpg</image:loc>
      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Prosopis torquata: The tangled beans of the mesquite known as Tintitaco. Photo: Dick Culbert</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8ee6e0e-1946-402a-8041-ceaeab14493e/Ocotillo_%28Fouquieria_splendens%29-saam_1970.355.733.jpg</image:loc>
      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Ocotillo. Watercolor by Mary Vaux Walcott, Smithsonian American Art Museum. Photo: Lea Christiano</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a73df6d3-ae7e-44cf-a1ec-7320ab2f71ac/mesquite-seed-pods-7ad2eb.jpg</image:loc>
      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Mesquite Seed Pods. Photo: National Parks Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2698cb1b-b212-45f2-a076-85799382cfaf/pexels-eugene-golovesov-1810803-19824418.jpg</image:loc>
      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Photo: Eugene Golovesov</image:caption>
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    <image:image>
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      <image:title>read - the eaters of flowers - Make it stand out</image:title>
      <image:caption>Dew.Deux. Colleyville, Texas. Photo: DeeAshley</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/en-memoria-natividad-duran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a0b4c5a-1f2f-4ef3-953f-a660a8881962/Nati+gradeschool.jpeg</image:loc>
      <image:title>read - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Natividad Durán, alumna de Nuestro Salvador [Our Saviour], la escuela parroquial de la Iglesia Transfiguración, y de la guardería Nuestros Niños a principios de la década de 1970, Brooklyn, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8ee367b3-fe6b-4247-9073-9722754780f9/Nati+grad+party.jpeg</image:loc>
      <image:title>read - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Natividad Durán, recién graduada de la Universidad de Concordia con una maestría en Educación Infantil/Educación Especial, celebra en familia, Brooklyn, NY, mayo 2021. Izquierda a derecha: Gertrudis Durán (hermana), Elías Durán  (hermano), Yogi Rosario, Ela Durán (sobrina), Natividad Durán, Amantina Durán (madre), Estéban Durán (hermano) y Miriam Durán (hermana)</image:caption>
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      <image:title>read - En memoria: Natividad Durán - Make it stand out</image:title>
      <image:caption>Foto: faxpilot</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/pueblo-de-la-fe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b23fd639-c582-4b5f-b344-85066c459e05/Oro+diablo.png</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Fotograma de Oro diablo (2000), película dirigida por Joseph Novoa y seleccionada como presentación oficial venezolana a los premios Oscar 2001 en la categoría Mejor Película en Lengua Extranjera. Fuente: IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c606da48-f7f4-4a16-9a5b-a3d8b6a3b94e/los-ofidios-venenosos-del-cauca-6260741362-105806.jpg</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Grabado 1 de Los ofidios venenosos del Cauca: métodos empíricos y racionales empleados contra los accidentes producidos por la mordedura de esos reptiles (1896) de Evaristo García, ilustrando la serpiente Bothrops atrox, también conocida como mapanare (Venezuela), pelo de gato (Colombia), equis (Ecuador, Panamá), yoperojobobo (Bolivia), jararaca (Brasil) y barba amarilla. Fuente: Biodiversity Heritage Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81960b5c-0ed6-46a3-b283-9a2d514b8a62/collection-of-gold-as-tribute-codex-tepetlaoztoc-16170.png</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Una página del Códice Tepetlaoztoc de 1554 ilustrando la recaudación de tributos de oro en el valle de México entre Tezcoco y Otumba por parte de las autoridades coloniales españolas en Nueva España (México). Fuente: Museo Británico, Londres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ad0aefbf-6f1e-45bf-acbe-08cd39fdf07c/362100114_5ef33e7ce9_o.jpg</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Cataratas Kaieteur sobre el río Potaro, Parque Nacional Kaieteur, Esequibo, Guyana, 2007. Foto: Cody Hinchliff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1719984333045-1LBZM0HTDGZME1BHP5W5/1024px-Gold-gold_venezuela_meieran1.jpg</image:loc>
      <image:title>read - Pueblo de la Fe - 1024px-Gold-gold_venezuela_meieran1.jpg (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1719984345469-VRAA13U3EGF9FDJM18FV/1024px-Gold-gold_venezuela_meieran2.jpg</image:loc>
      <image:title>read - Pueblo de la Fe - 1024px-Gold-gold_venezuela_meieran2.jpg (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95203c82-1930-4973-9f5d-9714a3469525/muisca-tunjo-2507.jpg</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>Un tunjo (ofrenda votiva) muisca (1200-1600 d.C.) que muestra el mito de El Dorado, según el cual, en la ceremonia de coronación, un hombre cubierto completamente en oro se sumerge en las aguas de la laguna de Guatavita como ofrenda a los dioses. Museo de Oro, Bogotá, Colombia, 2013. Foto: Ignacio Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ea8637a8-5027-4391-87c9-1a139b03eeff/Esqueibo+camping.jpeg</image:loc>
      <image:title>read - Pueblo de la Fe - Make it stand out</image:title>
      <image:caption>“Camping en el Essequebo, camino a Diggings, Guyana Británica.” Fuente: The Caribbean Memory Project</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/border-radio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63e800f8-a7df-4c29-939c-138c875292ff/90a+allen+Gene+File+MiracleMagOne+001.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/91691812-3090-4aaf-96b6-501ccd75ceb5/82+ike+++PHOCOJP++cover_you+can%27t+lose+with+the+stuff+i+use.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>August 1973 cover of Action!, the bi-weekly magazine founded by Rev. Ike. Courtesy (photo and audio): Border Radio Research Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/80210f95-3be7-4694-b194-bfd0ef8c362c/station-xer-located-at-villa-acuna-coahuila-mexico-across-the-rio-grande-from.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Transmitter building of XER, the self-described "Sunshine Station between the Nations," located at Villa Acuña, Coahuila, Mexico across the Rio Grande from Del Rio, Texas, shown c. 1931. Owned by American showman and quack doctor John R. Brinkley, XER was the first high-powered "border-blaster" radio station. Photo: Lippe Studio. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e161089e-8ad5-4e7f-b0e3-9e5a475ebf35/Bill+Crawford+and+Gene+Fowler.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04cbfb6c-83ee-47e1-8f55-b8944c952a26/Border+Radio+cover+2.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b79e1776-85db-4c9a-9e7b-fe45de52f817/90+allen+Gene+file+cover_miracle+mag+july+1969ha.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50acc3e9-3ba9-4978-a095-e593281132e9/border-radio-cover.jpeg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d1b975d2-e547-47a1-9b88-c50035067c53/700+BOBOPH+++Lester+roloff+-+Copy.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>“Lester Roloff givin’ ‘em what-for at a mid-1970s rally in Austin to protest the state’s insistence that his homes for troubled youths be licensed” (Border Radio). Photo: Gene Fowler</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68dbb410-de42-40b7-99ea-2f9cc171ac7b/91+sam+++Gene+T+stills+Sam+Morris+XEG+book.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Cover of a Prohibition-era booklet titled “The Voice of Temperance: Militant Crusader Against the Liquor Traffic,” depicting Texas Baptist Rev. Sam Morris (a.k.a. the “Booze Buster”) and the XEG (today known as La Ranchera de Monterrey) border blaster radio station in Monterrey, Nuevo León, Mexico. Courtesy: Border Radio Research Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/18fd41cf-bc3d-450e-aad4-22974574a147/1.4+mel+BOBOPH+++mel+roy+%283%29+-+Copy.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Wilbert Willis Holley, a.k.a ‘Mel-Roy the Mystic Wonder’. Courtesy: Border Radio Research Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ac0f90fe-540c-4627-bdbf-c8f436d32e91/79d+ike++BOBOPH+++rev.+ike.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Publicity shot of border radio preacher Rev. Ike. Courtesy: Border Radio Research Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/48777de4-81ce-4d95-ac07-dbd084574139/1.4a++BOBOPH+++preacher+and+mail.jpg</image:loc>
      <image:title>read - Border Radio - Make it stand out</image:title>
      <image:caption>Rev. J.C. Bishop (on crutches) and his “prayer band” pray over mail from radio listeners, Dallas, Texas, late 1940s. Photo: Harry Pennington, The Saturday Evening Post (“The Border Radio Mess,” 25 September 1948)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/atlas-obscura</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9e03da0-61cc-4e66-81eb-19a4661513dc/512px-Halfmooncrescent_clippers.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Ghost Story Behind a Bucolic Catholic Retreat Center A brief, true history of West Virginia’s Priest Field and “The Legend of the Wizard Clip.” 11/7/2017 Plaque of half-moon crescent and clippers repeated on several structures around the historic Civil War community of Middleway, West Virginia, 2010. Photo: Kilo22</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/beb5e807-e851-4095-b291-be5490fb84d8/512px-Muro_norte_de_la_Capilla_Abierta_del_Convento_de_Actopan%2C_Hidalgo%2C_Me%CC%81xico._02.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Open Chapel Murals of Actopan (Mexico) These nearly 500-year-old scenes are largely faded by the ravages of time, yet still maintain their power to horrify. 2/22/19 North mural of the Open Chapel of the temple and former convent of San Nicolás de Tolentino in Actopan, Hidalgo, Mexico, 2017. Photo: RubeHM</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/56cefe7c-76da-4419-8348-65af94ecf4ab/Mujer_vertiendo_chocolate_-_Codex_Tudela.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Chocolate-Brewing Witches of Colonial Latin America The Inquisition persecuted women who used cacao to entice lovers and spurn enemies. 1/27/20 Image of Aztec woman preparing chocolate, from the Codex Tudela. Source: Museo de América</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/74cab3b0-ff0a-4bfb-bdc0-f5ea7b160b07/Ashima+Krishna+photo.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Sacred Afterlives of Buffalo’s Vacant Churches The best way to preserve a church in a shrinking city is often to convert it to a mosque or temple. 11/4/19 A Buddhist temple in a former Catholic church, Buffalo, NY, 2015. Photo: Ashima Krishna</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c896a789-7ecd-4039-b90f-a0bac3b39c83/1600px-300-year-old_ceiba_tree_%28cotton_tree%29%2C_Vieques_-_Flickr_-_Jay_Sturner_%282%29.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>An Ancient Ceiba Tree Blooms Once Again After Puerto Rico’s Devastating Storms The island of Vieques is still struggling after the hurricanes of 2017, but its most famous tree offers hope. 3/6/19 300-year-old ceiba, Vieques, Puerto Rico, 2011. Photo: Jay Sturner</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ca19110-5da6-441c-9538-b4f064d38f97/2048px-Popina1.jpg</image:loc>
      <image:title>read - Atlas Obscura</image:title>
      <image:caption>Popina Memorial Park monument, Vrnjacka Banja, Serbia, 2015. Designed by architect Bogdan Bogdanovic, the monument “was created to honor the Republic of Uzice, the first sizeable liberated territory within the entire German Reich in 1941…[The monument’s] archetypal forms speak to us about the Revolution and the ideal society, while their orientation relative to the Sun addresses eternal themes of life, death, and sacrifice” (Architectuul). Photo: Vladimir2510986</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81dcf67d-2315-4d6c-8aa4-870a6c1ca604/512px-Virgen_del_Carmen_-_Paucartambo_Peru.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Sleepy Peruvian Town that Comes Alive Each Year to ‘Please the Virgin’ Demons, jokers, and colonial characters get together to celebrate tradition and faith with a raucous party. 12/13/16 Virgen del Carmen paraded through the town of Paucartambo, Cuzco, Peru, 2009. Photo: Tipene78</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95e35cbb-8bb2-4e09-bdda-0030672130e7/atlas-obscura+logo.jpeg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4aa47363-e043-41b4-9e20-c41b9ce4e284/512px-Igreja_Matriz_de_Nossa_Senhora_das_Neves_Ilha_de_Mare%CC%81_2018-0270.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Inside a Brazilian Chapel Made Out of Wine During a drought, church-builders mixed their mortar with the local vintage. 1/22/19 Igreja Matriz de Nossa Senhora das Neves (Chapel of Our Lady of the Snows), Ilha de Maré, Salvador, Bahia, Brazil, 2018. Photo: Paul R. Burley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/538569dc-5fb5-496b-8cb3-de2f44c8f5c7/256px-Rodef_Shalom_Biblical_Botanical_Garden_-_IMG_1330.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Rodef Shalom Biblical Botanical Garden (U.S.) This Old Testament garden features 100 plants from biblical times. 2/15/17 Rodef Shalom Biblical Botanical Garden, Pittsburgh, Pennsylvania, 2010. Photo: Daderot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2f716d1-f5c2-476f-8719-99c679a4a1d4/512px-Mezquita_Maicao_Colombia_Yuri_Romero_Picon.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Alternating Currents The rise and fall of Venezuela, as seen from a Colombia border city, its grand mosque, and the migrants and converts who worship there. 9/29/19 Mosque of Omar Ibn Al-Khattab, Maicao, Colombia, 2008. Photo: Yuri Romero Picon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7d9a0a54-4821-4395-a411-f98613b3fc04/A%CC%81ngel_arcabucero%2C_Casabindo.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Decoding the Gun-Wielding Angels of Bolivia The ‘angeles arcabuceros’ morphed from Catholic messengers to symbols of Indigenous independence. 11/30/23 Military angel (ángel arcabucero), artwork by unknown artist, dated 1600-1699, Iglesia de Nuestra Señora de la Asunción, Casabindo, Argentina. Source: ARCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8f1ce43e-68ff-4b5e-b196-86c5f28317c7/America%E2%80%94A+Nation+of+One+People+From+Many+Countries+by+Emma+Bourne.jpeg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Powerful 1940 Map That Depicts America as a Nation of Immigrants Produced by the Council Against Intolerance in the lead up to World War II, the map illustrates America’s unique ethnic and religious diversity by erasing state borderlines and showing the nation as one unit. 2/6/17 America—A Nation of One People From Many Countries (1940) by Emma Bourne. Source: Osher Map Library and Smith Center for Cartographic Education</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bba93a3f-e6e5-4e1d-8f54-612f209f5bf2/512px-Holy_Land_Experience_-_Church_of_All_Nations.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Holy Land Experience (U.S.) A mega theme park-wax museum mélange in Orlando, Florida containing all things biblical. 7/20/15 Church of All Nations at The Holy Land Experience, Orlando, Florida, 2017. Owned by the Trinity Broadcasting Network, the Christian amusement park closed in 2020. Photo: Zfigueroa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cd96d3ff-7976-4ece-9b17-0a777a69bae4/Fid%CC%A3a%CC%84lat+al-Khiwa%CC%84n+recipes.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>How a Librarian and a Food Historian Rediscovered the Recipes of Moorish Spain When Spain was under Muslim rule (ca. 700-1200), Christians and Jews were free to worship and observe their dietary customs in what was known as Convivencia. A new cookbook is a translation of a rare, 13th-century volume. 10/15/21 Pages from Fiḍālat al-Khiwān describe recipes for meatballs, hare, and rabbit. Source: Qatar Digital Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ee897eed-8233-4477-bd51-d8f446fb458b/Santa-muerte-nlaredo2.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Celebrating Life While There’s Still Time Halloween meets Mexico’s Days of Death. 10/20/14 Close-up view of a Santa Muerte south of Nuevo Laredo, Mexico, 2007. Photo: El Comandante</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1030ad74-bfa7-4522-87c6-b2e3a10feed1/nunnery-pachacamac-5195.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Pachacamac (Peru) The remains of what was the most important religious complex in coastal Peru for over a millennium. 1/19/16 A view of the 'Nunnery' building at the sacred Andean site of Pachacamac, south of Lima, Peru, 2005. The 'Nunnery' provided accommodation for female priests and was built by the Incas when they took over the site in the late 15th century CE. Photo: Bruno Girin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3e004238-f2c0-46f6-9003-d50a7035f716/Cakes_in_form_of_nuns_in_Avila.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>What’s So Special About Monk-Made Food? The enduring appeal of beer, cheesecake, and ferments made at convents and temples. 12/14/21 Cookies in the form of nuns in Avila, Spain, 2015. Photo: Zorro2212</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/51e22406-2501-4450-868b-4da620856ce5/5806238853_b06ef91144_w.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>NYC’s Hidden Meditation Spots (U.S.) Places of pause in a city that never sleeps. 8/20/14 Meditating at Brooklyn Bridge Park, Brooklyn, New York, 2011. Photo: Santos "Grim Santo" Gonzalez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6ded7659-339c-4560-91e7-21d96d0d919c/512px-Tierra_santa_5.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Tierra Santa (Argentina) Bible stories are brought to life with gloriously cartoonish kitsch in this South American theme park. 1/13/13 Muro de Los Lamentos (Wailing Wall) at Parque Tierra Santa, Buenos Aires, Argentina, 2009. Photo: Roberto Ettore</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95e35cbb-8bb2-4e09-bdda-0030672130e7/atlas-obscura+logo.jpeg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/349e0626-82e5-4450-94e4-487bf619a5b1/Denuncia_a_Pool_Marianela._POPA._2015.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>How a Jesus-Shaped Cake Incurred the Wrath of Argentina The dessert, which was part of an art exhibit, caused an uproar when a politician had a slice. 5/31/18 Scene from BJ: The Life and Times of Bosco and Jojo (2022) of government intervention in a exhibit by Pool &amp; Marianela exhibition, Buenos Aires, Argentina, 2016. Photo: Sblapalma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2f9e8b15-da23-4df4-b445-74eb86b246b4/Centro+Islamico+de+Honduras_Abu+Ferreira.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>A Visit to the Biggest Little Mosque in Honduras The sky-blue building draws a diverse range of Muslims from hours away. 4/10/18 Members of the Centro Islámico de Honduras, San Pedro Sula, Honduras, 2024. Photo: Abu Ferreira</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36feb2ce-bd4b-40c4-b1e2-a577e2bee837/512px-Santa_Maria_in_Cosmedin_%28Rome%29_Skull_of_St._Valentini_._Valentini.jpg</image:loc>
      <image:title>read - Atlas Obscura - Make it stand out</image:title>
      <image:caption>The Practicalities of Transporting a 400-Year-Old Heart How the traveling body parts of saints get through customs. 3/7/17 Reliquary of the alleged skull of St. Valentine at the Santa Maria in Cosmedin church, Rome, Italy, 2012. Photo: AlfvanBeem</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/borderlands-corpus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b9d2f955-ac03-438a-b6b7-4b03d99447cf/With+the+River+on+Our+Face.jpeg</image:loc>
      <image:title>read - Borderlands Corpus</image:title>
      <image:caption>With the River on Our Face By Emmy Pérez University of Arizona Press, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e6ff7053-ef12-40b4-971d-93d572ceecbf/4270563298_b7dd715779_o.jpg</image:loc>
      <image:title>read - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>World cloud (2010) of Julia de Burgos's poem “‘Río Grande de Loíza” (1935) over enhanced photograph (2008) of the Río Grande from 1,000 feet. Photo and image: David Sánchez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d61e25c-04e6-4bab-bcb1-c585172534ca/The+King%27s+Salt+Lake.jpeg</image:loc>
      <image:title>read - Borderlands Corpus</image:title>
      <image:caption>The King's Salt Lake: Sal Del Rey, Edinburg, TX, 2013. Photo: Alex Garrido</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6d70e7b-c5e5-4a9c-b68f-5b4bec782614/solstice.jpg</image:loc>
      <image:title>read - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Solstice By Emmy Pérez Swan Scythe Press, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fdf0c6ff-58e6-486e-93b7-8142fff0903a/Artscape+within+South+Texas+Botanical+Gardens.jpeg</image:loc>
      <image:title>read - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Part of the "artscape" within the South Texas Botanical Gardens and Nature Center, Corpus Christi, TX, 2014, Photo: Carol M. Highsmith | Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/363c020a-8d82-42c4-9d82-1e4a68d5986b/Ocotillo+flower+.jpeg</image:loc>
      <image:title>read - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Ocotillo flower (Fouquieria splendens), Tonto National Monument, Roosevelt, Arizona, 2015. Source: U.S. National Parks Service Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d468548-a7d4-4a05-9991-a71682a3d6f6/mark-tegethoff-NbgQfUvKFE0-unsplash.jpg</image:loc>
      <image:title>read - Borderlands Corpus - Make it stand out</image:title>
      <image:caption>Photo: Mark Tegethoff</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-place-across-the-river</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef26158c-dd9d-4ed4-8d92-01344422d4f6/canoe-2800727_1280.jpg</image:loc>
      <image:title>read - The Place across the River</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ec65bb62-c0c7-466e-bec3-621a29457ed6/The+Place+across+the+River.jpg</image:loc>
      <image:title>read - The Place across the River</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/answering-gods-call-with-confidence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/acc7f576-b009-4a54-9218-152948df79df/48759778782_278568c812_k.jpg</image:loc>
      <image:title>read - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>Detail from fresco depicting the Prophet Isaiah heeding God’s call, painted by Michelangelo and his assistants between 1508-1512 for the Sistine Chapel in the Vatican. Photo: Richard Mortel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d32cd39-5303-4341-8b1a-9dcc3fad9fa4/moses.jpg</image:loc>
      <image:title>read - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>The Trials and Calling of Moses (1481-82), fresco by Sandro Botticelli, Sistine Chapel, Vatican. Located on the wall opposite The Temptation of Christ (1480–1482), also painted by Botticelli, the painting integrates seven episodes from the life of the young Moses. Source: Web Gallery of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9319a0da-687b-42e0-a16a-0a4954c72271/The+Calling+of+the+Apostles+Peter+and+Andrew.png</image:loc>
      <image:title>read - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/751fba2f-be68-4300-8259-8f5d211891bf/God-Given+Dreams-Gavilanes.jpeg</image:loc>
      <image:title>read - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>God-Given Dreams: 6 Ways to Live Your Divine Purpose By Nancy Gavilanes NavPress, 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9bdf02b5-b3c7-4448-9762-ebece0c42aa1/pictorialbibleco00cobb_0259.jpg</image:loc>
      <image:title>read - Answering God’s Call with Confidence - Make it stand out</image:title>
      <image:caption>“The Fleece of Gideon” in The Pictorial Bible and Commentator: Presenting the great truths of God's word in the most simple, pleasing, affectionate, and instructive manner (Bradley, Garretson &amp; Co., 1878) by Ingram Cobbin. Source: Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/a-pregnant-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ffc81e8e-d0ae-45d8-90e1-a33af2bf2fc0/smith_wtr_baptism.jpg</image:loc>
      <image:title>read - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>A Baptizing on the South Branch of the Potomac near Franklin, Virginia (1844) by William Thompson Russell Smith; oil on canvas; 12 x 18 1/8 inches. Source: The Johnson Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ff8608e-1680-4e2d-bb9e-acb07ca2957a/Old_Town_Dawn_%2886554953%29.jpeg</image:loc>
      <image:title>read - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>Dawn breaking over the Potomac River as seen from the waterfront in Old Town Alexandria, Virginia, 2014. Photo: Mark Fischer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/85bc40b2-d939-442b-a246-b5ad1e3c7ba8/Sunset+Potomac+River_D.+Lentz.jpeg</image:loc>
      <image:title>read - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>Sunset over the Washington Monument and the Thomas Jefferson Memorial on the Potomac River, Washington, D.C., 2022. Photo: D. Lentz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf2a626f-6f04-41b6-84e8-b4bba8cc150d/Firework3+2024.jpg</image:loc>
      <image:title>read - A Pregnant 2024 - Make it stand out</image:title>
      <image:caption>New Year’s Eve fireworks over the Potomac River, Virginia, 2024. Photo: Doris García-Rivera</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/relatos-de-la-cotidianidad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/89f9008c-7fd7-4750-945f-384744c7c643/Laguna+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Laguna, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5344a8e5-6b8b-40d9-86d5-3474edde16dc/San+Benito%2C+talla+de+Alberto+Manzanilla%2C+2005.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>San Benito, talla de Alberto Manzanilla, 2005. Foto: Willian Olmos</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1708655549331-KJXFFK0HZ55PYHOYHKIC/Montan%CC%83a+de+Carabobo%2C+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Montaña de Carabobo, 2024. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4285ad97-151f-4217-a582-3e74c1e4a260/Peni%CC%81nsula+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Península, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
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      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Retoño, pandemia, junio 2021. Foto: Mayela Seijas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2493d7aa-c703-477f-b3bf-df0fba62a1fd/Aves%2C+peni%CC%81nsula%2C+2014.+Foto+Willlian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Aves, península, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba3c04e5-4713-4891-ab16-dc815ec26da4/Picacho+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Picacho, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/27f8272e-8599-46d4-b44c-c2fe17170717/Agricultor+2022+Dibujo+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Agricultor, 2022. Dibujo: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02cca74e-5513-4a89-ba1c-295e8ca156e8/Bojo%2C+2014.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Bojo, 2014. Foto: Willian Olmos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4d57f063-a9ba-44de-9eb0-97c6fc380c89/Ame%CC%81n%2C+2023.+Foto+Willian+Olmos.jpg</image:loc>
      <image:title>read - Relatos de la cotidianidad - Make it stand out</image:title>
      <image:caption>Amén, 2023. Foto: Willian Olmos</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/notes-from-el-mundo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8ce48be1-62bf-4501-a269-bea29c4cb62f/33810726644_1a5e3605d6_k+%281%29.jpg</image:loc>
      <image:title>read - Notes from El Mundo</image:title>
      <image:caption>Great-tailed grackle or Mexican grackle (Quiscalus mexicanus), Jim May Park, Santa Maria, CA, 2017. Photo: Jamie Chavez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c6e725cf-cdfe-4a79-952e-3578d276ee80/speaking+with+grackles+by+soapberry+trees.jpg</image:loc>
      <image:title>read - Notes from El Mundo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7cf5c13b-32c9-4438-89f9-44e450d5089c/enormisimo_cronopio_by_andreab90_d1jfd4o-fullview.jpg</image:loc>
      <image:title>read - Notes from El Mundo - Make it stand out</image:title>
      <image:caption>Enormísimo Cronopio (2008) by Andrea Baretto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4370ecad-7f27-49ac-8a8a-fb99091420af/4487891871_fd8aa4d54f_o.jpg</image:loc>
      <image:title>read - Notes from El Mundo - Make it stand out</image:title>
      <image:caption>Making a statement in Mission District, San Francisco, CA, 2010. Photo: Ed Bierman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf3ec65b-56d8-4925-873e-20ae00844630/market-L.jpg</image:loc>
      <image:title>read - Notes from El Mundo - Make it stand out</image:title>
      <image:caption>Check-out line during a Fruit &amp; Veggie Festival at a supermarket, Santa Ana, CA, 2008. Photo: heacphotos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f69f0e0e-8831-466e-9db8-d36ca0e8e6d8/33608162756_96e99fb1ce_o.jpg</image:loc>
      <image:title>read - Notes from El Mundo - Make it stand out</image:title>
      <image:caption>Loteria cards, introduced into Mexico in 1887 by French businessman Don Clemente “Gallo” Jacques. Photo: Susan von Struensee</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/un-arbol-nuevo-nace-en-brooklyn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f36c2f25-5a05-455e-824e-30d564a10446/transfiguration_1924_Brooklyn+Eagle.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>La iglesia Transfiguración, Brooklyn, NY, 1924. Fuente: Brooklyn Daily Eagle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/69024575-6dff-4e95-82e7-d7a93b2dfd0e/Slide16.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2ffcef8b-1ac2-4d5d-97d3-8b5b5e6e3548/Peggy-Bryan_Los+Sures_1971.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>La Hna. Peggy Walsh (izq.) y el Padre Bryan en Los Sures, Brooklyn, NY, 1971. Cortesía de la Iglesia Transfiguración</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704689038790-YQSOTZMHSD50YF29LJKH/IMG_1442.jpg</image:loc>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - Rosario fraternidad.jpg (Copy)</image:title>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - IMG_1441.jpg (Copy)</image:title>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - IMG_4776.jpg (Copy)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e362d2b-6d14-442f-80f0-c9d85342c53b/Bryan+Karvelis_oficina+parroquial_1987.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>P. Karvelis en su oficina parroquial, Brooklyn, NY, 1987. Cortesía de la Iglesia Transfiguración</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704687594158-3R277GZUGXSISEOQBNG4/karvelis-marcellus-ways.jpg</image:loc>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - Peggy-Way.png (Copy)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b71aad45-6851-47bc-a067-3886f2bda7e2/Marianettes_1959.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>El club social Las Marianetas, formado por la Hna. Peggy Walsh, frente al convento en un desfile de Epifanía, donde las participantes sostienen un enorme rosario como símbolo de unidad, Brooklyn, NY, 1959. Cortesía de la Parroquia Transfiguración</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704688354083-BA5XGVB0WPE8WD56PHRY/Fr.+Anthony+Hernandez_alberto-reyes_Bedford-Bowery_2013.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Fr. Anthony Hernandez_alberto-reyes_Bedford-Bowery_2013.jpg (Copy)</image:title>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - P. Jeremias y Alejandro.JPG (Copy)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704738239293-YMC8ZQX36WU0MLLMAP87/Trans-collage-edited.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1704738314880-IMXSX7HCVB8M6HH991VJ/Transfiguration_mural+by+NRosario_Yzuel_2015-07-07-105.jpeg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Transfiguration_mural by NRosario_Yzuel_2015-07-07-105.jpeg (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5ad525f4-9fc0-4282-a620-498b913afc8f/Albert-Ortero.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Albert Ortero, ex-miembro de pandilla, trabajó con P. Bryan Karvelis para establecer el grupo de jóvenes Los Corintios; ca. 1959. Fuente: New York City Fighting Gang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d62bc93b-5fd2-4349-a259-82dc907694f4/Peggy-sisters-apt_1960s.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Las hermanas del convento, siguiendo el ejemplo de Carlos De Foucauld en Los Sures, Brooklyn, NY, 1968. Cortesía de la Iglesia Transfiguración</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1705288981972-C1MC5Z96HSF1M0CQ4J4Q/Violeta+Cruz.jpeg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Violeta Cruz.jpeg (Copy)</image:title>
    </image:image>
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      <image:caption>Dibujo original de Carlos de Foucauld del Monasterio de Santa Clara en Jerusalén, realizado durante su estancia allí en los años 1897-1900. Fuente: Monasterio de las Clarisas de Jerusalén</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Detalle de un cuadro (artista desconocido) que representa a Carlos de Foucauld como el tronco del árbol "La Gran Familia de la Transfiguración." Cortesía de la Iglesia Transfiguración</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/99ecbc1d-5758-42d4-b5eb-1600b9eb9774/Ministries_Brochure+cover.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a8f6ea3a-f561-42c3-9cce-434d3f06b653/Ministries+brochure_2017.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Folleto distribuido durante la celebración del décimo segundo aniversario de la muerte del Monseñor Bryan Karvelis, Brooklyn, NY, 2017. Enumera los ministerios que fundó en la parroquia entre 1956 y 2005. Cortesía de la Iglesia Transfiguración</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/197c12d4-7c6d-408d-a212-17f73717adb5/Ministries+brochure_2017.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0135e8ee-169f-4359-8ae1-5c9e597900fb/collage+Tabor.jpg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Imágenes de Tabor, lugar de retiro de la Iglesia Transfiguración, Briarcliff Manor, NY. Lleva el nombre del monte Tabor en la Baja Galilea, lugar de la transfiguración de Jesús. Cortesía de la Iglesia Transfiguración y de Juan Yzuel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d1c6a5d-4051-476e-b751-8c1e1451b7a9/Conclusion+II.jpeg</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a17190c-988d-4772-8eeb-b34b5fd8fe2f/Portada+del+Boletin+Iesus+Caritas+no.+112_marzo-agosto_1997.png</image:loc>
      <image:title>read - Un árbol nuevo nace en Brooklyn - Make it stand out</image:title>
      <image:caption>Boletín Iesus Caritas, no. 112: “En la escuela de Carlos de Foucauld” (marzo, abril, agosto 1997), Familias Carlos de Foucauld.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-universe-divine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/84a0ca30-9af5-40c3-b64a-c9ea6c35338b/4443179549_01ee1a2380_k+%281%29.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>The Houston metropolitan area–called the "energy capital of the world" due to its role as a major hub of the petroleum and other energy resource industries–photographed at night by an Expedition 22 crew member on the International Space Station. Houston, Texas, 2010. Photo: NASA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c1ac8cc4-7829-4c8a-9552-82f3a0d3cb14/16398499366_0cfe0516ca_k+%281%29.jpg</image:loc>
      <image:title>read - The Universe Divine</image:title>
      <image:caption>Homemade shrine featuring Our Lady of Guadalupe, Staten Island, NY, 2014: “The guy who built it told me he started working on it nine years ago…He also invited me to his annual party here in December. He said there would be a mariachi band and that everyone would be welcome, Mexican or not.” Quote and photo: Matt Greene</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de29a839-a20c-453c-a978-b229a8d146fc/71LRvTucmwL._SL1360_.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>You Know What I'm Sayin'?Daniel García Ordaz El Zarape Press, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5fef66c7-118e-4d68-8f35-b236b10b223d/dyu-ha-nGo-UVGKAxI-unsplash.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>Photo: Dyu-Ha</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc9c4cd7-9147-4a06-9804-dbf978674389/61%2BwR6m7EwL._SL1360_.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>Cenzontle/Mockingbird: Songs of Empowerment  Daniel García Ordaz FlowerSong Press, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e46ed59e-df41-4811-b38c-c952c138f8c7/8167201924_d2d77b76a3_o.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>Xcaret gift shop, Playa del Carmen, Quintana Roo, México, 2012. Photo: josullivan.59</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/464a0d3f-eb32-42ea-bc93-0713eb943cb1/51ACuQIc3UL._SL1491_.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>Read Until You Bleed: funny &amp; thoughtful poems for funny &amp; thoughtful children Daniel García Ordaz El Zarape Press, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/258ad566-4ed9-4280-b1a4-b4704aa1167b/61Oxo1npQuL._SL1499_.jpg</image:loc>
      <image:title>read - The Universe Divine - Make it stand out</image:title>
      <image:caption>Cenzontle/Mockingbird: Songs of Empowerment (YA Edition)  Daniel García Ordaz El Zarape Press, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-stupidest-angel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/43fe8bd8-c271-4310-bf44-29c1fe702ed2/Francisca+Corona+Terrazas.jpg</image:loc>
      <image:title>read - The Stupidest Angel - Make it stand out</image:title>
      <image:caption>Francisca Corona Terrazas. Courtesy of Beatriz Terrazas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/132d290d-5f35-4402-90c9-c8932bf8243c/5224579875_51f52a305a_o.jpg</image:loc>
      <image:title>read - The Stupidest Angel - Make it stand out</image:title>
      <image:caption>Holiday fireplace display (see book list) at the Carl A. Pescosolido Library, known as “Pesky Library” by students at The Governor’s Academy, Byfield, MA, 2010. Photo: Pesky Librarians</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/return-to-rancho-la-ceja</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0f87c5e3-37ed-41bf-90b4-8ee29926a81b/One-Family-Two-Homenands-Macarena.png</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Author photo superimposed over cover page for Macarena Hernández’s “One Family, Two Homelands,” San Antonio Express-News, 19 December 2004.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/26ff5a57-ac13-4ee7-9749-724894a06544/RANCHO_CHPT_4_2.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Empty swings in nearby Dr. Coss, the biggest town and namesake of the municipio, Nuevo León, Mexico. Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/546d4069-3613-427b-a4d5-82f96bfb70eb/J.+Feast+together+10.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>We feast at funerals. Get reacquainted. Those who left with those who wouldn't or couldn't. Later, as we drive away, we'll lament their lack of options. Wonder what will become of them. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5586e6a2-3eb3-4a58-b852-1fc003d777e6/TriptoCemetary.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>A few of my cousins, a nephew, and I (center left) ride in the back of the pickup carrying my grandmother’s body to the rancho’s cemetery. Sobbing by the foot of the coffin is my cousin Miriam (third from right). My cousins and I haven't been in the back of a pickup, driving through the ranchos, since we were kids, hitchhiking to the Elizondo store in Serafín. Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/316e4376-a147-4257-8363-beccddf12f0f/Medium+sized+JPEG.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja</image:title>
      <image:caption>Presa Marte R. Gómez, Tamaulipas, Mexico, ca. 1950. Source: Mediateca Instituto Nacional de Antropología e Historia (INAH), México</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/654ac65d-d96f-43d2-9993-401cb6f56e3c/Carrot+workers.jpeg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>“Mexican girl, carrot worker[s],” Edinburg, Texas, 1939. Photo: Russell Lee. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de0f076f-63de-4233-a828-9d1dd8bc9d50/Tizoc+still.jpeg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Mexican silver screen's Golden Era actors María Félix (“La Doña”) and Pedro Infante, shown in a still from the 1957 award-winning film Tizoc: Amor indio, Infante's last film before his death in a plane crash that year.</image:caption>
    </image:image>
    <image:image>
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      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva (right) runs into a long-lost relative at the cemetery during Día de los Muertos, Nuevo León, Mexico, 2003. At the height of its glory, the rancho hosted the biggest dance of the year on Day of the Dead. Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5b97e406-aa24-4168-a0c1-998e4ae47630/D.+Religion.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Many on the rancho claimed to be Catholics, although the priests only showed up to ask for ofrendas and to baptize the huercos. But when I was a kid, there was a vocal minority of Baptists and Pentecostals, most of them having come across their new religion on migrant farmworking routes north. These were the most forceful believers. Their millennials will prefer nondenominational mega churches. Photo: Macarena Hernández</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29b3c53f-50f9-4f85-8cb5-00b425a8759b/UelitaCecilia.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Uelita Cecilia, shortly before her passing, Nuevo León, Mexico, 2003.  Photo: Delcia López / San Antonio Express-News</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/13c0e928-9572-47c1-9ba0-4a5bcd316108/F.+Memories+and+ruins+6.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Memorias y ruinas. Many empty and dilapidated homes sit waiting for their owners who left for the United States, often with promises to come back, Nuevo León, Mexico. Photo: Macarena Hernández</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81c60660-bd64-4a87-a3ff-55597992409b/A.+Dusty+Roads%2C+Page+1.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Las familias Reyna y Hernández are from the desolate dirt roads just south of the Tamaulipas state line– two and a half hours north of Monterrey, Mexico's third largest city, an hour south from the Texas-Mexico border. Still, a world away. Photo: Macarena Hernández</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02fa9bbe-09cb-4254-9cbb-7525f14336ba/C.+Our+Family+Crest+3.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>“Señor, bendice nuestro hogar [Lord, bless our home]”: The Reyna Salinas family crest at Rancho La Ceja, Nuevo León, Mexico, 2004. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bb79c24a-4bab-4b8c-9e4b-d9b94f248a4c/Hernandez-Write+to+Change+the+World+.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Presenting at a Write to Change the World seminar, led by the OpEd Project, Simmons College, Boston, MA, 2016. Photo: Mary E. Cronin/The Byline Blog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b605159-61c0-40f3-9fee-77ed6cfe71c8/RANCHOEntrance.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My grandfather José María goes to La Ceja, Mexico to forget what he doesn't want to remember. In La Ceja, he is still el rey, the king, though almost everyone else has left for the United States, where, he says, “all you do is watch television…You go from your bed to the living room to the kitchen to the bathroom. Eso no es vida." Photo: Delcia López / San Antonio Express-News</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc35f94b-95a9-4662-b6db-cc871d926c25/16495747705_7ad6339884_k.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Santuario Piedra Herrada monarch butterflies sanctuary, Temascaltepec, México, 2015. Monarch butterflies are important cultural symbols in Mexico, where their arrival symbolizes the return of the souls of ancestors and coincides with Day of the Dead. Photo: Adam Jones</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7b7f6dcd-956e-4d0e-b481-a3afcbf374b4/E.+Dust+portraits+5.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Dusty portraits still hanging from walls in vacant homes, Nuevo León, Mexico. Owners away up north, en el otro lado. Reminders that there was once life here. Photo: Macarena Hernández</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04e43071-c8fc-41ca-941f-3a9a1272e3b2/RANCHOdinnertable.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Left to right: My mother María Elva, my grandparents Cecilia and José María, and my aunt Lupe at her kitchen, Nuevo León, Mexico, 2003. Even when everyone else had left Mexico, my tía Lupe and her husband Lico remained. When my mother visited from the United States, we would all drive down the gravel door—a few miles north—to sit in Tía Lupe’s kitchen and tell stories. Photo: Delcia Lopez / San Antonio Express-News</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f5678fd-8315-440e-9d1d-5f877eec7ef4/MOMatRancho.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva at the rancho, Nuevo León, Mexico, 2004. She begged my grandfather José María to let her move away. "Apá used to say that a woman's job was in the kitchen. Only men could study," my mother says, her voice trembling with anger. She finally left the ranchos when she was 17 and returned a couple of years later.  Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f819c8e0-4f0d-4df6-9b22-1a79f61b990b/I.+Blank+granite%2C+9.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My father has been buried in the Sara Flores Cemetery in Nuevo León, Mexico since 1998—a few feet from his parents' graves and his beloved grandmother Manuela, and next to his younger brother Enrique, who had also died in a car accident nine years earlier. The blank granite marks where my mother's grave awaits. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68c2c92a-6dac-47bd-8394-b25c2ac48966/Q.+Mom+wth+len%CC%83a+17.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>My mother María Elva collecting leña, Nuevo León, Mexico, sometime after 2004. The cartel turf war may not be over, but for now it is quiet. So she'll hitch a ride south with a sibling, pay for their gas and meals. She wants to collect wood, cook in la chimenea. Forget that most of her loved ones are dying or dead. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/33724efa-254b-442d-957d-36ed6a605c21/M.+Pemex+13.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Petróleos Mexicanos (Pemex) workers drilling for black gold brought some paved roads and business to Serafín, Mexico. Not enough for most to live on. But not everyone can get a Pemex job. Those men come from elsewhere. El Cartel pays the locals to be watchmen. $300 per month. $200 more than ISIS. Best job in town. Photo: Macarena Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e2fff57f-f97e-4712-b1b7-c09a49717834/GrandpaCasket.jpg</image:loc>
      <image:title>read - Return to Rancho La Ceja - Make it stand out</image:title>
      <image:caption>Standing in front of my grandmother Cecilia’s coffin, my grandfather José María cries openly for the first time his grandchildren can remember.  Photo: Delcia López / San Antonio Express-News</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/2023-highlights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/60c28536-e509-4bc0-a1e6-616a5a5c641e/The_Bible_of_Borso_d%27Este%2C_f._33r.png</image:loc>
      <image:title>read - Our Year of the Rabbit</image:title>
      <image:caption>From the Bible of Borso d'Este/Bibla latina [f. 33r, Ms. Lat. 422] (1455-1461), created at the same time Johann Gutenberg was producing the first printed Bible from moveable type. Source: Biblioteca Estense di Modena. Photo: Per Se</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/cultivation-of-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1070ddd-be3c-483c-a4e8-5b63e128417c/Paolo-Piscitelli_image2.jpeg</image:loc>
      <image:title>read - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cac32758-005b-41b7-b217-94021205df3b/image0.jpeg</image:loc>
      <image:title>read - Cultivation of Life</image:title>
      <image:caption>Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3932afe-6d5a-4d94-bef7-8987d5d19acb/Ambivalence_Paolo-Piscitelli.jpeg</image:loc>
      <image:title>read - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Ambivalence (2023) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95d43e44-3df6-460f-92d4-3ef080ecaeb3/image1.jpeg</image:loc>
      <image:title>read - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Eden (a sculpture of the world that has nothing in common with the world) (2022) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/70bcef92-0f84-4ce2-827b-1c6a0196a901/image4.jpeg</image:loc>
      <image:title>read - Cultivation of Life - Make it stand out</image:title>
      <image:caption>Extended (2020) by Paolo Piscitelli. Courtesy of Paolo Piscitelli</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/digital-tutor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/084866d4-fba8-42ba-9868-044efbe58c06/unnamed+%281%29.png</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>José Balcells (top left) authored the content for the discipleship DT course “This Is The Way!” using the technology developed by the team at Exquisitive. Shown with Balcells are some of the team members, discussing options for developing the course in Spanish: (top row, from center) Carole Balcells and Alex Broadwin; (2nd row, from left) Eric Bailey [CEO, Co-founder], Magdalena Mazur, and Tristan Beavitz; and (3rd row) Pavel. Courtesy of José Balcells</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29981966-ec7a-4d12-bfd6-64f09bcc133c/journal.pone.0249769.g001.PNG</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>Using AI, researchers were able to identify textural patterns within the text of a Dead Sea Scroll for a better understanding of the Bible’s ancient scribal culture. Image: Maruf A. Dhali/University of Groningen. Source: Popović, Maruf A., et al. “Artificial intelligence based writer identification generates new evidence for the unknown scribes of the Dead Sea Scrolls exemplified by the Great Isaiah Scroll (1QIsaa).” PLoS ONE 16(4): e0249769. doi.org/10.1371/journal.pone.0249769</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1700542140982-M4HSLK1BLMKEHQ6HCIV8/unnamed4.jpeg</image:loc>
      <image:title>read - Digital Tutor - unnamed4.jpeg (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1700542126380-QZ71R65M8Y7265EBO5EC/unnamed.jpg</image:loc>
      <image:title>read - Digital Tutor - unnamed.jpg (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36d3e93c-3ba2-44d1-9fc8-7434908f15ec/wisdom_of_the_bible_1611_ebook_by_retroreloads_dc62p05-pre.jpg</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>Image: retroreloads</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bb1465a2-d45e-48e7-a403-d4fc689d7441/unnamed5.png</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>Screenshot of the DT for “Follow Me!,” a lesson from the Iodea course “This Is The Way!” Participants can interact with the biblical text as they read, think, and decide on options. The DT and the AI technologies allow learners to explore various choices and receive immediate feedback that can guide the learner towards the teaching objective. Courtesy of José Balcells</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/767b0e64-835a-427d-bdcd-1e91f8f6aae1/unnamed3.jpeg</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>Representatives from different churches meet to discuss the logistics of an upcoming cohort for the Iodea DT course “This Is The Way!” in Humacao, Puerto Rico, 16 November 2023. The DT, in combination with an on-site workshop, is a valuable tool to promote interdenominational efforts. Shown, left to right: Father Floyd Mercado (La Sagrada Familia Catholic Church, Humacao), Pastor Joe Ramos (Palmas Community Church, Humacao), and Pastor Kiki McManus (Amore Church, Humacao), and José E. Balcells (Iodea). Courtesy of José Balcells</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6905f9f6-c653-426b-a3cc-4ed6f991f379/unnamed2.png</image:loc>
      <image:title>read - Digital Tutor - Make it stand out</image:title>
      <image:caption>Screenshot of a digital tutor (DT) showing how the tool can be used in learning foundational aspects of Biblical Hebrew. Depicted is the DT for “In Search of Disciples,” a lesson from the Iodea course “This Is The Way!” The left side of the screen shows the ongoing interactive dialogue that guides the participant with questions and activities. Content on the right side of the screen then changes as needed to support the given questions or activities. This right side can be designed with text or illustrations onto which the learner can perform specific tasks. Courtesy of José Balcells</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/sountracking-blue-beetle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf0e21a6-c8fc-4f84-87af-2ea7ec199dc3/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>read - Soundtracking ‘Blue Beetle’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e949727-4566-405e-8762-be3404ecd4aa/neomi-de-anda-st-marys.jpg</image:loc>
      <image:title>read - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Neomi De Anda Exec. Director, International Marian Research Institute Tenured Associate Prof., Dept. of Religious Studies, University of Dayton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dcefe26f-3966-43ee-9ae6-98bb55cbe829/DC_News_BlueBeetle-familia.jpeg</image:loc>
      <image:title>read - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Jaime Reyes (Xolo Maridueña, center) y familia in Blue Beetle (2023). Photo:  Hopper Stone/SMPSP/DC Comics</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/83550276-300f-4698-afcf-05b0269ee113/Blue+%281%29.jpg</image:loc>
      <image:title>read - Soundtracking ‘Blue Beetle’ - Make it stand out</image:title>
      <image:caption>Display items for “Turning Cheeks? Blue Beetle and Religious Symbols: An Immersive Lecture Experience,” featuring theologian Neomi De Anda, at St. Mary's University, San Antonio, TX, 2023. Courtesy of Sudabée Lotfian-Mena and Neomi De Anda</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/flor-de-cocula</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699468183934-I7X4MT4NQSNRL74V3OSE/young-Don-Chuy.jpg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam - Make it stand out</image:title>
      <image:caption>Contreras Farm founder Jesús “Don Chuy” Contreras in his earlier years. Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d746235-8fb7-44fd-bced-eb36336b1232/Jesus+Contreras+Villegas_Consuelo+de+Cocula.jpeg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470874217-H8IYQZ3UT5IFGFSEYWRM/unnamed+%282%29.jpg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470908759-QOCB9MEGUW42P3I4D42R/unnamed+%284%29.jpg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470599667-5PHNSUJWPQZXV37P0XNR/unnamed+%287%29.jpg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>La Familia Contreras. Seated, left to right: Rosa María and Jesús Contreras; standing, left to right: Jesús, Erika, Mayra, Lucy, Rosy. Courtesy of Familia Contreras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1699470575959-SDZXSMWI3PKJVEX10S1A/unnamed+%286%29.jpg</image:loc>
      <image:title>read - Flor de Cocula: Jesús in memoriam</image:title>
      <image:caption>Jesús Contreras and Luna, his faithful and loyal companion. Courtesy of Familia Contreras</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-sweetcake-enso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5eeb676a-6304-4a14-9eed-c2d6c0c2b0eb/Enso+collage_Annecy+Baez_2023.jpg</image:loc>
      <image:title>read - The Sweetcake Ensō</image:title>
      <image:caption>Ensō collage by Annecy Baez, 2023</image:caption>
    </image:image>
    <image:image>
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      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>The late Jion Susan Postal (foreground), founding teacher of the Empty Hand Zen Center, and the late teacher and Dharma heir Myozan Dennis Keegan at the zendo’s garden, New Rochelle, NY, ca. 2010. Photo: Annecy Baez</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1698636864432-NZYVCA8R38ATWZD5JES8/IMG_1784.JPG</image:loc>
      <image:title>read - The Sweetcake Ensō - IMG_1784.JPG (Copy)</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1698636871787-Y6924KTEAOX11J1VV4JT/IMG_1783.JPG</image:loc>
      <image:title>read - The Sweetcake Ensō - IMG_1783.JPG (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1698636887318-SATVVQJH0M0L706KOGD5/IMG_0333.JPG</image:loc>
      <image:title>read - The Sweetcake Ensō - IMG_0333.JPG (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3cb4356-e7ed-4dc0-adb6-180c26bd9ed8/enso+stone_Won+Dharma+Center_2023.jpg</image:loc>
      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>The ll Won Sang (O), the circular symbol of the Dharmakaya Buddha, at the entrance of the main Meditation Hall at Won Dharma Center, where Annecy Baez currently practices meditation, Claverack, NY, 2023. Photo: Annecy Baez [‘Won’ (圓), meaning ‘circle,’ and the Buddha Nature of all beings]”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f8a48209-c7fc-480c-a667-6c225a24c1bf/Sweetcake+enso+in+garden_2010_Annecy+Baez_2.JPG</image:loc>
      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Sweetcake ensō by Annecy Baez, Irvington, NY, 2010. Photo: Annecy Baez</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50586fed-be9d-447c-bed1-bef7db440c93/sweetcake+enso_2010_Annecy+Baez.JPG</image:loc>
      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Sweetcake ensō by Annecy Baez, displayed near the garden entrance of the Empty Hand Zen Center during its Sweetcake Enso exhibition, New Rochelle, NY, 2010. Photo: Annecy Baez</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7df2fd29-cb8f-45b6-b86a-b47cf65e4836/Enso+blurry_Annecy+Baez.jpg</image:loc>
      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>“Ensō blurry” by Annecy Baez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6917a0da-7bb5-42af-87a4-40ae670259a8/Brush+Enso_Annecy-Baez_2023+.jpg</image:loc>
      <image:title>read - The Sweetcake Ensō - Make it stand out</image:title>
      <image:caption>Digital brush ensō by Annecy Baez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/barrio-poet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b87fbf3b-6176-4273-b2f1-8a73487230fa/We%27re+all+in+the+same+boat_Banksy.jpeg</image:loc>
      <image:title>read - Barrio Poet - Make it stand out</image:title>
      <image:caption>“We’re all in the same boat,” mural by Banksy, England, 2021. Photo: Adrian S Pye</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c08ef48b-88b1-484a-8e9a-77d9843edf45/3148575107_c510b7dc25_k.jpg</image:loc>
      <image:title>read - Barrio Poet - Make it stand out</image:title>
      <image:caption>Detail of “Swinger” mural by Banksy, now mostly destroyed, Lower 9th Ward, New Orleans, Louisiana, 2008. Photo: Infrogmation of New Orleans</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/391fca44-6406-46ca-9b99-a5d4106dcf19/1440141340_d92e646652_k.jpg</image:loc>
      <image:title>read - Barrio Poet - Make it stand out</image:title>
      <image:caption>“Passage des Postes” by Jean-François Perroy AKA Jef Aérosol, Latin Quarter, Paris, France, 2007. Photo: Wally Gobetz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc94c023-8fa5-4d3b-bd82-651e147267d7/51852727861_b7b7b028d1_k.jpg</image:loc>
      <image:title>read - Barrio Poet</image:title>
      <image:caption>“From the Dirt a Flower Must Grow” (2015), mural by anonymous street artist HiJack on the wall of the Snake Pit Alehouse, Melrose Avenue, Los Angeles, CA, 2015. Photo: Thomas Hawk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e4f7236-3dd0-4108-89b1-c9d4b5c5ad70/zebra_stripes.jpg</image:loc>
      <image:title>read - Barrio Poet - Make it stand out</image:title>
      <image:caption>Mural of woman hanging zebra stripes out to dry by Banksy, Timbuktu, Mali, 2008. Photo: BANKSY project by Alyssa Argento, Abdual Nadeem, and James Farley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2d44402-3be6-4f61-b2ec-b416273b2cfd/By+Throat-By+Miracle-Vidaurre.jpg</image:loc>
      <image:title>read - Barrio Poet</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7cdd59f6-cb62-4f09-b3cf-e2bc75df4beb/m-accelerator-R3eho0Smh2E-unsplash.jpg</image:loc>
      <image:title>read - Barrio Poet - Make it stand out</image:title>
      <image:caption>"Made in LA" mural on the wall of the Cisco Home furniture store (closed 2019)—painted over by HiJack to read “Immigrants Made LA,” Melrose Avenue, Los Angeles, CA, 2020. Photo: M Accelerator</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/becoming-sister-ernestine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ac995ffe-bdec-424c-a2d9-ba4a194c1a17/a_young_nun_2006.45.1.jpg</image:loc>
      <image:title>read - Becoming Sister Ernestine</image:title>
      <image:caption>A Young Nun (18th century) by Claude Mellan; graphite and black and red chalk on laid paper, 8 1/4 x 5 15/16 in. Source: Ailsa Mellon Bruce Fund, National Gallery of Art</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1ed0e04d-bf70-4861-8ddc-076e021c826f/Main-Hospital-State-Tubercular-Sanitorium-Postcard-Carlsbad-Texas-TX-1950s.jpg</image:loc>
      <image:title>read - Becoming Sister Ernestine - Make it stand out</image:title>
      <image:caption>Postcard image of Anti-Tuberculosis Colony No. 1 in Carlsbad, TX, n.d. Sixteen miles northwest of San Angelo, Texas in Tom Green County, the sanatorium was the state’s first institution of its kind. Established in 1912, it was renamed the State Tuberculosis Sanatorium in 1913, the McKnight State Sanatorium in 1951, the McKnight State Tuberculosis Hospital in 1955, before finally being converted to the San Angelo State School in 1969. Source: TXGenWeb Project</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58026c42-177e-43e3-846f-9cdcdd234df4/beneath-the-sands-cover-ALCORN.jpeg</image:loc>
      <image:title>read - Becoming Sister Ernestine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/good-docs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1696168164833-2QYN85IYCI4EVL1NRBBZ/image-asset.jpeg</image:loc>
      <image:title>read - GOOD DOCS</image:title>
      <image:caption>Photo: Denise Jans</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/adelante-excerpt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d2cc8ced-57e6-4fa1-8807-53fba8d4d3d9/3452195649_a2a78f8b06_k.jpg</image:loc>
      <image:title>read - Pinta el mapa de la trayectoria de tu vida</image:title>
      <image:caption>Flores del árbol Monguba (Pachira Aquatica), Ceret Sao Paulo, Brasil, 2009. Considerado un símbolo de suerte y prosperidad, este “árbol del dinero” del humedal tropical también se conoce como castaño de Malabar, maní francés, castaño de Guayana, árbol de provisión, nuez de saba, y pumpo (Guatemala). Foto: Mauro Halpern</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e86e0fc-bad0-4cd0-a5e4-b6180feca3ef/adelante_galan.jpeg</image:loc>
      <image:title>read - Pinta el mapa de la trayectoria de tu vida - Make it stand out</image:title>
      <image:caption>¡Adelante!: Cómo ser emprendedora y autosuficiente para alcanzar una vida rica y realizada Nely Galán Spiegel &amp; Grau, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/self-made-excerpt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8470f58d-d148-4290-9b64-1eee340a265f/3453006494_3df721d82f_k.jpg</image:loc>
      <image:title>read - Becoming Empowered, Self-Reliant, and Rich in Every Way</image:title>
      <image:caption>Flowers from the Monguba (Pachira aquatica) tree, Ceret Sao Paulo, Brazil, 2009. Considered a symbol of luck and prosperity, the tropical wetland “money tree” is also known as Malabar chestnut, French peanut, Guiana chestnut, Provision tree, Saba nut, and Pumpo (Guatemala). Photo: Mauro Halpern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fecc21da-5a7b-4634-af92-ddbd9d33f94d/self-made_galan.jpeg</image:loc>
      <image:title>read - Becoming Empowered, Self-Reliant, and Rich in Every Way - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/9-11-at-22</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/122f5b32-9cb7-4732-8115-10913489816c/911_Memorial_South_Pool.jpeg</image:loc>
      <image:title>read - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>View of the 9/11 Memorial south pool, New York, NY, 2023. Designed by architect Michael Arad and landscape architect Peter Walker, the 9/11 Memorial features twin waterfall pools surrounded by bronze parapets that list the names of the victims of the World Trade Center attacks. The South Pool plaques include the names of first responders as well as victims who were killed at the South Tower, on hijacked Flight 175, at the Pentagon, on hijacked Flight 77, and on hijacked Flight 93. Photo: Nadia Eimandoust</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc570f71-82f5-4d73-a5c3-bd3aa10512ed/hispanic-heritage-month-sgt-1st-class-luis-quinones-bf069a.jpg</image:loc>
      <image:title>read - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eed857e2-9ad8-431d-84fb-df6f0de908d8/The+Ground+Zero+Cross_Jordan.jpeg</image:loc>
      <image:title>read - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e3f2339-c77e-4338-88c2-fafe26cd19df/42146575_35b83f7224_h.jpg</image:loc>
      <image:title>read - 9/11 at 22</image:title>
      <image:caption>The World Trade Center (WTC) cross, also known as the Ground Zero cross, New York City, September 2005. Following the 9/11 attacks in 2001, the two broken, cross-like, steel beams had been found by construction worker Frank Silecchia near the 6 World Trade Center debris in Lower Manhattan and was later welded together by ironworkers. The 17-foot-tall cross became an icon of hope and comfort throughout the recovery efforts. On October 4, 2001, it was blessed by Father Brian Jordan during a ceremony at nearby Zuccotti Park, where hundreds of recovery workers and their families had gathered. The Franciscan had been ministering to workers and blessing human remains recovered at the site, comforting rescue and recovery workers after the 9/11 attacks. As detailed in his memoir The Ground Zero Cross (Xlibris, 2017), Fr. Jordan spent Sunday after Sunday holding mass and offering communion at the base of the cross. The WTC cross was lowered into its permanent setting inside the September 11 Museum, which opened to the public in 2012, where it has been on exhibit since 2014. Photo: H. Michael Karshis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6be70f5f-1073-42de-a0af-c4af7ac9a1ef/Journal+of+Hispanic%3ALatino+Theology%2C+Vol.+9%2C+No.+2.jpeg</image:loc>
      <image:title>read - 9/11 at 22 - Make it stand out</image:title>
      <image:caption>Journal of Hispanic/Latino Theology 9.2 (Nov. 2001)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/la-buddhalupana-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e977ef2e-9dec-46dd-bad7-8fb0e02528c9/Sandra+Cisneros_A+House+of+Her+Own.jpeg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Photo of exhibition installation Sandra Cisneros: A House of Her Own, held February 15- July 1, 2017 at The Wittliff Collections, Texas State University, San Marcos, TX. Journalist Macarena Hernández presented during the inaugural symposium to celebrate the launch of the exhibit, which highlighted key artifacts from the Wittliff Collections’ “Sandra Cisneros Papers, 1954-2014.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8882306-1b72-4c66-a5b4-5d8afbe23cd0/Traje+de+tehuana+utilizado+por+Sandra+Cisneros.jpeg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f608bc0e-bac5-4305-b814-3599f2b30953/SandraCisneros.jpg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d87b0c3b-35fc-4dd8-8aeb-eb6e77175f8c/Nezahualco%CC%81yotl+Poetry+Festival%2C+Mexican+Fine+Arts+Center+Museum%2C+Pilsen%2C+Chicago%2C+1991.jpg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Nezahualcóyotl Poetry Festival, Mexican Fine Arts Center Museum, Pilsen, Chicago, 1991. Gelatin silver photograph; 5 5/8" x 8 1/2". Top row: Carlos Cumpían, Luis Rodriguez, Raúl Niño (Chicago), Ray González (Texas), Juan Felipe Herrera (Califas), Rosa María Arenas (Michigan), José Montalvo (Texas). Middle row: Demetrio Martínez (Missouri), Evangelina Vigil (Texas), Raúl Salinas (Texas). Bottom Row: Trinidad Sanchez (Michigan), Sandra Cisneros, Carlos Cortéz (Chicago). Photo: Jeffrey D. Scott. Source: National Museum of Mexican Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/010019be-de61-44e8-8d20-2c94e3fafe23/SC-WomanHolleringCreek.jpeg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Woman Hollering Creek and Other Stories by Sandra Cisneros Random House, 1991</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5605f69-b166-4e64-a286-0c008fa6780e/Cisneros_1981.jpeg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros in Chicago, 1981. Photo: Diana Solis, courtesy of Sandra Cisneros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/149c26a7-eaf6-4273-8747-6d0fa266420b/SC-El+arroyo+de+la+la+Llorona.jpeg</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>El Arroyo de la Llorona y otros cuentos by Sandra Cisneros Vintage Español, 1996</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/df3e3caf-1f0b-4714-99d8-3edb68944afc/Sandra+Cisneros+as+a+Catholic+school+student.png</image:loc>
      <image:title>read - La Buddhalupana Way - Make it stand out</image:title>
      <image:caption>Sandra Cisneros as a Catholic-school student. Courtesy of Sandra Cisneros</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/pura-vida-la-voz-de-queen-nzinga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ffd78f78-8932-4aa3-bb04-50754995fdaa/oshun-nzinga.jpeg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Imagen principal de la página web de la poeta, artista y activista costarricense-jamaiquina Queen Nzinga</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bc39361c-3343-49b2-bd20-dca90ec89011/52081199975_3bc919ac5f_o.jpg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>The French Collection Part I, #4: Sunflowers Quilting Bee at Arles (1996), quilt de la artista y escritora Faith Ringgold, New Museum of Contemporary Art, Nueva York, 2022. Ringgold es conocida por aportar un poder político contemporáneo a las asociaciones históricas del trabajo femenino y la narración de esta forma de arte. En el quilt están representadas ocho poderosas mujeres afroamericanas del pasado y del presente–ellas mismas mostrando un quilt como símbolo comunitario de sus logros. Desde la parte superior izquierda: Madam CJ Walker, Sojourner Truth, Ida Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, Mary McLeod Bethune y Ella Baker. Una novena figura, en la parte inferior izquierda, es Willia Marie Simone, personaje ficticio creado por la artista. Vincent van Gogh, conocido por sus pinturas de girasoles, aparece a la derecha. Foto: Heidi De Vries</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e967958-7b69-4f0a-8cbc-437c8f96fd62/Ann_Zingha.jpg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Queen Nzinga Mbande (Anna de Sousa Nzinga), litografía coloreada a mano de la década 1830, artista desconocido. Nzinga Mbande, reina de los Reinos Ambundu de Ndongo y Matamba, también fue conocida como ‘Reina Ginga' en Portugal y luego 'Ana de Sousa' al convertirse al cristianismo. Fuente: National Portrait Gallery of London</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c417957b-5828-43aa-ba90-ac193da94c99/Phillis_Wheatley_frontispiece.jpg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Phillis Wheatley (1773), grabado sobre papel por un artista no identificado. Secuestrada del África occidental (probablemente en la actual Gambia o Senegal) para ser vendida como esclava, Phillis Wheatley (c. 1753-1784) fue la primera mujer africana y la segunda mujer estadounidense en publicar un libro. Fuente: National Portrait Gallery, Smithsonian Institution</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf490dc7-0681-40b6-b9bc-b7c46c26bd25/Queen-Nzinga.jpeg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Queen Nzinga Sheps, nacida Wendy Maxwell, artista y activista afrocostarricense de ascendencia jamaicana. Nació en San José, Costa Rica, donde se crió en la Comunidad Garveyita de Puerto Limón. Fotografía: Fernando Montero Caballero</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/65b816ae-8e03-49f7-84df-a1e6e386c2c3/teresa+chikaba.jpeg</image:loc>
      <image:title>read - Pura vida: La voz de Queen Nzinga - Make it stand out</image:title>
      <image:caption>Retrato al óleo de sor Teresa Chicaba en el Museo del Convento de las Dueñas de Salamanca, España. Secuestrada de la Costa de Oro (parte de lo que hoy es Gambia) para ser vendida como esclava, Teresa Chikaba (c. 1676-1748) llegó a ser monja y la primera escritora afrohispánica. En “Con la palabra de mujer,” Dlia McDonald Woolery pinta un retrato político, social y religioso de Chikaba, también conocida como Sor Teresa Juliana de Santo Domingo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/forget-me-not-mati-in-memoriam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>read - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>read - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>read - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f17f1e0f-6fc3-4cc6-8ebf-7da60b2310eb/Untitled+design+%289%29.jpg</image:loc>
      <image:title>read - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1692374036441-966SJUFGF5HRZYXF3LNV/Matilde+Kathleen+Moros+%282%29.png</image:loc>
      <image:title>read - Forget-Me-Not: Mati in memoriam - Make it stand out</image:title>
      <image:caption>Photo collage depicting Dr. Matilde “Mati” Moros and photographs she took of the flowers gifted to her throughout her moments of joy and of struggle. Whether sent by her loved ones or nature itself, each flower served as a poignant reminder of the love that surrounded Dr. Moros. Graphic: Isabel Gonzalez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/liminal-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf99e149-0535-451e-980c-a2e46a2adcd8/wandbild_portrait_george_floyd_von_eme_street_art_im_mauerpark_berlin.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Were You There? By Alex Lopez 15 July 2020 Mural portrait of George Floyd by Eme Street Art in Mauerpark (Berlin, Germany); photo by Singlespeedfahrer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf28b1ef-b466-4eb8-ac59-d10fbd4c8efd/alexis-fauvet-l-3otjhmsw4-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Liminality, Communitas, and Hope (Transition, Fear, and Liminality: Part II) By Jonathan L. Best 9 September 2020 Image: Alexis Fauvet</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9d6b5898-ebab-4d8e-9309-42aa301c62b9/mathieu-cheze-thpdigr-txy-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Liberation on the Margins By Rev. Marc Boswell 11 July 2019 Photo: Mathieu Cheze</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d547acbb-34b3-45af-ae33-9eb99e807875/tim-bennett-538189-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Digital Social Space? Interpreting Digital Action and Behavior for Today’s Churches By Jonathan L. Best 3 May 2018 Photo: Tim Bennett</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/91c3a7b9-5ecd-4238-8d26-e3e454c48dd5/james-owen-d1fgjpzikbq-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Never Forget the Rich Young Man: The Liminality of Religious Faith Among Young People - Part 2 By Andrew McCarthy 11 March 2020 Photo: James Owen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8852e9fc-b367-40b2-b8fc-8b4b7a5157dd/mayron-oliveira-1224441-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Lessons from Death An Exploration of the Legacy of Eudel Marcelin By Emmanuel Buteau 13 May 2019 Photo: Mayron Oliveira</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccd4a4a6-d103-44da-ad2c-8cd5c9a64950/robin-worrall-fpt10lxk0cg-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Getting Back to “Community” By Ricardo Gonzalez 1 July 2021 Photo: Robin Worrall</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2297e20c-7edb-4882-8ee3-abb6505de05c/franck-v-jibmsms4_ka-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>A Practical Theological Approach on the Dialogue between Artificial Intelligence and Contemporary Catholicism: A Brief Exploration of Learning Methods By Jane M. Spanich 5 November 2019 Photo: Possessed Photography</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/71ce87b6-a774-4a3a-aa94-15d8663bfa48/tamar.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Tamar, Judah, and Marginalization: A Reflection on Genesis 38 By Thomas Parks 13 December 2021 Image: A Veiled Beauty (1880) by Frederick Arthur Bridgman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/888adfef-6a98-48a7-96c5-c48d8d1a645f/raul-de-los-santos-lqijnfgvuwk-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Mis abuelas y la Teología [My Grandmothers and Theology] By Claudia H. Herrera-Montero 4 August 2021 Photo: Raul De Los Santos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3f34e0d-f891-4049-ae52-be5d2fafd475/joshua-ness-0xftwmrbz_0-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Borderlands of the Bridge Prophet: A Reflection on John the Baptist as a Liminal Figure By Andrew McCarthy 7 August 2019 Photo: Joshua Ness</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3bedcf00-0b65-4d24-b433-5c10ae22ba5f/edward-cisneros-qsa-uv4wj0k-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Never Forget the Rich Young Man: The Liminality of Religious Faith Among Young People By Andrew McCarthy 5 September 2019 Photo: Edward Cisneros</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/770db1fd-c462-4425-897c-2b191183eb6d/aunt_philliss_cabin_1852_-_frontispiece.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>The Negro Spirituals as a Form of Theology in the “Invisible Institution” (Part 2) By Adeline Jean 17 February 2021 Image: ‘Negro Village on a Southern Plantation' in Aunt Phillis’s Cabin: Southern Life as it is (1853) by Mary Henderson Eastman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef3a647a-7a7b-4304-86db-a3eed827656e/1280px-weyden_rogier_van_der_-_descent_from_the_cross_-_detail_mary_of_clopas_saint_john_the_evangelist_and_mary_salome.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Maria Salome: The Unknown Yet Transformative Story of a Woman Disciple of the Early Church By Claudia H. Herrera-Montero 20 May 2020 Image: Detail from Descent from the Cross (14th c.) by Rogier van der Weyden, depicting mourners (from left) Mary of Clopas, Saint John the Evangelist, and Mary Salome. Source: Museo Nacional del Prado, Spain</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b27ff528-73fc-4a87-84de-05bcdda02bfa/liminal.jpg</image:loc>
      <image:title>read - Liminal Theology</image:title>
      <image:caption>Image: Mike Dubyna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954955855-6I4PG05KDJDOF2S6OCWB/jonathan-best.jpeg</image:loc>
      <image:title>read - Liminal Theology - Jonathan L. Best (Copy)</image:title>
      <image:caption>Rev. Dr. Jonathan L. Best holds a PhD in Practical Theology. A North Carolina native, Dr. Best attended both Campbell University and the University of Mount Olive. Currently, he teaches online courses in theology and operates his own editing company (Best Academic Editing). His areas of research include postmodern and continental philosophy, hermeneutics, and social justice. He is the author of A Postmodern Theology of Ritual Action (Pickwick Publications, 2019) and a founding member of the Guild for Engaged Liminality. He now lives in Deltona, FL with his wife, Rebekah, and his daughter Ava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954951641-ALF4GOSEHOI7RMXQ7U82/Marc+Boswell.jpeg</image:loc>
      <image:title>read - Liminal Theology - Marc Boswell (Copy)</image:title>
      <image:caption>Rev. Marc Boswell is the founding editor of Progressive Southern Theologians. He currently serves as the director of the faith-based non-profit Together for Hope in Lake Providence, Louisiana. He has lived in the Delta for the past two years and enjoys photography and writing. His research and teaching interests include constructive/liberation theologies, community development, and race in American culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954952596-UIG2R29542ZM7HVWZEI2/Emmanuel+Buteau.jpeg</image:loc>
      <image:title>read - Liminal Theology - Emmanuel Buteau (Copy)</image:title>
      <image:caption>Dr. Emmanuel Buteau holds a PhD in Practical Theology from St. Thomas University in Miami, Florida. He emigrated from Haiti to the United States in 1993 and currently serves as Executive Director of the Haitian Institute of Atlanta, which he co-founded in 2017 with his wife Danielle and several other friends.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954953892-XIXGRO1WTQB8ORG7OV9F/Ricardo+Gonzalez.jpeg</image:loc>
      <image:title>read - Liminal Theology - Ricardo Gonzalez (Copy)</image:title>
      <image:caption>As a theology teacher at Monsignor Pace High School and professional youth minister for over 25 years, Dr. Ricardo Gonzalez brings a wealth of knowledge on youth and young adult ministry in various contexts. Much of his scholarly and ministerial work revolves around best practice for youth and young adult ministries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954953616-76S8K80R0EP1M4977PM3/Claudia+H.+Herrera-Montero.jpeg</image:loc>
      <image:title>read - Liminal Theology - Claudia Herrera-Montero (Copy)</image:title>
      <image:caption>Dr. Claudia Herrera-Montero is a Catholic practical theologian, educator, and lay ecclesial leader. She holds a PhD in Practical Theology and an MA in Pastoral Ministries from St. Thomas University in Miami, FL. Her doctoral dissertation, “Understanding Contemporary Practical Latino/a Theology Through the Lenses of College-Age Latinas in Their 20’s: A New Marianismo?” has expanded her research on participatory-action with young Latinos/as in the classroom and ministerial settings, as she explores on their faith identity and social location. Dr. Herrera is the former Director of Campus Ministry at St. Thomas University. Currently, she teaches in the graduate program in pastoral ministry at the Southeast Pastoral Institute for Hispanic Ministry (Instituto Pastoral Para el Sureste Hispano). In addition, she serves as the elected Secretary of the Academy of Catholic Hispanic Theologians of the United States (ACHTUS) since 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954954781-MQ5WLL3OWY03VY9NXIK4/adeline-jean.jpeg</image:loc>
      <image:title>read - Liminal Theology - Adeline Jean (Copy)</image:title>
      <image:caption>Adeline Jean is a Doctoral Student of Practical Theology and an adjunct professor of Religious Studies and English Composition (writing and literary analysis) at St. Thomas University in Miami, Florida. She holds a Master’s Degree in English Education. Her recent research work includes a comparative study of the Catholic Mass as simultaneously a story and a narrative and a study of the Catholic Mass at a diasporic ethnic mission church as the site and source of political and social advocacy in the form of a friendship theology. Her current research work focuses on charting the course toward the development of a Caribbean Theology. She recently published her first book, a compilation of memoirs, JESUS Speaks to Me: Whispers of Mercy, Whispers of Love (Xlibris, 2018), a distinctive genre and source of practical theology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954952938-57EI17SMUA1UQQX5OAV1/Alex+Lopez.jpeg</image:loc>
      <image:title>read - Liminal Theology - Alex Lopez (Copy)</image:title>
      <image:caption>A native South Floridian of Cuban descent, Dr. Alex Lopez, like most of us, knows a thing or two about the in-betweens of liminal experiences. He holds a PhD in Practical Theology and is currently an adjunct professor of Religious Studies at Broward College in Pembroke Pines, FL. His areas of research include post-metaphysical theology, political theory, and the role of the imagination in emancipatory thinking. He resides in Hollywood, FL with his wife Isabel, son Logan, and their two dogs Tsuki and Otis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954954727-XMAC6L9GRTE0JMUIA2U3/Andrew+McCarthy.jpeg</image:loc>
      <image:title>read - Liminal Theology - Andrew McCarthy (Copy)</image:title>
      <image:caption>Andrew McCarthy holds a Master’s degree from Asbury Theological Seminary in Theological Studies and is currently a PhD student in practical theology at St. Thomas University, FL. Dr. McCarthy has worked as a missionary in Guatemala, Mexico, Thailand and China. He resides in South Florida.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691979605220-DAW9I03ZPC3EZAGFWEHD/Generic-Profile.jpg</image:loc>
      <image:title>read - Liminal Theology - Thomas Parks (Copy)</image:title>
      <image:caption>Thomas Parks is a recovering academic and a faith reconstructionist. His research interests are in lament poetry and wisdom literature, with a piquing curiosity in narrative homiletics. He has earned a masters from Asbury Theological Seminary and is being called to pursue a PhD of religion, focusing on the Hebrew Bible. Thomas has worked and volunteered in ministry for the past ten years. He lives in central Florida with his wife and two young children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1691954951622-GH1V0Q0N32FJ9GMP36OY/Jane+M.+Spanich.jpeg</image:loc>
      <image:title>read - Liminal Theology - Jane M. Spanich (Copy)</image:title>
      <image:caption>Jane M. Spanich is the Co-director of Campus Ministry at St. Thomas Aquinas High School in Fort Lauderdale, FL. She holds a Bachelor degree in International Affairs from Florida State University, an MLS from Rollins College, and is currently a doctoral candidate in Practical Theology at St. Thomas University in Miami Gardens. Jane is the director of the LEAP Service Learning Program as well as the TEDx event at St. Thomas Aquinas High school where she teaches Leadership and the senior duel enrollment courses, World Religions and Catholic Social Teaching.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17d1b574-94f3-47b9-97a8-630064f5e9f6/liminal-theology+logo.jpeg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a97771c4-0a37-4319-8bef-5f6d85c14e99/fallon-michael-vuwdlbxgogg-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Neither Here nor There By Alex Lopez 11 August 2020 Photo: Fallon Michael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cff43e1b-9c79-43c1-af0e-0e41d67a42c8/martin-adams-709144-unsplash.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Rediscovering the Everyday [lo cotidiano] By Jonathan L. Best 20 December 2018 Image: Martin Adams</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/487028a6-6b63-4dc5-a1dd-68cfd05df254/a5022b_07a7bfcef8ad497b961d2f29f058fc35_mv2-e1612850312910.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>The Negro Spirituals as a Form of Theology in the “Invisible Institution” (Part 1) By Adeline Jean 9 February 2021 Image: Slave Quarters, Louisiana, 1861-1865. Source: www.slaveryimages.org, compiled by Jerome Handler and Michael Tuite and sponsored by the Virginia Foundation for the Humanities</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a2115dd-abbe-4624-8172-b2063b3f5114/bud-helisson-465328-unsplash-e1547675631159.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Remaking the Everyday [lo cotidiano] By Jonathan L. Best 18 January 2019 Photo: Bud Helisson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2723ed48-f9dd-49d0-9b8e-c507b20e10ef/Golden_Lady_Justice%2C_Bruges%2C_Belgium_%286204837462%29.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Justice is Blind By Jonathan L. Best 25 May 2018 Photo: Emmanuel Huybrechts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b28071f5-9827-4b58-8ce8-3c87347634f8/Haiti_16341910841_2a6b5027a8_k.jpg</image:loc>
      <image:title>read - Liminal Theology - Make it stand out</image:title>
      <image:caption>Two Merchants, One Tale: Constructing Justice Through Artistic Encounter in Haiti By Emmanuel Buteau 26 February 2020 Photo: Nathan Congleton</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/finding-la-negrita</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/369a19c2-2f43-42f9-bf7a-ef33ebdcac7b/Old_Ruins_in_Cartago%2C_Costa_Rica_by_Daniel_Vargas_-_25.jpg</image:loc>
      <image:title>read - Finding La Negrita - Make it stand out</image:title>
      <image:caption>View of the Santiago Apóstol [James the Apostle] Parish ruins, Cartago, Costa Rica, 2010. Photo: Daniel Vargas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eeaaad8d-eddf-4808-95f4-e0a928c786ba/Finding+La+Negrita.jpg</image:loc>
      <image:title>read - Finding La Negrita - Make it stand out</image:title>
      <image:caption>Finding La Negrita By Natasha Gordon-Chipembere Jaded Ibis Press, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2288c32-2e17-4ade-bca6-cb9829d90672/Mural_Museo+Municipal+de+Cartago.jpeg</image:loc>
      <image:title>read - Finding La Negrita - Make it stand out</image:title>
      <image:caption>Detail of a mural (2012) by Guadalupe Álvarez Rojas depicting the history of Costa Rica, Museo Municipal de Cartago, Cartago, Costa Rica. It is the first mural of this size to be painted by a woman in Costa Rica. Shown around the yellow flower basket (towards the right) is the legend of La Virgen de Los Ángeles, the nation’s patron saint. This mural detail serves as the book-cover image for the novel Finding La Negrita (Jaded Ibis Press, 2022) by Natasha Gordon-Chipembere. Photo: Esteban Cervantes Jiménez ©2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/will-new-mexico-sing-their-spanish-in-heaven</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1689468414110-69PR6N0LRIKBOVVBY63R/San+Ildefonso+woman+at+Christmas+Day+buffalo+dance.jpeg</image:loc>
      <image:title>read - Will New Mexico Sing Their Spanish in Heaven? - San Ildefonso woman at Christmas Day buffalo dance (Copy)</image:title>
      <image:caption>San Ildefonso woman at Christmas Day buffalo dance, San Ildefonso Pueblo, 1989. Photo: Nancy Hunter Warren. Publisher: Palace of the Governors Photo Archive, New Mexico History Museum, Santa Fe, NM [Negative Number: HP.2003.29.037].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1689468433841-0YYX0ZPQVQ5J9A2SKOB1/Girls+in+procession+honoring+Senor+Santiago%2C+Chimayo%2C+New+Mexico_Warren.jpeg</image:loc>
      <image:title>read - Will New Mexico Sing Their Spanish in Heaven? - Girls in procession honoring Senor Santiago (Copy)</image:title>
      <image:caption>Girls in procession honoring Senor Santiago, Chimayo, New Mexico, 1987. Photo: Nancy Hunter Warren. Publisher: Palace of the Governors Photo Archive, New Mexico History Museum, Santa Fe, NM [Negative Number: HP.2003.29.33].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ab06969a-ba6f-4092-80c2-bdedf60cc558/NM+worshippers_Christian+Silva.jpg</image:loc>
      <image:title>read - Will New Mexico Sing Their Spanish in Heaven?</image:title>
      <image:caption>"Worshippers in Northern New Mexico," created with Imagine AI Art Generator. Image: Christian Silva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c778fc65-4780-4c03-94bf-e23f07aacddf/Nuestra+Senora+de+Los+Dolores_Fresqui.jpg</image:loc>
      <image:title>read - Will New Mexico Sing Their Spanish in Heaven? - Make it stand out</image:title>
      <image:caption>The Murder of Caesar (1865) by Karl von Piloty depicts the assassination of Julius Caesar. “The painting positions Caesar seated, crowned, and robed in a scarlet toga, as the centre and focus of composition. Tillius Cimber is depicted pulling on Caesar's toga to both distract and pin him, as Servilius Casca sneaks behind Caesar and attempts to stab Caesar with a dagger” (Wikipedia).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b2362ad-631b-4487-9ccd-c8a3b3a8e7e2/El+Santuario+de+Chimayo.jpg</image:loc>
      <image:title>read - Will New Mexico Sing Their Spanish in Heaven? - Make it stand out</image:title>
      <image:caption>Altar at the historic Roman Catholic church and shrine El Santuario de Chimayó, Chimayó, New Mexico, 2013. The National Historic Landmark is visited by nearly 300,000 visitors per year. Photo: speedygroundhog</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/tell-somebody</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a5952000-6728-418b-9286-36539f479fcb/still-life-business-roles-with-various-pawns.jpg</image:loc>
      <image:title>read - Tell Somebody</image:title>
      <image:caption>Image: Freepik</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eb433ab2-6256-4b75-9a52-48e7d203be19/jake-thacker-I63YZy3S9Ns-unsplash.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Photo: Jake Thacker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cb2f099c-07c6-4ab0-b21f-ccf2d6e4071d/Recinos-Cover.jpg</image:loc>
      <image:title>read - Tell Somebody</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/030c7ab1-742b-411b-96f1-f872b9900497/illustration-digital-art-minimalism-selective-coloring-umbrella-symmetry-571754-wallhere.com.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc0da289-4543-4d50-831b-e2399c76426c/grandstand-g99393b562_1280.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Image: Anja</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95b51171-2880-4704-9d17-b96a6f76618c/blossom-plant-flower-petal-bloom-rose-1401624-pxhere.com.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e68973d7-a4d6-437e-b788-38dd72834999/Karl_Theodor_von_Piloty_Murder_of_Caesar_1865.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>The Murder of Caesar (1865) by Karl von Piloty depicts the assassination of Julius Caesar. “The painting positions Caesar seated, crowned, and robed in a scarlet toga, as the centre and focus of composition. Tillius Cimber is depicted pulling on Caesar's toga to both distract and pin him, as Servilius Casca sneaks behind Caesar and attempts to stab Caesar with a dagger” (Wikipedia).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3fdd00c4-f0b9-4e65-944a-9b5ee646f62d/lone_candle.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/52b67cb7-6950-47c5-b524-af4af111e6de/IMG_1795-300x225.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Bishop Oscar Romero crosses created on the anniversary of his death by children at St. Peter's Catholic Primary School, United Kingdom, 2017. Assassinated in 1980 while celebrating Mass, Bishop Romero was an outspoken critic of social injustice and violence amid the conflict between the military government and left-wing insurgents that led to the Salvadoran Civil War. Photo: Mrs. L.A. Stokoe, Executive Head Teacher. Source: St. Peter's Catholic Primary School</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a487acd2-5ecf-43ba-9438-9110610a9e8d/Auschwitz_II-Birkenau_a_flower_in_memory_of_one_of_a_million.JPG</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>“Auschwitz II-Birkenau a flower in memory of one of a million,”  Memorial and Museum Auschwitz II-Birkenau, Brzezinka, Poland, 2013. Photo: Oleg Yunakov, CC BY-SA 3.0</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de845567-6402-4049-9c39-fe69ff448ff0/AdobeStock_433366573_Harlem-Rowhouse-1.jpeg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Harlem brownstone window David Hammons’ 1990 “African American Flag,” New York City. Image source: PRINT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4c6c20bb-1b2b-40f1-8e08-08ae8af95340/landscape-tree-nature-outdoor-branch-blossom-784138-pxhere.com.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/40b5a57f-9468-42b1-8b17-7d5830296452/andre-benz-PKAW8MQYlU8-unsplash.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>“The Red Winter,” Central Park, New York, 2017. Photo: Andre Benz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1e7d40f3-5edf-48d1-b240-9409c6709902/Bonhoeffer_series_banner.jpg</image:loc>
      <image:title>read - Tell Somebody - Make it stand out</image:title>
      <image:caption>Dietrich Bonhoeffer “was a German Lutheran pastor, theologian and anti-Nazi dissident who was a key founding member of the Confessing Church. His writings on Christianity's role in the secular world have become widely influential…He was hanged on 9 April 1945 during the collapse of the Nazi regime” (Wikipedia). Shown are four books from The Dietrich Bonhoeffer Works series (Fortress Press), “the definitive English translation of the German editions of Dietrich Bonhoeffer Werke—a comprehensive and thoroughly annotated sixteen-volume resource for the study of Bonhoeffer in the wider frame of twentieth-century thought and history.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/hummings-from-the-desert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f16c7ff-74f6-4900-9c05-82a1a849f848/pxfuel.com.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687927178220-MYEQOMYDL03E36SMV39G/Alma%252BCardenas-Rodriguez.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/60137a15-c235-4a17-93f3-2ca357ceb7e6/il_1588xN.4565605191_qoo3.jpeg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Source/fuente: LaForgeDhalatte, Etsy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9a580c9c-34f1-475f-af0d-e0f02c065297/clay-jug-gaeb0626ab_1280.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Foto: Hannes/HaKoPhoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7c1d65e-70ae-477d-9463-231ffdc453e9/Young_to_queen_bees_to_get_out_of_the_cocoon_2465_1080_2_850.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>“La abeja maestra se desarrolla en un capullo de cera. Luego lo roe y sale afuera. [The queen bee develops in a wax cocoon. Then she gnaws it and goes outside].” Foto: Dr. Beekeeper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3af5014-5bd4-4a22-bb3d-1ae79c0944f6/pexels-katarzyna-modrzejewska-1542937.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Foto: Katarzyna Modrzejewska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/af731428-460d-440c-97d7-75967a59b284/bdcce1a6cb7243f2b8ab9fbe3fc0b9c8Original.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Anna's hummingbird (Calypte anna), Organ Pipe Cactus National Monument, Ajo, Arizona, 2015. Source: National Park Service Colibrí de Anna (Calypte anna), Monumento Nacional Organ Pipe Cactus, Ajo, Arizona, 2015. Fuente: National Park Service</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a4c9b7ae-3707-4944-8b2c-c8ba1cacc6af/uganda-g180a0d8a6_1280.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Lioness perched on tree, Ishasha Wilderness Camp, Uganda. Photo: Graham Hobster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5a84f827-fc48-452a-9bff-7927cc246755/Bryce_Canyon_Amphitheater_Hoodoos_Panorama.jpg</image:loc>
      <image:title>read - Hummings from the Desert / Tarareos desde el desierto - Make it stand out</image:title>
      <image:caption>Panorama of Hoodoos in Bryce Canyon National Park, Utah, 2006. Photo: Jonathan Zander</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/hold-it-together-and-keep-going</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834177176-69Q4D7LQBPH5YUNJBEX3/nlaad-2021-infographics-english-1.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834178852-FEKE5G1VQI2K5MG9A6AK/nlaad-2021-infographics-english-5.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834178950-M5OW7KZNPLBRJUCMLBAR/nlaad-2021-infographics-english-6.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834179662-5KDVSRU05TXZZK1TG98Y/nlaad-2021-infographics-english-7.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834180511-PVV5TE1WJXXWEVZ8IQ85/nlaad-2021-infographics-english-9.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1687834180618-CRF0Y508FFKIJ7NBPKVR/nlaad-2021-infographics-english-10.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2588fba7-ce96-4ae6-acd6-6429062b0917/Parroquia_de_San_Miguel_Arca%CC%81ngel_%28Azcapotzalco%29.JPG</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fb9821c5-f795-40dd-a617-217bdc3105fc/Erasmo+Guerra_Typewriting+Smith+Corona+Manual+Typewriter_+How+I+Learned+to+Type+2-44+screenshot.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Image still from the video short “Typewriting Smith Corona Manual Typewriter: How I Learned to Type” (2012) by Erasmo Guerra; shown are the first lines of his essay “Once More to the River.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2c86933d-f2e2-457f-978a-bf3bdc12733f/service-pnp-highsm-27500-27598v_Los+Ebanos+Ferry+depot.jpeg</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Sign the station for the Los Ebanos Ferry or El Chalán, formally known as the Los Ebanos-Diaz Ordaz Ferry, a hand-operated cable car/pedestrian ferry that travels across the Rio Grande River between Los Ebanos, Texas and Gustavo Diaz Ordaz, Tamaulipas, Mexico, 2014. Photo: Carol Highsmith. Source: The Lyda Hill Texas Collection of Photographs; Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7905a092-d590-4088-9308-a386b5a1bdd2/service-pnp-highsm-26300-26338v_Saint+Miguel+Archangel+Catholic+Church.jpeg</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d5aa205-b409-4a9f-925b-f798a533917c/Right+Now+HIV+test.jpg</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>Right Now HIV At-Home Test and Free Testing Advertisement, 1990s. Source: Personal Collection of Alberto Sandoval-Sánchez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ff14474-dd98-4374-88f7-7a1dd868da67/service-pnp-highsm-27600-27616v_Los+Ebanos+cemetery.jpeg</image:loc>
      <image:title>read - Hold It Together and Keep Going - Make it stand out</image:title>
      <image:caption>“A small cemetery in Los Ebanos, a small settlement named for the ebony trees that once grew in profusion here along the Rio Grande River in Hidalgo County, Texas,” 2014. Photo: Carol Highsmith. Source: The Lyda Hill Texas Collection of Photographs; Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/intervenxions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5a3e77a6-1c59-437b-96ca-07ab2132d1f4/Creation_of_God_by_Harmonia_Rosales.jpg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Creation of God (oil on Belgian linen; 2017) by Harmonia Rosales: “…when you consider that all human life came out of Africa, the Garden of Eden and all, then it only makes sense to paint God as a black woman, sparking life in her own image” (Los Angeles Academy of Figurative Art).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f60023e0-e025-4c11-a771-ff93c5bcb12c/Intervenxions+logo.jpg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/99f7c39e-1f74-43a2-bd72-ea475afcfc4c/52215109662_8b94a50928_h.jpg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Detail from Venus Envy, Chapter 1: The First Holy Communion Moments Before the End, 1993/2022 by Amalia Mesa-Bains; mixed media. Rena Bransten Gallery, SFMOMA, San Francisco, CA. Photo: Rob Corder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fad2353c-6767-4c80-b8a6-35e4ba3e54de/VideoScreenshot--AngelitosNegrosHablanenSamanDarrelAlejandroHolnesinConversationwithPatriciaEncarnacinTheLatinxProjectatNYU-0%E2%80%9910%E2%80%9D.jpg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Image still from video short produced by interdisciplinary artist Patricia Encarnación that serves as an introduction to their conversation with poet Darrel Alejandro Holnes, “Angelitos Negros Hablan en Samaná,” Intervenxions, 26 July 2022.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d15c1ef-ef0d-4613-92cf-8d44af228ce7/year-of-the-dog.jpeg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Year of the Dog by Deborah Paredez (BOA Editions Ltd, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aa712671-2334-45a5-8205-e02c3ec377c3/Rafael+Soldi.jpg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Imagined Future #106, #122, and #139 from Imagined Futures series by Rafael Soldi; gelatin silver print from Photobooth, 2 x 1.5 inches, Unique. Courtesy of Rafael Soldi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0abc0c5f-9db0-4b1d-a1d1-e701d910087e/Entre+PR+y+Richmond_Alicia%2BDi%CC%81az_Film%2BStill_Christina%2BLeoni%2BOsion%2Band%2BChristine%2BWyatt_Outside.jpeg</image:loc>
      <image:title>read - Intervenxions - Make it stand out</image:title>
      <image:caption>Production still from Entre Puerto Rico y Richmond: Women in Resistance Shall not be Moved (2020) by Alicia Díaz, co- created with Patricia Herrera, Christine Wyatt (left), Christina Leoni-Osion (right), Luis Vasquez La Roche, Héctor “Coco” Barez, Yaraní del Valle, and David Riley. Courtesy of the Institute of Contemporary Art at Virginia Commonwealth University, Richmond.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/ode-to-olg-san-bernardino</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63f936f7-6f93-4764-a1d3-1dcc988438be/18+Nellie+Gomez+Serrano%27s+Our+Lady+of+Guadalupe+bust+figurine+with+adornment.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez Serrano's Our Lady of Guadalupe bust figurine with adornment. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d61123c-affa-44c5-a80f-6820b54c947d/8+Nellie+Gomez+and+John+Serrano%2C+San+Bernardino%2C+1936.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gomez and John Serrano, San Bernardino, CA, 1936. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68b717c6-6969-48aa-b444-d66425eaa9f8/Virgin%2Bde%2BCalles%2Bweb.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Ester Hernández, La Virgen de las calles (Virgin of the Streets), 2001. Pastel on paper. Source: National Museum of Mexican Art Permanent Collection 2015.671, Gift of Sandra Cisneros Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/250c4b6b-5810-4e31-8738-5e121d7a4bb5/liz+horse+in+front+of+Ramona+Market.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author in front of John and Nellie Serrano’s market, San Bernardino, CA, 1964. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0b312039-eb36-4b9d-9bb5-0ee20ce04106/4+Our+Lady+of+Guadalupe+facade.+The+church+was+built+in+1954%2C+diagonally+across+the+the+Original+OLG.+The+latter+was+demolished.+Photo+courtesy+of+liz+gonza%CC%81lez+copy.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Our Lady of Guadalupe Church, built in 1954, diagonally across the Original OLG, San Bernardino, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02c8fe04-e9a0-4ac5-8549-4058b3f10e81/schlitz+ad.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Schlitz beer vintage print ad, 1963. Source: eyecatchingink, eBay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a3dcf2d-d2ed-498a-9eff-41df993acd5c/2+OLG+lot.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Parking lot on Pico Avenue, behind Our Lady of Guadalupe Parish Hall, San Bernardino, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/64630f39-5a12-4a78-82e1-815985ffb3a5/21+Worn+image+of+Santo+Nin%CC%83o+de+Atocha+that+Nellie+Gomez+Serrano+kept+her+bed.+He+was+her+namesake+and+patron+saint..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Worn image of Santo Niño de Atocha that Nellie Gómez Serrano kept beside her bed. Protector of many, including travelers, he was her namesake and patron saint. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68adc1dc-dee4-4a35-a685-d414a47ef660/6+Feast+Day+of+Our+Lady+of+Guadalupe%2C+Our+Lady+of+Guadalupe+Church%2C+San+Bernardino%2C+CA%2C+2018.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Feast Day of Our Lady of Guadalupe, Our Lady of Guadalupe Church, San Bernardino, CA, 2018. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6625cd06-4df2-46a9-b6d8-01084d11ef2d/13+Signal+Hill+view+of+San+Bernardino+Mountains+palm+tree.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Signal Hill view of San Bernardino Mountains. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e84daf2-9113-4aac-ba62-a3abaf49f378/TonatzinChurubuscoDF.JPG</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Stone figure of Tonatzin, Museo Nacional de las Intervenciones (ex Monastery of Churubusco), Coyoacán, Mexico City, Mexico, 2009. Photo: Leigh Thelmadatter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3141b418-e3ed-41ed-8053-828ac6e51955/9+Ramona+School+students...+SEE+THE+COMMENT+IN+GOOGLE.DOCs+FOR+INFO.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Detail of a panoramic photo taken of Mexican immigrant and Mexican American students at the segregated Ramona School, San Bernardino, CA, 9 December 1929. Photo by C.N. Jackson, Cotton Brewer’s Studio, S.B. Courtesy of Gabriel Joseph Pérez, co-moderator of the "San Bernardino, Remember When" Facebook page. Used by permission of the San Bernardino Historical and Pioneer Society. Read more about the photo: “Ramona School Wins $50 Prize In Kris Kringle Parade as 600 Pupils March,” The San Bernardino Sun, 28 December 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/32bb91a4-569a-4fa2-860a-f87de766ea10/12+Front+L-R++Dorothy+%28Serrano%29+Avance%2C+Michelle+La+Fontaine%2C+Nellie+Gomez+Serrano.+Back+L-R+Cynthia+Duran%2C+Monique+La+Fontaine-Tomaso%2C+liz+gonzalez+2007.+Photo+courtesy+of+liz+gonza%CC%81lez.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author with her sisters, mother, and grandmother. Front L-R:  Dorothy (Serrano) Avance, Michelle La Fontaine, and Nellie Gómez Serrano. Back L-R Cynthia Durán, Monique La Fontaine-Tomaso, and liz gonzález, Highland, CA, 2007. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39865c3e-802f-445a-b722-eec1ff0c79c9/5+The+author+and+her+mother%2C+Dorothy+...1967.+Photo+courtesy+of+liz+gonza%CC%81lez.+copy.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author and her mother, Dorothy (Serrano) Avance, in front of the fountain at Our Lady of Guadalupe Church, San Bernardino, CA, 1967. Photo courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29b770bb-3f5f-4811-a743-85bff589d2af/Dorothy+holding+her+Tri%CC%81o+Los+Panchos+78+album.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Dorothy (Serrano) Avance holding her Trío Los Panchos 78 record. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1684727058481-D4HJTEZZT9RQ062CS1EH/ben_bone.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino</image:title>
      <image:caption>beneath bone by liz gonzález (Manifest Press, 1999)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1684727048186-NSLEVYZW3KTW6WAX37FB/DSAW_Cov_300w.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5ebeb647-3e57-48f8-825c-a35245a491f8/La+Reina.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Vintage LA REINA Citrus Fruit Crate Label, Rialto, San Bernardino, CA, 1920s-1930s. Source: The Box SF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3e29b085-189a-43e9-b6df-c81e13ae3667/Submergia_jesus_teen_white_lilies.png</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>“Jesús con White Lilies,” 2023. Image created by Submergia with Midjourney Beta on Discord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8723a86f-57f2-4140-bd76-81ac5314de3c/14+Chacho%2C+the+author%27s+dog+%28RIP%29%2C+running+toward+the+ocean%2C+White+Point%2C+CA.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Chacho, the author's dog (RIP), running toward the ocean, White Point, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/676c51cc-b9dd-409f-a531-69923c9553c0/san+bernadino+county+courhouse.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Vintage postcard: San Bernardino County Court House, California, CA, 1930's. Source: Colbear Collectibles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00a20180-b0a3-4475-91a5-46c5156271e8/SAAM-1991.65.3_2-000001.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Ester Hernandez, La Ofrenda II, from the National Chicano Screenprint Taller, 1988-1989 (1988). Source: Smithsonian American Art Museum, Gift of the Wight Art Gallery, University of California, Los Angeles, 1991.65.3, © 1988, Self-Help Graphics &amp; Art, Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46e0a076-7ab6-4c48-a9cd-c4ce09725e90/10+Nellie+Gomez+Serrano%2C+%E2%80%9CEl+Barrilito%E2%80%9D+portrait%2C+1931.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez Serrano’s “El Barrilito” portrait, 1931. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cacd2632-8398-4c4c-86bb-343473cb5bd0/17+OLG+mural+on+Serrano+family%27s+former+market.+On+the+left%2C+the+San+Bernardino+mountains+are+in+the+distance.+The+mural+wasn%27t+there+when+the+family+owned+the+building.+Photo+courtesy+of+liz+gonza%CC%81lez.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>West side of the Serrano family's former market, named Ramona Grocery then; the San Bernardino mountains are visible in the distance at left. San Bernardino, CA. John and Nellie built the store in front of their home in early 1940, ran the business until the 1960s, and sold it in 2010. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/350b8c87-d419-415d-8066-13a199f7e70e/3+Front+of+the+Original+OLG%2C+built+in+1925.+Dorothy+Serrano+with+her+First+Holy+Communion+cohort%2C+1947.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archives..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Front of the Original OLG, built in 1925, where Dorothy Serrano poses with her First Holy Communion cohort, San Bernardino, CA, 1947. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/15a6007b-6017-4962-b806-ad3ae24ba847/7+Santa+Fe+looking+West+toward+the+viaduct.+Circa+1925.+Photo+courtesy+of+Kenny+Jure.png</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Santa Fe Railroad depot looking West toward the viaduct, ca. 1925. Courtesy of Kenny Jure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3486d4d-8de0-488f-b244-78d743aa8401/16+The+author%27s+parents%2C+Dorothy+%28Serrano%29+Avance+and+Celicio-Robert+Gonzalez%2C+with+infant+liz%2C+Thanksgiving+1959.+Celicio+died+in+November+1962.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>The author as an infant with her parents Dorothy (Serrano) Avance and Celicio/Robert González (d. Nov. 1962), Thanksgiving 1959, San Bernardino, CA. Courtesy of liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b77ee6f8-5826-42b3-8a1d-831f98030b1f/15+Seal+Beach+Pier%2C+CA.+Photo+courtesy+of+liz+gonza%CC%81lez..jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Seal Beach Pier, CA. Photo: liz gonzález</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3aa6c377-31f9-4593-93ad-44ca72488e53/20+OLG+mural+on+the+wall+in+the+front+parking+lot+of+Our+Lady+of+Guadalupe+Church+on+Fifth+Street.+Photo+liz+gonzalez.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>OLG mural on the wall in the front parking lot of Our Lady of Guadalupe Church on Fifth Street, San Bernardino CA. Photo: liz gonzález</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1df85af-d7fa-484b-823d-5c9c2c706775/Church+of+the+Fifth+Apparition+to+Juan+Diego.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino</image:title>
      <image:caption>Mosaic from the facade of the Church of the Fifth Apparition to Juan Diego, January 2017. Also known as Santa Maria Tulpetlac, the church was built on the site of Juan Bernardino's house in Mexico City and designated as the World Center of Healing by Pope John Paul II. Photo: Fr. Lawrence Lew, O.P.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/83a541a4-0ce7-46d5-9a35-e38a5746a747/Norton+AFB.jpeg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>“Greetings From Norton Air Force Base [AFB]” postcard, ca. 1950s, Ferris H. Scott Western Resort Publications, San Bernardino, CA. Source: cardcow.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/86b69386-0267-4db0-8b28-79ed2791f2c1/19+Nellie+Gomez+and+John+Serrano+exiting+Our+Lady+of+Guadalupe+Church+after+the+celebration+Mass+of+their+50th+wedding+anniversary%2C+May+1980.+Photo+courtesy+of+the+John+and+Nellie+Serrano+Family+Archi.jpg</image:loc>
      <image:title>read - Ode to OLG, San Bernardino - Make it stand out</image:title>
      <image:caption>Nellie Gómez and John Serrano, exiting Our Lady of Guadalupe Church after the celebration Mass of their 50th wedding anniversary, San Bernardino, CA, May 1980. Courtesy of the John and Nellie Serrano Family Archives</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/american-jesus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/18c731b7-351d-43bb-9718-88c3d07e8d96/1450603766_1a43bd9403_k.jpg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Sand sculpture of Jesus Christ crucified, Puerto Vallarta Beach, Mexico, 2005. Photo: Wonderlane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e978653-18ec-4612-98d2-a4c5d8d58c4f/4556039273_aec930c11d_o.jpg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Minneapolis protest against Arizona immigrant law SB 1070, which gives law enforcement more power to demand proof of citizenship and detain those they suspect of being illegal immigrants. Minneapolis, Minnesota, 26 April 2010. Photo: Fibonacci Blue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8c4b3bc5-9b42-425d-b3f5-b95a6977371b/Navajo+Christ.jpg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Navajo Christ Breaking Bread (1997) by Father John Giuliani. Oil on wood, 48 x 22.5 in. Source: The Art of John B. Giuliani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e2e4413-67e8-4f3b-b9c4-d603d53c7226/McLife.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>McLife by Richard Vargas (Main Street Rag, 2005)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/066b238c-d1fc-47f0-b049-13a218d9be31/How+a+Civilization+Begins.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>How A Civilization Begins by Richard Vargas (Mouthfeel Press, 2022)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6006d555-0cab-4b81-bd53-dc37dc46c575/Guernica+revisited+cover+300dpi.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Guernica, revisited by Richard Vargas (Press 53, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e44ef148-d44e-4886-9abf-a43bc79b6d0b/7002164515_95a5b1f5e1_k.jpg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>“‘I was a stranger and you welcomed me’ - Jesus,” Playas de Tijuana Secc Monumental, Tijuana, Baja California, 2012. Photo: Adam McLane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5fbd9f54-e09e-49b4-ba72-85337777e7f9/29955046448_304f7ed3ae_k.jpg</image:loc>
      <image:title>read - American Jesus</image:title>
      <image:caption>“Artefacts in Trumpistan: ‘God Bless the USA’ and Jesus,” 3 August 2018. First published in News Junkie Post, “The Global Rise of Fascism: Capitalism End Game?" (5 November 2018). Photo: Gilbert Mercier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/025b240e-97d8-48dc-b055-649bd57478ab/israel-2201717_1920.jpg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Statue of Jesus preaching to the Twelve Apostles in Domus Galileae on the Mount of Beatitudes near the Sea of Galilee, Israel. Photo: Desi Maxwell</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/33b48b33-7c6e-4140-a658-9d595d4e3c7e/Warhol+American+Jesus.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>“Jesus by Andy Warhol” (2022) posted by No_Geologist525. Source: Weird Ai Generations on Reddit</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/96391002-2316-4907-96cd-818d8e0c1c06/Salt+portrait.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>Screenshot from “How to do salt portraits ( Jesus Christ ),” by Rob the Original, youtube.com, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0efc8882-905d-4966-ba4c-7d185930cb44/American+Jesus_vargas.jpeg</image:loc>
      <image:title>read - American Jesus - Make it stand out</image:title>
      <image:caption>American Jesus by Richard Vargas (Tia Chucha Press, 2007)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/far-and-near</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f70104e4-ea6e-43db-ab4e-ac960f8b926d/incense-of-a-new-church-1921.jpg%21Large.jpg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Incense of a New Church (1921) by Charles Demuth. Oil on canvas. Source: WikiArt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c13883d1-8e2d-4907-9f82-58346c1f3ab4/SAAM-1969.47.24_3.jpg</image:loc>
      <image:title>read - Far and Near</image:title>
      <image:caption>The Library (1960) by Jacob Lawrence. Tempera on fiberboard, 24 x 29 7⁄8 in. “Jacob Lawrence researched many of his paintings of African American events by reading history books and novels…[The] standing figure in the front looking at African art may represent the artist as a young man, delving deeper into his heritage.” Image and caption source: Smithsonian American Art Museum, Gift of S.C. Johnson &amp; Son, Inc., 1969.47.24</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d5fd0137-8149-4dde-b7d1-bb9db20baab4/the+visitors_jacob+lawrence.jpg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>The Visitors (1959) by Jacob Lawrence, many of whose works are about the lives of ordinary Americans. Tempera on gessoed panel. Source: Dallas Museum of Art, General Acquisitions Fund</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d0cc333e-da6e-44e9-8196-849464f89f18/The+Looking+Glass_Recinos.jpeg</image:loc>
      <image:title>read - Far and Near</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3f22e47f-dab3-4080-a79f-c6f251bef868/confrontation-at-the-bridge-from-the-series-not-songs-of-loyalty-alone-the-struggle-for-1975.jpg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Confrontation at the Bridge from the series Not Songs of Loyalty Alone: The Struggle for Personal Freedom (1975) by Jacob Lawrence. Screenprint; 49.5 x 66 cm. Commissioned in honor of the United States' bicentennial in 1976, the work depicts a 1965 march on the Edmund Pettus Bridge in Selma, AL by unarmed protesters objecting to the denial of African Americans' right to vote. Two days later, Martin Luther King Jr. led 25,000 marchers to Montgomery. ©Jacob Lawrence © Fair Use. Source: WikiArt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b03b53d4-1666-45fc-a0a9-eec2d9fbe7ab/Lula+And+Alva+Schon.jpeg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Lula And Alva Schön (1918) by Charles Demuth. Watercolor and graphite on wove paper; 8 x 13 in. Source: The Barnes Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/706ef576-fcfb-47a4-bebd-7d5bc1166490/Jacob+Lawrence+Tombstones+1942.jpeg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Tombstones (1942) by Jacob Lawrence. Opaque watercolor on paper; 30 7/8 × 22 13/16 in. The painting “encapsulates the full sweep of life within the African American community, from the cradle—the baby carriage at left, the Madonna-like mother and child at right—to the grave, marked at center by the tombstone seller’s wares.” Image and quote source: Whitney Museum of American Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3d7694a-33b1-47f4-9e2a-672f2ff32b47/Daffodils_Demuth.jpeg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Daffodils (date illegible) by Charles Demuth. Watercolor and graphite on paper; 13 3/8 x 9 3/8 in. Source: Demuth Museum</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/548e54a1-d3d8-4f53-a7c4-2d2280e45336/Charles_demuth_fruit_and_flower.jpeg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Fruit And Flower (ca. 1925) by Charles Demuth. Watercolor and pencil on paper; 12 x 18 in. Source: Christie’s</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5d703541-9555-498b-9480-6f64fd3e4acc/Childhood%2BSketchbook%2BPage%2B-%2BFaeries%2Bnd%2BEF.jpg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>Childhood Sketchbook Pages (n.d.) by Charles Demuth. Opaque paint on paper; 8 1/2 x 10 3/4 in. Source: Gift of Salander-O’Reilly Gallery, Demuth Museum Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/08968d54-b5f8-4281-91c4-1b4b9d4ae1fe/The+Migration+Series-Panel+49.jpg</image:loc>
      <image:title>read - Far and Near - Make it stand out</image:title>
      <image:caption>The Migration Series, Panel No. 49: They Found Discrimination In The North. It Was A Different Kind (1940-41) by Jacob Lawrence. Casein tempera on hardboard; 18 x 12 in. Acquired 1942; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Source: The Phillips Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/sacred-fields-sacred-nostalgia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e9306f88-0d29-4433-87e0-8130e141f677/Chapter+5+Sowing+the+Sacred_Salinas+Aposto%CC%81licos+Harvesting_1940s.png</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia</image:title>
      <image:caption>Salinas Apostólicos Harvesting. Members of the Salinas church gather for a quasi-staged photograph in the mid-1940s. The church familia remembered and kept names of their fellow believers in a practice which betrayed that of portraying Mexican as mere laborers. Standing to the far right is the eventual presiding bishop of the AAFCJ Manuel Vizcarra. Photograph courtesy of Milca Montañez-Vizcarra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/482296a6-7b1a-400c-9ae2-039fea37cfb1/Chapter+3+Sowing+the+Sacred_Page_15_Carpa+at+Riverbank.jpeg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.3. The Carpa in Riverbank. The carpa in Riverbank (ca. 1949) offers a glimpse of a sturdier tent whereas the carpas in Patterson and Sanger match the description of tents suspended by guy ropes and anchored by stakes. The tent served as a semipermanent transitional house of worship for two years. Photograph courtesy of Eugenia Manzano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7df7579-d1df-4932-8e17-1bc7c3013c44/hands+with+seeds.jpg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ad4aeae-fc13-437a-8216-fe4af7638079/Sowing+the+Sacred_Barba.jpeg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Sowing the Sacred: Mexican Pentecostal Farmworkers in California by Lloyd Daniel Barba Oxford University Press, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b33d9c1-2499-4105-b531-2d8c4e8e7a7c/Chapter+3+Sowing+the+Sacred_Page_10_The+Isaac+Sa%CC%81nchez+Labor+Camp.jpg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.1. The Isaac Sánchez Labor Camp. Irma Pérez drew a diagram of the spatial arrangement of the agricultural labor camp managed by Isaac Sánchez in Patterson. The carpa functioned as the centerpiece of the camp, and families, including the Pérezes, lived near it and attended services there. Workers at the camp remembered it as the “Isaac Sánchez Farm Labor Camp” though Sánchez only oversaw the camp. The spatial arrangement of the camp embodies the kinds of alternative religious communities forged in the social margins. Schematic layout hand-drawn by Irma Pérez and digitally enhanced by Eva M. Díaz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f94b2c74-497f-465e-b52a-52102c92aed9/Chapter+3+Sowing+the+Sacred_Page_13_Cantando+en+la+carpa.jpeg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.2. Cantando en la carpa. The carpa in Patterson brought together farmworkers from the far-flung reaches of the borderlands. As this photograph of cantando en la carpa (singing in the tent) captures, an adult, or even a child, could very well be sitting next to another who might have journeyed hundreds to thousands of miles to work for a portion of the summer. The carpa, rather limited in size, brought worshipers into close quarters. Here we see the Dorcas (the married-women’s auxiliary) performing for the congregation. In the more transitory conditions uniforms were harder to come by and much less to keep consistent, and one can thus see the variation of dress styles and standards in the carpa. These variations in life and customs notwithstanding, the hymnals in their hands facilitated a shared expression of worship. Photograph courtesy of Milca Montañez-Vizcarra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aef56844-3d07-454f-9540-217f53bfced2/Chapter+3+Sowing+the+Sacred_Page_16+Makeshift+Baptisery.jpeg</image:loc>
      <image:title>read - Sacred Fields, Sacred Nostalgia - Make it stand out</image:title>
      <image:caption>Figure 3.4. The Makeshift Baptistery. Felipe Manzano baptizes in the makeshift baptistery in the Riverbank carpa. Because baptism counted as the most important ritual in Apostólico doctrine (as noted in the previous chapter), a baptistery factored in as a key feature of some carpas and all temples. Photograph courtesy of Eugenia Manzano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/turn-back-and-look</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929796227-AGRYEIUDTJRTIE5E1UC2/9765173181_1f4802278a_o.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (1877-78) by Sir William Thornycroft, R.A., Victoria &amp; Albert Museum, London, UK. Photo: Leighton Prichard, widdowquinn, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678930055481-8LECIXC1ZJ4IKCVG33FL/vind_pal_1191_f10v.png</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>The flight from Sodom, with Lot’s wife turned into salt (14th century), in Codex Vindobonensis Palatinus 1191, f. 10v. Source: The Hill Museum &amp; Manuscript Library, Ohio State University / Vivarium, Saint John’s University and The College of St. Benedict</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929767976-XX8ZJSE2QY148NP7ZOER/Lot_and_his_family_flee_Sodom_as_it_burns%3B_Lot%27s_wife_faces_Wellcome_V0034238.jpg</image:loc>
      <image:title>read - Turn Back and Look - V0034238 Lot and his family flee Sodom as it burns; Lot's wife f (Copy)</image:title>
      <image:caption>Lot and his family flee Sodom as it burns; Lot's wife faces the terrible scene, aghast by John Martin, from Bible, O.T., Genesis 19.23-26. Lithograph, with watercolour and gum arabic; 24.3 x 34 cm. Source: Wellcome Collection 15821i</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929777174-VA47NJWI4H8TCHC4EG5G/YW034239V_Lot-and-his-family-flee-while-Sodom-burns.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot's escape from Sodom (n.d.), from Bible, O.T., Genesis 19.23-26. Line engraving, with etching; platemark 19 x 24.5 cm. Source: Wellcome Collection 15822i</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929796990-KY7H77F3UW16R9PVCMCK/14194333980_2d13d7975b_k.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot and his daughter flee from Sodom (circa 1585) by Paolo Caliari (called Veronese and workshop), Kunsthistorisches Museum Vienna, Austria. Painting on canvas; 138.5 × 282 × 2.8 cm. Photo: Jean Louis Mazieres, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929786914-H8PBYO21G11478ZZDJ0K/Lot%27s_wife_looks_back_at_the_flames_pouring_from_Heaven_upon_Wellcome_V0034240.jpg</image:loc>
      <image:title>read - Turn Back and Look - V0034240 Lot's wife looks back at the flames pouring from Heaven (Copy)</image:title>
      <image:caption>Lot's wife looks back at the flames pouring from Heaven upon Sodom; Lot and his daughters go on ahead (1583) by Raphael Sadeler, after Martin de Vos, from Bible, O.T., Genesis 19.26. Line engraving with etching; 22.8 x 20 cm. Source: Wellcome Collection 15823i</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929797888-T1MYJXE8OUSID9DBLV6V/Sodom_Monreal.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot transformed into a statue of salt in front of burning Sodom (12th century). Mosaic in the Cattedrale di Santa Maria Nuova di Monreale in the City of Palermo, Sicily, Italy. Source: Public Domain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929795801-6P78YWH9Q5UWH5XYM2OZ/7132609027_b29c95b113_o.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>The Lot's wife (2012) by jaci XIII. Created for Photoshop Contest Week, DUC challenge 581, in tribute to Guercino And Bouguereau,. Original photos:Sammydavisdog, Gravityx9; background: FOTOLIA free downloads; textures: JOesSistah, xNickixstockx</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678933600537-0YDN4RB0KLYN9D5HXR67/PR-INC-00000-A-00007-00002-00888-000-00087.jpg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot leaving Sodom (1493) by Michel Wolgemut and Wilhelm Pleydenwurff. Woodcut in the Nuremberg Chronicle (image 87, page 21r), with Lot's wife (center) already transformed into a pillar of salt. Source: University of Cambridge Digital Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929795330-26J5WKIOB0JROSK2Q9MH/43_1_cropped.jpeg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (1942) by Ann Brockman. Oil on canvas, 46 × 35 13/16 in. Source: Whitney Museum of American Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678931428542-CLK6YRPRREU75K1HK901/Canterbury+Cathedral+Lots+Wife+Turned+into+a+Pillar+of+Salt+de.jpeg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Canterbury Cathedral, Lot's Wife Turned into a Pillar of Salt (c.1178), unknown artist. Detail of Second Typological Window, North Choir Aisle, n. XV, fourth register, Gothic stained glass, late 12th century, England. Including work by the Methuselah Master. Source: Digital Kenyon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1678929802830-XHTPXSHWH5GIET8UW6KK/PikiWiki_Israel_33998_Lots_Wife_by_Kaete_Ephraim_Marcus.jpeg</image:loc>
      <image:title>read - Turn Back and Look</image:title>
      <image:caption>Lot's Wife (2013), sculpture by Käthe Ephraim Marcus, Protea Village, Israel. Photo: Dr. Avishai Teicher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95069325-18a8-4d68-8d2f-1af758ff6864/Lot%27s_Wife.jpeg</image:loc>
      <image:title>read - Turn Back and Look - Make it stand out</image:title>
      <image:caption>Pillar of salt known as Lot’s Wife on Mount Sodom, near the southwestern part of the Dead Sea in Israel, 2013. Photo: JoTB</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/theologies-that-resemble-our-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4434383f-708c-4150-a4a7-6db8c29251e3/Celia-Cruz-Comunion_1932.jpeg</image:loc>
      <image:title>read - Theologies That Resemble Our People - Make it stand out</image:title>
      <image:caption>Future “Queen of Salsa” Celia de la Caridad Cruz Alfonso (Celia Cruz) at the time of her First Communion, Havana, Cuba, 1932. Courtesy of Omer Pardillo-Cid, celiacruz.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/virgin-of-altagracia-medallions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5058fff3-cb94-468b-835e-f035707a5a21/Familia+Conde_arts-10-00037-g012.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 12. José Nicolás de Escalera, Familia del Conde de Casa Bayona (Family of the Count of Casa Bayona), 1770’s. Oil on canvas. Church of Santa María del Rosario, Cuba. Photo by Ramsés Hernández Batista. Courtesy of Agnes Lugo-Ortiz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e5532e4a-f477-4a2e-b1d2-95c9b7b1ad18/Nuestra+Sen%CC%83ora+de+la+Caridad+y+de+los+Remedios_arts-10-00037-g009.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 9. Nuestra Señora de la Caridad y de los Remedios, c. 1792–1823, Cuba. Image reproduced from Olga Portuondo Zúñiga 1995, La Virgen de la Caridad del Cobre: Símbolo de Cubanía (1995).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d0276b9f-bf69-4e78-ad10-ff4492f7cefa/The+Fire_arts-10-00037-g004.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 4. The fire, Altagracia medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7ec2df4-ddb5-4edf-8280-56b6c730446f/Exvoto+de+la+Sagrada+Familia_arts-10-00037-g011.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 11. José Campeche y Jordán, Exvoto de la Sagrada Familia, oil on wood, 18th century. Colección del Instituto de Cultura Puertorriqueña.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/415d706e-28ad-450a-9fa3-469562028c05/Liturgical+calendar_1683_arts-10-00037-g014.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 14. Liturgical calendar with feast days in Hispaniola as of 1683, “Titulo 3. De la Observancia y guarda de las fiestas”, in Proemio Yquicion de la Sancta Synodo, Folio VI, Number 247 to 301 (1683 to 1699), Santo Domingo 93, Archivo General de Indias. Used with permission from Ministerio de Cultura y Deporte. Archivo General de Indias.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc0ed660-5093-41cf-a95e-703833c85fcd/museo+de+la+altagracia.jpeg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions</image:title>
      <image:caption>Medallion exhibit at the Virgin of Altagracia history museum, Higüey, Dominican Republic, 2014. Source: Museo de La Altagracia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0d6497c8-5e71-475f-a21b-694b6744f4ef/Enslaved+Mute_arts-10-00037-g010.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 10. Enslaved Mute, Altagracia miracle medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey, Dominican Republic. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c2f717b7-1b73-46d4-a3d5-e46c7a9201e7/The+apostles_arts-10-00037-g007.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 7. Images of the apostles (a–d). Francisco Velásquez, medallions, end of 18th century, oil on panel, Cathedral of Santa María la Menor, Santo Domingo. From Arte Sacro Colonial en Santo Domingo (2002), p. 48. Copyright: Fundación de la Zona Colonial, Inc. 2002.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fdfa9e6b-38a2-4c16-98b0-aaf51dfeb587/Martyrdom+of+Simon+of+Trent_arts-10-00037-g008.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 8. Francesco Oradini, medallion depicting the imagined martyrdom of Simon of Trent, marble, mid-eighteenth century, Palazzo Salvadori, Trento, Italy (Created by Andreas Caranti, CC BY-SA 2.0).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1dadacbc-80d6-4943-98f7-ba303b8db94c/San+Dionisio+Sanctuuary_1923_arts-10-00037-g002.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 2. A view of the main altar in the San Dionisio sanctuary, with Altagracia medallions displayed, c. 1923. Album de la coronación. Used with permission from Archivo Histórico Diocesano de Santo Domingo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/76b18ade-f85f-41fa-9d43-0420c01440ff/arts-10-00037-g001.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 1. Unknown, Virgen de la Altagracia, oil on panel, c. 1510–1515, Basílica de Nuestra Señora de Altagracia, Higüey, Dominican Republic. Used with permission from Obispado de Higüey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90124abd-8861-42cb-8440-4f8abf2969d2/Empty+Chest_arts-10-00037-g005.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 5. Empty chest, Altagracia medallion, oil on panel, c. 1760–1778, Museo de Altagracia, Higüey. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d738bdb-8ad5-47ca-9c18-165294fceb7d/Child+asphyxiation+accident_arts-10-00037-g006.jpg</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 6. Child asphyxiation accident, c. 1760–1778, oil on panel, Museo de Altagracia, Higüey, Dominican Republic. Used with permission from Museo de Altagracia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c16eb9b8-8b55-4ad8-b146-c1fdedb63018/Map+of+Hispaniola_arts-10-00037-g003.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 3. The villa of Salvaleón de Higüey is marked by the San Dionisio Sanctuary at the southeastern-most edge of the island. Map of Hispaniola by Andrés Morales, in Peter Martyr, De Orve Novo Decades, 1516. From Emilio Rodríguez Demorizi 1979, comp. Mapas y planos de Santo Domingo (1979), p. 5. Copyright: Editora Taller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/70c484e0-ed65-4177-ac94-e8afaaa1ea23/San+Dionisio+sanctuary_arts-10-00037-g013.png</image:loc>
      <image:title>read - Virgin of Altagracia Medallions - Make it stand out</image:title>
      <image:caption>Figure 13. San Dionisio sanctuary, 1572, Higüey, Dominican Republic. Image created by Josue Collado, https://www.pbase.com/image/65323407, accessed 11 June 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/marking-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/019f736a-18ec-4731-a392-bd42968e325c/Phantasmagoria_Dali.jpg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>Phantasmagoria (1929) by Salvador Dali; oil on panel 69 x 44 cm. “Dali was well versed in Freudian psychoanalysis. From Dali's writings, we can tentatively identify some of the characters in this and other paintings…his mother (the jug-receptacle bust, in the middle), his father (the ferocious lion head), and Dali himself (the horizontal anamorphic profile with the bleeding nose).” Caption and photo: Mark Mauno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d3ad08d8-5f4c-454b-8c91-82307924b472/Slave+Market+with+the+Disappearing+Bust+of+Voltaire.jpg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>Slave Market with the Disappearing Bust of Voltaire (1940) by Salvador Dalí; oil on canvas, 18 1/4 in x 25 3/4 in. The painting uses the “double image” technique and depicts Voltaire, French writer and philosopher known for his opposition to slavery. Source: Collection of The Salvador Dalí Museum, St. Petersburg, FL (USA); Gift of A. Reynolds &amp; Eleanor Morse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc5b35e5-f035-4fd6-8b5f-27b52e59aaf1/The+Disintegration+of+the+Persistence+of+Memory_Dali.jpg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>La Desintegración de la Persistencia de la Memoria [The Disintegration of the Persistence of Memory] (1954) by Salvador Dalí; oil on canvas, 10 x 13 in. Source: Collection of The Salvador Dalí Museum, St. Petersburg, FL (USA); Gift of A. Reynolds &amp; Eleanor Morse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/25f13ce0-4d78-4f5b-9d5a-ffadddbb7d52/Madonna+of+Port+Lligat_Dali.jpeg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>Madonna of Port Lligat (1949) by Salvador Dalí; oil on canvas, 48.9 x 37.5 cm. Dalí submitted the painting to Pope Pius XII for approval, and it was granted. Source: Collection of the Haggerty Museum of Art, Marquette University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/78fa92e9-4c23-4094-b01b-2cf28d44f24e/Swans_reflecting_elephants.jpg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>Swans Reflecting Elephants (1937) by Salvador Dalí. Oil on canvas, 51 x 77 cm. Source: Salvador Dalí Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f26c71a9-3ce0-49b9-862f-b97427985959/The+Temptation+of+St.+Anthony_Dali.png</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>The Temptation of St. Anthony (1946) by Salvador Dalí, The Temptation of St. Anthony (1946) by Salvador Dalí, the first of his pieces to exhibit his interest in the intermediates between Heaven and Earth. Source: Royal Museum of Fine Arts of Belgium (RMFAB), Brussels / Fundació Gala-Salvador Dalí / Société d'Auteurs Belge – Belgische Auteurs Maatschappij (SABAM) Belgium</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bdefcfe7-c818-4450-94f6-41c57aeeebc5/5833953835_e3274f7503_o.png</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>Composition à la jambe (1944) by Salvador Dalí; watercolor, pen and ink, gouache and collage on card laid on board; 13.4 x 10.2 in. Photo: cea +</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/30e7db4d-e3b0-481f-8013-451767a72415/The+Hand_Remorse+of+the+Conscience_Dali.jpg</image:loc>
      <image:title>read - Marking Time - Make it stand out</image:title>
      <image:caption>La main (Les remords de conscience) [The Hand (Remorse of the Conscience)] (1930) by Salvador Dali; oil and collage on canvas, 41.3 x 66 cm. Photo: Mark Mauno</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-lord-roars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0d9e771a-5e14-4c58-a5de-fb131b18e02a/the+prophet+Isaiah.jpeg</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8810d63-097a-4c2c-bbf1-e39d48dc7c27/The+Prophets.png</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>“The Prophets,” one of nine stained-glass windows installed in the sanctuary floor of the New York Avenue Presbyterian Church, Washington, DC: “It has been said that the prophets are ‘the beating hearts of the Old Testament.’ Here Isaiah, Micah and Amos call the people of Israel to renewed faith and justice. Towering skyscrapers remind us that the prophetic word must still be spoken” (Paul Dornan). Source: New York Avenue Presbyterian Church</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/431735d1-def1-4ee4-9460-b9e7b5af8261/Tomb+of+the+Prophets.jpg</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>Recovering the Prophetic Voice for Today: Dr. Jean-Pierre M. Ruiz talks to Dr. M. Daniel Carroll Rodas about his new book The Lord Roars</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/eeac72eb-bc55-43f1-93bb-55cfa4063424/The+Lord+Roars_Carroll.jpeg</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1f6b2bd3-b246-46bd-b611-3fa63ba22f1b/Amos-prophet.jpeg</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/47ed970f-0eb2-48d9-a18b-a496242666e3/Micah_prophet.jpeg</image:loc>
      <image:title>read - The Lord Roars - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/songs-of-songs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4828a78-edb9-468a-9c87-0bd634ed62be/DJ_Jesus.jpg</image:loc>
      <image:title>read - Songs of Songs</image:title>
      <image:caption>“DJ Jesus, the original: Last Life A DJ Saved My Night” (2010). Image: Visionello via Like Cool</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-days-you-bring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/69da5efc-0f71-48f7-babc-90a396be08fe/Sign+of+the+end.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>“Signs of the End,” Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/665fa3b8-91a8-483c-afdd-3f6217198cec/Woodlawn+Cemetery_2015.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Woodlawn Cemetery, Bronx, NY, 2015. It is one of the largest cemeteries in New York City and a designated National Historic Landmark. Notable persons interred at Woodlawn include: Harlem Renaissance writer Countee Cullen; musicians Miles Davis, Duke Ellington, King Oliver, and Max Roach; and singers Celia Cruz and Florence Mills. Photo: Marcela McGreal</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/575332b6-819d-4f68-aa80-f37461bd8ed9/Good+Counsel+home+Guadalupe+mural.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Mural on the side of the Good Counsel home, a shelter for pregnant women in crisis, in the South Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f11a30f4-e611-4ed3-8399-461c318bce1f/NYS+Dept+of+Health_COVID_vaccination.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Nurse provides a Bronx resident with vaccination in support of state efforts to provide mass COVID-19 vaccinations administered by the New York State Department of Health at Yankee Stadium, Bronx, NY, 2021. Photo: Staff Sgt. Christopher S. Muncy, courtesy of New York National Guard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b564ed32-0a5a-4b68-b2cd-fb1f13b6eace/Dancing+Pumpkin_2021.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Dancing Pumpkin (2020) by Yayoi Kusama on display in the plaza in front of the Enid A. Haupt Conservatory at the New York Bronx Botanical Garden as part of the exhibit KUSAMA: Cosmic Nature, Bronx, NY, 2021. Photo: Wally Gobetz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9da316b7-0e9f-4822-ba40-6879eaac55ee/Bronx+fire+hydrant_2011.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Fire hydrant in the Bronx, NY, 2010. Photo: ChrisGoldNY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/48e9f817-b4aa-4a30-bd56-7545773ffb7d/Recinos.TheDaysYouBringcover.jpg</image:loc>
      <image:title>read - The Days You Bring</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/517bae69-0686-4f52-8acf-b64aaea57774/Bronx+sunrise_2011.jpg</image:loc>
      <image:title>read - The Days You Bring</image:title>
      <image:caption>Sunrise over the Bronx, New York, 2011. Photo: Dwayne Bent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1855a3b3-12ff-460d-915c-bfe17e171d61/Young+Lands+mural.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Mural at Young Land store, Bronx, NY, 2016. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c67a67a2-db66-49cb-be5e-b2efb8cf2add/Opening+Eyes+on+Opening+Day_2010.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>“Opening Eyes on Opening Day,” Yankee Stadium, West Concourse, Bronx, NY, 2010. Photo: Still the Oldie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6872bd0c-acf1-4c90-a13b-c81299eacd4f/South+Bronx+Timeline_2011.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>South Bronx Timeline mural by Andrew Antonaccio and Fillio Galvez (2Alas) at 138th Street and Grand Concourse, Bronx, NY, 2015. Courtesy New York City Department of Transportation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0bc68ef6-0489-4285-b499-2876c44451ac/Bronx+River_2007.jpg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>The Bronx River at Bronx Zoo, NY, 2007. The 24-mile river’s Native American name was the Aquahung before the arrival of European colonists like Jonas Bronck, for whom the Bronx and its river are named, in 1639. During the 19th and 20th centuries, the river became a natural sewer for industrial waste. Recently, action has been taken by different environmental groups, including the Bronx River Alliance, to return the river to its original state as a clean waterway. Photo and caption excerpt: Wally Gobetz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46dd8ead-98e8-4345-9a05-4278507571c1/Details_of_door_handle%2C_Gould_Memorial_Library%2C_Bronx_Community_College.jpeg</image:loc>
      <image:title>read - The Days You Bring - Make it stand out</image:title>
      <image:caption>Detail of lion door handle, Gould Memorial Library, Bronx Community College, City University of New York, Bronx, New York, 2015. Photo: Bestbudbrian</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/penitential-pilgrimage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8582a77f-cd07-48cf-9dc2-218733f71078/52329975620_34d5c92a33_k.jpg</image:loc>
      <image:title>read - Penitential Pilgrimage</image:title>
      <image:caption>Pope Francis at the annual holy Lac Ste. Anne Pilgrimage, which dates back to 1889, blessing with water from the lake believed to have healing powers. Alberta, Canada, 26 July 2022. Photo: Michael Swan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/46e3a808-69cd-493c-8f72-2b7c3e580640/Study_period_at_Roman_Catholic_Indian_Residential_School%2C_Fort_Resolution%2C_NWT_%2814112957392%29.jpeg</image:loc>
      <image:title>read - Penitential Pilgrimage - Make it stand out</image:title>
      <image:caption>Study period at Roman Catholic Indian Residential School, [Fort] Resolution, Northwest Territories, u.d. Source: Library and Archives Canada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/earth-angels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/341cdee4-ddf5-49fe-a749-56b91d040ec8/Cruz_20220926_135819.jpeg</image:loc>
      <image:title>read - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/32a858b6-0eee-464d-a637-184a17e3d2b7/Pink+Ribbons+Talk+logo+w+border.png</image:loc>
      <image:title>read - Thank You, Earth Angels</image:title>
      <image:caption>“You’re Not Alone.” Logo for Pink Ribbons Talk, a platform that supports breast-cancer and hysterectomy survivors through health and wellness coaching. Courtesy Pink Ribbons Talk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d99ad211-34cf-4a4a-a849-ff6cc70144cc/Cruz_20220926_135810.jpeg</image:loc>
      <image:title>read - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a67f3d31-23ad-4d0a-aa36-958f24dc831e/Cruz_20220926_135728.jpeg</image:loc>
      <image:title>read - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50f8b084-5d06-4f5b-be5b-d42f0953f6e8/Cruz_20220926_135847.jpeg</image:loc>
      <image:title>read - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Artwork: Jackie Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d5ee73f3-286f-4717-9330-6b2d6cb653a9/Pink+Ribbons+gallery+event.jpg</image:loc>
      <image:title>read - Thank You, Earth Angels - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-tip-of-the-pyramid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2dd7bb37-c151-498d-90a4-1bcbfe593592/Pyramid+of+the+Sun+from+the+west%2C+San+Juan+Teotihuacan%2C+Mexico.jpg</image:loc>
      <image:title>read - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Stereograph of Pyramid of the Sun from the west, San Juan Teotihuacan, Mexico, ca. 1879-1930. Source: Boston Public Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0aca6da-30be-4eca-a28a-5ce198fcb3f7/Gilb-Chavez-Diaz-Librotraficantes.jpeg</image:loc>
      <image:title>read - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Front row, left to right: Writers Dagoberto Gilb, Denise Chávez, and Tony Díaz cheer on the Librotraficantes during the Librotraficante Caravan's stop, Mesilla, New Mexico, 2012. Photo: Liana López, courtesy of Tony Díaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d303ddb2-83e4-42a5-8cdd-72c624321ae9/IMG_0548.JPG</image:loc>
      <image:title>read - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Librotraficantes march for Mexican American Studies, National Association for Chicana and Chicano Studies Conference, San Antonio, TX, 2013. Left to right: Jesus Archuleta, Tony Diaz-El Librotraficante, Sonya Rose Hernandez, Eloy Gonzales; 2nd row: Mario Castillo. Photo: Ezekiel J. Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/023bd160-ab79-4ef9-afa2-6ddbd66df1fa/tip+of+pyramid_diaz_cover.jpeg</image:loc>
      <image:title>read - The Tip of the Pyramid - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/81118615-5a33-4163-9f5b-e14f9937d378/Tip+of+the+Pyramid_Dr.+Cintli.jpg</image:loc>
      <image:title>read - The Tip of the Pyramid</image:title>
      <image:caption>Pyramid of the Sun, San Juan Teotihuacan, Mexico. Photo: Dr. Cintli [Dr. Roberto Rodríguez, retired Associate Professor, Mexican American Studies Department, University of Arizona]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/fruit-of-the-vine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ac3118c-1988-48d9-877c-a2cf8d35e965/wine-1729459_1920.jpg</image:loc>
      <image:title>read - Fruit of the Vine</image:title>
      <image:caption>Photo: Stefan Schweihofer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/392f87c7-148d-4926-bc89-6999de2890b8/GC-On-Wine-online.jpeg</image:loc>
      <image:title>read - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0e1914c3-6725-4ec2-a264-2da542dcf76f/Picture_wine+crystals.jpeg</image:loc>
      <image:title>read - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Sediment of a Bordeaux 2011 wine opened in 2021, with crystals of tartaric acid visible in the glass. Photo: Capsellanaut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3cacd01-5cd6-4ceb-8b46-fd12a6116830/kiddush+wine.jpeg</image:loc>
      <image:title>read - Fruit of the Vine - Make it stand out</image:title>
      <image:caption>Royal Wine Corp. Kiddush Wine Malaga. Photo: Open Food Facts</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-needle-and-the-thread</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831913219-WKU49M8D7MM56MEA4KMD/Title+of+Film.png</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>Title screen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830407068-60R8RZNA4OO5ECTSV0F5/Jumano+Elder.png</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>Jumano Elder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830752189-RAWAVCJ7KUFCGQ84R4G7/Jumano+Hunting.png</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>Jumano hunting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831354892-Q4C4NVE0E5EKX3HYEI8X/The+Lady+in+Blue.png</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>The Lady in Blue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831243789-GBIOFSFQENUO1T4VCV10/Sor+Maria+and+Jumanos.png</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>Sor María and the Jumanos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655830810942-PDY8PP7NR7P0R8FCS5XY/San+Gregorio+de+Aba%CC%A8+Mission+New+Mexico.jpg</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>San Gregorio de Abó Mission, established around 1621 in Mountain Air, New Mexico. Spanish missionaries came to occupy Abó Pueblo, the home of the Tompiros in the early 17th century. The mission was empty by the early 1670s, as a series of droughts and Apache raids made life in the Salinas Valley precarious. Today, the ruins of the pueblo and mission are a National Historic Landmark as part of the Salinas Pueblo Missions National Monument. (National Park Service, U.S. Dept. of the Interior)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831300268-WCQE7I4XLIBKGMB185QY/Shrine+to+Lady++in+Blue.jpg</image:loc>
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      <image:caption>Shrine to Lady in Blue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655831440931-DRYIN08A8ZSU2RYPFLJN/San+Angelo.jpg</image:loc>
      <image:title>read - The Needle and the Thread</image:title>
      <image:caption>Left to right: The Needle and the Thread producer Jim Nikas, lead actress Marissa Casillas, and director Victor Mancilla in San Angelo, Texas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655829719390-5NZCVRKR37DKSMRSW8RR/Maria_de_Jesus_de_Agreda_-_frontispiece.jpeg</image:loc>
      <image:title>read - The Needle and the Thread - Frontispiece  (Copy)</image:title>
      <image:caption>Frontispiece of Mística ciudad de Dios, Vida de la Virgen María by María de Jesús de Ágreda (Henrico y Cornelio Verdussen, 1696). Source: Franciscan Institute Library, St. Bonaventure University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1655829836384-TX6AMB1ZRLKT0439GI3D/Mystical+City+of+God.jpeg</image:loc>
      <image:title>read - The Needle and the Thread - Bound Volumes (Copy)</image:title>
      <image:caption>Four-volume set of Mystical City of God by María de Jesús de Ágreda (TAN Books, 2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e091edf9-9931-41e4-8267-957caf28eeef/Lady-in-Blue_Statue.jpg</image:loc>
      <image:title>read - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>"Maria - Lady in Blue" bronze statue by Vic Payne for the San Angelo, TX Commission. Unveiled in 2018, the statue is located in Bart DeWitt Park along the Concho River in downtown San Angelo, Texas. Photo: Jonathan Cutrer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/92a64455-baca-4704-9aec-7854dda838d6/TheNeedleTheThread-traileronVimeo-screenshot.jpg</image:loc>
      <image:title>read - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>Image still from The Needle and the Thread (2022). Courtesy of Eravision Films</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63e13336-de6e-4aee-8560-cb94d0b72d12/Salinas+Monument.jpeg</image:loc>
      <image:title>read - The Needle and the Thread - Make it stand out</image:title>
      <image:caption>Salinas National Monument, a complex of three Spanish missions located in the U.S. state of New Mexico, near Mountainair. Source: New Mexico Tourism Department</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/37-weeks-and-38-hours</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7bc59363-938c-494f-8bf8-b17d966ba890/Antakya_Archaeological_Museum_Geometric_mosaic_6055.jpeg</image:loc>
      <image:title>read - 37 Weeks and 38 Hours</image:title>
      <image:caption>Geometric mosaic (2nd-4th century), Hatay Archaeology Museum, Antakya, Turkey. Photo: Dosseman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d40c81b0-c56f-4a8b-a849-79c6a2d9998e/Jesus_healing_the_paralytic_in_Cafarnaum_-_Sant%27Apollinare_Nuovo_-_Ravenna_2016.jpeg</image:loc>
      <image:title>read - 37 Weeks and 38 Hours - Make it stand out</image:title>
      <image:caption>Healing of the Paralyzed Man in Capernaum (6th century) wall mosaic, Basilica di Sant'Apollinare Nuovo, Ravenna, Italy. Photo: José Luiz Bernardes Ribeiro</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/aab3ed6b-6c2d-450d-bd76-37dcc3499e4c/holy+martyrs+Perpetua+and+Felicity.jpg</image:loc>
      <image:title>read - 37 Weeks and 38 Hours - "Memorial of the holy martyrs Perpetua and Felicity, arrested in Carthage under the emperor Septimus Severus together with other young catechumens; of these, Perpetua, a married woman about twenty years of age, was a mother with an infant at the breast; while Felicity was a serving girl, who, since she was pregnant, was granted a respite, in accordance with the law, until she was delivered. Though she suffered in giving birth, when thrown to the wild beasts she rejoiced. They processed from prison into the amphitheatre with happy faces, as if looking to heaven."  —From The Roman Martyrology for 7th of March, Dominican Province of the Assumption, 2012</image:title>
      <image:caption>Detail of 6th-century wall mosaic depicting Saints Perpetua and Felicity, Basilica di Sant'Apollinare Nuovo, Ravenna, Italy. Photo and text selection: Fr. Lawrence Lew, O.P.</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/arena-a-house-music-al</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c1c10b1a-d06a-482a-bfb1-06a9e278ba63/arena-cast.jpeg</image:loc>
      <image:title>read - Arena: A House MUSIC-al - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/322fc57b-ec6b-44b4-97e9-153d436d5122/arena-scene.jpeg</image:loc>
      <image:title>read - Arena: A House MUSIC-al - ARENA: A HOUSE MUSIC-AL (Workshop Production)</image:title>
      <image:caption>Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a4cb789-6671-4c7a-aa36-77ddb52ba360/ArenaMainPic.jpeg</image:loc>
      <image:title>read - Arena: A House MUSIC-al</image:title>
      <image:caption>Scene from Arena: A House MUSIC-al, 2019. Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/49aae7a4-3251-4475-92dd-2403d29b8e3c/arena-logo.png</image:loc>
      <image:title>read - Arena: A House MUSIC-al - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/phantoms-of-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e079f13-f5d2-4942-ac82-e0f82e261f33/Iglesia+Pentecostal+Unida+Hispana_2008.jpg</image:loc>
      <image:title>read - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Iglesia Pentecostal Unida Hispana, INC. Houston, Texas, 7 June 2008. Photo: © Don Mason</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bdb5dc16-c49e-4919-9e57-b7768d77874a/Hernan+Silguero.jpg</image:loc>
      <image:title>read - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Image of Rev. Hernán Silguero from iCentral 45 Aniversario (2017), a documentary about the history of La Iglesia Pentecostal Unida Hispana</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a0746095-084b-4382-b98e-e307d0902e01/IGLESIA+PENTECOSTAL+UNIDA+HISPANA+0-1+screenshot.png</image:loc>
      <image:title>read - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Image still from video presenting the youth group IPUH17 JOVENES of the 17th Iglesia Pentecostal Unida Hispana, Houston, Texas, 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a349c32-f1e2-4cbb-9067-7afb487bb11c/iStock-512060774.jpg</image:loc>
      <image:title>read - Phantoms of Fire - Make it stand out</image:title>
      <image:caption>Source: iStock by Getty Images</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/st-everyday-part-2-mais-viva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1516d44-1839-44df-b03b-5d4547097f6c/GGR-embroidered+patch.jpeg</image:loc>
      <image:title>read - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Embroidered corazón patch by Gabriel García Román</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f22c48a-8305-4919-9fcb-018b4babf0bb/GGR_Corazon4jpg.jpeg</image:loc>
      <image:title>read - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo: Gabriel García Román</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dd45074e-cc29-43e3-9233-773e7a3ce2b2/Dora-santana.jpeg</image:loc>
      <image:title>read - St. Everyday (Part II): Mais Viva!</image:title>
      <image:caption>Dora, portrait of Dora Silva Santana by Drew Riley. From Gender Portraits, a nonprofit project of the Austin Creative Alliance that advocates for sex and gender minorities through art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ad25276a-30f1-477e-8a4a-e23c6af8d8c1/GabeGIF.gif</image:loc>
      <image:title>read - St. Everyday (Part II): Mais Viva! - Make it stand out</image:title>
      <image:caption>Photo and animation: Gabriel García Román</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653971523756-R0RDYEJ4IEYHQO0QHYVU/Freda2.jpeg</image:loc>
      <image:title>read - St. Everyday (Part II): Mais Viva!</image:title>
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      <image:title>read - St. Everyday (Part II): Mais Viva!</image:title>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/st-everyday-part-1-queer-icons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957209554-RKMTF4J7EREZ1MF9NLOG/SagradaFamilia1.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Castro, Bayani &amp; Candy, 2019. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “We found love, trust, and healing in each other and with that we manifested our familia.” READ MORE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957227152-RD957GNNAH271EYY6LNL/Mitchyll1.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Mitchyll, 2014. Photogravure w/Chine-Colle and silkscreen, 11x14.” Mitchyll Mora is an activist and community organizer bringing visibility to the Queer Trans Community of Color who are currently in the prison system.  SEE MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957236880-TWJSPQ5X85QMMMD6QUSB/Gabriela4.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Gabriela, 2018. Photogravure w/ Chine-Colle and silkscreen, 15x18.” “Made by womxn with more than one spirit. Womxn whose existence wasn’t measured by sins.” READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1653957251615-ZK7V87RGARFTIHTPPWL1/CarFer2.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons</image:title>
      <image:caption>Carlos &amp; Fernando, 2016. Photogravure w/ Chine-Colle and silkscreen, 18x15.” Both Carlos &amp; Fernando are social workers focusing on the LBGTQ and Latino community in the L.A. area. They have been married for 10 years. READ MORE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/28db3dc4-8a16-4fba-96a6-638d5a03db13/Gabriel1.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Gabriel (2011); photogravure with chine-colle, 11in x 14in. From the Queer Icons portrait series by Gabriel García Román.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fa4266c6-aadb-4b86-8e0d-9e048e979704/Gabriel-Floating2.jpeg</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63952aa0-4be8-4490-a7b5-f0d1bd5dae0c/Corazon.gif</image:loc>
      <image:title>read - St. Everyday (Part I): Queer Icons - COMING SOON…</image:title>
      <image:caption>St. Everyday (Part II): Mais Viva! Dr. Xochitl Alvizo sums up Gabriel García Román’s visit to her Queer Theory class at California State University, Northridge and her students’ engagement with his work, along with the scholarship of Black trans feminist scholar Dr. Dora Silva Santana of John Jay College, CUNY.  Photo and animation: Gabriel García Román</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/neruda-on-the-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b28d040e-71dd-405d-97f4-3121554a0bf4/28959448025_8c8c81070c_6k.jpg</image:loc>
      <image:title>read - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Washington Heights, New York, 1990s. Photo: Winston Vargas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/de9328de-bd0a-4403-9707-749cc2e9c42b/28960295225_cf9a5b3cc3_o.jpg</image:loc>
      <image:title>read - Neruda on the Park</image:title>
      <image:caption>Washington Heights, New York, 1990s. Photo: Winston Vargas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f29b2e8d-13fa-4542-9ba1-60af4b37c270/28675169220_80e1ba0839_k.jpg</image:loc>
      <image:title>read - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Washington Heights, New York, 1992. Photo: Winston Vargas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/10daa781-6d99-4e76-9bc3-5d3af4833e1f/Neruda+on+the+Park_Natera.jpeg</image:loc>
      <image:title>read - Neruda on the Park - Make it stand out</image:title>
      <image:caption>Neruda on the Park by Cleyvis Natera (Ballantine Books, 2022)</image:caption>
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  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/and-the-barrio-did-not-devour-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fd5b89de-beb7-4283-a376-dcb76ebd4661/Los+Mismos+Charcos.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Los Mismos Charcos (2000) by Jose Esquivel; acrylic on canvas, 20”x16”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fed14635-c79f-40e6-9fa9-774eb4c668c3/Barrio+USA+Logo.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>“Barrio USA Series” logo designed by Jose Esquivel in the 1990s.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1646497169722-XLNZK99AV0AWSQ1X7V1M/Las+Nubes.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Las Nubes (2016) by José Esquivel; acrylic on canvas; 30” x 40.” Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0cb0a134-931e-46c8-b688-7c2baeb1e1a4/20150906_172713.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel’s collection of ancient Mexican Indian figuras de barros [clay figures]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5f3d9096-1bfe-4006-81f6-1bbb93014458/01_JoseEsquivel.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Con-Safo artists included (l. to r.): Santos Martínez, Jesse Almazán, Roberto Ríos, Felipe Reyes, José Esquivel, Vincente Velásques, Mel Casas, and José P. Garza</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3c493ff8-bac0-4657-930c-26d86e3a7930/Art+Career+%233.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel, commercial artist at City Public Service, 1961</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b1d80522-75ca-4f0d-976a-7b29d8baf6d8/Esquivel+with+Puffing+Away_1970s.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e358f1a4-ad9d-4bf5-9ef4-27d48c1cfc70/20180331_220112_HDR.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel with his African masks and carvings collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63413777-d619-441d-9f34-9930d7a21976/20181106_125253.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel, 11 June 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278221304-ZLBSLR46TG40CQ6E0Z0W/La+Cruz_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - La Cruz (1970) (Copy)</image:title>
      <image:caption>A powerful symbol of faith projecting light in a troubled world. Acrylic on canvas, 20” x 30”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278267104-SYD5BC4JMU4585T9HFI1/Nuestra-Sen%CC%83ora_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Nuestra Señora (1995) (Copy)</image:title>
      <image:caption>A barrio symbol of goodness and protector in times of violence. [Presented at the Centro Cultural Aztlán’s 21st annual Celebración a la Virgen de Guadalupe Exhibit, 2016.] Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278322296-Q3AE3SK31HZ7HMOW25MR/Victory+at+the+Temple_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Victory at the Temple (2000) (Copy)</image:title>
      <image:caption>The [Victory Outreach ministry] was founded by Freddie Garcia, a recovered drug addict. The painting depicts his spiritual journey and how his belief in Jesus Christ transformed his life. [Part of the Santos Martínez Chicano Art Collection.] Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278178930-XFWOEZ493WDWG2ROX44S/Boxed+in+at+1638_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Boxed in at 1638 (2001) (Copy)</image:title>
      <image:caption>A personal narrative of me and my family in a box by design, enduring social and economic conditions in America. [Published in the October 2016 issue of Nashville Arts Magazine as part of the Joe Diaz collection.] Oil on canvas, 24” x 18”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278307035-1VKYDV72GEP0RJPSG8WX/The+Shrine_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - The Shrine (2001) (Copy)</image:title>
      <image:caption>A small garden with La Virgen de Guadalupe as the focal point, indicating the importance of our cultural and religious beliefs. [This painting adorns the cover of Little Nations and Other Stories by Alejandro Morales (Arte Público Press, 2014).] Acrylic on canvas, 40” x 30”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278297461-M8FDCWB6OCEJAVYNRSKF/The+Garcias+and+St+Juse_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - The Garcia’s and St. Jude (2003) (Copy)</image:title>
      <image:caption>“Las Capillas” en el barrio, decorated with their favorite Saint. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278289799-QFTCM8R2GU4DMQAD91IA/Technoman_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Technoman 21st Century (2007) (Copy)</image:title>
      <image:caption>Since the 1970s, environmental pollution, global warming, and self-destruction have been focal points in my work. [This work brings] into frame the emotional, psychological, and physical consequences of a society in peril. Acrylic on canvas, 48” x 60”. Photo: Lee Young</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278241986-85AL1S4MGBQUR6WSZ96E/Los+Angelitos_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Los Angelitos (2011) (Copy)</image:title>
      <image:caption>A visual narrative of children who are the tragic victims of barrio drive-by shootings. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651278190194-77HK1L9M9GKN5TETVHP4/El+Dimo_Esquivel.jpeg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - El Dimo (2015) (Copy)</image:title>
      <image:caption>Drug-infested and gang member battles are sadly commonplace events that occur in some of our communities. ’’El Dimo” is a pachuco slang term referencing the 10% payment made to local narco-trafficker kingpins [for permission] to operate in neighborhood territories. Acrylic on canvas, 16” x 20”. Photo: Lee Young</image:caption>
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      <image:title>read - …And the Barrio Did Not Devour Me - Golden Hand (2016) (Copy)</image:title>
      <image:caption>Inspired by my father’s talent with tile and cement, and building the house I grew up in. Mixed media, 20” x 26”. Photo: Lee Young</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3cafd50-14f9-4ae5-834d-922fce68280a/20180714_164551_HDR.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Texas, 14 July 2018.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b3b7329d-1d7f-4e59-8332-635946f91932/20150906_144035.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel at his Westside studio, San Antonio, Texas, 6 September 2015.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2b4688c0-6ac2-4a86-8f0e-f85ae4580978/El+Mundo+de+Elenita+Cruz.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>El Mundo de Elenita Cruz (2007) by Jose Esquivel; acrylic on canvas, 24”x36”. Collection of the National Museum of Mexican Art, Chicago, Illinois. Photo: Lee Young “El Mundo de Elenita Cruz” is a portrait of my grandmother. Elenita left the town of Bustamante, Mexico with my father, who was nine years old at the time, to the United States. They came here legally to seek a better life, first settling in Laredo, Texas, and finally moving to San Antonio. She was a spiritual warrior who believed that bad spirits could be overcome through prayer and positive thinking. The composition portrays symbolic elements of her world and pays homage to the strong woman she was in spirit and inspiration. The original painting is at the National Museum of Mexican Art Collection in Chicago, Illinois.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/598acccd-3fdf-4314-a8db-a73ecda9fe61/Dreamers+in+Space.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>The Dreamers/Dreamers in Space (2014) by Jose Esquivel; acrylic on canvas, 48”x60.” Photo: Lee Young Another favorite work is “The Dreamers,” completed in 2014 and inspired by the Deferred Action for Childhood Arrival (DACA) Act, which allows some individuals with unlawful presence in the United States after being brought to the country as children [“Dreamers”] to receive a renewable two-year period of deferred action from deportation and become eligible for a work permit in the U.S. The painting depicts Dreamers suspended in outer space, not knowing where they belong or where their future lies in our society.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2a8cabb9-5433-49a0-aa93-b54abab62368/20181102_142309.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Esquivel with Los Mismos Charcos [The Same Puddles] at the Thaer-Institute - Humboldt-Universität zu Berlin, Germany, 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6247f096-efdd-4e45-9fb5-fbc24669e697/27_JoseEsquivel.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Wildlife painting by Jose Esquivel, circa 70’s</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a6d1e871-927c-4b0c-a61e-cdbc375e5ec3/20190623_202148.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Studio space in Texas, 23 June 2019.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c90602bb-6034-4d8b-bb13-cadd40c635ed/Puffing+Away_Jose-Esquivel.png</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>Puffing Away by José Esquivel, shown left ca. 1970.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4b3ed4a9-e3c0-41e1-ac61-9e615e45505e/El+Grupo+%235.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>El Grupo included (l. to r.): Felipe Reyes, José Esquivel, Jesse Cantú, Roberto Ríos</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1650985512652-ZI33549J7SDMH905MKGK/Self-portrait_Esquivel.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me</image:title>
      <image:caption>Detail from Self-Portrait (2006) by José Esquivel, acrylic on canvas. Courtesy of Mario Esquivel, Art Representative of José Esquivel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba19f412-3c9c-4209-8c9a-8bcea91c32b4/Tech+High+School+%231.jpg</image:loc>
      <image:title>read - …And the Barrio Did Not Devour Me - Make it stand out</image:title>
      <image:caption>“Joe” Esquivel (right) and fellow Tech High School student Becky Ramon, shown in the 1950s with art instructor Katherine Alsup (center), putting finishing touches on their “Life in America” paintings. Done under the international Junior Red Cross Art Program, the paintings would be on display at River Art Gallery and later sent abroad.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/where-the-sidewalks-meet-a-time-before-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/221f211a-78e5-4fbf-97a1-4345354bad0a/A-Time-Before-Water_Danny-Peralta_Page_43_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617326861775-UWG3LX1AXFLTZ30PFZDY/Harold%2BRecinos.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a970d821-920e-4550-ac5d-dbffb76096a4/where+the+sidewalks+meet.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4f744ac-c26d-49ee-b457-c8a10cb6a6e2/181215-31%2Bsel_32.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6ab31a2a-0448-441f-a823-24c5cd2d2dfe/A-Time-Before-Water_Danny-Peralta_Page_13_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/590a660b-a09c-4e07-a413-ca146dbaa4e1/A-Time-Before-Water_Danny-Peralta_Page_42_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>7 February 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/29126b35-b321-4d43-ba7e-f52bfc8d7512/A-Time-Before-Water_Danny-Peralta_Page_41_Image_0002.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>17 March 2019. Photo: Danny R. Peralta</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/09b31252-cee7-482a-b108-a1d6d05a2884/190317-27%2Bsel_39.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>17 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8007e92c-6dd4-46b7-8d46-2e57e91a63bb/A-Time-Before-Water_Danny-Peralta_Page_44_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>9 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8cb811c9-e905-47cc-8c4f-c91a084e7e46/181215-31%2Bsel_20.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b9c8a0ed-59f6-4acb-8b97-8818dbfe0099/time+before+water.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58bb3345-9aee-424a-9234-69996716b25c/181215-31%2Bsel_13.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>15 December 2018. Photo: Danny R. Peralta</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7aad6a23-cb99-4b61-82d6-d5b4cbe77424/untitled_190301_356.jpeg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Untitled, 1 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/02b51e59-0a1e-469f-8652-5002b57ff065/A-Time-Before-Water_Danny-Peralta_Page_65_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/77743d4e-55c6-4a87-a1d6-0b024d3d355b/A-Time-Before-Water_Danny-Peralta_Page_07_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>9 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6378513a-de54-4f1b-ba72-91e03dece826/A-Time-Before-Water_Danny-Peralta_Page_21_Image_0002.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>2 December 2018. Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/182ba6e7-5585-4724-9fef-fbb4dc745337/A-Time-Before-Water_Danny-Peralta_Page_48_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3299395f-2375-4e27-a998-c37e8474a7d2/A-Time-Before-Water_Danny-Peralta_Page_18_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water</image:title>
      <image:caption>Untitled (2 March 2019). Photo: Danny R. Peralta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6bb00010-fef9-48ee-8301-51396ade9b45/A-Time-Before-Water_Danny-Peralta_Page_29_Image_0001.jpg</image:loc>
      <image:title>read - Where the Sidewalks Meet a Time Before Water - Make it stand out</image:title>
      <image:caption>7 March 2019. Photo: Danny R. Peralta</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/dont-you-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38368732-2df8-4cf2-b223-5717534a773f/skies_Loida_Martell_2019.jpeg</image:loc>
      <image:title>read - Don’t You Care?</image:title>
      <image:caption>Photo: Dr. Loida I. Martell © 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/ars-botanica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/452f8f18-e7df-47be-a2b6-f08551db0e97/Botanical-illustrations-from-the-Codex-Pictoricus-Mexicanus-a-set-of-drawings-of-Baja.png</image:loc>
      <image:title>read - Ars botánica</image:title>
      <image:caption>Botanical illustrations from the Codex Pictoricus Mexicanus, a set of drawings of Baja California’s plants and animals sketched around 1762 by the Jesuit Ignác Tirsch (1733–1781) during his missionary work in the Cape Region. (Courtesy of the National Library of the Czech Republic). Cited as Fig. 3 in: Garcillán, Pedro &amp; Gonzalez-Abraham, Charlotte &amp; Ezcurra, E. “The Cartographers of Life: Two Centuries of Mapping the Natural History of Baja California.” Journal of the Southwest 52 (2010), p. 8. 10.2307/27920207</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a6296006-7bb3-4fb5-9398-a08c93c51d35/Study+of+crossed+feet_Gatti.jpg</image:loc>
      <image:title>read - Ars botánica - Make it stand out</image:title>
      <image:caption>Study of crossed feet; after Guercino; plate 10 Engraving (1619-1691) by Oliviero Gatti. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/efe62710-4872-4a54-8f0c-0016043246ab/Three+studies+of+hands_Gatti.jpg</image:loc>
      <image:title>read - Ars botánica - Make it stand out</image:title>
      <image:caption>Three studies of hands; after Guercino; plate 7 Engraving (1619-1620) by Oliviero Gatti. © The Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2d9ef0e1-d662-4887-a3f9-f90a60b26294/san-souci_matchbook-detail.jpeg</image:loc>
      <image:title>read - Ars botánica - Make it stand out</image:title>
      <image:caption>Detail from Sans Souci Restaurant vintage matchbook cover, Indio, CA. Source: Cardboard America Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e0c871c-9127-4b30-8235-cc5d61a0e18b/Quintus_Horatius_Flaccus.jpg</image:loc>
      <image:title>read - Ars botánica - Make it stand out</image:title>
      <image:caption>“Quintus Horatius Flaccus,” imaginary portrait of Horace by Anton Alexander von Werner (1843-1915). Horace’s poem "Ars Poetica [The Art of Poetry]," written c. 19 BC, which advises poets on the art of writing poetry and drama, has inspired poets and authors since.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e6e9dacb-3bf8-4a56-854f-9445c2c1076a/aylante_glanduleux.jpeg</image:loc>
      <image:title>read - Ars botánica - Make it stand out</image:title>
      <image:caption>The ailanthus or “Tree of Heaven” is native to Asia, where it is considered medicinal; common in neglected urban areas, it is considered a noxious weed and vigorous invasive species in Europe and North America. Source: Botanical.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-grand-silence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1d4b7d6d-79e6-4b0a-a6de-067eba231f9b/Calle+De+Las+Mercedes.jpeg</image:loc>
      <image:title>read - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Santo Domingo, R.D. Calle de "La Mercedes" Dominican Republic [ca. 1900 to 1940]. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c089a241-363e-4c59-8c59-53452040112b/iglesia-las-mercedes-enhanced-01-8-17-2016fbz.jpg</image:loc>
      <image:title>read - The Grand Silence, 1929</image:title>
      <image:caption>Door of the Iglesia y Convento de La Mercedes, Santo Domingo, Dominican Republic. Photo: Janette at Colonial Zone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccaeab2b-b1bc-49ba-b282-d3eb1d4cba8f/Mercedes_convent_DR_Rosario_3.28.22.jpg</image:loc>
      <image:title>read - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Nelly Rosario stands at the entrance to the Biblioteca Vetilio Alfau Durán, formerly the convent of Iglesia de Las Mercedes. Santo Domingo, Dominican Republic, 27 March 2022. Photo courtesy of Nelly Rosario</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/00b68410-11b4-45a9-a933-bea65ca63c1c/The+Girl+who+chased+me+at+Cotui_1904-05.jpeg</image:loc>
      <image:title>read - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>“The girl who chased me at Cotui (also double exposure),” ca. 1904-1905. Source: The Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef06d37c-9887-4a28-9cf1-274caf144c86/song+of+the+water+saints+cover.jpeg</image:loc>
      <image:title>read - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8e1572e1-0a9d-4103-a906-bc0450bd3916/fe4d649d-1984-01-07-el-claustro-de-la-iglesia-de-las-mercedes-cuna-de-america-5da111d565863.jpeg</image:loc>
      <image:title>read - The Grand Silence, 1929 - Make it stand out</image:title>
      <image:caption>Cloister of the Iglesia de Nuestra Señora de las Mercedes, December 1983. Source: El Caribe</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/ode-to-elegies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/45b4e93b-c8d6-44e0-bbc6-909810eca5a0/jochen-bams-P7HBwzxU66Q-unsplash.jpg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Dominican Republic, 2019. Photo: Jochen Bams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d206e6cf-7242-4c94-8142-163dae1b7a7e/Monte-Cristi_Ahd-Photography_2010.jpg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>“Tied to shore, but floating at sea.” Monte Cristi, Dom. Rep., 2010. Photo: Ahd Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/94c99b5c-6d38-4e85-83b5-8c0cf0747025/Puerto-Plata-DR_Thibault.jpg</image:loc>
      <image:title>read - Ode to [Elegies]</image:title>
      <image:caption>Puerto Plata, Dominican Republic, 2019. Photo: Jason Thibault</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c90e7add-ae31-4b01-b840-2b11f46c4b96/Unbreakable_Julianny+Ariza_2013.jpg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Unbreakable (2013) by Julianny Ariza. Fabric, thread and plaster on canvas, 13 x 18 in. Source: Condition: My Place Our Longing / Condición: Mi lugar nuestro anhelo exhibition by The City College of New York-CUNY Dominican Studies Institute, 2013.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/948eb267-f8ca-41e8-84a3-55716628da59/dominican-republic-1871-superestitious-burial-ceremony-in-the-capilla-del-rosario.jpg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Burial ceremony in Capilla del Rosario in the remnant of the city of Nueva Isabella, opposite Santo Domingo City, Dom. Rep., 1871. Photo reproduction of watercolor by James E. Taylor. Source: Library of Congress</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17e172eb-e821-4a7d-9b25-448232861f55/Samana-Bay-DR_1871.jpeg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>View of the U.S. Coaling Station and Marciaq's store, Samaná Bay, city of Samaná, Dominican Republic, 1871. Photo reproduction of watercolor by James E. Taylor. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f3ad6e1-7abe-45bf-a469-28094e1ca095/elegies-roberto-carlos-garcia.jpeg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>[Elegies] by Roberto Carlos García FlowerSong Press, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8a209021-6fb0-4853-be0b-eabdfb74f718/tree-in-san-domingo-to-which-columbus-is-said-to-have-tied-his-caravel-91921-6ddb3a.jpg</image:loc>
      <image:title>read - Ode to [Elegies] - Make it stand out</image:title>
      <image:caption>Ceiba de Colón, tree to which Columbus is said to have tied his caravel. Santo Domingo, Dom. Rep., 1947. Source: Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/xitlali-zaragoza-curandera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/90f11a12-591e-48c5-9d29-8d6f27a0bae6/La+Curandera+y+su+jardin.jpg</image:loc>
      <image:title>read - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>La curandera y su jardín [The Healer and Her Garden] (1998), bronze sculpture relief by Reynaldo Rivera at The Healers Garden, ABQ BioPark, Rio Grande Botanical Garden, Albuquerque, New Mexico, 2013. Photo: Zruda</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e7514d3b-7904-4199-9a96-a5fabedd8d9c/metapth39465_xl_1977.09.04.jpg</image:loc>
      <image:title>read - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8aac9aa3-c66d-4c38-938b-b3eda2bb0dc5/Teresa-Urrea-laying-hands-on-a-baby-in-El-Paso-Texas-1896-While-in-El-Paso-she.jpg</image:loc>
      <image:title>read - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Teresa Urrea laying hands on a baby, 1896, El Paso, Texas, where she treated approximately 200 people per day. Photo: Charles Rose. Source: Serman, J. “Laying-on Hands: Santa Teresa Urrea’s Curanderismo as Medicine and Refuge at the Turn of the Twentieth Century,” Studies in Religion / Sciences Religieuses Vol 47, Issue 2, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/38339f84-07a3-45cc-b880-2d82d211e8d8/book-of-wanderers_COVER_Reyes-Ramirez.png</image:loc>
      <image:title>read - Xitlali Zaragoza, Curandera - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/333ff062-7572-47c8-b29a-5148e16d5564/SAAM-1995.50.60_1.jpg</image:loc>
      <image:title>read - Xitlali Zaragoza, Curandera</image:title>
      <image:caption>La Curandera, ca. 1974, hand-colored etching and aquatint on paper by Carmen Lomas Garza, artist and activist who was central to the early Chicano Movement. Garza chronicles intimate daily life scenes based on remembrances of her own childhood in Kingsville, Texas, in the 1950s and 1960s. Source: Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.60, © 1974, Carmen Lomas Garza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/dreams-of-reversal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc1e689f-a3c7-4f43-8442-67113c085abb/Sun-Mad-ofrenda_Hernandez_1989.jpg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b2206577-b0a2-422f-b11e-6399eddd12b4/Poor+People%27s+campaign_2017.jpg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/024e5a04-30b8-4176-b696-02bdaf40d4d2/Francesco_hayez-destruction_of_temple_of_jerusalem.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Destruction of Temple of Jerusalem (1867) by Francesco Hayez. Source: Galleria d'Arte Moderna di Palazzo Piti (Italy)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6884ad00-cfd9-4b42-856b-158e94fa2ba6/2147022799_0408695a3e_k.jpg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>HTI Open Plaza: “The Unjust Steward,” 12 December 2022 In this episode of OP Talks, Rev. Dr. Tony Lin talks to Miguel Escobar about his new book on wealth, poverty, and the Church today.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39e25157-23eb-4bf0-996c-e902d1228438/The+Rich+Man+in+Hell+and+the+Poor+Lazarus+in+Abraham%27s+Lap%2C+from+Das+Plenarium_1517_DP849940.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1947994-68fe-4c11-8460-4f742d4759b1/Hoffman-ChristAndTheRichYoungRuler.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - DISCUSSION QUESTION</image:title>
      <image:caption>In the context of the quote below, what would it mean to ground one’s faith in Jesus’ dream of a great reversal? “[I]t oftentimes still feels…like a betrayal to open the Bible, a text that is thoroughly owned by those who are committed to terrorizing the lives of LGBTQ+ communities and people of color.” —Miguel Escobar Image: Christ and the Rich Young Ruler (1889) by Heinrich Hofmann, painting purchased by John D Rockefeller, Jr. and today residing at Riverside Church in Harlem, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7801963-44a4-4d12-986e-9e5e92d7268e/Mexican-migrant-workers_1948_0303000779-l.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>A Mexican woman and her six children standing on the porch of the multiple-family housing provided to them by the pea cannery for which their husband and father works, Plymouth, Wisconsin, 15 July 1948. Source: Sheboygan Press, courtesy Wisconsin Historical Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/dc1f272c-d416-4ccb-a7e8-1d41bf9d1cd7/Marching+to+Madison_1966_1114000079-l.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>Marchers of Obreros Unidos (United Workers) along Highway 21 in Wisconsin, 1966. The 30 marchers are en route to Madison to petition lawmakers to hold farms and food industry corporations accountable for better working conditions for migrant farm workers. The marchers, among them a priest known as Father Garrigan, carry images of Our Lady of Guadalupe, the National Farm Workers Association (NFWA) banner with the Aztec eagle symbol, and the American flag. Photo: David Giffey. Source: Wisconsin Historical Society</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/be1f772f-df0d-4f18-96ed-0839d9f5c2f8/The-Unjust-Steward.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>The Unjust Steward: Wealth, Poverty, and the Church Today by Miguel Escobar (Forward Movement, 2022)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4d4d7979-ba4d-46c1-9be8-e5866597c962/Eight-Beatitudes_DP821010.jpeg</image:loc>
      <image:title>read - Dreams of Reversal - Make it stand out</image:title>
      <image:caption>The Eight Beatitudes, ca. 1578, Hendrick Goltzius, 10 1/16 x 7 5/16 in. engraving. Source: Harris Brisbane Dick Fund, 1953, The Metropolitan Museum of Art</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef05aae5-f6a5-4621-9b40-8a583eb731c2/Seguimos-Adelante_Bagley_1995.jpeg</image:loc>
      <image:title>read - Dreams of Reversal</image:title>
      <image:caption>Seguimos Adelante (1995) by James Bagley, commemorative artwork created for the National Center For Farmworker Health, a Texas nonprofit dedicated to improving the health of farmworker families. Source: NCFH</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/return-to-padre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ba0eade2-fa42-48a4-81d4-4df23479a5c9/Valley+Morning+Star_1937.jpeg</image:loc>
      <image:title>read - Return to Padre - Make it stand out</image:title>
      <image:caption>Ignacio Ballí Tijerina (left) and Manuel Ballí shown holding deeds and documents related to family properties in Texas. Source: Valley Morning Star (6 June 1937), page. 4.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/85d7dfad-373d-44f2-be9d-deb542fe30ec/Statue+of+Padre+Balli.jpg</image:loc>
      <image:title>read - Return to Padre</image:title>
      <image:caption>Statue of Padre José Nicolás Ballí, South Padre Island, Texas, 2018. Padre Ballí’s family migrated from Spain to Mexico City in 1569 and later became large landowners in the Lower Rio Grande Valley. He served as collector of finances for all the churches in the Rio Grande Valley and founded the first mission in present-day Cameron County, Brownsville, TX. Photo: William Hicks. Source: University of North Texas Libraries, The Portal to Texas History</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39301b0b-2366-456e-9f38-e9343954889a/Padre-Balli+and+the+Karankawa_NPS.gif</image:loc>
      <image:title>read - Return to Padre - Make it stand out</image:title>
      <image:caption>Illustration of Padre Ballí with the Karankawa. Source: National Park Service, U.S. Department of the Interior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b112c38-78ea-48a2-a618-806dc745bc33/Balli-Austin-Statesman_10-1-2000.jpeg</image:loc>
      <image:title>read - Return to Padre - Make it stand out</image:title>
      <image:caption>Pearl Ballí Mancillas shown with her husband Ruben Mancillas (top); Emma Ballí (under timeline) celebrates outside the federal courthouse in Brownsville, TX in August 2000. Source: Harmon, Dave. "THE FIGHT FOR A HISTORIC BIRTHRIGHT; Padre Island Ruling Gives Hope to Latino Families." Austin American Statesman, 01 October 2000, p. A1.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/on-music-justice-and-hope</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24c74da0-3b32-4378-b409-f4034054bc2f/Ruben+Blades+Class+1966.jpg</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Rubén Blades</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/25fb9246-aa9a-4b29-8199-1f617ab75ae1/LIFE-magazine_24_Jan_1964.jpeg</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c023c22f-cf74-4ecb-9279-a545bd6e22f3/Basilio+Class+of+1966.jpg</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Basilio Fergus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bae28c02-962f-42af-b78f-f78377039493/Leopoldo+and+Carlos+Sanchez.png</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>“Feliz día, Papá” (Instagram post @salsasanchez, 20 June 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c5cddc72-09cb-4338-bd09-97488d9aff6d/1599px-Instituto_Naciona%2C_esfinge_derecha.jpeg</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Sphinxes symbolizing wisdom and genius guard the entrance of the Instituto Nacional de Panamá, a cultural heritage monument. Panamá City, Panamá, 2016. Photo: KarlaOhhh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8fef887a-404f-4575-b80a-1dda720b7713/Carlos+Sai%CC%80nchez+Class+of+1966.jpg</image:loc>
      <image:title>read - On Music, Justice, and Hope - Make it stand out</image:title>
      <image:caption>Carlos Sánchez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/after-dark-nueva-luz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e53c5ea1-91c1-4630-8c75-e747430fbd76/Peralta_12.%2B%27Bout%2Bthat%2BLife%2B121014.jpg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>'Bout that Life 121014. Bout that Life: The G. Mesa Story series, 2014. Danny Ramon Peralta Dominican-American b. 1978, Bronx, New York “Portrait of G. at the local barber shop as he grooms. The ‘San Miguel 7 Espadas’ card that hovers above his reflection represents San Miguel, who for believers, is known as the protector of evil.” —Danny R., Bronx, NYC. December 2014 Nueva Luz Vol 20, Issue 2, 1 September 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5194683d-f1d2-44af-a9b1-9b298471d6b4/Arrowheads+and+feet_1993_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>[Arrowheads and feet], 1993 Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ca25a1f4-2add-4578-b18e-7aee750f79e0/Boy+Jumping+Off+Pier_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Boy Jumping Off Pier, 1972 Gelatin Silver Print, 13x19” Part of En Foco’s Print Collectors’ Program Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico Nueva Luz Vol 5, Issue 1, 1 February 1997</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/68036517-ef9c-41cc-bb64-d9fba813fc0d/covenant-meeting_vol-06_issue-02.jpg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Covenant Meeting, 1999 Gelatin silver print, 11 x 14” Sheila Pree African American, resides in Atlanta, Georgia “They did not dress in long robes or ask for money. Instead they were compelled only to give the world their message. As I listened closely, I noticed that they were preaching from the books of Matthew &amp; Revelations. Behind my camera I could see true spirit as it was and actually exists...I believe that the spirit can be found in places that we least expect.” —S. Pree, 2000 Nueva Luz Vol 6, Issue 2, 1 August 2000</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/05894a28-bdf3-4f92-9d9e-83945ea95bed/Oye+Willie_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Oye Willie, 1980 Frank Gimpaya, Puerto Rican/Filipino, b. 1942, Ponce, Puerto Rico  “The images evoke for me a special relationship among objects and their immediate environments. My perspective allows the subjects of my imagery to lose their true sense of scale because I perceive the objects as impressions from the corners of my eyes.” —F. G. Nueva Luz Vol 1, Issue 5, Summer 1986, p. 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ccda4555-3b0a-408d-9a39-9b7be84286f6/Ivy+Orna+and+her+son_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Ivy Orna and her son. La Familia En Foco Exhibition, El Museo del Barrio, New York, 1978. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/912fe7e0-eb68-44fb-bfdd-bd81599175a9/Child-God.png</image:loc>
      <image:title>read - After Dark/Nueva Luz</image:title>
      <image:caption>Child God, 1999/2006 Digital print with gold acrylic and mixed media, 15 x 19” Charles Biasiny-Rivera Puerto Rican b. 1930, Bronx, New York, resides in Olivebridge, New York Co-Founder of En Foco, Inc.; Executive Director from 1974-2005 Nueva Luz Vol 7, Issue 2- Commemorative Issue, 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/76bea3f3-8123-4f3f-8aa2-15c7c04acb22/NYC-2_2018_Charge_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>NYC-2, 2018. Charge series. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617326861775-UWG3LX1AXFLTZ30PFZDY/Harold%2BRecinos.jpg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9fa4f103-d6e0-4cdf-b6fa-93d93347c883/Angel_Meyer_vol-11_issue-03.jpg</image:loc>
      <image:title>read - After Dark/Nueva Luz</image:title>
      <image:caption>The Temptation of the Angel. Truths &amp; Fictions series, 1991 Pedro Meyer Founder, Consejo Mexicano de Fotografia [Mexican Council of Photography] Nueva Luz Vol 11, Issue 3- Mentor Issue: Pedro Meyer, 1 September 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d41fc580-70cb-4c20-a88f-014961a0c1a6/Dia-de-los-Muertos_1980_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Día de Los Muertos, 1980. Cuernavaca, México. Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/72b03bec-d454-4a00-9ad0-44504347b80e/Lincoln+Hospital+Detox+Acupuncture+Research+Unit_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Lincoln Hospital Detox Acupuncture Research Unit, late '70s, New York Frank Gimpaya Puerto Rican/Filipino b. 1942, Ponce, Puerto Rico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635657644239-V9FBHTTN4Y8I3HKIQ21Y/After+Dark-book.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a50db4fb-ad8c-4faf-a007-d34ad440a185/Nueva-Luz-25.2_AGS_+Issue_2021.jpg</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>The latest issue of Nueva Luz, Vol 25, Issue 2, 2021, features BIPOC artists from En Foco's ongoing public exhibition program, Apartment Gallery Series (AGS). AGS prides itself on providing curated exhibition opportunities for the pool of applicants to the En Foco Photography Fellowship. With the purpose of engaging the community on an intimate level without the pretensions of an art gallery, AGS features exhibitions hosted in homes and alternative spaces in the South Bronx and in Harlem. Since the inception of AGS in 2017, En Foco has partnered with seven venues, produced 12 exhibitions, and exhibited close to 50 artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/52dbc58d-ce8d-49c4-99c6-bc3bde176147/cropped-logo-enfoco.png</image:loc>
      <image:title>read - After Dark/Nueva Luz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/44e96aa1-6bba-4172-8766-a18977f0d748/Westchester+Square_F-Gimpaya.jpeg</image:loc>
      <image:title>read - After Dark/Nueva Luz</image:title>
      <image:caption>Westchester Square, 1977. Bronx, New York. Photo: Frank Gimpaya</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/buddhism-and-the-real-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/04142692-c54c-404f-ae19-74ea021bcde5/Maitreya_C2005.16.33HAR65456_Front.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Maitreya. Tibet; 14th century. Brass with copper alloy, silver and copper inlay. Courtesy Rubin Museum of Art, C2005.16.33 (HAR 65456)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e3e706c2-4ed6-4b8b-97ac-764e82713fa7/Shayamuni_C2006.24.1HAR65687-front-b-0000.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Buddha Shakyamuni. Karnali Basin, Khasa Malla Kingdom, Northwestern Nepal; 13th-14th century. Gilt copper alloy with inlay. Courtesy Rubin Museum of Art, C2006.24.1 (HAR 65687)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5cca338d-e1f9-4ff4-b926-319c28b247a0/Ricardo-Ortega-alumni-rally-300x247-1.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Sanathavihari Bhante Bhikku (l. foreground), a Mexican-American Theravada monk on alms rounds outside Los Angeles Buddhist Vihara, Pasadena, California, 2018. Born in L.A. as Ricardo Ortega, he was raised Catholic and served in the U.S. Army. Today, he lives at the Sarathchandra Buddhist Center in North Hollywood. He created the YouTube channel Monje en la Modernidad [Monk in Modernity] and founded Casa de Bhavana, a Theravada organization devoted to spreading the Dharma in the Spanish-speaking community. Photo: Moran Perera for Lion's Roar</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a645a436-bb19-4321-8647-ad8bf74cc2fd/Hacienda-Cortina_Buda_Raul+Corrales.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cf772c74-d40c-4b52-87a2-c9d6049c6b01/Manjushri_The+Wisdom+Buddha_Balmy+Alley_SF.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World</image:title>
      <image:caption>Manjushri [Bodhisattva of Wisdom] (2001) by Salvadoran-born muralist Marta Ayala, Balmy Alley, Mission District, San Francisco, CA, 2011. Ayala’s mural merges 17th-century Tibetan Art with Latin American motifs. Manjushri, whose name means “Gentle Glory,” is said to be the embodiment of all the wisdom of all the Buddhas. Photo: SF Mural Arts</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9a0d929b-bae5-467d-86b3-a6635ddff6f8/Wheel+of+Life_00591.jpeg</image:loc>
      <image:title>read - Buddhism and the Real World - Make it stand out</image:title>
      <image:caption>Wheel of Life. Tibet; 18th century. Pigments on cloth. Courtesy Rubin Museum of Art, Gift of Shelley &amp; Donald Rubin Foundation, F1997.40.10 (HAR 591)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/seventy-years-since</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/10f503eb-149a-450e-8e1e-8c11d5529423/Efrain+Agosto%2C+Sr.%2C+Efrain%2C+Jr.%2C+and+Elizabeth.circa+1960.jpg</image:loc>
      <image:title>read - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Efrain Agosto, Sr. with Elizabeth and Efrain, Jr., ca. 1960. Photo courtesy of Efraín Agosto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1640628579410-BZIVRL4188MU17QJF8QD/Efrain+%26+Emerita.Early+1950s.New+York+City.jpg</image:loc>
      <image:title>read - Seventy Years Since - In New York City, early 1950s. Courtesy Efraín Agosto (Copy)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1640628665199-UNR172Y378VZ9LUNRZND/Efrain%2B%2526%2BEmerita.Naomi%2527s%2BWedding.Sept.%2B1986.jpg</image:loc>
      <image:title>read - Seventy Years Since - At daughter Naomi’s wedding, 1986. Courtesy Efraín Agosto (Copy)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ef1ae5d-9789-4591-a1fb-d8544802a53e/libertyfinalstageforweb.jpeg</image:loc>
      <image:title>read - Seventy Years Since - Make it stand out</image:title>
      <image:caption>“The People’s Champ,” illustration by Joel Agosto, son of Efraín Agosto. Courtesy of Joel Agosto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0767811f-155e-4ed9-9840-28a4514247c4/Emerita+Perez.17+years+old.Puerto+Rico.jpg</image:loc>
      <image:title>read - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita Pérez at age 17, Carolina, Puerto Rico. Photo courtesy of Efraín Agosto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ee7f5fdc-7041-4a72-bbb1-b5246057ce12/YerbaBruja1.jpg</image:loc>
      <image:title>read - Seventy Years Since - INVOCATION</image:title>
      <image:caption>Images from Yerba Bruja (Long Wharf Theatre and Sageseeker Productions, 2021), a film directed and produced by Jasmin Agosto [right, daughter of Efraín Agosto]. Source: Arts Council of Greater New Haven</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fe3eb609-e8b3-4d8c-8762-ac8873b06915/Emerita+Agosto+Perez.80th+birtday.2010.Bethel%2C+Connecticut.jpg</image:loc>
      <image:title>read - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita Pérez on her 80th birthday, Bethel, Connecticut, 2010. Courtesy of Efraín Agosto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bbfb2693-b619-48d1-8944-823b98b9bc12/Emerita+with+her+three+children.circa+1964.jpg</image:loc>
      <image:title>read - Seventy Years Since - Make it stand out</image:title>
      <image:caption>Emerita with her three children (l. to r.) Elizabeth, Efraín, and Naomi, New York City, ca. 1964. Courtesy Efraín Agosto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/71dd94d5-fca4-46ae-9fe0-c5c383b20347/Efrain+%26+Emerita.mid-1950s.NYC.jpg</image:loc>
      <image:title>read - Seventy Years Since</image:title>
      <image:caption>Emerita Agosto Pérez and Efraín Agosto Saldaña, New York City, mid-1950s. Photo courtesy of Efraín Agosto</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/expiration-date</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e07fc51-8c35-4530-9139-0dbeb82d2e04/Loida-Martell_i-dH85bF7-XL.jpeg</image:loc>
      <image:title>read - Expiration Date</image:title>
      <image:caption>Photo: Loida Martell © 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/santa-lucia-de-siracusa-y-de-las-matas-de-farfan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608330309545-C03U901WLWKZG44IF1CH/130868510_1113751455725629_7673726179679058664_o.jpg</image:loc>
      <image:title>read - Santa Lucía de Siracusa…y de Las Matas de Farfán</image:title>
      <image:caption>Foto cortesía de Joel Andrés Ramírez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/nuestra-senora-de-las-nieves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/53679385-71a6-459d-97d5-71f319b71779/Our+Lady+of+the+Snows_Rome.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves</image:title>
      <image:caption>Our Lady of the Snows or the Madonna "Regina Pacis," Liberian Basilica, Rome, Italy. The statue was commissioned by Pope Benedict XV in gratitude for the end of World War I. Source: Domenico Musso</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f5e0da35-0741-4a5d-9193-9b8e4d94323a/JW7C2033.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>In this procession of El Santísimo [the Most Holy—the Eucharist], a girl portraying Our Lady of the Snows rides along with the priest during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a498d706-ad1b-440f-ad5a-d247cef95356/Masolino_007.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>“The Miracle of the Snow” by Masolino da Panicale (1383-1447). Christ and the Blessed Virgin Mary observe Pope Liberius, who marks in the legendary snowfall the outline of what would be the Basilica of St. Mary Major in Rome, Italy. Source: The Yorck Project</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/441b6e16-37d7-4e25-9194-2f22b33bddb7/JW7C1662.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Children representing the sacrament of marriage take part in the procession of Our Lady of the Snows during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/42179f19-b2ae-43d7-9f64-91601fd5de9c/JW7C1865.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Bazaar at dusk as people stroll among the booths that are set up as part of the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/911ef108-f67c-461f-81d2-5e785d87482f/JW7C1894.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Latecomers arrive for Mass on the last evening of Our Lady's novena during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b22c3f21-bf23-4cbf-9b91-508636b4ad35/JW7C2371.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Painting of Nuestra Señora de Las Nieves: “This painting of Our Lady of the Snows was in my family for decades—at least one generation—and was the official icon of the saint for the people of Villa Las Nieves while my family lived there.” Quote and photo: Beatriz Terrazas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/620e62f9-8201-485f-b3df-ec484f60649c/JW7C1667.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - Make it stand out</image:title>
      <image:caption>Noon procession and rosary recitation during the Feast of la Virgen de las Nieves, Villa Las Nieves, Durango, Mexico, August 2012. Photo: Beatriz Terrazas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514923501-JPXTGRS9IPMMBCLRBD8W/la-palma-Lady+of+the+Snow.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - CANARY ISLANDS (Copy)</image:title>
      <image:caption>Our Lady of the Snows at the Royal Insular Sanctuary of Nuestra Señora de las Nieves, Canary Islands, Spain, where she is patron saint of the island of Santa Cruz de La Palma. Photo: caeuje</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514950663-PZEHYFAF736YME05NM5H/Nossa+Senora.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - POLAND (Copy)</image:title>
      <image:caption>Based on the Salus Populi Romani (“health/salvation of the Roman People”), the main image of the Mother of God of Rome, located at the Cathedral of Santa Maria Maggiore, this Byzantine-style painting is the most reproduced image of Our Lady of the Snow, dating back to the 12th century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635918331396-3PH7IKCXURBLLGHQQFQ0/Ennepetal_Schemm_-_Maria_im_Schnee_09_ies.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - GERMANY (Copy)</image:title>
      <image:caption>Our Lady of the Snow in the Maria im Schnee Chapel in Ennepetal, North Rhine-Westphalia, Germany, 2009. Photo: Frank Vincentz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515954672-OSGV9T04EGMJX7WKS1U4/Nossa+Senhora+Das+Neves.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - BRAZIL (Copy)</image:title>
      <image:caption>Plaster statuette of Nossa Senhora Das Neves, Brazil. Image: Mercado Livre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515236873-H0I3XN6A19YLCUTA6GNI/VDN-mexico-templo.jpg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - MEXICO (Copy)</image:title>
      <image:caption>Nuestra Señora de las Nieves, Patroness of the Congregación del Oratorio de San Felipe Neri, Mexico City. Source: Diego Rodarte, El Color de la Fe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635920888038-P7PFU098BSBIYWS322OB/virgen_nieves-Cuba2.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - CUBA (Copy)</image:title>
      <image:caption>La Virgen de las Nieves, Patroness of Tobacco, Mantua, Cuba. Photo: Eduardo González Martínez, OnCuba</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635515359556-QVP2ENCSP5G76O51L8ZQ/virgen_de_las_nieves-blanca.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - NETHERLANDS (Copy)</image:title>
      <image:caption>“Diamond Painting” of Heilige Maria. Image: Joba Stores</image:caption>
    </image:image>
    <image:image>
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      <image:title>read - Nuestra Señora De Las Nieves - SPAIN (Copy)</image:title>
      <image:caption>Nuestra Señora de las Nieves de Benacazón, Sevilla, Spain, 2018. Photo: Javi Rodríguez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514959509-FP8R2T93YGMKZW06HJ9Q/VDN+Milagros.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - PERU (Copy)</image:title>
      <image:caption>Vírgen de las Nieves Coracora Ayacucho, Coracora (Qura Qura), Peru. Source: Virgen de las Nieves, Milagros y Tradición</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1635514966291-0LJHYL0CR0Z1514H2T2X/61453024_2272219056146966_5755061636096327680_n.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - MEXICO (Copy)</image:title>
      <image:caption>Our Lady in Oaxaca, Mexico. Photo: Santuario de La Virgen de las Nieves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1636325967122-C968A4VDGFLWP7ZVEBUO/Illinois-shrine.jpeg</image:loc>
      <image:title>read - Nuestra Señora De Las Nieves - UNITED STATES (Copy)</image:title>
      <image:caption>The National Shrine of Our Lady of the Snows in Belleville, Illinois is administered by Missionary Oblates of Mary Immaculate. With over 200 acres of land, it is one of the country’s largest outdoor shrines and visited by over one million pilgrims each year. Photo: The Catholic Travel Guide</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/calavera-images-and-jose-guadalupe-posada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d744360-136a-430b-9b1d-7cea7be323f4/DOD+Mex+Consulate+2021.jpg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Day of the Dead mini-exhibition installed by the Posada Art Foundation at the Consulate General of Mexico in San Francisco, California, on view from October through November 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634050332236-4IK35BWZQZTX380F84F7/Mictlantecuhtli.jpg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Mictlanteculhtli, god of the underworld, dwells in Mictlān with his goddess wife Mictecacihuatl. Museo del Templo Mayor, Mexico City, Mexico. Photo: Travis Shinabarger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634387395726-YE8Q8UVHZK70RJB7LHI5/Portentosa-vida-de-la-muerte.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Engraving by FG Bustamante in Joaquín Bolaños’s 1792 La portentosa vida de la muerte [The Ominous Life of Death]. Image source: Swann Auction Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634386546225-OR45AARDTE1GEPFJ8MI3/The+Abbess.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>“Abdis en de Dood [The Abbess],” Plate 15 in Danse Macabre by Hans Lützelburger, published in Lyon, France in 1538. Source: Rijksmuseum, Amsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634385573356-I9GQ4Z5GBEFX6T2LOETX/Hrastovlje_Dans3.jpg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Detail of a Dance Macabre fresco (1490) by Johannes de Castua in the Holy Trinity Church in Hrastovlje, Slovenia. Photo: Bibliofil at cs.wikipedia, CC BY-SA 3.0</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634645425264-VJSEAJC1X08J575T7Z5S/la+patria+ilustrada.jpg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>Front cover of La Patria ilustrada (4 Nov 1889), México—some speculate it is among Posada’s first calavera illustrations. Source: Biblioteca Nacional de México (Instituto de Investigaciones Bibliográficas, Universidad Nacional Autónoma de México [UNAM]), Biblioteca y Hemeroteca Nacional Digital de México</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633879121358-AFZ6BH21EU0AAJY5U8ZY/Gran-calavera-electrica-Posada.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada</image:title>
      <image:caption>[Gran calavera eléctrica] by José Guadalupe Posada depicts a large skeleton hypnotizing a sitting skeleton and a group of skulls; shown in the background is an electric trolley filled with skeleton passengers. Source: Library of Congress [LC-DIG-ppmsc-04468]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634631894207-9RSBU4POJ2GKUIEK9R1S/El+Calavera.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>El Calavera, edited during the first half of 1847, made political use of calaveras to illustrate the “internal and external war that bled and mutilated Mexico” (Archivo General de la Nación). Source: Gobierno de México</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633923640889-97AEB6DSHYN7F136QZWK/Craneo_Mexica.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Skull mask (Copy)</image:title>
      <image:caption>Skull mask of Mictlantecuhtli, Lord of the Land of Death, made from human sacrifice, with shell eyes and holes for inserting hair, found in the pyramid ruins of Aztec capital Tenochtitlán. Museo del Templo Mayor, Mexico. Photo: MenMag, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633924350546-LJQKWD35O94ZL11ALME9/Calavera+Azteca.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Stone carving (Copy)</image:title>
      <image:caption>Stone carving of skull possibly as a site marker, at the Museo Nacional de Antropología in Mexico City, Mexico. Photo: Posada Art Foundation</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633924573512-4IJEPYX5OPTWYTNBK7Q3/Tzompantli_Tovar.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Tzompantlis (Copy)</image:title>
      <image:caption>Named after Jesuit missionary Juan de Tovar's, the 1587 Aztec manuscript (aka the Tovar Codex) depicts tzompantlis or “skull rack” at right. Source: World Digital Library</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633889477485-F4HZ1NFTDFQV302M0B3K/Gigante-calavera_Posada.jpeg</image:loc>
      <image:title>read - Calavera Images and José Guadalupe Posada - Make it stand out</image:title>
      <image:caption>“Esta es de Don Quijote la primera, la sin par, la gigante calavera [This one is of Don Quixote the first , the unparalleled, the giant skull],” ca. 1910-1913. Source: Library of Congress [LC-DIG-ppmsc-04597]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/what-cancer-did-not-take</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632229188434-57ZPRXKOXBRMNL4FC2WF/angiola-harry-nJv6xnlpNaA-unsplash.jpg</image:loc>
      <image:title>read - What Cancer Did Not Take</image:title>
      <image:caption>Photo: Angiola Harry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/benedictine-blackboard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1630931123595-S2BIKJX5R93UO5YN44CX/breakthrough-848632_1920.jpg</image:loc>
      <image:title>read - Benedictine Blackboard</image:title>
      <image:caption>Image: Darwin Adalia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/complex-dynamics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627787277008-LPNFDZRJ2LSAXQYJT6LU/NEWT256.jpeg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“NEWT256” (2011) fractal art by Robert D. Ogden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627786970317-BSQJB6LLMJC60D3XCGW2/SPINE1.jpeg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“SPINE1” (2011) fractal art by Robert D. Ogden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627820924378-CMM1L92TTHBY9A1N83VU/pluses.gif</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Fractal created by recursively growing a cross at each of its four line ends as many times as desired. Source: Andy Long’s Classes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1628419541531-JD7BVMQBR7DLFGQYL106/THORN2.jpeg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“THORN2” (2011) fractal art by Robert D. Ogden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627787390738-3TFGP8X7M0NDB8UJKADG/SHARE8.jpeg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>“SHARE8” (2011) fractal art by Robert D. Ogden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627786483962-U2PWK4PRP6IM6XLX87SO/BWHEARTS.jpeg</image:loc>
      <image:title>read - Complex Dynamics</image:title>
      <image:caption>“BWHEARTS” (2011) fractal art by Robert D. Ogden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627787730701-VQCX25YQHKWQOYVVUNWM/Robert+and+Jessica.jpeg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Goddaughter “Jessica” and me a couple of years back.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629257214089-K7FTICRE0D0AP6HA19T5/Robert-Ogden_RosieGrandnieces.jpg</image:loc>
      <image:title>read - Complex Dynamics - Make it stand out</image:title>
      <image:caption>Robert and Rosie Ogden with grand nieces Linda (elder) and Harley (younger)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/a-coyolxauhqui-imperative</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626410100854-BG7KLXVH0RR45JZDJCR9/coatlicue-ill.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative - 3.</image:title>
      <image:caption>My first true brush with death: I am being carried by my mother. Instead of feeling safe in my mother’s arms, I feel physically vulnerable—a sadness, a deep sense of loss overtakes me. My mother is no doubt harboring her own anxieties, fears, and traumas. (Fleeing two countries within a decade is no walk in the park. Deep scars are inevitable, notwithstanding her outward expressions of strength, pride, and even joy.) I feel a sense of dread. Dread at the possibility of losing her, of no longer being held in her comforting arms at any moment. Is it my dread or hers, transferred through a loving embrace? Could it be that even three-year-old me feels her inner struggles, her pain? Death—the feeling of loss, of fragmentation—has been a constant companion since. I still associate my sense of comfort with utter discomfort. I tend to sit in shadows of despair, always dressed in black, waiting for its icy grip. Image: Coatlicue, who gave birth to the moon, stars, and Huitzilopochtli, god of the sun and war. She is also known as Toci ("our grandmother") and Cihuacoatl ("lady of the serpent"), patron of women who die in childbirth. Art: Gwendal Uguen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411456373-9E0S3UB7VO15A6V7X3ST/33327115952_5492a83a1e_k.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative</image:title>
      <image:caption>Archaeologists of the Instituto Nacional de Antropología e Historia working at the place where The Coyolxauhqui Stone had been discovered by electric-power company workers, Mexico City, Mexico, 1978. Source: Museo Archivo de la Fotografía (MAF)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411531571-9JM7VYZUNZXYYH3LSMF9/2508259597_361155889e_k.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative</image:title>
      <image:caption>The Coyolxauhqui Stone (3.25 meters), Tenochtitlán Museum, Mexico City, 2007. Photo: Dennis Jarvis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411577377-WUQ26O72UHU3YIUZA8F8/1188px-Coyolxa%CC%84uhqui.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative</image:title>
      <image:caption>Exhibition replica of The Coyolxauhqui Stone, painted in what are believed to have been its original colors, Museo del Templo Mayor, Mexico City, 2010. Photo: Drini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626411643442-X5M2WZOIGZCHM6SUVBEV/Coyolxauhqui.svg.png</image:loc>
      <image:title>read - A Coyolxauhqui Imperative</image:title>
      <image:caption>Illustration of Coyolxauhqui, Goddess of Moon (public domain)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625978755723-ZFI1A79G06PKVJ44GP13/Coyolxauhqui.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative</image:title>
      <image:caption>Detail of colored replica of original Aztec sculpture depicting moon goddess Coyolxauhqui, Mexico City, MX, July 2008. Photo: laap mx</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626409054610-FF320TR456K4W975ONMW/Coyolxauhqui+Has+Something+to+Say.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative - 2.</image:title>
      <image:caption>I am three or four when I first see Bambi (1942). On this fateful day, I’m sitting on the floor of my humble apartment, the palace of my imagination, eyes glued to the television: Bambi, a talking deer who can express his feelings to other creatures in the forest, to his mother, to me from the other side of the screen. Then comes the blow: A white male hunter kills Bambi’s mother—even rejoices at her death as the baby flees. Now the mother lives only in Bambi’s memory, her body the trophy of another’s barbaric appetite. A Disney “classic.”   Image: “Coyolxauhqui Has Something to Say” (1972) mural by Irene Perez, Balmy Alley, San Francisco, CA, 2003. Photo: Franco Folini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626412654334-3JXP66Q22DL719GONDDB/aztec-calendar-stone-coyolxauhqui-png.png</image:loc>
      <image:title>read - A Coyolxauhqui Imperative - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626408304618-63Y346HE4EWISCWRRNTR/Huitzilopochtli.jpeg</image:loc>
      <image:title>read - A Coyolxauhqui Imperative - 1.</image:title>
      <image:caption>The birth of Aztec deity Huitzilopochtli and the defeat of his sister, Coyolxauqui, 1569. Source: General History of the Things of New Spain by Fray Bernardino de Sahagún: The Florentine Codex [Book 3], World Digital Library.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/world-christianity-urbanization-and-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620621562429-X11F2F5V55UG2C9XQISU/World-Christianity-Urbanization-and-Identity.jpg</image:loc>
      <image:title>read - World Christianity, Urbanization, and Identity</image:title>
      <image:caption>World Christianity, Urbanization, and Identity - Volume Editors: Raymundo Barreto, Moses O. Biney, and Kenneth Ngwa (Fortress Press, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620501210936-7274EHBDJJBC2CP0EVE7/1_rio_de_janeiro_favela_2010.JPG</image:loc>
      <image:title>read - World Christianity, Urbanization, and Identity</image:title>
      <image:caption>Cristo Redentor statue (top left) foregrounded by a favela (right) and a more affluent neighborhood (left), Rio de Janeiro, Brazil, 2010. Photo: Chensiyuan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-wafers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625964055425-L0EYYBCYQYGM8IHRIYD9/mosaic-bread.jpg</image:loc>
      <image:title>read - The Wafers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1625115397032-EEITMCGUM19CZHC2D3CK/dominicana-cover-ENG.jpeg</image:loc>
      <image:title>read - The Wafers - Make it stand out</image:title>
      <image:caption>Dominicana: A Novel by Angie Cruz (Flatiron Books, 2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/hostias</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626011678860-LDYW33JJDTF40A1Z9QLI/Domionicana-ESP.jpeg</image:loc>
      <image:title>read - Hostias - Make it stand out</image:title>
      <image:caption>Dominicana: una novela ﻿de Angie Cruz, traducción de Kianny N. Antigua (Editorial Siete Cuentos, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624259652798-9SJAWK5B6DWHTV20YAC3/recortes-de-hostias.jpeg</image:loc>
      <image:title>read - Hostias - Make it stand out</image:title>
      <image:caption>Recortes de hostias directo del Convento de las Capuchinas Sacramentarias en Tlalpan, México, 2013. Foto: Kattia Hernández</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626010277988-F4MMLEN44GZO3XFRKH4R/AC-KNA1.jpg</image:loc>
      <image:title>read - Hostias - “La importancia de este libro es invaluable…</image:title>
      <image:caption>Foto: Emmanuel Abréu</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/symbols-of-latinidades-in-the-2020-election</loc>
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    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624714772737-VUEPRATT2VV5SZCTSRR3/folklorico-san-fran-2013.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Top: Ballet Folklórico Costa de Oro, San Francisco Ethnic Dance Festival, CA, 22 June 2013. Photo: Mark</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624639600768-987GXJ7S6994DZXZBNGA/Lady-Gaga-inauguration.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Lady Gaga sings a rendition of “The Star-Spangled Banner” at the 59th Presidential Inauguration ceremony in Washington, D.C., 20 January 2021. Photo: Navy Petty Officer 1st Class Carlos M. Vazquez II, United States Department of Defense</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624674100894-C2TX90TZA9L9VPTHAZKI/the-hunger-games-811955_1920.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624676718701-DFAL40LQNK853FBCSFVI/quetzalcoatl-556881_1920.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election</image:title>
      <image:caption>A rendering of Aztec god Quetzalcoatl, the feathered serpent deity in Mesoamerica. Image: John Hain "According to the accounts of our Mexican ancestors, Quetzalcoatl is a God of life, Creator of humanity, a God who loves people and rejects human sacrifice, a God who sacrificed himself to give life to his creatures, a God who gives light like the morning star, breaking the dominion of darkness." —Elsa Tamez, "Quetzalcoatl Challenges the Christian Bible," 1997</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624673484042-FUF6AAHQXSFN1T8UGGEX/birds-quetzal-bird-quetzal-wallpaper-preview.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election</image:title>
      <image:caption>Found from Chiapas, Mexico to western Panama, the resplendent quetzal is the national bird of Guatemala. Considered divine, it plays an important role in Mesoamerican mythology and is associated with the "snake god" Quetzalcoatl.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624677626116-PNT94JNFZTYXRZ0WR8S7/Lady-Gaga-inauguration2.jpeg</image:loc>
      <image:title>read - Symbols of Latinidades in the 2020 Election - Make it stand out</image:title>
      <image:caption>Lady Gaga enters the inauguration platform as she prepares to sing a rendition of “The Star-Spangled Banner” at the 59th Presidential Inauguration ceremony in Washington, Jan. 20, 2021. Photo: Navy Petty Officer 1st Class Carlos M. Vazquez II, U.S. DOD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/say-their-names</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624801433828-J5W7SKD88O46U2UQ0C0J/Adam-Toledo-memorial-at-murder-scene.jpeg</image:loc>
      <image:title>read - Say Their Names</image:title>
      <image:caption>Makeshift memorial for Adam Toledo in Chicago’s Little Village. Photo: Mateo Zapata/@mateoxzapata</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-harlem-lynching-tree-with-poems-for-alma</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623904381624-6K1632WLGX4K08TEWJG4/red-tailed+hawk-st-john-cathedral.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma</image:title>
      <image:caption>Red-tailed hawk (Buteo jamaicensis) perched atop the Cathedral of St. John the Divine, Amsterdam Avenue between W. 110th &amp; W. 113th Streets, New York City, 2007. Photo: Robert</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622856103489-XV57GA69RT4E610ECIDM/say-her-name.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - Make it stand out</image:title>
      <image:caption>#SayHerName vigil in remembrance of Black women and girls killed by the police, 20 May 2015, New York, NY. Photo: #SayHerName</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624147031021-DMAZ52N9SBJNPURDPKUD/SAAM-1967.59.1113_1.jpg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - "Harlem Street with Church" (Copy)</image:title>
      <image:caption>By William H. Johnson, ca. 1939-1940, hand-colored relief print, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1113</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622868056399-99UNSV4RSUVRVPILYTGI/Church+of+All+Saints.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - Church of All Saints (Copy)</image:title>
      <image:caption>Also known as “The St. Patrick's of Harlem,” 129th &amp; Madison, NYC, 2006. Photo: Georgia Popplewell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623909151363-6ED7CRFBHMXTHD8KVRKH/church-of-god-25-east-132nd-street-manhattan-433086.jpg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - Church of God (Copy)</image:title>
      <image:caption>At E. 132nd St., NYC, 1936. Photo: Berenice Abbott, Federal Art Project. Source: New York Public Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623908689683-ZWU98U8GR81ZRV88ENEI/reguge-church.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - The Greater Refuge Temple of the Church of Our Lord Jesus Christ  (Copy)</image:title>
      <image:caption>At Adam Clayton Powell Jr. Blvd. and W. 124th St., NYC, 2010. Photo: Paul Sableman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1610595575179-P0EVMF5RLKZZP3WFPSU0/First+People%E2%80%99s+Church-Hiram+Maristany-1970.png</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - First Spanish United Methodist Church (Copy)</image:title>
      <image:caption>Young Lords members addressi a crowd outside the “Second People’s Church” at Lexington Ave. &amp; E. 11th St., NYC, 1970. Photo: © Copyright Hiram Maristany; courtesy of Hiram Maristany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624112163128-EP16RFRGPLAG2FLHGPDR/Church_of_Jesus_Christ_of_Latter-Day_Saints_Harlem_1st_Ward_360-68_Lenox_Avenue.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - The Church of Jesus Christ of Latter-Day Saints (Copy)</image:title>
      <image:caption>At Lenox Avenue (Malcolm X Blvd.) &amp; W. 128th St., NYC, 2014. Photo: Beyond My Ken</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623910969532-IFHL9C4JXXI6SBAENUJG/universal-pnp-vrg-00000-00019v.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - The Universal Church (Copy)</image:title>
      <image:caption>At E. 125th St., NYC, 2014. Photo: Camilo J. Vergara Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623911523909-F00OJSYJ9IXOLX26Z42J/Abyssinian_Baptist_Church_Harlem1.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - Abyssinian Baptist Church (Copy)</image:title>
      <image:caption>At 132 W. 138th St. between Adam Clayton Powell Jr. Blvd. &amp; Lenox Ave., NYC, 2006. Photo: DennisInAmsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623901981342-84PTC55HCB95BJYXFBA2/ridgeway-hawks.jpeg</image:loc>
      <image:title>read - The Harlem Lynching Tree, with Poems for Alma - Make it stand out</image:title>
      <image:caption>Pair of Ridgeway's hawks (Buteo ridgwayi/gavilán dominicano), Los Haitises National Park, Dom. Rep., 2009. Photo: Ron Knight</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/im-a-wild-seed-decolonize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688936746-Q2GNWFTEU5EB5CD067PV/Wild%2BSeed%2BChapter%2B6%2B2.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694280642-6ERD48CDKF6YPKVF9CT1/Wild%2BSeed%2BChapter%2B6%2B4.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694556365-ECTT3N8EYLM04UXRHSC0/Wild%2BSeed%2BChapter%2B6%2B6.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622483640940-6FJC49V7K89V537DBJPY/Sharon-de-la-Cruz-portrait-art.jpg</image:loc>
      <image:title>read - Decolonize</image:title>
      <image:caption>Artwork/photo courtesy of Sharon Lee De La Cruz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694031070-VPHC9DZ3XW805VJXTSIT/Wild%2BSeed%2BChapter%2B6%2B3.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688822520-G0EUVR2KXKSAZEY9PV53/Wild%2BSeed%2BChapter%2B6%2B1.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694421881-1YPNQBGOFJ53YZSKO28G/Wild+Seed+Chapter+6+5.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622689156089-RT1UWQ9KK0H5QAS0QKX5/Wild%2BSeed%2BChapter%2B6%2B2.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694730965-LNNLW7YC9KIG2U5FBRP1/Wild%2BSeed%2BChapter%2B6%2B6.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622694182677-O9XWXXW11CN63E74T0RM/Wild%2BSeed%2BChapter%2B6%2B4.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621626478362-JOS20NI9NLBA69SW4TVD/cover.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>I’m a Wild Seed by Sharon De La Cruz (Street Noise Books, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622693874921-EEX7DAZ12N471QPU40K6/Wild%2BSeed%2BChapter%2B6%2B3.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1622688563406-OIWOSARTGTO2MCV0CH1M/Wild%252BSeed%252BChapter%252B6%252B1.jpg</image:loc>
      <image:title>read - Decolonize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/my-ancestors-keys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621082084773-7OBINVNACPE3QTHZDMEG/Havana-fruit-cart-by-Ruth-Behar-e1614228594168.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Havana fruit cart. Photo: Ruth Behar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621081433771-OFGDE1W42SONXK71HMHY/Adela-Dworin-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Adela Dworin. Photo by Ruth Behar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617511996975-9FVRBD91N20D808Z68BR/Patronato-2019-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys</image:title>
      <image:caption>Patronato (also known as Temple Beth Shalom), Havana, Cuba, 2019. Photo: Ruth Behar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621079035509-OFK2K2IZUGRTLB0MI8I5/Everything+I+Kept_Behar.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - PRAYER</image:title>
      <image:caption>This happens to me often, too often: I am on my way home, driving down familiar streets, only a few blocks to go, and out of nowhere a merciless hand comes and grips my heart and wrings it dry. I tremble. Fog clouds my eyes. I am no longer sure if I am awake or dreaming. If I die, who will find me? All I can do is pray: Let me return home, I am almost there, please… I don’t know why this happens. What I know is that, so far, my prayers have been answered. Hardly breathing, I reach my house. And when I open the door, I hear many keys clanging, the keys my ancestors stubbornly took with them to their exile. —Everything I Kept/Todo lo que guardé by Ruth Behar (Swan Isle Press, 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092610627-59NVZHF62V6KCJJ67W2Z/LGM-2.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - JUDAISM IN THE AMERICAS (Copy)</image:title>
      <image:caption>Photo: © LGM Studio – Luis Gallardo READ MORE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092714104-KG8PA6GNIEDDMTK2NXLD/1.-Cali.Altar_.1jpg.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - CATHOLICISM AND BEYOND (Copy)</image:title>
      <image:caption>Photo: From footage by Werner Monterroso, Abdias Pérez READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092885125-T87L67V1EP7CPVP035TP/Elena-Marti%CC%81nez.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - AFRO-LATIN RELIGIONS (Copy)</image:title>
      <image:caption>Photo: Elena Martínez READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621094234736-9B37KR08NUGDP1ZBC5EE/IMG_0275.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - INDIGENOUS RELIGIONS IN THE CONTACT ZONE (Copy)</image:title>
      <image:caption>Photo: ©Hibridos Moon, Telmon READ MORE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621080181229-9RONQ4IIPZUTGGGEA6U3/Homenaje-a-Marti-in-Yiddish-1954-title-page.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>De cara al sol: Homenaje a Martí en Yiddish en el centenario de su natalicio [Facing the Sun: Homage to Martí in Yiddish on the centenary of his birth]. Agrupación Cultural Hebreo-Cubana, 1954. Source: University of Florida George A. Smathers Libraries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621081736844-607R2IECA9RJZZME5AGQ/Purim-photo-by-Ruth-Behar.jpg</image:loc>
      <image:title>read - My Ancestors’ Keys - Make it stand out</image:title>
      <image:caption>Purim. Photo: Ruth Behar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/cuerpo-sabio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620615584388-6PPHPPPK96Z03WU7DD26/DSCN3002.JPG</image:loc>
      <image:title>read - Cuerpo Sabio</image:title>
      <image:caption>“La Oración al Proscrito [The Prayer to the Outlaw]” bronze sculpture by Rodrigo Arenas Betancourt, Aeropuerto Internacional El Dorado, Bogotá, Colombia, 2014. Source: “Esculturas de Colombia,” BerSua</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620103432156-ZJTISYAEX3HMC59LEN4B/Gospel_of_Mary.jpg</image:loc>
      <image:title>read - Cuerpo Sabio</image:title>
      <image:caption>Gospel of Mary, 120–180 AD, discovered in 1896. Source: P. Oxyrhynchus L 3525, Papyrology Room, Ashmolean Museum, Oxford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620139883388-54X2J4LQV0MW2GT9H5BR/rio+magdalena.jpg</image:loc>
      <image:title>read - Cuerpo Sabio</image:title>
      <image:caption>Río Magdalena, San Augustín, Colombia, 2014. Photo: Alexander Schimmeck</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/how-dmx-prayed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619237311900-V1CDKVNQ14703RPUW84B/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>read - How DMX Prayed</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/antiphons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617762597128-Y3HK6Y9Q1NLZNX0GZPWJ/3056131509_7efc11914f_o.jpg</image:loc>
      <image:title>read - Antiphons</image:title>
      <image:caption>Image: Tom Donald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618804244514-AFZG870W1XRPH3RA6W5D/Praise%252BNothing-J-Robbins.jpg</image:loc>
      <image:title>read - Antiphons</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/called-to-wonder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618070272001-EYPBEOP9ILW6QM1EAILV/kid+fireman.jpg</image:loc>
      <image:title>read - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618629272410-V1GJPB2KLU97T7Z7HA6U/IMG_20201102_144407+%282%29.jpg</image:loc>
      <image:title>read - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618084101172-BRR0UTJZYPD9R9JOW7C4/87478777_10221608757234428_7056129610852859904_n.jpg</image:loc>
      <image:title>read - called to wonder</image:title>
      <image:caption>Courtesy Radhiyah Ayobami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616993514254-XU6LTAW534CQIYQBVJ45/NYC-Under-3-1.jpg</image:loc>
      <image:title>read - called to wonder</image:title>
      <image:caption>Photo: Susan Watts | NYC Comptroller's Office</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616825885407-TGV9U428EXSTWG9YZBQV/6148455929_7605ac7f61_k.jpg</image:loc>
      <image:title>read - called to wonder</image:title>
      <image:caption>“Damballah &amp; Ayida Wedo &amp; Erzulie Freda Dahomey, in progress,” 2011. Image: Judith Pudden</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/embroidery-at-the-hearth-of-faith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329582954-HPXFVEP3S97HF1FK9PEK/tx-poets-speak-out.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>CONTRA: Texas Poets Speak Out, eds. Rooster Martinez and Chibbi Orduña FlowerSong Press, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329429839-IFDBSHSPQB6E2M1VWW0R/lavando-la-diry-laundry.jpeg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Lavando La Dirty Laundry by Natalia Treviño Mongrel Empire Press, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618196727005-M9BBH5JWIK2YF3Z68Z99/1600px-Botticelli-primavera.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>La Primavera (Spring), 1481-82, tempera on wood panel, by Sandro Botticelli. Source: Uffizi Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617250695860-52NFZBBH6YLWL73YK4YA/Por+Las+Tardes+Le+Gusta+Bordar+Midafternoon+at+her+Embroidery.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Por las tardes le gusta bordar (Midafternoon at her Embroidery), pencil drawing by Los Angeles artist-author J. Michael Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618199442132-DNNYLMPUCD8YPJQ9ZY9A/idol-teoyaomiqui-ie-coatlicue-1.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617329514754-4JX1ZHE1L0Y73TJN16GX/virginx.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>VirginX by Natalia Treviño Finishing Line Press, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618198958623-MB0ZUR3V1TA5OE4K1519/Coatlicue.png</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Image: Los Puntuales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1618197921299-DMZ43CWWOYG60WR6H7RJ/Sandro_Botticelli_-_Madonna_del_Magnificat_-_Google_Art_Project.jpg</image:loc>
      <image:title>read - Embroidery at the Hearth of Faith</image:title>
      <image:caption>Madonna del Magnificat, 1481-82, tempera on wood panel, by Sandro Botticelli. Source: Uffizi Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/wading-in-the-river</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617597006625-OR6TRDE5MT2ZZD7I6XQ6/SAAM-2016.30.3_1.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>Hiram Maristany, Hydrant: In the Air, 1963, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.30.3, © 1963, Hiram Maristany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955221286-CPND791AT48V2TOLQJA9/stations_of_the_cross_coloring_book_2.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>II. Jesus made to bear his cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955276280-OMV9GOAPOR9J3WBTRU6I/stations_of_the_cross_coloring_book_3.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>III. Jesus falls the first time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616957701470-X95K6COI4XRRDOCU7FA3/stations_of_the_cross_coloring_book_10.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>X. Jesus is stripped of his garments</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958658054-FCY0D62Y9ZHGRXPXWF8O/stations_of_the_cross_coloring_book_14.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>XIV. Jesus is placed in the sepulchre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615697291958-HI3G0D0HSUD6VM1IRV1T/wading-in-the-river.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616957861865-AGW970JUXGD7Z1GC395D/stations_of_the_cross_coloring_book_11.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>XI. Jesus is nailed to the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958344055-A09AAL7EGJ5L5WBFN3IO/stations_of_the_cross_coloring_book_12.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>XII. Jesus dies on the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955570830-GT3TB1575GG7NL0R3PAL/stations_of_the_cross_coloring_book_5.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>V. Simon of Cyrene is made to bear the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955804361-LO99K820GANP98YVOQA2/stations_of_the_cross_coloring_book_6.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>VI. Veronica wipes Jesus’ face</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956410222-C895HF0ZUEXBGL57KRHO/stations_of_the_cross_coloring_book_8.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>VIII. The women of Jerusalem weep over Jesus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956939832-EFS4DG20G9ABD5SJHP32/stations_of_the_cross_coloring_book_9.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>IX. Jesus falls the third time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955311771-9JOFYMY5EV4IAI18GD7Z/stations_of_the_cross_coloring_book_4.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>IV. Jesus meets his mother</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616958441519-ZP0ST66L7W3UWZRLBC0H/stations_of_the_cross_coloring_book_13.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>XIII. Jesus is taken down from the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616955155671-AV1CP5S8DE7TSWMXG5SO/stations_of_the_cross_coloring_book_1.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>I. Jesus condemned to death</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616956058799-JQ69UUGS4CK70HM58VWP/stations_of_the_cross_coloring_book_7.jpg</image:loc>
      <image:title>read - Wading in the River</image:title>
      <image:caption>VII. Jesus falls the second time</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/academentia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615701275031-5FUCJRAG5ZPVG6U89JG6/HTI-Diss.Scholars-Writing+your+Dissertation+Worshop_June+2012..jpeg</image:loc>
      <image:title>read - Academentia</image:title>
      <image:caption>Xochitl Alvizo (far left) and other HTI Dissertation Scholars at the “Writing your Dissertation” Workshop, Princeton Theological Seminary, Princeton, NJ, June 2012. Photo courtesy of HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1609903732526-NP4RT3ZRA2SVJJ8W3F15/MARIA-LUISE+BODIRSKY_METAMORPHOSE.png</image:loc>
      <image:title>read - Academentia</image:title>
      <image:caption>“Metamorphose” bronze sculpture by Maria-Luise Bodirsky, inspired by artworks of early history, including Egyptian high culture, Greek mythology, and the Old Testament. Source: PNGfind</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615778307064-PU3SJFW555RTLSI1O71P/Bro+and+me.jpg</image:loc>
      <image:title>read - Academentia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615778337446-TPPZVKMY220DS2IBC6OB/Bro+Picture+2.jpg</image:loc>
      <image:title>read - Academentia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615778338556-TAB8E65TJUGFG90FSVXB/Bro+Picture.jpg</image:loc>
      <image:title>read - Academentia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615778338779-KUB2THWGVR3DA4JE0ZKJ/Bro+Picture1.jpg</image:loc>
      <image:title>read - Academentia</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/red-alert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1581862644673-F4HJKVDCNNB9BIVHWWVN/AOC-lipstick.jpeg</image:loc>
      <image:title>read - ¡Red Alert!</image:title>
      <image:caption>AOC at the Women’s March on NYC, 19 January 2019. Photo: Dimitri Rodríguez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1581860305070-VFAMNGNJKH3WWX06PPIJ/sotomayor.png</image:loc>
      <image:title>read - ¡Red Alert!</image:title>
      <image:caption>Photo: Archivo / GFR Media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1615186234035-D24Y489ZZ9VT93CX1DIY/image.png</image:loc>
      <image:title>read - ¡Red Alert!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/learning-jesus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1614351663267-DS6WG0515X2V8KBW1SHH/Holding-precious-gift-of-nature-276719-pixahive.jpg</image:loc>
      <image:title>read - Learning Jesus</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1614349602603-KZWED40JHBOR8TN8C5IN/Screen%2BShot%2B2021-02-26%2Bat%2B9.25.09%2BAM.jpg</image:loc>
      <image:title>read - Learning Jesus</image:title>
      <image:caption>Iconic photo of James Cone at the pulpit delivering the annual Rall Lectures in the Chapel of the Unnamed Faithful at his alma mater, Garrett-Evangelical Theological Seminary, Evanston, Illinois, 1969. Source: Garrett-Evangelical Theological Seminary</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/thats-what-you-get</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1612506200901-VDZ4PAFOYZZF3EUWELF0/thats-what-you-get.jpg</image:loc>
      <image:title>read - that’s what you get</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1612752951187-UEE8Z54WCF08CVGDX6UE/S-Maldonado_IMG_9316_2017.JPG</image:loc>
      <image:title>read - that’s what you get</image:title>
      <image:caption>Coney Island, Brooklyn, NY, July 2017. Photo: Sheila Maldonado</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-weight-of-his-words</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1612113759417-YE1CS3YNNKYZJIA5FOJQ/image-asset.png</image:loc>
      <image:title>read - The Weight of His Words</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611799787765-A7LP1SNZ2AGMMN237749/cros.v27.2.cover.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>Cover, CrossCurrents, 27.2, (Summer 1977). JSTOR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611719434057-BVH845F9LTFE85R9O0JJ/Witvliet%2BLetter.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>Letter from James Cone to Theo Witvliet written in January of 1987 about Witvliet’s book and Cone’s intention to publish a major study of Third World Theology. Courtesy of Professor Witvliet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611779147464-W93P3YV32RYH6QX718XV/BTP%252BCover%252BImage.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>Chavis, Benjamin; Charles S. Spivey; Muhammad Kenyatta; Sister M. Shawn Copeland; and Gayraud S. Wilmore, “MESSAGE TO THE BLACK CHURCH AND COMMUNITY (Drafted and Adopted by the National Conference of the Black Theology Project, Atlanta, August 1977.).” CrossCurrents, vol. 27, no. 2, (Summer 1977), p. 140. JSTOR, www.jstor.org/stable/24458314.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611787396492-R5Z9JVSJYNW0NIO2JEGQ/Cone_3.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>Iconic photo of James Cone at the pulpit delivering the annual Rall Lectures in the Chapel of the Unnamed Faithful at his alma mater, Garrett-Evangelical Theological Seminary, Evanston, Illinois, 1969. Source: Garrett-Evangelical Theological Seminary</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611764294262-B08EWU8ZJY899E9EHCNV/africana-religions.jpeg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611785662446-WWRAV38JPCYUNOM70NG1/Cone+w%3A+Soelle%2C+Gutierrez%2C+Morse%2C+Moltmann.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>From left to right: James Cone, visiting professors Dorothee Soelle, Gustavo Gutiérrez, Christopher Morse (doctoral student), and Jürgen Moltmann at Union Theological Seminary, New York City, early 1970s. Source: Jürgen Moltmann, A Broad Place: An Autobiography (Minneapolis, MN: Fortress Press, 2009), 22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611770042864-H80BISDSSH0SQAWM1JP5/WCC+-+1973+Symposium.jpg</image:loc>
      <image:title>read - The Weight of His Words</image:title>
      <image:caption>From right to left: Hugo Assmann, Paulo Freire, James Cone, Eduardo Bodipo Malumba at a WCC conference in Geneva, May 1973. Courtesy of James Cone. Source: James D. Kirylo, Paulo Freire: The Man from Recife (New York: Peter Lang, 2011), 197.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/against-anti-intellectualism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611195744814-W1RIOQ4VV1YYOALVD25I/Smashing_The_Walls_Of_Our_Prison.jpg</image:loc>
      <image:title>read - Against Anti-Intellectualism</image:title>
      <image:caption>"Smashing The Walls Of Our Prison,” 2015. Image: James Randi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611198388570-UA2F19HF8BJIZ9HL68LH/2021_storming_of_the_United_States_Capitol_DSC09426-2_%2850813677883%29_%28cropped%29.jpg</image:loc>
      <image:title>read - Against Anti-Intellectualism</image:title>
      <image:caption>“Off with their heads/Stop the steal” signs near the U.S. Capitol on the day of the insurrection, 6 January 2021. Photo: Tyler Merbler from USA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1611325280589-ZZOWU2MF56XA748SQ9R9/download.png</image:loc>
      <image:title>read - Against Anti-Intellectualism</image:title>
      <image:caption>Screenshot of tribute to teachers [at 37:45] from the "Celebrating America" Primetime Special aired after the Biden-Harris Inauguration, 20 January 2021. Source: Biden Inaugural Committee</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/por-fin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1588746583115-UYXU6PJ8QIQM2UB6RT6Q/Abuela+con+San+Lazaro.jpg</image:loc>
      <image:title>read - ¡Por fin!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608301282575-571XLOD068LHHJ89PR6R/File_000.jpeg</image:loc>
      <image:title>read - ¡Por fin!</image:title>
      <image:caption>Photo: Elaine Penagos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608304660521-504ZETBASMYZOY5GS407/131891518_4190725960942474_5005022087383334293_o.jpg</image:loc>
      <image:title>read - ¡Por fin!</image:title>
      <image:caption>Photo: Rincón de San Lázaro Church</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608270715363-KMGI9E7K1NQ1LBMQYOD1/File_001.jpeg</image:loc>
      <image:title>read - ¡Por fin!</image:title>
      <image:caption>Altar to San Lázaro and Babalú Ayé, 17 December 2020. Photo: Elaine Penagos</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/reconsiderando-el-chisme-construyendo-un-dialogo-mas-inclusivo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1607499087394-YD5TCRFM1G7V2XCNJPKS/Pope_Francis_with_Cristina_Fernandez_de_Kirchner_3.jpg</image:loc>
      <image:title>read - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo</image:title>
      <image:caption>Imagen: Casa Rosada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1607661504463-MTKSK1NTCU26IJQM79OL/Pope_Francis_visit_Bethlehem.jpg</image:loc>
      <image:title>read - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo - ‘No podemos simplemente decir que la comunicación utilizada por personas que se sienten desempoderadas es negativa o pecaminosa.’</image:title>
      <image:caption>Imagen: Mustafa Bader</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1607658508172-OEO1X7B8WBJYQX0RAHB3/PAPA_FRANCISCO_VISITA_ECUADOR_%2819450864441%29.jpg</image:loc>
      <image:title>read - Reconsiderando el ‘chisme,’ construyendo un diálogo más inclusivo - ‘Las encíclicas que no nombran el cambio que debe producirse dentro de los propios sistemas y enseñanzas de la Iglesia...no ayudan a los afectados a sentirse invitados al diálogo.’</image:title>
      <image:caption>Imagen: Agencia de Noticias ANDES</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/uno-and-counting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1605634667788-GYQWKDZIR0KASS6LTEYT/daria-besedina-tyM396Z8nW8-unsplash.jpg</image:loc>
      <image:title>read - UNO…and counting!</image:title>
      <image:caption>Photo: Daria Besedina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/evangelizando-a-tiempo-y-a-destiempo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1602114332957-R6H35WKLYLN9BH36J9HR/Coat_of_Arms_of_Bishop_Jose%CC%81_Grullo%CC%81n_Estrella.svg.png</image:loc>
      <image:title>read - Evangelizando ‘a tiempo y a destiempo’</image:title>
      <image:caption>Escudo de armas de Mons. José Dolores Grullón Estrella, Obispo de San Juan de la Maguana (1991-presente). Imagen: Jacobo Lama</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1602038942018-C0IN477697WAJL2JG92W/texture-pattern-money-circle-artwork-painting-1159908-pxhere.com.jpg</image:loc>
      <image:title>read - Evangelizando ‘a tiempo y a destiempo’</image:title>
      <image:caption>Tarjeta postal de la República Dominicana. Imagen: Anna Langova</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/en-conjunto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599544066707-YGJLGCAT3VTU87OF3Z54/en-conjunto_joel-agosto.jpg</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>From the cover of the 2017-18 HTI Annual Brochure, “The Legacy of En Conjunto Leadership.” Depicted left to right: Ada María Isasi Díaz, Fr. Virgilio Elizondo, Orlando Costas (standing), and Otto Maduro. Illustration by Joel Agosto, courtesy of the Hispanic Theological Initiative (HTI).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547733063-VWIDBGBBMDIRY476U1HL/otto-maduro_j-agosto.png</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>Otto Maduro, sociologist of religion. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599538909227-M7KKI28QHP8PV5RH3P6D/Screen%2BShot%2B2020-09-08%2Bat%2B12.15.45%2BAM.jpg</image:loc>
      <image:title>read - En conjunto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599539074733-SGP746680C1ZK8ACRCOW/Screen%2BShot%2B2020-09-08%2Bat%2B12.16.19%2BAM.jpg</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>Source: 2019-20 HTI Annual Brochure, Hispanic Theological Initiative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547864817-PV9AE0T0D4M7UDXF5TWR/Ada+Maria+Isasi+Diaz_J-Agosto.png</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>Ada María Isasi Díaz, theologian and mujerista theorist. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547582122-72YE9SDPG7XVN65WOFWB/virgilio-elizondo_j-agosto.png</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>Fr. Virgilio Elizondo, theological pioneer. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599538964550-MS3IOB9W78NQN5QBHSY6/Screen%2BShot%2B2020-09-08%2Bat%2B12.16.02%2BAM.jpg</image:loc>
      <image:title>read - En conjunto</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1599547401299-Y37DKK4VAEO5F151SLBV/orlando-costas_j-agosto.png</image:loc>
      <image:title>read - En conjunto</image:title>
      <image:caption>Orlando Costas, missiologist. Illus. J. Agosto, courtesy HTI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/open-pathways-to-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598890504241-RW0A2XQHHX4CKARW0Y0Y/pathways.jpeg</image:loc>
      <image:title>read - Open Pathways to College</image:title>
      <image:caption>Alumni- Cohort 2, CSUN HSI Pathways to the Professoriate 2018–2019 Fellows. Source: California State University, Northridge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1598889852291-DSWWVRD3TFZ9ZPDN65QQ/image-asset.jpeg</image:loc>
      <image:title>read - Open Pathways to College</image:title>
      <image:caption>Photo: Baim Hanif</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/toward-a-critical-theological-imagination-parts-1-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594972325545-UWL24CYDZEEPP6UGL0GE/2017_05_06-Ringgold.jpg</image:loc>
      <image:title>read - Toward a Critical Theological Imagination, Parts 1-3</image:title>
      <image:caption>Dancing at the Louvre (The French Collection Part 1: #1) story quilt by Faith Ringgold (1991), acrylic on canvas, tie-dyed, pieced fabric border, 73.5 x 80 in. Source: Gund Gallery at Kenyon College, Gift of David Horvitz '74 and Francie Bishop Good</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/present-but-unseen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594820454098-K39O3577SS6MPIXF97MP/cuba-religion-toy-figurine-action-figure-1593101-pxhere.com%2B%25281%2529.jpg</image:loc>
      <image:title>read - Present but Unseen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597516037580-NPB94ABE65KK4PPIN3BB/Juan+Francisco+Manzano-1840+Translation-Frontispiece.jpg</image:loc>
      <image:title>read - Present but Unseen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1597528589990-7QBC6Y8O5ANI4P2UMKNK/John%2BAndrew%2BJackson-Ecape%2Bon%2BHorseback%2Bfrom%2Bthe%2BEvils%2Bof%2BSlavery.jpg</image:loc>
      <image:title>read - Present but Unseen</image:title>
      <image:caption>Book cover image of The Experience of a Slave in South Carolina by John Andrew Jackson (London: Passmore &amp; Alabaster, 1862) depicts Jackson escaping the horrors of slavery on horseback—as Juan Francisco Manzano had in Cuba. Source: Documenting the American South</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1587416212000-T30953YRPTE0BL9E9DD0/Official-Book-Cover-Dr.-Matthew-Pettway.jpg</image:loc>
      <image:title>read - Present but Unseen</image:title>
      <image:caption>Cuban Literature in the Age of Black Insurrection by Matthew Pettway (University Press of Mississippi, 2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/hermeneutica-elefantina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1596827482998-VTVTEXA9VWUA6Q0WU86A/1_q7QKl_Kq6u5hGEZo7XBgUQ.jpeg</image:loc>
      <image:title>read - Hermenéutica elefantina</image:title>
      <image:caption>Illustration for the "Blind men and an elephant" parable from World Stories for Children by Sophie Woods (Ainsworth &amp; Co., 1916)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1596826877457-UHT3J2JJ2QC0SEWHCG62/Blind_monks_examining_an_elephant.jpg</image:loc>
      <image:title>read - Hermenéutica elefantina</image:title>
      <image:caption>The ukiyo-e print "Blind monks examining an elephant" (1888) by Hanabusa Itchō illustrates the Buddhist parable in which each man reaches a different conclusion based on which part of the elephant he has examined. Source: Library of Congress Prints and Photographs Division</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/the-bio-logical-order-of-human-dignity-in-brazil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595738431909-KSJ2EEUW0BRBPT4MSMGB/Afetocolagem_Desconstruc%CC%A7a%CC%83o_de_Visualidades_Negativas_em_Corpos_Negros.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>"Afetocolagem: Desconstrução de Visualidades Negativas em Corpos Negros [Deconstruction of Negative Visualities in Black Bodies] (2019)," digital collage by Silvana Mendes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594663675253-OSDP27EEH1AKSBBZFXR3/wallpaperflare.com_wallpaper+%281%29.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595481657814-5RSPGHONN1ASB3B6EQ92/49892255751_7a00b4a13f_o.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Mass in the sanctuary of Christ the Redeemer in honor of the 211 years of the Military Police, 13 May 2020. Photo: Charlemagne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594454774117-LVUOHFHL6BWWY5VRN2HF/1024px-Flag_of_Brazil.svg.png</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil - ORDER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595455089882-UAAUVNWL9ZCGELS27OAM/brazil-flag-modular-design.png</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Appendix 2, Brazilian Federal Law 8.421</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595463046100-1Z3GZDL1UL35IV9UDRVN/800px-Carreata_anti-isolamento.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil - Tenacity: “Brazil can’t stop;” “Some will die. I’m sorry, but this is life. You can’t stop an automobile factory because people die on the road.” Courage: “Don’t be a coward;” “The virus is real, but we must fight it as a man, not as a kid.” Selflessness: “A nation like Brazil will be free only when a certain number of people become infected.” Faith: “Brazilians must be studied. They don’t get sick;” “So what? I am the Messias [Bolsonaro’s middle name], but can’t do miracles.”</image:title>
      <image:caption>Motorcade in protest against the social-distancing policies of state governments in Brazil, 2020. Photo: RodrikMartins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595481972883-EAPKYLXFGIV81BQ5053P/fernnado+gill.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>A Black Jesus displayed by the Mangueira Samba Community during the Carnaval of 2020. Photo: Viviane Medina / Riotur</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595467562807-FPE9GEJR4J5FCKC17A9N/escadaria-selaron.jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>Escadaria Selarón mosaic in Rio de Janeiro, created 1990–2013 by Chilean-born artist Jorge Selarón as his "tribute to the Brazilian people".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1595480735273-LP9SEK0MNIUFPPB5K0E8/A_protec%CC%A7a%CC%83o_do_alto..jpg</image:loc>
      <image:title>read - The Bio-logical Order of Human Dignity in Brazil</image:title>
      <image:caption>View of Cristo Redentor from Santa Marta Favela, Rio de Janeiro, Brazil, 2015. Photo: Julyane Galvão</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/read/dios-mio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594444150558-VDR4DVI3K2B9OB4P4EER/Devonne+Mayweather-prayer_Lorie+Shaull_31-May-2020.jpg</image:loc>
      <image:title>read - Dios mío</image:title>
      <image:caption>Devonne Mayweather leads a Sunday-morning prayer at the George Floyd Memorial in Minneapolis, MN, 31 May 2020. Photo: Lorie Shaull</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1594426753563-ABVDQRDOS7ZG4EMQL9L3/piqsels.com-id-zysba.jpg</image:loc>
      <image:title>read - Dios mío</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9812450-130e-4282-abd1-9788671f2fb6/SAAM-2013.23A-P_8.jpg</image:loc>
      <image:title>listen - Sanctuary People - Make it stand out</image:title>
      <image:caption>María Magdalena Campos-Pons, Constellation, 2004, instant color prints, each print: 24 x 20 in. (61.0 x 50.8 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.23A-P, © 2004, María Magdalena Campos-Pons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/prayers-for-the-new-year-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7522918-dea7-4567-a8d6-3d99d76b70d8/Stardust-7.jpg</image:loc>
      <image:title>listen - Prayers for the New Year II - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/419a9c8b-2109-41f9-9421-a5af85c6ed70/Stardust-8.jpg</image:loc>
      <image:title>listen - Prayers for the New Year II - Make it stand out</image:title>
      <image:caption>Untitled, Styria, 11, August 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/walking-you-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/588f038f-658c-455f-8d56-eaa7dee37054/40584403693_dd11cecbb2_k.jpg</image:loc>
      <image:title>listen - Walking You Home - Make it stand out</image:title>
      <image:caption>Marisol Escobar, The Party, 1965-66,  Dr. Halona Norton-Westbrook, Toledo Museum of Art and Dr. Steven Zucker, in Smarthistory, April 6, 2019, https://smarthistory.org/marisol-party/.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/prayers-for-the-new-year</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b7522918-dea7-4567-a8d6-3d99d76b70d8/Stardust-7.jpg</image:loc>
      <image:title>listen - Prayers for the New Year - Make it stand out</image:title>
      <image:caption>Untitled, Styria, #11, August 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/419a9c8b-2109-41f9-9421-a5af85c6ed70/Stardust-8.jpg</image:loc>
      <image:title>listen - Prayers for the New Year - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/landing-a-dove</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5362b90-bfa5-4a8e-b2f7-7b5d2a261d9f/SAAM-1971.88_2_screen.jpg</image:loc>
      <image:title>listen - Landing a Dove - Make it stand out</image:title>
      <image:caption>Carl Newman, Spirit of Christmas, ca. 1915-1920, oil and tempera on fiberboard, four panel screen, 67 x 23 in. (170.2 x 58.4 cm.) each, Smithsonian American Art Museum, Gift of Anna McCleery Newton, 1971.88</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/inclusivity-and-institutional-change-in-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3b4bd2f-f8f6-4286-90c9-74b311ca3b8e/Suppenbrunnzer%2C_dove_of_the_Holy_Spirit._Wellcome_M0016837.jpg</image:loc>
      <image:title>listen - Inclusivity and Institutional Change in Education - Make it stand out</image:title>
      <image:caption>Suppenbrunnzer, Dove of the Holy Spirit, wood and paper in a glass ball, 2014 and 2018. Wellcome Images and WikiMedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1733957247448-IAL71G61P5F7VFTNHA67/812i234uz7L._SL1500_.jpg</image:loc>
      <image:title>listen - Inclusivity and Institutional Change in Education - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/la-iglesia-que-migra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/77758efd-9b98-4448-bb70-218ac97a7220/Altar_Frontal_with_Doves_-_Google_Art_Project.jpg</image:loc>
      <image:title>listen - La Iglesia Que Migra - Make it stand out</image:title>
      <image:caption>Altar Frontal with Doves (1450-1461), Casa Museo de Milano, medium: silk, silver, silver gilt, velvet weave, height: 90m, Source: m (3.54in) width: (240mm (9.44in), Fondazione artistica Poldi Pezzoli “Onlus,” 2013, Museo Poldi Pezzoli. Image and caption source: Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/what-does-it-mean-to-be-pub-church</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c50dc557-bba1-4423-b169-029907ce156e/40924156835_751b57bf90_k.jpg</image:loc>
      <image:title>listen - What Does it Mean to Be Pub Church? - Make it stand out</image:title>
      <image:caption>The Red Bank Wine Tavern, Duke Street, Dublin, 2018. Photo: David Mackey</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/a-blaxican-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a0e0431-e242-4e58-b873-1eec3fc9e4b1/EstatuaYanga.jpg</image:loc>
      <image:title>listen - A Blaxican Theology - Make it stand out</image:title>
      <image:caption>Gaspar Yanga, el Libertador de Yanga, el Primer Pueblo Libre de América, Veracruz, México, 1971. Born around 1545, Gaspar Yanga, a descendant of royalty, was captured and sold into slavery in New Spain. Along with enslaved Africans and Indigenous people,Yanga orchestrated a significant resistance against Spanish colonial rule in the mountains of Veracruz from 1570 to 1609. The establishment of the city of Yanga stands as a testament to their struggle for freedom, marking it as the first free town in the Americas and cementing Yanga’s legacy as a symbol of resistance and autonomy. Photo: 2008, Erasmo Vásquez Lendechy. Template: Ivanna Azamar Vásquez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/embodying-the-fruits-of-the-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5b297255-2e0c-484e-b219-460591a64805/Sonata_No._6_%28Sonata_of_the_Stars%29._Allegro.jpeg</image:loc>
      <image:title>listen - Embodying the Fruits of the Mind - Make it stand out</image:title>
      <image:caption>Mikalojus Konstantinas Čiurlionis, Sonata No. 6, Stjernernes sonate. Allegro (Sonata No. 6, Sonata of the Stars. Allegro), 1908, 72.2 x 61.4 cm, National MK Čiurlioni Art Museum. Source/photographer: Villy Fink Isaksen, 2016. Image and caption Source: Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-power-of-contemplative-practice-in-the-spirit-of-convivencia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/22c9b53f-2b1d-4c21-90bd-5322cb384748/SAAM-2014.44_1.jpg</image:loc>
      <image:title>listen - The Power of Contemplative Practice in the Spirit of Convivencia - Make it stand out</image:title>
      <image:caption>Carlos Almaraz, I Dreamed I Could Fly, 1986, pastel on paper, 44 × 30 in. (111.8 × 76.2 cm), Smithsonian American Art Museum, Gift of Margery and Maurice H. Katz, 2014.44, © 1986, Carlos Almaraz Estate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/doors-open-to-an-ecumenical-vision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/feb189e4-4498-4abf-8466-3301b594f596/pexels-kosta-18483119.jpg</image:loc>
      <image:title>listen - Doors Open to an Ecumenical Vision - Make it stand out</image:title>
      <image:caption>Photo by kosta karampelas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/immigrant-communities-meet-at-the-crossroads-of-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7a2839eb-a298-42c1-ae58-8b955b553c4f/SAAM-1983.95.202_1_screen.jpg</image:loc>
      <image:title>listen - Immigrant Communities Meet at the Crossroads of Theology - Make it stand out</image:title>
      <image:caption>Henry Ossawa Tanner, Flight into Egypt, ca. 1916-1922, oil on wood, 16 7/8 x 16 7/8 in. (43.0 x 43.0 cm), Smithsonian American Art Museum, Gift of Mr. and Mrs. Norman Robbins, 1983.95.202</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/optalks-smithsonian-nmal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/59b07527-d2a6-400a-91e8-4a21a5c37b54/Pinback+button+for+the+People%27s+Church_NMAAHC.jpeg</image:loc>
      <image:title>listen - La Gente’s Museum - Make it stand out</image:title>
      <image:caption>Pinback button for the People's Church / Iglesia De La Gente, 1969; ink on paper with metal and plastic. In 1969, The Young Lords Party occupied The First Spanish Methodist Church in New York City after a minister refused the organization a space to work. The Young Lords called it the People's Church / Iglesias De la Gente to serve 3,000 community members. After 11 days, police forcibly removed the activists from the church and arrested a hundred people. Source: Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d6523687-e753-40df-b2e8-c5f17a8c2319/NMAL+screenshot.png</image:loc>
      <image:title>listen - La Gente’s Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/mujerista-theologys-divine-resistance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/63bcfc11-d4a4-4fd1-9194-43a9558dd6d3/La_Sen%CC%83ora_de_Cao.JPG</image:loc>
      <image:title>listen - Mujerista Theology’s Divine Resistance - Make it stand out</image:title>
      <image:caption>Réplica de la Señora de Cao, Cultura Moche [Replica of the Lady of Cao, Moche Culture], Departamento de La Libertad, Peru, 2007. Photo: Manuel González Olaechea y Franco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/optalks-insurrectionist-wisdoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f0ed36fe-edf7-483b-ad6b-1d975d273b9f/81Ib-wzziEL._SL1500_.jpg</image:loc>
      <image:title>listen - Insurrectionist Wisdoms - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1725042754591-17BQ94W9SGQ9NI8DZK9S/Autonomous+InterGalactic+Space+Program.jpg</image:loc>
      <image:title>listen - Insurrectionist Wisdoms - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/42e83913-4175-4fb8-a46e-edd160ed0f3a/QM-2019MundosAlternos.jpg</image:loc>
      <image:title>listen - Insurrectionist Wisdoms - Make it stand out</image:title>
      <image:caption>Rigo 23, Autonomous InterGalactic Space Program, 2009-present (ongoing), exhibited as part of Mundos Alternos: Art and Science Fiction in the Americas, (April 7 - August 18, 2019). Photo courtesy Queens Museum, credit Hai Zhang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/in-the-presence-of-absence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1671066555233-03P68IRHCLT6ZE0P2V2L/money-savings-piggy-white-c94a6b240c45669b801d78280a6c2d2c.jpeg</image:loc>
      <image:title>listen - In the Presence of Absence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8c9feb1-d01c-4085-8d8b-db4fd8262376/8060126234_6e60cbf141_o.jpg</image:loc>
      <image:title>listen - In the Presence of Absence - Make it stand out</image:title>
      <image:caption>Rubber Plant, Ficus elastica, a species of Fig Trees. Parque Ecológico, Campinas, Brazil, 2012. Photo: rafaelsoares</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1c639ca-14e6-4f2e-bd5c-80cad8af8564/trading+futures.jpeg</image:loc>
      <image:title>listen - In the Presence of Absence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-land-indigenous-communities-and-their-church</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3b050673-2b0d-4c58-a119-c6edeb607682/SAAM-2021.30.2_1.jpg</image:loc>
      <image:title>listen - The Land, Indigenous Communities, and Their Church - Make it stand out</image:title>
      <image:caption>Kay WalkingStick, With Love to Marsden, 1995, oil and acrylic paint, wax, glitter on canvas, left panel: 32 1/4 × 32 1/4 in. (81.9 × 81.9 cm) right panel: 32 1/8 × 32 1/8 in. (81.6 × 81.6 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2021.30.2, © Kay Walkingstick, 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/articulating-public-theologies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bf5ca114-6b1b-412d-8f2e-4fdf21396f73/pid_36003.jpg</image:loc>
      <image:title>listen - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3a2c4cc4-0e47-4c40-add4-0c947e4c4dee/9780226819167.jpg</image:loc>
      <image:title>listen - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c805fa68-9787-49ce-8ca4-9c039dbacc8d/pexels-paco-alonso-108387340-9582413.jpg</image:loc>
      <image:title>listen - Articulating Public Theologies - Make it stand out</image:title>
      <image:caption>Photo by Paco Alonso</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-translators-daughter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c89988f9-8b03-46c5-9151-e899b5a694f1/FujishimaTakeji-1934-Sunrise%28Sunrise_in_Taiwan%29.png</image:loc>
      <image:title>listen - The Translator's Daughter - Make it stand out</image:title>
      <image:caption>Sunrise in Taiwan (1934)  by Fujishima Takeji. Oil on canvas. Source/Photographer: 「日本現代美術全集 7 青木繁・藤島武二」集英社、1972年 [Complete Works of Japanese Contemporary Art 7 Shigeru Aoki and Takeji Fujishima (Shueisha, 1972)]. Image and caption source: Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5bca0553-a2c7-46b5-a8ae-49775bb3f366/FRONTCOVER_prasad_low-res_rgb.jpeg</image:loc>
      <image:title>listen - The Translator's Daughter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/a-revolutionary-faith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9e1d15c8-21d3-490f-96e0-d75e0cbf4801/41265954590_50978f497b_k.jpg</image:loc>
      <image:title>listen - A Revolutionary Faith - Make it stand out</image:title>
      <image:caption>Chimbote's Festival de San Pedrito, in devotion to the patron saint of fishermen, Chimbote, Perú, 2018. A month before the 1968 Second Episcopal Conference of Latin America (CELAM II) in Medellín, Colombia, Gustavo Gutiérrez delivered his germane talk to priests and laity entitled "Toward a Theology of Liberation" in the city of Chimbote. Photo: Presidencia Perú</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/on-becoming-wise-together</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cd30eaed-fd95-4938-aa09-1d97aec179fe/photo_effect_city_skyscrapers_lighting_ball_about_skyscraper_architecture-961682.jpg</image:loc>
      <image:title>listen - On Becoming Wise Together - Make it stand out</image:title>
      <image:caption>Photo by TBD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/from-prof-to-admin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ef04a89-1b32-4dc0-9484-061c0233a2b9/pexels-brunoscramgnon-16182481.jpg</image:loc>
      <image:title>listen - From Prof to Admin - Make it stand out</image:title>
      <image:caption>Photo by Bruno Scramgnon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/sor-juana-ines-de-la-cruz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/24247d24-9fbe-466e-bc64-28ac74f87b60/Retrato_de_sor_Juana_Ines_de_la_Cruz_Convento_de_Santa_Paula_Sevilla-scaled-aspect-ratio-650-430-4.jpg</image:loc>
      <image:title>listen - Sor Juana Inés de La Cruz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/40d0c441-1304-4776-8600-036f4a48038d/Sor+Juana+Ines+de+la+Cruz_Yugar.jpeg</image:loc>
      <image:title>listen - Sor Juana Inés de La Cruz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/39559915-eadc-45c9-bd9c-54da3b74670e/sor_juana_ines_de_la_cruz__mexico__3_4__by_mikemamd_d9hts96-fullview.jpg</image:loc>
      <image:title>listen - Sor Juana Inés de La Cruz - Make it stand out</image:title>
      <image:caption>“Sor Juana Ines de la Cruz [Mexico: 3|4],” 2015. Illustration: MikeMAMD on DeviantArt</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/nuestro-llanto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/331b490b-2b09-4068-b37a-1ba728d9a70e/189639434_19d040ecd1_h.jpg</image:loc>
      <image:title>listen - Nuestro Llanto - Make it stand out</image:title>
      <image:caption>“Rainbow and Bird.” Photo: Charles Tilford</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/opened-by-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/58d88718-71c2-4790-a9af-dec48f55edc1/somat_if_the_world_had_an_eye_by_somatart_dfn38rs-pre.jpg</image:loc>
      <image:title>listen - Opened by the World - Make it stand out</image:title>
      <image:caption>“ If the world had an eye.” Image: SomatArt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f22498b6-dcd9-4352-a64a-c4a5b793d53e/Wonder+as+a+New+Starting+Point+for+Theological+Anthropology.jpg</image:loc>
      <image:title>listen - Opened by the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/engaging-the-old-testament</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/50092e52-9fda-4037-b432-c7863eeea45b/Engaging+the+Old+Testament.jpg</image:loc>
      <image:title>listen - Engaging the Old Testament - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ff653b31-4de0-49ff-ae6a-7d358847ee3e/Creation-Museum.jpg</image:loc>
      <image:title>listen - Engaging the Old Testament - Make it stand out</image:title>
      <image:caption>Visitors view an Old Testament exhibit at the Creation Museum, Petersburg, Kentucky, 2011. The museum “promotes the pseudoscientific young Earth creationist (YEC) explanation of the origin of the universe and life on Earth based on a literal interpretation of the Genesis creation narrative of the Bible” (Wikipedia). Photo: Ellen Meiselman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-end-of-theological-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a0d63a86-3b06-4252-9828-bf41abbc7177/archetype-ancient-spiritual-spiral-symbol-kosmos-1632792-pxhere.com.jpg</image:loc>
      <image:title>listen - The End of Theological Education - Make it stand out</image:title>
      <image:caption>Archetype spiral sandstone carving in Crete, Greece. Photo: Gerhard Lipold</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/a-faithful-and-constructive-conversation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3d7b5684-aa38-4218-92b5-fa82db1d18b1/20221016-04-BillH_Paul_Klee_cityscape_Sonneberg_Germany_abstract_window_doo_c79e7d81-1a3f-4cbc-ad84-26471138834c-1.jpg</image:loc>
      <image:title>listen - A Faithful and Constructive Conversation - Make it stand out</image:title>
      <image:caption>Image: Bill Hertha via MidJourney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9e04d0a6-4b57-4887-831b-8ea7675339c2/Christianity+and+CRT.jpeg</image:loc>
      <image:title>listen - A Faithful and Constructive Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-look-of-common-prayer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1307bde8-8e98-4c1d-aa3b-a044a456fc65/youth-from-the-florencia-barrio-of-south-central-los-angeles-arrive-at-belvedere-e48926.jpg</image:loc>
      <image:title>listen - The Look of Common Prayer - Make it stand out</image:title>
      <image:caption>Youth from the Florencia barrio of South Central Los Angeles arrive at Belvedere Park for La Marcha Por La Justicia, California, 31 January 1971. Photo: Luis C. Garza | Source: UCLA Chicano Studies Research Center</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/lady-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/36abfb3f-4b57-493c-9e77-e207a4ff9c87/2089507944_75acedb4dd_k.jpg</image:loc>
      <image:title>listen - Lady Justice - Make it stand out</image:title>
      <image:caption>lady justice / no border (2007) by Austin Kleon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/empowering-latina-leaders-at-hti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/813e2dd7-34e5-443a-862a-7320623df017/7437b884-eea0-4126-a179-4dc70267c3d3.jpg</image:loc>
      <image:title>listen - Empowering Latina Leaders at HTI - Make it stand out</image:title>
      <image:caption>Participants in HTI’s Latinas in Leadership Program, with (right to left, back row) Dr. Ahida (Calderón) Pilarski, Rev. Joanne Rodriguez, and Dr. María Carrión, 2021. Courtesy of Hispanic Theological Inititative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b8185fad-e1c7-4ec9-a2cb-0e5bb57bb80f/Latinas+in+Leadership+hero+image.jpg</image:loc>
      <image:title>listen - Empowering Latina Leaders at HTI - Make it stand out</image:title>
      <image:caption>HTI Open Plaza logo background superimposed with icons representing Latinas in Leadership Program website offerings (clockwise from upper left): testimonials, facilitators, resources, and participants. Image: HTI Open Plaza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/design-thinking-and-church-innovation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/732b990a-c52a-4f29-926e-97a0b35d9999/art-candle-automotive-lighting-lamp-candle-holder-electricity-1656207-pxhere.com.jpg</image:loc>
      <image:title>listen - Design Thinking and Church Innovation - Make it stand out</image:title>
      <image:caption>Image: aedoperter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f18a38dc-5036-4d30-bb02-35fca57d1d4a/How+to+Try.png</image:loc>
      <image:title>listen - Design Thinking and Church Innovation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/meds-for-biblical-scholars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b5b5442b-5c97-4c08-8d12-606b7192b253/MEDS+graphic_HTI.jpg</image:loc>
      <image:title>listen - MEDS for Biblical Scholars - Make it stand out</image:title>
      <image:caption>HTI Open Plaza logo element (background) superimposed with icons representing the concept of MEDS (Meditation, Exercise, Diet, and Sleep) coined by personal-development coach Brendon Burchard. Image: HTI Open Plaza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/self-made-podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f9dba21b-8017-41ad-96f1-1e333232e671/galan-books.jpg</image:loc>
      <image:title>listen - Self-Made - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/53aa6edb-e230-4424-afef-93d014757536/1024px-Money_Tree.jpg</image:loc>
      <image:title>listen - Self-Made</image:title>
      <image:caption>Ornamental money tree (Pachira aquatica), 2017. Also known as Malabar chestnut, French peanut, Guiana chestnut, Provision tree, Saba nut, Monguba (Brazil), Pumpo (Guatemala), the tropical wetland tree is considered a symbol of luck and prosperity. Photo: Karl Thomas Moore</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/institute-for-signifying-scriptures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ae74985f-3967-4a9a-8548-c8e7556ac8ce/E%CC%80s%CC%A3u%CC%80_go%CC%A3ngo%CC%A3.jpg</image:loc>
      <image:title>listen - The Institute for Signifying Scriptures - Make it stand out</image:title>
      <image:caption>Symbol of Èṣù Láàlú, 2021. A pivotal in the cosmology of Yoruba spirituality, Èṣù is the deity in charge of law enforcement, orderliness, and direction, embodying the multiplicity of every issue and standing at the middle of divergent world forces. This divinity’s name varies in different locations: Exu de Candomblé and Exu de Quimbanda (Brazil); Legba in Vodou (Haiti); Leba in Winti (Suriname); and Echú in Santería and Lubaniba in Palo Mayombe (Cuba/Latin America). Photo: Ìṣẹ̀ṣeAssembly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/0111e48a-d53e-4819-8ca3-8873cecc6611/African+Americans+and+the+Bible.jpg</image:loc>
      <image:title>listen - The Institute for Signifying Scriptures - Make it stand out</image:title>
      <image:caption>African Americans and the Bible: Sacred Texts and Social Textures Vincent L. Wimbush Wipf and Stock, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/catholic-and-indigenous</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b1b3bb51-068c-479d-9717-2e337fe47a1b/Statue_Kateri_Tekakwitha.jpg</image:loc>
      <image:title>listen - Catholic and Indigenous - Make it stand out</image:title>
      <image:caption>Statue of Kateri Tekakwitha (“Lily of the Mohawks”) at the Cathedral Basilica of St. Francis of Assisi, Santa Fe, New Mexico, 2015. Born in the Mohawk village of Ossernenon, Auriesville, New York to an Algonquin mother and a Mohawk-chief father, St. Kateri Tekakwitha (1656-1680) is the first Native American to be recognized as a saint by the Catholic Church in the United States and in Canada. Photo: Dieterkaupp</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/a-book-is-not-a-one-size-fits-all</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bce99303-0df9-475e-b3da-801f912d9570/Reyna+Grande+books.jpeg</image:loc>
      <image:title>listen - ‘A Book Is Not a One Size Fits All’ - Make it stand out</image:title>
      <image:caption>Books by Reyna Grande (clockwise spiral from left): Across a Hundred Mountains: A Novel (Atria, 2006); Spare Parts: The True Story of Four Undocumented Teenagers, One Ugly Robot, and an Impossible Dream (Farrar, Straus and Giroux, 2023); A Ballad of Love and Glory: A Novel (Atria, 2022); The Distance Between Us: A Memoir (Washington Square Press, 2013); Dancing with Butterflies: A Novel (Washington Square Press, 2009); Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings (HarperVia, 2022); A Dream Called Home: A Memoir (Washington Square Press, 2019)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/exegeting-bad-bunny</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/928f6a34-21bb-4a9d-976f-80f198c90eaa/BAD_BUNNY_-_CONCIERTO_P_FKN_R_2021-1134x636.jpeg</image:loc>
      <image:title>listen - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2bdb8489-4cb0-4638-9175-30cca7540e3d/bad-bunny-cement-cross-ckszaqagr8k3lgf5.jpg</image:loc>
      <image:title>listen - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f4828a78-edb9-468a-9c87-0bd634ed62be/DJ_Jesus.jpg</image:loc>
      <image:title>listen - Exegeting Bad Bunny - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/leaning-on-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/06649650-7bc4-4926-8070-ff2bc30bd6aa/Region+One+Education+Service+Center-+students.jpg</image:loc>
      <image:title>listen - Leaning on God - Make it stand out</image:title>
      <image:caption>Students on the Texas-Mexico border at work at a writing workshop, Hidalgo County, Texas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/sowing-the-sacred</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c7df7579-d1df-4932-8e17-1bc7c3013c44/hands+with+seeds.jpg</image:loc>
      <image:title>listen - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3ad4aeae-fc13-437a-8216-fe4af7638079/Sowing+the+Sacred_Barba.jpeg</image:loc>
      <image:title>listen - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Sowing the Sacred: Mexican Pentecostal Farmworkers in California by Lloyd Daniel Barba Oxford University Press, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e9306f88-0d29-4433-87e0-8130e141f677/Chapter+5+Sowing+the+Sacred_Salinas+Aposto%CC%81licos+Harvesting_1940s.png</image:loc>
      <image:title>listen - Sowing the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/covering-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d9051206-5a8f-415a-84e0-fddaad052a8a/The+New+Face+of+Small-Town+America_Sandoval.jpeg</image:loc>
      <image:title>listen - Covering Us - Make it stand out</image:title>
      <image:caption>The New Face of Small-Town America: Snapshots of Latino Life in Allentown, Pennsylvania by Edgar Sandoval Penn State University Press, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5060ce9f-f8c3-4748-a78c-716b569a4980/52296557698_dad28e59ae_k.jpg</image:loc>
      <image:title>listen - Covering Us - Make it stand out</image:title>
      <image:caption>Robb Elementary School, where 18-year-old alum Salvador Ramos fatally shot nineteen students and two teachers on May 24, 2022. Uvalde, Texas, 10 August 2022. Photo: Michael Hogan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/faith-arising</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8674f96e-524f-47b6-981d-07c53269b82d/510286-person-shadow.jpg</image:loc>
      <image:title>listen - Faith Arising - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/17d96a0c-88c4-4e59-8e8f-86b395680cf1/faith+arising.jpg</image:loc>
      <image:title>listen - Faith Arising - Make it stand out</image:title>
      <image:caption>Faith Arising (Timothy Frazier, 2022) by T.I. Frazier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/5e8ab2fe-eb98-44bf-a07e-2e978889be6b/lauren_the_cow_bind_cover.jpeg</image:loc>
      <image:title>listen - Faith Arising - Make it stand out</image:title>
      <image:caption>Lauren the Cow (Timothy Frazier, 2022) by T.I. Frazier</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/writing-in-the-spirit-of-service</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/23b54e0a-fc77-432f-ad75-7a0391441589/Woman+without+Shame.jpg</image:loc>
      <image:title>listen - Writing in the Spirit of Service - Make it stand out</image:title>
      <image:caption>Woman Without Shame by Sandra Cisneros Knopf, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6cb49172-8523-453b-bdb6-72b28bcd89b0/Submergia_heart_cactus.png</image:loc>
      <image:title>listen - Writing in the Spirit of Service - Make it stand out</image:title>
      <image:caption>“Nepantla Heart-Cactus,” 2023. Image created by Submergia with Midjourney Beta on Discord</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-first-rainbow-coalition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/605ca896-8258-42ea-9926-52f5a0207bb1/FIRST-RAINBOW-COALITION+poster.jpeg</image:loc>
      <image:title>listen - The First Rainbow Coalition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/64fe1b67-9638-4097-b5b1-905d94d80f08/YL-Rainbow+Coalition+Albizu+Campos+march_1969.jpg</image:loc>
      <image:title>listen - The First Rainbow Coalition - Make it stand out</image:title>
      <image:caption>The Black Panthers, Young Patriots, and Students for a Democratic Society (SDS) join the Young Lords in a march from “People’s Park” to Humboldt Park in honor of Puerto Rican independence leader Pedro Albizu Campos, Chicago, Illinois, 11 October 1969. The photo appears in Y.L.O., the publication of the Young Lords’ Ministry of Information. Source: Y.L.O. Vol. 1 No. 5 (January 1970), p. 3, Young Lords Newspaper Collection, Special Collections and Archives, DePaul University, Chicago, Illinois</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/sense-of-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/16b1c0bf-7766-4f92-992f-969430ee8506/The+Persistence+of+Memory_Dali.png</image:loc>
      <image:title>listen - Sense of Mind - Make it stand out</image:title>
      <image:caption>La persistance de la mémoire [The Persistence of Memory] (1931) by Salvador Dalí; oil on canvas, 9 1/2 x 13". © Salvador Dalí, Fundació Gala-Salvador Dalí , Figueres, 2007 © 2006. Digital image, Museum of Modern Art (MoMA), New York/Scala, Florence</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-inheritors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/7f0e392e-23a5-4b37-9bfe-85c55b54e796/the-inheritors-fairbanks.jpeg</image:loc>
      <image:title>listen - The Inheritors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170560946-MPZG1265X3LVTORCWM3O/Screen+Shot+2023-02-04+at+11.18.44+AM.png</image:loc>
      <image:title>listen - The Inheritors - Nieu Bethesda Church (Copy)</image:title>
      <image:caption>Sunday afternoon in the Nieu Bethesda Church, 2010. Once white-only, rural South African dorps, or villages, are fast losing inhabitants.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170510048-7DAK5M1CHMOPGDIGN9H3/Screen+Shot+2023-02-04+at+11.14.33+AM.png</image:loc>
      <image:title>listen - The Inheritors - Young Worshippers (Copy)</image:title>
      <image:caption>Three young worshipers pose in the sun outside a so-called “black church” near the University of the Free State, 2010. Many churches in South Africa, especially in rural places, are still informally racially segregated.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170605808-NK28TGNQ5JQOR610OMK8/Screen+Shot+2023-02-04+at+11.19.27+AM.png</image:loc>
      <image:title>listen - The Inheritors - Summer Storms (Copy)</image:title>
      <image:caption>Summer brings incredibly dramatic clouds and flash thunderstorms over South Africa, much of which is typically arid., 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170524928-XQ7VTXWNGDGMPW5O9O0Q/Screen+Shot+2023-02-04+at+11.17.26+AM.png</image:loc>
      <image:title>listen - The Inheritors - Black Homeland (Copy)</image:title>
      <image:caption>A girl considers her reflection, Limpopo Province, 2012. Until just before she was born, her region was a segregated, so-called “black homeland.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170569638-AFBCB6JZJ45BAVRGWXJZ/Screen+Shot+2023-02-04+at+11.19.18+AM.png</image:loc>
      <image:title>listen - The Inheritors - Storefront (Copy)</image:title>
      <image:caption>Dilapidated storefront in Rietbron, a formerly white-only dorp, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170517208-3RCIBGHNAWVQQTY3QZA7/Screen+Shot+2023-02-04+at+11.17.07+AM.png</image:loc>
      <image:title>listen - The Inheritors - Makaraba (Copy)</image:title>
      <image:caption>A fan shows off his homemade makaraba, an ornately hand-decorated miner’s hat South African soccer supporters wear to games, Johannesburg, 2013. Johannesburg was built around gold mines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170500427-3LL7DPADRYAA1WNM3YOZ/Screen+Shot+2023-02-04+at+11.13.57+AM.png</image:loc>
      <image:title>listen - The Inheritors - Agriculture Building (Copy)</image:title>
      <image:caption>The University of the Free State’s Agriculture (“Landbou”) Building, Bloemfontein, 2010. Many Brutalist-style buildings remain in South Africa from its apartheid era.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170548949-BP7RDTS6BPWE98ZIPANG/Screen+Shot+2023-02-04+at+11.18.37+AM.png</image:loc>
      <image:title>listen - The Inheritors - Fence Repairs (Copy)</image:title>
      <image:caption>Six men work to repair a fence on a white-owned sheep farm in Nieu Bethesda, a desert town, 2010. The vast majority of large South African farms are still white-owned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1677170609808-NQAJM968R6DNIEGBUWHQ/Screen+Shot+2023-02-04+at+11.19.35+AM.png</image:loc>
      <image:title>listen - The Inheritors - Farmhouse (Copy)</image:title>
      <image:caption>A farmhouse outside the dorp of Nieu Bethesda, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9df23860-e0ed-4b70-89c6-f6bec3f9a58d/Screen+Shot+2023-02-04+at+11.16.51+AM.png</image:loc>
      <image:title>listen - The Inheritors - Make it stand out</image:title>
      <image:caption>Soccer fans celebrate in Soweto during the World Cup, South Africa, 2010. Photo: Eve Fairbanks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/watering-the-sacred</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/bb933d63-9e3c-42fb-9e26-f430ddc593a2/wallpaperflare.com_wallpaper.jpg</image:loc>
      <image:title>listen - Watering the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d1c93b9f-0360-4cd8-882d-d75cfd21394f/FLORA+logo.jpeg</image:loc>
      <image:title>listen - Watering the Sacred - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/historia-e-politica-do-protestantismo-brasileiro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/832e40e3-a4d9-4348-9023-d6f7d2666cdc/Joao_web_directory.jpeg</image:loc>
      <image:title>listen - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9f9b199e-b07d-4640-b67c-54815faa798e/Wanderley+Pereira+da+Rosa.jpeg</image:loc>
      <image:title>listen - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/19e63543-b103-49a6-9b5d-a49408feba00/por_uma_fe_encarnada_wanderley_pereira_da_rosa.png</image:loc>
      <image:title>listen - História e política do protestantismo brasileiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9132e485-e8c0-4fe2-95a4-f627e06e72a5/france-antarctique.jpeg</image:loc>
      <image:title>listen - História e política do protestantismo brasileiro</image:title>
      <image:caption>Detalhe do mapa do Oceano Atlântico (1613) do Pierre de Vaulx, mostrando partes da Europa, África e América do Norte e do Sul. Os marcos do Brasil incluem La France Antártica, uma colônia francesa no Rio de Janeiro que existiu entre 1555 e 1567, com controle sobre a costa do Rio de Janeiro a Cabo Frio. A colônia rapidamente se tornou um refúgio para os huguenotes (protestantes franceses) e acabou sendo destruída pelos portugueses em 1567. Fontes: The History Archive; mapa original na Library of Congress Detail from map of the Atlantic Ocean (1613 ) by Pierre de Vaulx, showing parts of Europe, Africa, and North and South America. Brazil landmarks include La France Antarctique, a French colony in Rio de Janeiro that existed between 1555 and 1567, with control over the coast from Rio de Janeiro to Cabo Frio. The colony quickly became a haven for the Huguenots (French Protestants) and was ultimately destroyed by the Portuguese in 1567. Sources: The History Archive; original map at the Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/sacred-tech</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/689b70c4-f45b-4e1c-be4c-1abec135ffdf/devices+for+testing+electronic+bibles.jpg</image:loc>
      <image:title>listen - Sacred Tech (Copy) - Make it stand out</image:title>
      <image:caption>Set of devices for testing electronic bibles, 2014. Photo: Kahunapule Michael Johnson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/black-dignity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/b22a11d7-b66f-4bbb-999e-c83dc3192c9b/the-civil-rights-march-from-selma-to-montgomery-alabama-in-1965.jpg</image:loc>
      <image:title>listen - Black Dignity - Make it stand out</image:title>
      <image:caption>Demonstrators at a civil rights march from Selma to Montgomery, Alabama, 1965. Their placard reads: "We march together, Catholics, Jews, Protestant, for dignity and brotherhood of all men under God, Now!" Photo: Peter Pettus. Source: Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6d424a5f-0240-410b-a36a-3f92460b2fac/Black+Dignity.jpeg</image:loc>
      <image:title>listen - Black Dignity - Make it stand out</image:title>
      <image:caption>Black Dignity: The Struggle against Domination by Vincent Lloyd (Yale University Press, 2022)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/trading-futures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a1c639ca-14e6-4f2e-bd5c-80cad8af8564/trading+futures.jpeg</image:loc>
      <image:title>listen - Trading Futures - Make it stand out</image:title>
      <image:caption>Trading Futures: A Theological Critique of Financialized Capitalism by Filipe Maia (Duke University Press, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1671066555233-03P68IRHCLT6ZE0P2V2L/money-savings-piggy-white-c94a6b240c45669b801d78280a6c2d2c.jpeg</image:loc>
      <image:title>listen - Trading Futures</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/spirited-away</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/62da93bd-7bb3-4cf7-9d82-a28379666c3d/Altar+in+the+James+A.+McAllister+chapel+at+the+Seminario+Evange%CC%81lico+de+Puerto+Rico%2C+2017.jpeg</image:loc>
      <image:title>listen - Spirited Away</image:title>
      <image:caption>Altar in the James A. McAllister chapel at Seminario Evangélico de Puerto Rico, 2017. Source: The Presbyterian Outlook</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-unjust-steward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/be1f772f-df0d-4f18-96ed-0839d9f5c2f8/The-Unjust-Steward.jpeg</image:loc>
      <image:title>listen - The Unjust Steward - Make it stand out</image:title>
      <image:caption>The Unjust Steward: Wealth, Poverty, and the Church Today by Miguel Escobar (Forward Movement, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/6884ad00-cfd9-4b42-856b-158e94fa2ba6/2147022799_0408695a3e_k.jpg</image:loc>
      <image:title>listen - The Unjust Steward</image:title>
      <image:caption>Part of “The Famine” (1997), a commemorative sculpture by Rowan Gillespie dedicated to those forced to emigrate during the 19th-century Irish Famine. Custom House Quay, Dublin, Ireland, 2007. Photo: Nic McPhee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/ef05aae5-f6a5-4621-9b40-8a583eb731c2/Seguimos-Adelante_Bagley_1995.jpeg</image:loc>
      <image:title>listen - The Unjust Steward - Make it stand out</image:title>
      <image:caption>HTI Open Plaza: “Dreams of Reversal,” 7 February 2022 In this exclusive excerpt, Miguel Escobar offers a biblical understanding of money and prosperity from the perspective of his migrant farmworker family experience .</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/explore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1bd207fb-2f62-48b4-8938-12eaad66cacf/Kyle%2BVanEtten_Black+Ministry.jpeg</image:loc>
      <image:title>listen - Explore</image:title>
      <image:caption>InterVarsity New England. Photo: ©Kyle VanEtten - No Shortcuts Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a9f302d9-11f0-4df3-84d7-d6be3a3286e4/Explore-book.jpeg</image:loc>
      <image:title>listen - Explore - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-scholars-guide-to-writing-a-dissertation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a031695f-c53f-4fc2-8c26-dc14d4885360/stockvault-audio-book-concept186371.jpg</image:loc>
      <image:title>listen - The Scholar’s Guide to Writing a Dissertation</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/powers-of-pen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/10f76fef-0ab7-47f2-9e0d-9cb8d174dc50/DrawingHands_escher.jpeg</image:loc>
      <image:title>listen - Powers of Pen</image:title>
      <image:caption>Drawing Hands (1948), lithograph by M. C. Escher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/2e8777eb-de8f-4cbe-9817-31fcb9ba583c/mark-d-jordan-quote-lbo5j3m.jpeg</image:loc>
      <image:title>listen - Powers of Pen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f3110987-608d-4bac-acbd-bdcec269d404/mark-d-jordan-quote-lbc0y6b.jpeg</image:loc>
      <image:title>listen - Powers of Pen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/transnational-phenomenon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c765d1ad-c980-4041-ba8d-9c14116de46c/Provisional+flag+of+Brazil.jpeg</image:loc>
      <image:title>listen - Transnational Phenomenon</image:title>
      <image:caption>Screenshot from a video rendering of the provisional flag of the Republic of the United States of Brazil, flown 15–19 November 1889. Proposed by Brazilian jurist and abolitionist Ruy Barbosa, the flag design was inspired by that of the United States of America but ultimately vetoed for looking too similar to the flag of another country. Image: Lord Daine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/christ-in-the-heights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/477121e9-d004-488a-82b6-61bb00cc1523/29945028785_cae19c3954_k.jpg</image:loc>
      <image:title>listen - Christ in the Heights</image:title>
      <image:caption>Christ Church Washington Heights served as the point of departure for the 16th Annual Gladys Ricard and Victims of Domestic Violence Memorial Walk/Brides' March, New York City, 26 September 2016. Photo: Michael Appleton/Mayoral Photography Office</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/cultivating-community-cultural-capital</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d303ddb2-83e4-42a5-8cdd-72c624321ae9/Librotraficantes_march_for_MexAm-Studies_2013.JPG</image:loc>
      <image:title>listen - Cultivating Community Cultural Capital</image:title>
      <image:caption>Librotraficantes march for Mexican American Studies, 2013, San Antonio, The National Association for Chicana and Chicano Studies Conference, left to right: Jesus Archuleta, Tony Diaz-El Librotraficante, Sonya Rose Hernandez, Eloy Gonzales; second row: Mario Castillo. Photo: Ezekiel J. Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/023bd160-ab79-4ef9-afa2-6ddbd66df1fa/tip+of+pyramid_diaz_cover.jpeg</image:loc>
      <image:title>listen - Cultivating Community Cultural Capital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/race-capitalism-and-theology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4a755b9a-18b6-480c-8c33-5a15894627bb/winn-dixie-boycott.jpeg</image:loc>
      <image:title>listen - Race, Capitalism, and Theology - Make it stand out</image:title>
      <image:caption>Winn-Dixie Boycott. Rev. Joseph Lowery (middle, right), Rev. Randel Osburn (middle, left), and others picket a Winn-Dixie grocery store in Atlanta, Georgia. The Southern Christian Leadership Conference’s boycott of Winn-Dixie began in the fall of 1985 and lasted four months, ending only when the chain agreed to stop selling products grown or manufactured in South Africa. Courtesy of Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Southern Christian Leadership Conference Records, Photograph by Elaine Tomlin. Source: New Georgia Encyclopedia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/trends-in-christianity-in-the-us-and-the-global-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/078c10e9-9c87-46ae-8d74-25f91dcbef69/Allegory+of+Florida_2009.jpg</image:loc>
      <image:title>listen - Trends in Christianity in the U.S. and the Global South</image:title>
      <image:caption>"Allegory of Florida" (2009) mural by Greek artist Stelios Faitakis, Wynwood Walls, Miami, Florida, 2011. His first in the United States, the mural incorporates the styles of classical frescoes, Byzantine art, and early 20th-century Mexican Muralism. Photo: Wally Gobetz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/591f38d1-c33a-49e4-ad83-522f1615a997/Climate+Catastrophe+Faith_Jenkins.jpeg</image:loc>
      <image:title>listen - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>Climate, Catastrophe, and Faith: How Changes in Climate Drive Religious Upheaval (Oxford University Press, 2021) By Philip Jenkins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/c01f6b31-b3fd-4f6d-b5d5-7f7bbf461b58/He+Will+Save+You+from+Deadly+Pestilence_Jenkins.jpeg</image:loc>
      <image:title>listen - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>He Will Save You from the Deadly Pestilence: The Many Lives of Psalm 91 (Oxford University Press, 2022) By Philip Jenkins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/961dc908-82e6-4b35-98c0-2981395c6dd7/A+Global+History+of+the+Cold+War+1945-1991_Jenkins.jpeg</image:loc>
      <image:title>listen - Trends in Christianity in the U.S. and the Global South - Make it stand out</image:title>
      <image:caption>A Global History of the Cold War, 1945-1991 (Palgrave Macmillan, 2021) By Philip Jenkins</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/untold-stories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4860adce-f266-4c2f-9c5d-41daa9213ca7/Scroll_and_Key_Pin.jpeg</image:loc>
      <image:title>listen - Untold Stories</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/94a845b1-2bc5-4b55-bdb9-d431a1a7ddc9/Untold+Stories.jpeg</image:loc>
      <image:title>listen - Untold Stories - Make it stand out</image:title>
      <image:caption>Untold Stories: The Latinx Leadership Experience in Higher Education (Wipf and Stock Publishers, 2021) by Dr. Peter Rios</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/cultivating-talent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/876a1eac-8f4d-47b0-9ff9-175ef7ed0141/Cultivating+Talent+image_Page_17.jpg</image:loc>
      <image:title>listen - Cultivating Talent</image:title>
      <image:caption>Image courtesy of Boston College's Two-Way Immersion Network of Schools. Source: Cultivating Talent:  A Summary of Findings from the National Study ‘Examining Pathways to Increase the Presence of Hispanic Teachers and Leaders in Catholic Schools’ (2022)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/thinking-from-latin-america</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/84a921be-18cc-442d-a130-49f26e3558c2/the-san-lorenzo-monument-a-replica-of-an-olmec-colossal-head-of-ancient-mesoamerica-1.jpg</image:loc>
      <image:title>listen - Thinking from Latin America</image:title>
      <image:caption>The San Lorenzo Monument by artist Ignacio Pérez Solano is located on the campus of the University of Texas at Austin. Also known as El Rey, the monument is an exact replica of the giant head that was discovered at the Olmec site of San Lorenzo, Veracruz, Mexico. Some researchers speculate that Africans made contact with and had significant influence on the cultures, languages, and religions of native peoples in Mesoamerica, primarily the Olmec civilization. Source: The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division. Gift; The Lyda Hill Foundation; 2014; (DLC/PP-2014:054).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-kingdom-began-in-puerto-rico</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cddfb2ab-22af-478d-b2c7-c048bf0fd615/%2311+-+Seneca++Youth_religious_procession_Hunts_Point.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico</image:title>
      <image:caption>Church on the streets: Father Neil Connolly with Seneca Chapel youth procession in the late 1960s/early 1970s, Hunts Point, Bronx, NY. Photo: Mili Bonilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085249469-MDLO3TKLCJ4D5I33FA9U/%239+-+Seneca_Chapel_Mother%27s++Day_Mass.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Mother’s Day, Seneca Chapel (Copy)</image:title>
      <image:caption>Full house at Seneca Chapel on Mother’s Day, Bronx, NY, 1960s. Photo: Kathleen Osberger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085255763-DFCIOJE4U92VLLR3FLFH/%2310+-Seneca+Center++-+serving+the++people_Lillian_Camejo_in_action.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Serving the  people (Copy)</image:title>
      <image:caption>Services director Lillian Camejo (seated, rear) advises a woman at Seneca Center, Bronx, NY, late 1960s. Photo courtesy of Lilliam Camejo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085224612-1311PYMRM1NCGSRVXPEM/%2313+-+Unitas+Circle+on+Fox+led+by++Ed+Eismann.JPG</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Unitas circle (Copy)</image:title>
      <image:caption>The Unitas circle on Fox Street, led by psychotherapist and former seminarian Dr. Ed Eismann, mid-1960s, Bronx, NY. A “therapetic community” established by Dr. Eismann, the Unitas circle heard and solved problems as a community. Photo courtesy of Ed Eismann/Unitas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085230014-BMK87PVRWQKQ1352FP5G/%2316+-+Gigante_Campaigning+for++Office.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Fr. Gigante for Congress (Copy)</image:title>
      <image:caption>Congressional candidate Father Louis Gigante campaigning on streets with his entourage, ca. 1970. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085226821-SAZSYQ7CPWUUFYQAY1UU/%2320+-+Fr_Bob_Stern+-+Pastoral++Center+Director.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Fr. Bob Stern (Copy)</image:title>
      <image:caption>Fr. Bob Stern, co-founder and director of the nation’s first Catholic lay ministry organization, the South Bronx Pastoral Center. Photo courtesy of Fr. Bob Stern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085236230-HYBR0X5IBNTV2NURHUEE/%2321+-++Pastoral_Ctr_teachers_Brgantty%2C+and+founders+Sr.+Muriel+Long%2C+and+Sr.+Nora++Cunningham.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - South Bronx Pastoral Center (Copy)</image:title>
      <image:caption>Left to right: South Bronx Pastoral Center lay trainer Luis Brigantty, and co-founders Sister Muriel Long and Sister Nora Cunningham at the center, late 1970s, Bronx, NY. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085233884-N9LXT6SDPJ14XCGEPKKD/%2325+-+PFC+leader+Aida++Martinez_speaking_at_anti-crime_march.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Aida Martínez (Copy)</image:title>
      <image:caption>People for Change St. Anselm’s Social Action Committee leader Aida García Martínez [mother of Angel García] (center, with microphone) speaks out at the beginning of a march for safety in John Adams Houses, Bronx, NY. Photo: Mili Bonilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085239343-KPUR2A7ASYON4KVRXM7O/%2327-+PFC+leader+Fr.+Flynn+and+ally++Rev.+Fairbanks+calling+for+new+policies+from+Commissioner+Paul++Crotty.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Calling for new housing policies (Copy)</image:title>
      <image:caption>People for Change Housing Committee leader Fr. John Flynn (left) and ally Rev. Jim Fairbanks (right) prepare New York City housing commissioner Paul Crotty (2nd from right) for a bus tour of South Bronx buildings in need of rehabilitation, 1980s, Bronx, NY. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085238908-6J7LCKJ76CKEV1K3KTNR/%2329+-+People+for++Change_staff-retreat.jpeg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - PFC retreat (Copy)</image:title>
      <image:caption>People for Change staff on retreat (left to right): (front row) Katie Clyde, administrative assistant; Fr. Dean Brackley; organizers Tom Amato and Angel García; (back row) organizer Mili Bonilla, Fr. Neil Connolly’s “right hand”; Nancy Brennan, intern; and Tom’s wife Kris and son Nate. Photo: Mili Bonilla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1656085250474-CAWYOF1A01IB4YN7YNJW/%2332+-+Pastoral_Ctr_Graduate+with++new+Cardinal+OConnor_and+Vicar+Neil+Connolly.jpg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Graduation (Copy)</image:title>
      <image:caption>South Bronx Pastoral Center graduates another lay minister, with (from right) South Bronx Vicar Neil Connolly, newly appointed Cardinal John O’Connor, and lay trainer Luis Brigantty. Photo: Chris Sheridan, courtesy of Catholic New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/513df483-de25-4ed4-867c-1c452d96fdd1/The+Kingdom+Began+in+PR_Garcia.jpeg</image:loc>
      <image:title>listen - The Kingdom Began in Puerto Rico - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/queer-and-apostolic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/34fcabbe-e330-4f09-b8fd-f05032a49f9e/Arena-2_DSCF4414.jpeg</image:loc>
      <image:title>listen - Queer and Apostolic</image:title>
      <image:caption>Scene from Arena: A House MUSIC-al, 2019. Courtesy of Teatro Nuevos Horizontes/New Horizons Theatre Company (TNH Productions)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/98c9b839-6e61-4a0d-94b7-1d6b44e08ad0/casa0101-logo.png</image:loc>
      <image:title>listen - Queer and Apostolic - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/meatpacking-america</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/8d7708d5-3036-495e-948a-512589d30ba2/Meatpacking+America.jpeg</image:loc>
      <image:title>listen - Meatpacking America - Make it stand out</image:title>
      <image:caption>Meatpacking America: How Migration, Work, and Faith Unite and Divide the Heartland by Kristy Nabhan-Warren University of North Carolina Press, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/3567e32d-ae29-49d7-9695-b62903511b15/USDA-meat.jpg</image:loc>
      <image:title>listen - Meatpacking America</image:title>
      <image:caption>“U.S. Department of Agriculture (USDA) meat inspectors and graders perform their mission,” 2018. Photo: Preston Keres, USDA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/sofias-theme-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f5b28ffa-7a5d-4d33-8aed-6e85114bc6c9/Sofia%27s+Theme+Park.jpg</image:loc>
      <image:title>listen - Sofia's Theme Park - PLAY and REST at Rivers of Life! Friday, 10 June 2022, 5:40pm CT to Saturday, 11 June 2022, 5:40pm CT</image:title>
      <image:caption>Sophia's Theme Park: Rivers of Life 2022 is a space for rest, renewal, and spiritual direction to nourish your inner child and be intimate with Divine Wisdom. The retreat begins and ends with playful worship services! Each day, participants will engage in individual and communal spiritual practices, the serious work of play, reflection, improvisation, movement, imagination, fellowship, interaction with biblical stories, and ongoing vocational discernment. It is summer, a great time to refresh your spirituality at Rivers of Life! For more information and to register go to www.pluriversofia.net</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/d66a4c28-8e49-4d3b-9186-b7c3aa02f9cc/Psychedelic-flowers.jpeg</image:loc>
      <image:title>listen - Sofia's Theme Park</image:title>
      <image:caption>Flowers by I'm a Puzzle!, a free online game with unlimited graphic online puzzles—PLAY HERE!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/becoming-mujeres</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/cc9f4e4f-6bed-4f87-9368-2aaa9dc86f55/Our+Lady+of+Everyday+Life_Castaneda.jpg</image:loc>
      <image:title>listen - Becoming Mujeres - Make it stand out</image:title>
      <image:caption>Our Lady of Everyday Life: La Virgen de Guadalupe and the Catholic Imagination of Mexican Women in America María del Socorro Castañeda Oxford University Press, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1651756867210-3TW2JNRCB2CVC30UGSK8/Becoming+Mujeres_guadaLupe.jpeg</image:loc>
      <image:title>listen - Becoming Mujeres</image:title>
      <image:caption>Lupita Castañeda-Liles invokes her inner Guadalupe. Image courtesy of Becoming Mujeres</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/transforming-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/a15a237c-e3b5-4be1-833e-5cb9a2fb8ad0/1953P5.37+The+Flower+Book+-+Fire+Tree.jpg</image:loc>
      <image:title>listen - Transforming Fire</image:title>
      <image:caption>“Fire Tree” from The Flower Book (1905) by Sir Edward Burne-Jones. Source: The Birmingham Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741596269-PTAZP7K0RWEPLS8NKFVT/Transforming+Fire.jpeg</image:loc>
      <image:title>listen - Transforming Fire - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/atando-cabos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/f52dcd29-ac08-4baf-b817-3bcd1283b329/Apollos+Acknowledgement.jpeg</image:loc>
      <image:title>listen - Atando Cabos</image:title>
      <image:caption>“Apollo’s Acknowledgement” crotchet-pattern design, 2021. Source: The Guy with The Hook Crochet Designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624597547141-JG5HBN52LMNH6YUDJCFQ/Atando+Cabos.jpeg</image:loc>
      <image:title>listen - Atando Cabos - Make it stand out</image:title>
      <image:caption>Transforming Fire: Imagining Christian Teaching by Mark D. Jordan (Eerdmans, 2021)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/jewish-in-the-americas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/95f803b2-61e5-4bef-8899-1f5a5b290540/Zacatecas_121_-_Archivo_Histo%CC%81rico_Universidad_de_la_Comunicacio%CC%81n.jpeg</image:loc>
      <image:title>listen - Jewish in The Americas</image:title>
      <image:caption>Founding of the Mount Sinai Hebrew School (presently the campus of Universidad de la Comunicación), 1943, México City, Mexico. Source: Archivo Histórico de la Universidad de la Comunicación</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1621092610627-59NVZHF62V6KCJJ67W2Z/LGM-2.jpg</image:loc>
      <image:title>listen - Jewish in The Americas - Make it stand out</image:title>
      <image:caption>JUDAISM IN THE AMERICAS ReVista: Harvard Review of Latin America, 20.2 (Winter 2021) Photo: © LGM Studio – Luis Gallardo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/e7599b3f-4b0e-4bbc-a9ce-ce9768b8d299/marjorie-agosin.jpeg</image:loc>
      <image:title>listen - Jewish in The Americas - Make it stand out</image:title>
      <image:caption>"Marjorie Agosin" by Ruth Behar Shalvi/Hyman Encyclopedia of Jewish Women. 23 June 2021. Jewish Women's Archive. Photo courtesy Margorie Agosin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/feminism-and-christianity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/9b0f91f3-18b2-49ca-9557-306624f7472e/holy-bible-icon-christianity-christian.jpg</image:loc>
      <image:title>listen - Feminism and Christianity</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/beyond-profession</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741897952-WJBRZKA2AEPA4XIFKZG4/Beyond+Profession.jpeg</image:loc>
      <image:title>listen - Beyond Profession - Make it stand out</image:title>
      <image:caption>After Whiteness: An Education in Belonging by Willie James Jennings (Eerdmans, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/4ca4ce94-5ad5-4b76-bb98-15d021c2b270/justo-y-catherine_gonzalez.jpg</image:loc>
      <image:title>listen - Beyond Profession - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1633469123828-DL1OIKSLNQGKAHD6SXRB/stained-glass-g23d647a7c_1920.jpeg</image:loc>
      <image:title>listen - Beyond Profession</image:title>
      <image:caption>Photo: James Henry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/commodified-communion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/012d4a9f-b2cf-4e53-9c6f-2f98a83982ac/Commodified-Communion-A-Alonso.jpeg</image:loc>
      <image:title>listen - Commodified Communion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>listen - Commodified Communion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/fd7d631c-daa8-4b9d-8750-38b0536eab9c/Flea+market_San+Jose_CA_2016.jpg</image:loc>
      <image:title>listen - Commodified Communion</image:title>
      <image:caption>Flea market in San Jose, California, 2016. Photo: Jim Johnson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/diversity-among-latinx-evangelicals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1634280465285-OSVUTIKFLAO00UG8CLFR/diversity-5582454_1280.jpeg</image:loc>
      <image:title>listen - Diversity Among Latinx Evangelicals</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/renewing-the-church-by-the-spirit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1632615420442-78YHA1O5ZEQZJLIS4DCD/MaxPixel.net-Candles-Wreath-Fire-Ring-Flare-up-Light-3286023+muted.jpeg</image:loc>
      <image:title>listen - Renewing the Church by the Spirit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1624741219829-SVI9JBEX2OZ46T0QX3GL/Renewing+the+Church+by+the+Spirit.jpeg</image:loc>
      <image:title>listen - Renewing the Church by the Spirit - Make it stand out</image:title>
      <image:caption>Renewing the Church by the Spirit: Theological Education after Pentecost by Amos Yong (Eerdmans, 2020)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/visiting-angels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1631464662765-A09TMUZ9PDVLR2K9QTA4/160424_Norma_Pimentel_124.jpeg</image:loc>
      <image:title>listen - Visiting Angels - Make it stand out</image:title>
      <image:caption>Sister Norma Pimentel, Executive Director of Catholic Charities of the Rio Grande Valley in Texas, is hailed as “a tireless advocate for families, and especially children” by her alma mater Loyola University Chicago. Photo: Heather Eidson, Loyola Magazine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/creating-the-conditions-for-scholars-of-color-to-thrive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629687651400-RH1ON4KXFK23VLYSL391/Nobody_Cries_When_We_Die_cover_final_994dde7f-abb8-49ad-afd9-b187eacd52e2_946x1400.jpeg</image:loc>
      <image:title>listen - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>Nobody Cries When We Die: God, Community, and Surviving to Adulthood by Dr. Patrick Reyes (Chalice Press, 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1629168681758-CYXMP2CKFJWQO79QBTX7/11099601195_f2718352ba_o.jpg</image:loc>
      <image:title>listen - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>“Quetzalcóatl” (1973) mural by Mario Torero, et al., the first attempt at collective mural painting in Chicano Park, San Diego, CA, 2013. Parts of the mural image grace the cover of Nobody Cries When We Die by Patrick Reyes (Chalice Press, 2018). Photo: teddeady</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247843402-A4F2HKMKRX8A1W3TFUMV/sound-of-the-genuine.jpg</image:loc>
      <image:title>listen - Creating the Conditions for Scholars of Color to Thrive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/creating-meaning-and-purpose</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627258695168-S3EED30ZG5R2L00BNZUR/Purpose+Gap-+Reyes.jpeg</image:loc>
      <image:title>listen - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>The Purpose Gap: Empowering Communities of Color to Find Meaning and Thrive - Patrick Reyes (Westminster John Knox Press, 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1626843890145-ZJ59BQBYJYXWDPS6R50M/labyrinth+of+the+Chartres+Cathedral.jpeg</image:loc>
      <image:title>listen - Creating Meaning and Purpose</image:title>
      <image:caption>Labyrinth of the Chartres Cathedral, France. Photo: Sylvain Sonnet/Corbis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247843402-A4F2HKMKRX8A1W3TFUMV/sound-of-the-genuine.jpg</image:loc>
      <image:title>listen - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1627247764093-N99AAXD8IHJMF290SG4I/Robin_Owens_-_Podcast_Cover_Art_reduced_10.jpeg</image:loc>
      <image:title>listen - Creating Meaning and Purpose - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/complicated-grief-in-extraordinary-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1623283227384-38T35AWZDHQB2H3NHZ6H/covid-rememberance.jpeg</image:loc>
      <image:title>listen - Complicated Grief in Extraordinary Times</image:title>
      <image:caption>Empty chairs set up by Covid Survivors for Change, representing a fraction of the 200,000+ lives lost due to COVID-19. The memorial was shown during the National COVID-19 Remembrance at The Ellipse outside the White House, Washington, D.C., 4 October 2020. Award-winning singer Dionne Warwick, Former U.S. Ambassador for Health, hosted the livestreamed event. Photo: Ted Eytan, MD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/faith-justice-and-immigration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1620189824439-6VOFRFH97CN40CCNVJND/8737011970_f8d263e43a_o.jpg</image:loc>
      <image:title>listen - Faith, Justice, and Immigration (Copy)</image:title>
      <image:caption>“Who Would Jesus Deport?” Backbone Campaign banner lift over the private, for-profit NW Detention Center in Tacoma, WA, 12 May 2013. The action in support of allied faith communities is part of the Backbone Campaign’s efforts to amply “the aspirations of ‘We the People’ with creative strategies and artful activism to manifest a world where life, community, nature, and our obligations to future generations are honored as sacred.” Photo: The Backbone Campaign</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/brown-in-red-orange-county</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619230797730-OOVUY70M2T6EE6Z9B2QQ/img-8684_orig.jpg</image:loc>
      <image:title>listen - Brown in Red Orange County</image:title>
      <image:caption>Mural at the former Guest Inn and Suites hotel, now The Orchard, a permanent housing community for the homeless in Santa Ana, California, 2017. Art: Brian Peterson (Founder of Faces of Mankind) and Damin Lujan (Santa Ana street artist). Photo: Brian Peterson, courtesy Faces of Santa Ana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1619410217238-BY7F8A234V8HXSTVSGPR/saints-of-santa-ana.jpg</image:loc>
      <image:title>listen - Brown in Red Orange County</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>listen - Brown in Red Orange County - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/predicadores</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616773003994-I8E5C5BH76WNZGW38FDV/predicadores.jpg</image:loc>
      <image:title>listen - Predicadores</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1617558321144-0DBGNGFE3FIC5YXNH5JX/GettyImages-919707606.jpg</image:loc>
      <image:title>listen - Predicadores</image:title>
      <image:caption>Image: David Malan/Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/add4d154-1c4b-48ef-88e0-2e939cb66055/HTI+2021+Book+Prize+Winners.png</image:loc>
      <image:title>listen - Predicadores - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/i-am-not-your-virus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1616306371045-VR16Q33G8E945FATJ3DK/CCHR-pair-campaign-collage.png</image:loc>
      <image:title>listen - ‘I Am Not Your Virus’: COVID-19 and Creation Care</image:title>
      <image:caption>Graphics by multimedia artist Amanda Phingbodhipakkiya for "I Still Believe in Our City," a “public awareness campaign developed with the NYC Commission on Human Rights to combat anti-Asian discrimination, harassment, and bias as a result of COVID-19, and launched with the support of the NYC Department of Cultural Affairs.” Source: NYC Commission on Human Rights, The City of New York [The collection of multilingual graphics to address anti-Asian racism and harassment CAN BE DOWNLOADED FREE OF CHARGE HERE]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/apostles-of-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1610945051237-ZOYD0JF2P7MH4RPJ0445/apostles-of-change.jpg</image:loc>
      <image:title>listen - Apostles of Change</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1610567809171-6L1MRC151HH4T4TE4VLM/First+People%E2%80%99s+Church-Hiram+Maristany-1970.png</image:loc>
      <image:title>listen - Apostles of Change</image:title>
      <image:caption>Young Lords member Felipe Luciano addressing a crowd outside the FSUMC [First Spanish United Methodist Church], “Second People’s Church,” October 1970. © Copyright Hiram Maristany; courtesy of Hiram Maristany. "In December of 1969, after months of failed negotiations with church leadership, the New York Chapter of the #YoungLords occupied the First Spanish Methodist Church in East Harlem, renamed it 'The People's Church,' and for eleven days hosted community programs within its walls." —Jorge Juan Rodríguez V @JJRod for @UnionSeminary, 12 April 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/prosperity-gospel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1606108090669-LI913T8JGZFC6YD63ZC0/evangelicals-1475136_1280.jpg</image:loc>
      <image:title>listen - Prosperity Gospel</image:title>
      <image:caption>Symbols representing the Four Evangelists of the New Testament: Matthew (angel), Mark (lion), Luke (ox), and John (eagle)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/revelation-in-aztlan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1608069117839-LM54DY75KCH3Q3JVVUKV/1704_Gemelli_Map_of_the_Aztec_Migration_from_Aztlan_to_Chapultapec_-_Geographicus_-_AztecMigration-gemelli-1704.jpg</image:loc>
      <image:title>listen - Revelation in Aztlán</image:title>
      <image:caption>“Gemelli Map of the Aztec Migration from Aztlan to Chapultapec” by Giovanni Francesco Gemelli Careri, 1704. First published representation of the pre-Columbian Aztec pilgrimage from Aztlán (shown in upper right corner as square lake with palm tree). Supposedly copied from Nahuatl sources, the map embraces both cartographic and spiritual elements. Source: Geographicus Rare Antique Maps</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/post-election-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1606607092126-Y9AYQSFP18XZ76TNH6PI/ivotedstickers.jpg</image:loc>
      <image:title>listen - Post-Election Roundup</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/karma-chameleon-parts-1-and-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1601919520297-3563SA9IKPMQNEG4CY9J/12519624925_2254308414_o.jpg</image:loc>
      <image:title>listen - Karma Chameleon- Parts I and II</image:title>
      <image:caption>Photo: Pietro Bellini</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/american-blindspot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603986883818-SS8VU1JEJ216AV8H003K/pxfuel.com.jpg</image:loc>
      <image:title>listen - American Blindspot</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/theological-school-leaders-respond-to-racial-injustice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603508506716-XHV36OA07UMYPG06QYT0/50022093183_ca2b756e12_o.jpg</image:loc>
      <image:title>listen - ‘Infinite Hope:’ Theological School Leaders Respond to Racial Injustice</image:title>
      <image:caption>George Floyd mural outside Cup Foods at Chicago Ave. and E. 38th St, Minneapolis, MN, 18 June 2020. Arists: Xena Goldman, Cadex Herrera, and Greta McLain. Photo: Lorie Shaull</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/the-evangelical-latinx-voter-and-the-complexity-of-collective-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603335653088-BUL99E451KTY218I4WPU/tiffany-tertipes-RYh40IrsnB8-unsplash.jpg</image:loc>
      <image:title>listen - The Evangelical Latinx Voter and the Complexity of Collective Identity</image:title>
      <image:caption>Photo: Tiffany Tertipes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.htiopenplaza.org/listen/answering-the-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5da9ca4316ddf940acff02af/1603077756916-7WH8JZY8Z5XEYANI41TT/landscape-nature-forest-rock-wilderness-person-879299-pxhere.com.jpg</image:loc>
      <image:title>listen - Answering the Call</image:title>
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    <image:image>
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      <image:title>listen - Borderlands Studies</image:title>
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      <image:title>listen - Try Jesus</image:title>
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      <image:title>listen - Greek for Spanish Speakers</image:title>
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      <image:title>listen - Transoccidentalism</image:title>
      <image:caption>The Hieroglyphic Stairway of Copán, Honduras. Carved with over 2200 hieroglyphs that relate the history of Copán’s 12 rulers, the temple staircase is considered the longest Mayan text ever found. Photo: José Porras</image:caption>
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      <image:title>listen - Millennial Latinxs Reconnect with Ancestral Wisdom</image:title>
      <image:caption>Photo: Luz Mendoza</image:caption>
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